Quotes about concert
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“It is a fearful thing to lead this great peaceful people into war, into the most terrible and disastrous of all wars, civilization itself seeming to be in the balance. But the right is more precious than peace, and we shall fight for the things which we have always carried nearest our hearts — for democracy, for the right of those who submit to authority to have a voice in their own governments, for the rights and liberties of small nations, for a universal dominion of right by such a concert of free peoples as shall bring peace and safety to all nations and make the world itself at last free. To such a task we can dedicate our lives and our fortunes, everything that we are and everything that we have, with the pride of those who know that the day has come when America is privileged to spend her blood and her might for the principles that gave her birth and happiness and the peace which she has treasured. God helping her, she can do no other.”

Woodrow Wilson (1856–1924) American politician, 28th president of the United States (in office from 1913 to 1921)

1910s, Address to Congress on War (1917)

God, War, Happiness, People

“We caught a lot of people off guard, which is cool. And I think we made things more enjoyable for the boyfriends who had been dragged to the concert.”

Skye Sweetnam (1988) Canadian singer-songwriter

On opening for Britney Spears

People, Thinking

“The security response is necessary but it’s not sufficient. There also needs to be a concerted “hearts and minds” campaign against the versions of Islam that make excuses for terrorists.”

Tony Abbott (1957) Australian politician

2015, The religion of Islam must reform (December 9, 2015)

Heart

“Chopin absolutely was influenced by Bach. We know that before Chopin himself performed in concert, he didn’t play anything other than Bach. His own Preludes are a reference to the Well-Tempered Clavier of Bach, and all Chopin’s students had to play Bach. In whole, Chopin admired Bach most of all composers, and it was nothing less than the Well-Tempered Clavier itself that was his musical diary. I also have said that Chopin is the crowning and climax of piano-playing. It’s something so unique, all-affecting in emotionalism, musical architecture, and structure, that all past giants are present in it: Bach and Mozart. Chopin’s elegance is so singular, that again you need much experience to convey his music in the real and original style. The question of rubato is very sensitive: It’s nothing arbitrary, but much more something well calculated and well proportioned, something that is integrated in the classical strength of form, which is constructed on the profound knowledge of the polyphonic and contrapuntal structures of Bach and Mozart. Whether the Goldbergs may relate to this question? Absolutely! I again want to mention a certain and special term: jeu perlé.”

Burkard Schliessmann classical pianist

Without this you can’t play Chopin, you can’t play Mozart, and lastly absolutely not the Goldbergs.
Talkings on Bach

Music, Question, Knowledge, Past

“Chinese cultural influence is virtually nil, and unlikely to increase… Indeed, high Chinese culture and art are almost all imitative of western forms: Chinese concert pianists are technically brilliant, but brilliant at Schubert and Rachmaninov. Chinese ballerinas dance to the scores of Diaghilev. The number of Chinese Nobel prizes won on home turf is zero, although there are of course legions of bright Chinese trying to escape to Stanford and Caltech… It is hard to think of a single Chinese sport at the Olympics, compared with umpteen invented by Britain, including ping-pong, I’ll have you know, which originated at upper-class dinner tables and was first called whiff-whaff. The Chinese have a script so fiendishly complicated that they cannot produce a proper keyboard for it.”

Boris Johnson (1964) British politician, historian and journalist

Have I Got Views for You, p277
2000s, 2006

Art, Home, Thinking, Sport

“There is always this criticism that the lyricism and the poetry and the language and the dialogues of the past, the written word, is not so prevailing now. To some extent, yes. For somebody that has lived through those years and come back, I feel that when I go to concerts and when I go to public events, nobody asks me to recite dialogues from Baghban or Paa (laughs), they say ‘can we have Deewar?’ or ‘Can we have Agneepath?’ or whatever. So I’m assuming, therefore, that there was a lot more strength and value in those dialogues than what we have now. But I think that, in defense of today’s generation, maybe they don’t want it. They don’t like too many words. This generation is very cryptic in the way it communicates, they’ll have just one or two words where we used to use four of five sentences in our time. That attention span has become very short. So they use one or two words, ‘it’s cool’ or ‘you’re rocking’, to describe the whole feeling. That is the style of the younger generation and if this is what they want, we must make films that follow it.”

Amitabh Bachchan (1942) Indian actor

Quotable quotes by Amitabh Bachchan.

Way, Feeling, Communication, Thinking

“No matter how close and familiar the temple or cathedral were to the people who lived around them, they remained in terrifying or elevating contrast to the daily life of the slave, the peasant, and the artisan—and perhaps even to that of their masters. Whether ritualized or not, art contains the rationality of negation. In its advanced positions, it is the Great Refusal—the protest against that which is. The modes in which man and things are made to appear, to sing and sound and speak, are modes of refuting, breaking, and recreating their factual existence. But these modes of negation pay tribute to the antagonistic society to which they are linked. Separated from the sphere of labor where society reproduces itself and its misery, the world of art which they create remains, with all its truth, a privilege and an illusion. In this form it continues, in spite of all democratization and popularization, through the nineteenth and into the twentieth century. The “high culture” in which this alienation is celebrated has its own rites and its own style. The salon, the concert, opera. theater are designed to create and invoke another dimension of reality. Their attendance requires festive-like preparation; they cut off and transcend everyday experience. Now this essential gap between the arts and the order of the day, kept open in the artistic alienation, is progressively closed by the advancing technological society. And with its closing, the Great Refusal is in turn refused; the “other dimension” is absorbed into the prevailing state of affairs. The works of alienation are themselves incorporated into this society and circulate as part and parcel of the equipment which adorns and psychoanalyzes the prevailing state of affairs.”

Herbert Marcuse book One-Dimensional Man

Source: One-Dimensional Man (1964), pp. 63-64

Life, People, Truth, World

“For all three of us, the Caracalla concert was a major event in our lives. I hope I am not immodest to think it was also unforgettable for most of the people who were present.”

Luciano Pavarotti (1935–2007) Italian operatic tenor

On the 1990 "Three Tenors" concert in Rome, Italy, with Placido Domingo and Jose Carreras
Pavarotti : My World (1995)

People, Hope, Thinking

“There is nothing which I dread so much as a division of the republic into two great parties, each arranged under its leader, and concerting measures in opposition to each other. This, in my humble apprehension, is to be dreaded as the greatest political evil under our Constitution.”

John Adams (1735–1826) 2nd President of the United States

Letter to Jonathan Jackson (2 October 1780), "The Works of John Adams" http://books.google.com/books?id=j9NKAAAAYAAJ&dq=John%20Adams%20works&pg=PA511#v=onepage&q&f=false, vol 9, p. 511 1780s

Evil

“In my opinion the third sound principle is this—to strive to cultivate and maintain, ay, to the very uttermost, what is called the concert of Europe; to keep the Powers of Europe in union together. And why? Because by keeping all in union together you neutralize and fetter and bind up the selfish aims of each. I am not here to flatter either England or any of them. They have selfish aims, as, unfortunately, we in late years have too sadly shown that we too have had selfish aims; but then common action is fatal to selfish aims. Common action means common objects; and the only objects for which you can unite together the Powers of Europe are objects connected with the common good of them all. That, gentlemen, is my third principle of foreign policy.”

William Ewart Gladstone (1809–1898) British Liberal politician and prime minister of the United Kingdom

Speech in West Calder, Scotland (27 November 1879), quoted in W. E. Gladstone, Midlothian Speeches 1879 (Leicester University Press, 1971), pp. 115-116.
1870s

Selfishness

“People say, Well, he wore that body out. Well, maybe I did. But it was to a good purpose. They should be thankful that I wore it out to the purpose I wore it out and that was writing and recording and touring and doing concerts. Everywhere I could possibly do them that I thought I might enjoy them. I thought people might enjoy me.”

Johnny Cash (1932–2003) American singer-songwriter

CNN interview (2002)

People

“One time I woke up on the day of a concert with a stiff neck, and not just a regular stiff neck, I was standing croocked, like the hunchback of Notre Dame. I got some shots then, which did not work. They could have easily put the stage croocked that day so it at least would have looked like I was walking normally. I did perform that night, but I remember nothing from it, was so high from the shots. Later I heared from my manager that I was doin never ending talks between songs. The guy’s at the mix table where trying via the monitor to get me to start singing the next song, but I just kept talking ‘wait wait wait, just one more fun thing I want to say…” I was the stand up comic from hell.”

Anastacia (1968) American singer-songwriter

Het stomende dubbelinterview: Natalia en Anastacia http://www.humo.be/humo-archief/29756/het-stomende-dubbelinterview-natalia-en-anastacia, Humo, September 27, 2010. General Quotes

Guy, Hell, Singing, Time

“When gnats act in concert they will bring
down an elephant: when ants set to work,
and move in a body, they can strip a fierce
lion of its hide”

Saadi book Gulistan of Sa'di

Chapter 3, story 28 http://books.google.com/books?id=LDpbAAAAQAAJ&q=%22use+a+sweet+tongue+courtesy+and+gentleness+and+thou+mayst+manage+to+guide+an+elephant+with+a+hair%22&pg=PA292#v=onepage Gulistan (1258)

“…Another highlight of the festival was the performance of the Alchemy Trio in the Tempel Synagogue. That's a great cracovian cellist Dorota Imiełowska with accordion wizard Konrad Ligas and equally sensational bassist Roman Ślazyk. With musicians performed 16-year-old Łukasz Pawlikowski of which can confidently say that he has joined the ranks of the best Polish cellists. Jewish music they played (even in their own arrangement) enchanted, deeply touched and amused, because this music is not only an emotional but also full of humor. It was not just a concert - artists presented musical and theatrical spectacle. Excellent!”

Łukasz Pawlikowski (1997) Polish cellist

...Kolejnym wydarzeniem festiwalu był występ Alchemy Trio w Synagodze Tempel. To znakomita krakowska wiolonczelistka Dorota Imiełowska z czarodziejem akordeonu Konradem Ligasem i równie rewelacyjnym kontrabasistą Romanem Ślazykiem. Z muzykami wystapił 16-letni Łukasz Pawlikowski, o którym śmiało można powiedzieć, że już dołączył do grona najlepszych polskich wiolonczelistów. Muzyka żydowska, którą grali / również we własnej aranżacji/ zachwycała, wzruszała i bawiła, bo to muzyka nie tylko niezwykle emocjonalna, ale i pełna humoru. To był nie tylko koncert - artyści zaprezentowali spektakl muzyczno-teatralny. Rewelacja!
[Beata Penderecka, http://www.radiokrakow.pl/www/index.nsf/ID/BPEA-9AZLHZ, Cellos on Music in Old Cracow, Radio Kraków, 2013-28-08, Polish]
About

Music, Confidence

“Them [gas] prices are higher than a bus load of Mexicans at the Los Lobos concert.”

Larry the Cable Guy (1963) American stand-up comedian, actor, country music artist, voice artist

Morning Constitutions (2007)

“When Berkeley does not feel like some kind of vast exercise in collective dystopia—a kind of left-wing Plymouth Plantation in which a man may be pilloried for over-illuminating his house at Christmastime—then paradoxically it often feels like a place filled with people incapable of feeling or acting in concert with each other.”

Michael Chabon (1963) Novelist, short story writer, essayist

The Mysteries of Berkeley (March 2002)

People, Feeling, Exercises, Housing

“Within the vast, virtually limitless piano repertoire, the piano sonatas of Sergei Prokofiev occupy a special place. Apart from Alexander Scriabin early in the century, Prokofiev was the only major twentieth-century composer to pay such consistent attention to the form, … They are a constant presence in concert programs and are considered an indispensable part of the repertoire by almost every serious concert pianist.”

Boris Berman (1948) Russian/American musician

Prokofiev’s piano sonatas : a guide for the listener and the performer (2008), Preface

Parting

“Have you never seen human beings acting in a mob-frenzy? Have you never seen a religious rite that tipped people over the edge? Did you not see footage of the rock-and-roll music concerts they have in America?”

Adam Roberts book Twenty Trillion Leagues Under the Sea

Source: Twenty Trillion Leagues Under the Sea (2014), Chapter 14, “Confinement” (p. 131)

People, Music

“Man, no doubt, owes many other moral duties to his fellow men; such as to feed the hungry, clothe the naked, shelter the homeless, care for the sick, protect the defenceless, assist the weak, and enlighten the ignorant. But these are simply moral duties, of which each man must be his own judge, in each particular case, as to whether, and how, and how far, he can, or will, perform them. But of his legal duty—that is, of his duty to live honestly towards his fellow men—his fellow men not only may judge, but, for their own protection, must judge. And, if need be, they may rightfully compel him to perform it. They may do this, acting singly, or in concert. They may do it on the instant, as the necessity arises, or deliberately and systematically, if they prefer to do so, and the exigency will admit of it.”

Lysander Spooner (1808–1887) Anarchist, Entrepreneur, Abolitionist

Section II, p. 6
Natural Law; or The Science of Justice (1882), Chapter I. The Science of Justice.

Men, Clothes

“Scattered… over the breasts of the surrounding mountains there were heaps of hoary mist, in fantastic shapes… or cloud, hovering in the gold radiance of the upper atmosphere. …[I]t seemed almost as if mortal man might thus ascend into the heavenly regions. Earth was so mingled with sky… The great hills played a concert among themselves, each constituting a strain of airy sweetness.”

Nathaniel Hawthorne (1804–1864) American novelist and short story writer (1804 – 1879)

"Ethan Brand" (1850)

Mountain

“Jerry Springer: And what do you do with your concerts?”

GG Allin (1956–1993) American singer-songwriter

On The Jerry Springer Show

“You must remember what the concert of Europe is. The concert, or, as I prefer to call it, the inchoate federation of Europe, is a body which acts only when it is unanimous…remember this—that this federation of Europe is the embryo of the only possible structure of Europe which can save civilization from the desolating effects of a disastrous war. (Cheers.) You notice that on all sides the instruments of destruction, the piling up of arms, are becoming larger and larger. The powers of concentration are becoming greater, the instruments of death more active and more numerous, and are improved with every year; and each nation is bound, for its own safety's sake, to take part in this competition. These are the things which are done, so to speak, on the side of war. The one hope that we have to prevent this competition from ending in a terrible effort of mutual destruction which will be fatal to Christian civilization—the one hope we have is that the Powers may gradually be brought together, to act together in a friendly spirit on all questions of difference which may arise, until at last they shall be welded in some international constitution which shall give to the world, as a result of their great strength, a long spell of unfettered and prosperous trade and continued peace.”

Robert Gascoyne-Cecil, 3rd Marquess of Salisbury (1830–1903) British politician

Speech at the Guildhall (9 November 1897), quoted in The Times (10 November 1897), p. 6
1890s

Death, War, World, Peace

“(about her concert in North Korea) "The concert was full of government officials. Every single last seat. It was invitation only, but it was an unbelievable experience. Frightening and exhilarating at the same time. And I just thought about how lucky I am. I am so fortunate to be a musician, and at that moment, I genuinely felt that music is the one and only universal language."”

Sarah Chang (1980) violinist

Newsweek September 2006 http://www.msnbc.msn.com/id/14870541/site/newsweek/?page=6

Music, Universe, Time

“I wish I could hold a concert…. It is unfair that the Shehnai is not played at concerts. Why should not the Shehnai be played at the concerts?… Then let me do it now. Let me break tradition…. May Lord Balaji help me.”

Bismillah Khan (1916–2006) Indian musician

When he was perturbed at not being invited to play in concerts when other instrumentalists held solo performances, and it is when Lord Balaji whispered in his ears “All good things begin with Shehnai”.
Quote, Encyclopedia of Bharat Ratnas

Help

“Who is Gloria Estefan today? I'm very fulfilled as a woman. I've been able to have a wonderful family life, a fantastic career. I have a lot of good friends around me. My family has been my grounding point, and rooted me deeply to the earth... I'm very happy. I've done everything I ever wanted to do. The key to me was -- I told my husband when we were in our 20s -- I'm going to work really hard, so one day I won't have to work so hard. And to me what that was, was having choices. And I do have choices now -- and I have take full advantage of that. It's important for me now to be here for my little girl [Emily, age 12]. My son is full grown -- and I know have quickly that goes. So, I'm balancing being a mother -- which to me is the most important role I have on this earth -- and still being creative, writing -- which is what I love to do. So, I've been able to branch out into not just writing songs like you have heard through the years -- but writing children's books, writing a screenplay. But at my core that's what I am: a writer. And that's what I enjoy doing behind the scenes: writing the songs for albums, recording it. And that's why you have seen me take more of a back seat to being the center of attention, and being out on tour and doing that kind of thing. I've stepped up a lot of my charity work. This year, the five concerts I did were all for charity: different ones and my own foundation. So, that's becoming a bigger and bigger part of my life -- as I wanted it to be. And [I keep] just growing and evolving.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

iTunes interview (released June 2, 2007)
2007

Love, Life, Happiness, Children

“A man of intellect is like an artist who gives a concert without any help from anyone else, playing on a single instrument — a piano, say, which is a little orchestra in itself. Such a man is a little world in himself; and the effect produced by various instruments together, he produces single-handed, in the unity of his own consciousness. Like the piano, he has no place in a symphony; he is a soloist and performs by himself — in solitude, it may be; or if in the company with other instruments, only as principal; or for setting the tone, as in singing.”

Arthur Schopenhauer book Parerga and Paralipomena

Parerga and Paralipomena (1851), Counsels and Maxims

World, Solitude, Singing, Help

“(Devil describes Hell) It's like you go to a Van Halen concert and you're the oldest one there, and there's a mix-up in the tickets, and you have to stand for the whole thing and it's hot and the kid next to you loses his lunch on your shoe.... I know.”

Nicole Hollander (1939) Cartoonist

You thought it was going to be witty and Noel Cowardish.
Source: Sylvia cartoon strip, p. 133

Shoe, Hell

“I really liked Deadheads and the whole Dead concert scene: the tailgating, the tie-dye uniforms, the camaraderie — it was like NASCAR for potheads.”

Ann Coulter (1961) author, political commentator

Interview in Jambands (23 June 2006).
2006

Dead

“I'm the first to admit that there's something unnatural… something unseemly… about rock stars mounting the pulpit and preaching at presidents, and then disappearing to their villas in the South of France. Talk about a fish out of water. It was weird enough when Jesse Helms showed up at a U2 concert… but this is really weird, isn't it?”

Bono (1960) Irish rock musician, singer of U2

National Prayer Breakfast (2006)

Star, Fish, Water

“Now, after the concert, y'all are going to want to pig out. But you don't want to say you're going to go pig out. So one of you is come up to the other and say, "How about a little fellowship?"”

Mike Warnke (1946) Evangelical Christian minister

Stuff Happens (album) (1985)

“Take any aspect of the Western inheritance of which our ancestors were proud, and you will find university courses devoted to deconstructing it. Take any positive feature of our political and cultural inheritance, and you will find concerted efforts in both the media and the academy to place it in quotation marks, and make it look like an imposture or a deceit.”

Roger Scruton book How to Be a Conservative

Source: How to Be a Conservative (2014), p. 40

Effort, Universe

“Sometime 30 years ago I wrote a piece for the Stan Kenton Neophonic Band. The night of the concert at the Music Center Auditorium in Los Angeles Stan counted it off much too fast. When it came to the recapitulation at the end, the woodwind instrumentation had changed to mixtures of piccolos, flutes and saxes; and being too fast, it turned into a woodwind knuckle-buster. I was hiding on the floor between the seats. Later, when this was recorded, Stan counted too slowly. That recording was released without my piece. Years later when Stan created his "The Creative World of Stan Kenton" record company, Capitol was so angry that he had left them and released everything they had in the can to jeopardize his market. My piece was released with the first third cut off. I rewrote this for my present instrumentation and when we first went through it, while conducting, I was in tears to finally hear what I had written 30 years ago.”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

Discussing "Piece for Soft Brass, Woodwinds and Percussion"; from the liner notes for Jazz Corps

World, Music, Angels, Tear

“If we are to project our power against the vital areas of any enemy across the ocean before beachheads on enemy territory are captured, it must be by air-sea power; by aircraft launched from carriers; and by heavy surface ships and submarines projecting guided missiles and rockets. If present promise is developed by research, test and production, these three types of air-sea power operating in concert will be able within the next ten years critically to damage enemy vital areas many hundreds of miles inland.
Naval task forces including these types are capable of remaining at sea for months. This capability has raised to a high point the art of concentrating air power within effective range of enemy objectives.”

Chester W. Nimitz (1885–1966) United States Navy fleet admiral

Employment of Naval Forces (1948)

Art, Sea

“Now, there is a genuine social justice which proceeds not from the principle of equality, but from the principle: Suum cuique — to each his own. It is true that to deprive the workman of his just wage is not only a sin, but a sin that cries to heaven for vengeance. When one hinders social advance by putting barriers in the way of the diligent and the talented, one not only commits a personal injustice, but damages the common good of the whole nation, which always requires a genuine elite of ability and the contribution of extraordinary brainpower in every walk of life. And it would be socially unjust if a few individuals or certain groups had so much material wealth that, in consequence of this concentration of property and income, other classes had to live not only in povery, but in misery. Whoever lives in real abundance has a Christian duty to assist those living in wrechedness. Before we proceed, however, let us affirm that the notion of misery is different from that of poverty. Péguy has already drawn the distinction between pauvreté and misère. To live in misery means to suffer genuine physical privation: to know cold and hunger, to have no proper dwelling, to be dressed in rags, to be unable to secure medical attention. The poor, by contrast, have the necessities of life, but scarcely any more. They can borrow books, no doubt, but cannot buy them; they can hear music on the radio, but cannot afford a ticket to a concert; they cannot indulge in little extras of food and drink, but should, by self-discipline, be able to save a little. The poor have, therefore, the normal material preconditions for happiness — unless plagued by acquisitiveness or even envy, which has become a political force in the same measure as people have lost their faith. The fact that there are happy poor (alongside unhappy rich people) is beside the point. Demagogues know how to stir up terrible and murderous unrest even among the happy poor, as has been demonstrated clearly by the history of the left from Marat to Marx to Lenin to Hitler.”

Erik von Kuehnelt-Leddihn (1909–1999) Austrian noble and political theorist

Pgs 53-54
The Timeless Christian (1969)

Life, Hunger, Happiness, People

“Critics frequently cry 'Dada' after attending one of my concerts or hearing one of my lectures. Others bemoan my interest in w:Zen. One of the liveliest lectures I ever heard was given by Nancy Wilson Ross at the Cornish School in Seattle. It was called Zen Buddhism and Dada. It is possible to make a connection between the two, but neither Dada nor Zen is a fixed tangible. They change; and in quite different ways in different places and times, they invigorate action. What was Dada in the 1920's is now, with the exception of the work of Marcel Duchamp, just art. What I do, I do not wish blamed on Zen, though without my engagement with Zen... I doubt whether I would have done what I have done... I often point out that Dada nowadays has in it a space, an emptiness, that it formerly lacked. What nowadays, America mid-twentieth century, is Zen?”

John Cage (1912–1992) American avant-garde composer

Quote in 'Silence: lectures and writings by Cage, John', Publisher Middletown, Conn. Wesleyan University Press, June 1961, x/SILENCE
1960s

School, Art, Way, Change

“Colonial possessions added to the prestige, and to a much lesser degree to the wealth, of Europe. But the primary cause of Western affluence and power is internal – the institutions of science, democracy, and capitalism acting in concert.”

Dinesh D'Souza (1961) Indian-American political commentator, filmmaker, author

Two cheers for colonialism http://www.sfgate.com/opinion/article/Two-cheers-for-colonialism-2799327.php (7 July 2002).

Democracy, Science, Wealth

“I heard Edwin Fischer, who did not mean much to me. I heard another pianist in Berlin who had a big success and I thought he was awful — Mischa Levitzki. Just fingers, and you cannot listen only to fingers. There is a difference between artist and artisan. Levitzki was an artisan. But Ignaz Friedman, who I admired, was a great artist. He had wonderful fingers and a very personal, individual way of playing, even if some of his ideas were very strange to me. He had no hesitation touching up the music. I got annoyed with him at one concert when he changed the basses in Chopin's F minor Ballade. I didn't like that. For some reason he was happier making records than he was on the stage.”

Vladimir Horowitz (1903–1989) American classical pianist and composer

quoted in Harold C. Schonberg, Horowitz: his life and music

Music, Way, Idea, Change

“I can predict with absolute certainty that within another generation there will be another world war if the nations of the world do not concert the method by which to prevent it.”

Woodrow Wilson (1856–1924) American politician, 28th president of the United States (in office from 1913 to 1921)

Speech in Omaha, Nebraska (8 September 1919), as recorded in Addresses of President Wilson (1919), p. 75 and in "The Public Papers of Woodrow Wilson (Authorized Edition) War and Peace: Presidential Messages, Addresses, and Public Papers (1917-1924) Volume II Page 36; Wilson later used this phrase in his address in Pueblo, Colorado, in what has been called his League of Nations Address (25 September 1919)[Note: this phrase is not in Wilson's address in Pueblo, Colorado (25 September 1919). He made a much softer statement making the inevitability of a future war without the League implicit rather than explicit.]
1910s

War, World

“I am honored and humbled to be nominated by the President to lead the FBI, the premier law enforcement organization in the world. From my earliest days working with agents as a line prosecutor to my time working with them at the Department of Justice in the aftermath of 9/11, I have been inspired by the men and women of the FBI – inspired by their professionalism, integrity, courage, and sacrifice for the public. If confirmed, it will be a privilege and honor to once again work with them. America faces grave threats both here and abroad, and the FBI, in concert with its federal, state, and local partners continues to work steadfastly to prevent and hold accountable those responsible for these threats. I look forward to the confirmation process, and pledge my complete commitment to fairly and honorably protecting our country and upholding our Constitution and laws.”

Christopher A. Wray (1966) American lawyer, and current director of the U.S. Federal Bureau of Investigation

Statement of Christopher A. Wray https://www.justice.gov/opa/pr/statement-christopher-wray (June 26, 2017)

Women, Men, World, Justice

“Two days before Britney Spears' HBO concert from Las Vegas, someone broke into her dressing room and stole the white, Elvis-inspired jumpsuit that she wore to promote the event. And you know what, I'm not giving it back! I keep it now, it's mine!”

Tina Fey (1970) American comedian, writer, producer and actress

citation needed

“I grew up with the colors of war -- the red colors of fire and blood, the brown tones of earth as it explodes in our faces and the piercing silver of an exploded missile, so bright that nothing can protect your eyes from it. I grew up with the sounds of war -- the staccato sounds of gunfire, the wrenching booms of explosions, ominous drones of jets flying overhead and the wailing warning sounds of sirens. These are the sounds you would expect, but they are also the sounds of dissonant concerts of a flock of birds screeching in the night, the high-pitched honest cries of children and the thunderous, unbearable silence. "War," a friend of mine said, "is not about sound at all. It is actually about silence, the silence of humanity."”

Zainab Salbi (1969) Iraqi American author, women's rights activist

Speech at TEDGlobal 2010

War, Children, Color, Bird

“(about concerts)"I love the adrenaline rush you get from having a live audience in front of you. There's nothing like performing live. I like to categorize classical music as one of those really beautiful, glamorous gems from the old era. The men are in tails onstage, the women are in beautiful dresses and the soloist comes out in a gorgeous evening gown. I really, really love that old-school glamour. For me, concert days are always exciting. It doesn't matter if I give 100 concerts or 150 concerts that season. Every concert is magical. Every concert has a sparkle to it. The challenge is to keep myself fresh and to give a spontaneous performance every single night while maturing and growing as a musician every day. The whole art form of being onstage is so mysterious and magical, it fascinates me. "”

Sarah Chang (1980) violinist

Newsweek September 2006 http://www.msnbc.msn.com/id/14870541/site/newsweek/?page=6

Love, Women, Men, School

“No longer let thy breathing only act in concert with the air which surrounds thee, but let thy intelligence also now be in harmony with the intelligence which embraces all things. For the intelligent power is no less diffused in all parts and pervades all things for him who is willing to draw it to him than the aërial power for him who is able to respire it.”

Marcus Aurelius book Meditations

Source: Meditations (c. 121–180 AD), Book VIII, 54

Intelligence, Parting, Drawing

“This commitment to end world hunger, and my music and story songs, are ways of dealing with the world as I see it. I'm playing 200 concerts per year-- half of them benefits-- all of them attempts at getting across the footlights to people I would enjoy spending time with in non-concert situations. And over the past 4 years of musical fun, millions of dollars have been raised for things I believe in. Telling stories of our time, building a lasting body of work, new songs, new records, new audiences, new challenges, and still that painfully exciting process of growth that can make one's life into a richly woven tapestry.”

Harry Chapin (1942–1981) American musician

All My Life's a Circle, Autobiographical statement on a concert program, circa 1980 http://harrychapin.com/articles/bio.shtml

Life, Hunger, People, World

“In the case of a novel, or any imaginative work, especially if the tone is poetic, my own preference is for ending with a touch of symbolism which shall leave the reader brooding. A fine novel, a well-written story, "proves" nothing. Certain characters have played their parts, life goes on, and the final passage may be allowed to remain with one foot in the air, as is the case with some of Chopin's conclusions. But there is no absolute rule in such matters, and there are epic novelists who like to end on a powerful crescendo, as Ravel does in Bolero, or Dvorak in the New-World Symphony. Composition has features which are common to all the arts, and the author can learn as much about his business in the concert hall as in the library.”

André Maurois (1885–1967) French writer

The Art of Writing

Life, World, Art, Imagination

“The fundamental difference between composing for a nobleman or a personal patron in general and working for the anonymous concert public is that the commissioned work is usually intended for a single performance, whereas the concert piece is written for as many repeats as possible. That explains not only the greater degree of care with which such a work is often composed but also the more exacting way in which the composer presents it. Now that it is possible to create works which would not be consigned to oblivion so quickly as commissioned works, he 76 sets out to create ‘immortal’ works. Haydn already composes much more cautiously and slowly than his predecessors. But even he writes over a hundred symphonies; Mozart writes only half as many and Beethoven only nine.”

Arnold Hauser (1892–1978) Hungarian art historian

Source: The Social History of Art, Volume III. Rococo, Classicism and Romanticism, 1999, Chapter 2. The New Reading Public

Way, Personality

“The main thing is not to lose your identity and to continue working … You have a quartet. That is such joy! You can forget everything else in the world. I'm playing a lot of chamber music these days. Tomorrow we were going to give the first performance of two trios, but because of the mourning, all concerts have been canceled.”

David Oistrakh (1908–1974) Soviet violinist

The Night Stalin Died http://www.nytimes.com/1989/03/05/magazine/the-night-stalin-died.html?module=Search&mabReward=relbias:r&pagewanted=2, New York Times (March 5, 1989).

World, Music, Joy, Forgetting

“The old lady Felderal had long railed at the emperor for not declaring war. She pretended that he feared to call on his subjects for the requisite means, lest their avarice, stronger than their patriotism, should depose him. When, however, war was declared, and the emperor's forces were victorious, she became enamoured of peace, and maintained that a moral and religious people ought not to rejoice at victories purchased by the sacrifice of human life. She invented a song, whose burden was "the golden days of commercial prosperity," and she organized a peace society, whose tenets compelled the members not to fight even an invading army. Finally, as these expedients failed to destroy the emperor, she collected the most desperate of her adherents, to concert means for tying his hands behind his back, "peaceably if they could, forcibly if they must," and delivering him to the king of Glanden.”

Alexander Bryan Johnson (1786–1867) United States philosopher and banker

The Philosophical Emperor, a Political Experiment, or, The Progress of a False Position: (1841)

Life, War, People, Fear

“When an orchestra of the Journeyers first publicly performed a suite from the time before Handel completely without crescendi and diminuendi, with the naïveté and chasteness of another age and world, some among the audience are said to have been totally uncomprehending, but others listened with fresh attention and had the impression that they were hearing music for the first time in their lives. In the League's concert hall between Bremgarten and Morbio, one member built a Bach organ as perfectly as Johann Sebastian Bach would have had it built had he had the means and opportunity.”

Hermann Hesse book The Glass Bead Game

The Glass Bead Game (1943)

Age, World, Music, Time

“In Calcutta, when the organizers saw me, they insisted that I first sing in a private sitting a night before my concert was scheduled. I couldn't understand why they couldn't wait till the next day. Nisar Husain Khan Saheb took me aside and explained that the organizers had doubts about what I, a frail girl at that time, was capable of! I sang and was greatly appreciated. In fact, I was awarded a gold medal by the Maharaja of Tripura. At the same concert, I kept remembering my mother who was no more, and just then felt a hand on my shoulder. When I turned around, I saw K. L. Saigal, who said, 'bahut surila' (very melodious). I was happy but then very upset that a strange man should touch me!”

Gangubai Hangal (1913–2009) Indian singer

On her actual technique of training, in "On Gangubai Hangal by Sabina Sehgal Computer Science & Engineering - University of Washington".

Happiness, Girl, Understanding, Singing

“Now my life is pretty much bliss. I have two healthy children and a great marriage (Emilio and I have been together for 28 years). I still have one ambition: to do a concert in Cuba. It's the beginning of the end for Castro and, well, I've performed for every audience of practically every nationality except my own. Performing there would be one ot the highlights of my life.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

Telegraph Magazine November 14, 2006
2007, 2008

Life, Marriage, Children

“Man is head, chest and stomach. Each of these animals operates, more often than not, individually. I eat, I feel, I even, although rarely, think…. This jungle crawls and teems, is hungry, roars, gets angry, devours itself, and its cacophonic concert does not even stop when you are asleep.”

René Daumal (1908–1944) French poet and writer

Vol. 2, Essais et Notes
The Lie of the Truth (1938)

Feeling, Thinking, Animals

“I like to take things easy. I don't constantly think about music. I never plan concerts, practise or even hum. When I go up on the stage, music courses through me. My family members attend my concerts because they do not hear me sing at home. I have entrusted you [Prince Rama Varma] with the task of popularising my style of singing among others, especially in foreign countries. I have heard some of your foreign students sing my compositions and was surprised. They sound better than many Indian students. I want to be known more as a composer than as a musician. You are now making this happen.”

M. Balamuralikrishna (1930–2016) Carnatic vocalist, instrumentalist and playback singer

Source: Interview by Prince Rama Varma "There's no one way to teach".

Family, Music, Home, Thinking

“I thought it was sad, you know, that they had that pop concert to commemorate Diana. I mean, she didn't have much to do with pop music, did she? They should've done something that celebrated what was really great about her life: By staging a gangbang in a minefield.”

Frankie Boyle (1972) Scottish comedian

Mock the Week

Life, Sadness, Music

“And you know what people, you ain’t gonna make a difference by buildin’ more bombs. And you ain’t gonna make a difference by puttin’ on more make-up and showin’ up on more television shows. And you’re not gonna make a difference by havin’ the loudest P. A., or the biggest crowd at your concerts. You’re gonna make a difference when you lay down your life, and in complete submission to God, choose to die with Him, in service, to other people…“For so many people that I know, Christianity is this matter of – it has everything to do with morals. ‘Christianity is a religion about morals.’ And they will even talk about Jesus, and they will say ‘Kids need to know about Jesus so that they – so that they won’t, uh – smoke, drink, or dance, or go with girls who do,’ and all that kind of thing, and I kinda go, ‘That’s not why people need to know about Jesus.’ The only reason – the only possible excuse for talking about Jesus is because—we need a Savior.”

Rich Mullins (1955–1997) American christian musician

The Lord's Prayer, Here in America CD http://en.wikipedia.org/wiki/Here_in_America (February 1994) In Concert

Life, God, People, Religion

“Capital must work, as it were, in concert with industry; and this concurrence is what I call the productive agency of capital.”

Jean-Baptiste Say (1767–1832) French economist and businessman

Source: A Treatise On Political Economy (Fourth Edition) (1832), Book I, On Production, Chapter III, p. 73

“An important topic, and one which I learned a great deal about, particularly as I was serving as governor of my state, because I had the chance to pull together a cabinet and all the applicants seemed to be men. And I went to my staff, and I said, "How come all the people for these jobs are all men." They said, "Well, these are the people that have the qualifications." And I said, "Well, gosh, can't we find some women that are also qualified?" And so we took a concerted effort to go out and find women who had backgrounds that could be qualified to become members of our cabinet. I went to a number of women's groups and said, "Can you help us find folks," and they brought us whole binders full of women.”

Mitt Romney (1947) American businessman and politician

Second Presidential Debate, Hofstra University, Hempstead, New York, , quoted in
2012

Women, Men, People, Effort

“On live performance: "Yes. l’d really like to do some concerts of completely improvised music, but one of the reasons for doing a concert is to experience the enjoyment of the people there, so you have to include excerpts of music from previous albums because they want to hear something they already know and like. There’s nothing wrong with limiting your spontaneous playing to just improvising around old themes, but what is wrong is playing a concert solely to promote a certain record. I’ve never done a concert tour just to promote Heaven and Hell or Chariots or anything like that. That sort of thing seems pointless to me."”

Vangelis (1943) Greek composer of electronic, progressive, ambient, jazz, pop rock, and orchestral music

http://www.nemostudios.co.uk/vangelis/interviews/covermag/interviews.htm
Soil Festivities Vangelis Speaks
Dan Goldstein
November 1984
Electronics & Music Maker
1984

People, Music, Hell

“I'm looking forward, though, one day, if I'm not too old, to do a free concert in a free Cuba. That to me would be fantastic. We're looking forward to it. Well, hopefully, I mean he's [Castro] gotta go [die] sometime. He's gotta go sometime -- let's hope it's sooner [rather] than later.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

televised interview" (22 April 2005)
2007, 2008

Hope

“I don't know who my audience is. People have said there is an integrity about me, and I think there is. I don't try to follow a trend. I have my own little path, and although I delve into things, I stay with what I am. I'm quite natural with it. Maybe people feel comfortable with that and they trust it, so they buy it. They'll come and see me in concert. I think I always do a good job in that area.”

Sarah Brightman (1960) British soprano, musical theatre actress, and dancer

The Irish Times (1999)

People, Feeling, Nature, Thinking

“You’ve seen the refugees heading nowhere,
you’ve heard the executioners sing joyfully.
You should praise the mutilated world.
Remember the moments when we were together
in a white room and the curtain fluttered.
Return in thought to the concert where music flared.
You gathered acorns in the park in autumn
and leaves eddied over the earth’s scars.
Praise the mutilated world
and the gray feather a thrush lost,
and the gentle light that strays and vanishes
and returns.”

Adam Zagajewski (1945) Poet

Try to Praise the Mutilated World, Try to Praise the Mutilated World, September 11, 2011, Adam Zagajewski, The New Yorker, September 24, 2001 http://www.newyorker.com/archive/2001/09/24/010924po_poem_zagajewski,

World, Music, Autumn, Light

“My first concert - apart from Beethoven at School and Erik Satie at the opening of my exhibition in Kleve in 1960 - was at the gallery Parnass in Wuppertal in 1963. Dressed like a regular pianist in dark grey flannel, black tie and no hat, I played the piano all over – not just the keys – with many pairs of old shoes until it disintegrated. My intention was neither destructive nor nihilistic. 'Heal like with like' – similia similibus curantur – in the homeopathic sense. The main intention was to indicate a new beginning…. or simply a revolutionary act. This was my first public Fluxus appearance.”

Joseph Beuys (1921–1986) German visual artist

Quoted in: Joseph Beuys, Carin Kuoni. Joseph Beuys in America: Energy Plan for the Western Man. New York, 1993, p. 128; Comment on his first Fluxus performance in 1963 'Heal like with like'.
1970's, Interviews with Caroline Tisdall, 1974 & 1978

School, Shoe, Sense, Appearance

“David Bowie has a huge influence on me because his was his first concert I went to see. I remember watching him and thinking I didn't know what sex he was, and it didn't matter. Because one minute he was wearing body stockings - the whole Ziggy Stardust thing - and the next minute he was the Thin White Duke in white double-breasted suits, and there's something so androgynous about him. And I think androgyny, whether it's David Bowie or Helmut Berger, that has really really influenced my work more than anything.”

Madonna (1958) American singer, songwriter, and actress

Aperture Magazine 1999 http://allaboutmadonna.com/madonna-interviews-articles/aperture-magazine-summer-1999

Sex, Thinking

“As a musician you can cover everything. I'm not just a concert pianist.”

Joanna MacGregor (1959) British musician

The Irish News, 22/01/2005
Musician's life

“A pure Democracy, by which I mean a Society consisting of a small number of citizens, who assemble and administer the Government in person, can admit of no cure for the mischiefs of faction. A common passion or interest will, in almost every case, be felt by a majority of the whole; a communication and concert result from the form of Government itself; and there is nothing to check the inducements to sacrifice the weaker party, or an obnoxious individual. Hence it is, that such Democracies have ever been spectacles of turbulence and contention; have ever been found incompatible with personal security, or the rights of property; and have in general been as short in their lives, as they have been violent in their deaths. Theoretic politicians, who have patronized this species of Government, have erroneously supposed, that by reducing mankind to a perfect equality in their political rights, they would, at the same time, be perfectly equalized and assimilated in their possessions, their opinions, and their passions.”

James Madison (1751–1836) 4th president of the United States (1809 to 1817)

Federalist No. 10
1780s, Federalist Papers (1787–1788)

Death, Democracy, Communication, Passion

“ Language performs an essentially social function; it helps us to get along together, to communicate and achieve a great measure of concerted action. Words are signs which have significance by convention, and those people who do not adopt the conventions simply fail to communicate. They do not "get along" and a social force arises which encourages them to achieve the correct associations. ”

Colin Cherry (1914–1979) British scientist

Source: On Human Communication (1957), Language: Science and Aesthetics, p.69

People, Communication, Help

“Will we ever again be able to view a public object with civic dignity, unencumbered by commercial messages? Must city buses be fully painted as movable ads, lampposts smothered, taxis festooned, even seats in concert halls sold one by one to donors and embellished in perpetuity with their names on silver plaques?”

Stephen Jay Gould book The Lying Stones of Marrakech

"The Lying Stones of Marrakech", p. 25
The Lying Stones of Marrakech (2001)

Painting

“I have twins. They are 4 years old. They know the word 'concert,' so they know father's job is 'concert,' and they prefer concert [over] father.”

Psy (1977) South Korean singer

On Air With Ryan Seacrest http://ryanseacrest.com/2012/09/10/psy-explains-gangnam-style-dance-craze-to-ryan-seacrest-video/, September 10, 2012.

“President Carter impresses me as a mean, slightly degenerate man whose wealth probably consisted, or spiritually at least, in two junked cars in his front yard. That's the kind of redneck degenerate a man who goes to an Allman Brothers rock concert, which is a drug nest, before going to teach his Sunday school sermons at a Southern Baptist school, that is Jimmy Carter. Jimmy Carter is your all-around basic, ignorant, boorish scoundrel.… Jimmy Carter was somebody who Mr. Nice, David Rockefeller, put up there in the White House and he liked the job, with that dumb wife of his and his daughter who was his national security advisor.”

Lyndon LaRouche (1922–2019) American political activist and founder of the LaRouche movement

Attributed by Dennis King as trial testimony in LaRouche v. NBC (1985) http://www.lyndonlarouche.org/larouche-NBC-trial.htm. Attributed

School, Cars, Housing, Daughters

“Nobody doubts that the Russians committed aggression, that Saddam Hussein committed aggression. We attribute to them rational goals, maybe they wanted to control the energy of the Middle East or something. With regard to ourselves, it's impossible… We just cannot adopt towards ourselves the same sane attitudes that we adopt easily, in fact reflexively, when others commit crimes… And if anyone says it, educated people, liberal intellectuals, are infuriated. Because it suggests that we could do something that's not noble. We can make mistakes, that's easy. You can criticize mistakes. You can criticize low-level crimes, like Abu-Ghraib, you can criticize that. You can criticize My Lai. But not the educated, civilized people, the kind of people we have dinner with, see at concerts, sitting in air-conditioned offices planning mass-murder. So that's beyond criticism. On the other hand, if it's half-crazed G. I. s in the field, uneducated, don't know who's going to shoot at them next, you can blame them, you can say how awful they are. You can criticize Lynndie England, disadvantaged young woman, very different from us. But how about the guys who organized and planned it? No.”

Noam Chomsky (1928) american linguist, philosopher and activist

Quotes 2000s, 2006, Discussion with Robert Trivers, 2006

People, Education, Guy

“Judy lived in my hotel. She was just seventeen, and what she was doing in Paris was supposedly chaperoning her younger brother, a fully fledged concert pianist of fifteen, who was studying there with one of the leading teachers. In view of their combined and startling innocence, however, this was a rather useless arrangement. Their last name was Galache, and they were the issue with which the highly unlikely union of a Quaker woman from Philadelphia and a dreadfully dashing Spaniard (now, alas, dead) had been blessed. Naturally their upbringing, up to this point, had been strict and very sheltered. … Judy was so different from me that it was really ludicrous. Whereas I was hell-bent for living, she was content, at least for the time being, to leave all that to others. Just as long as she could hear all about it. She really was funny about this. Folded every which way on the floor, looking like Bambi — all eyes and legs and no chin — she would listen for ages and ages with rapt attention to absolutely any drivel that you happened to be talking. It was unbelievable.”

Elaine Dundy (1921–2008) American journalist, actress

Part One, Two
The Dud Avocado (1958)

Age, Way, Hell, Nature

“Chopin is the true inventor of the concert etude, at least in the sense of being the first to give it complete artistic form—a form in which musical substance and technical difficulty coincide.”

Charles Rosen (1927–2012) American pianist and writer on music

Source: The Romantic Generation (1995), Ch. 6 : Chopin: Virtuosity Transformed

Music, Sense

“We established [The Gloria Estefan Foundation] in 1993, because I was getting so many pitches from charities that I thought the best way to maximize our charity dollars was to establish a foundation, where you can do so many things. [The royalties from] four of my songs go directly to my foundation, and I don't have to bother people for money. I have been funding it myself all these years, from diffent concerts that I do that pay right to my foundation. It's what I love to do. It's something that makes me very happy... [The foundation has helped] from small things to large things. Every time there has been a natural disaster, we, thought the American Red Cross, have helped. Not just here, but in Nicaragua and Honduras. Obviously, Miami is very close to my heart.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

cbs4.com (February 9, 2007)
2007, 2008

Love, Money, Happiness, People

“It's so funny being a Christian musician. It always scares me when people think so highly of Christian music, Contemporary Christian music especially. Because I kinda go, I know a lot of us, and we don't know jack about anything. Not that I don't want you to buy our records and come to our concerts. I sure do. But you should come for entertainment. If you really want spiritual nourishment, you should go to church…you should read the Scriptures.”

Rich Mullins (1955–1997) American christian musician

Lufkin, Texas http://www.kidbrothers.net/words/concert-transcripts/lufkin-texas-jul1997-full.html (July 19, 1997) In Concert

People, Music, Thinking, Reading

“I have read your lousy review of Margaret’s concert. I’ve come to the conclusion that you are an eight ulcer man on a four ulcer job … Some day I hope to meet you. When that happens you’ll need a new nose, a lot of beefsteak for black eyes and perhaps a supporter below.”

Harry Truman (1884–1972) American politician, 33rd president of the United States (in office from 1945 to 1953)

Letter to critic Paul Hume, as quoted in TIME magazine (18 December 1950)

Hope, Support, Reading

“In earlier days I used to like introducing new music in concerts but now I feel that I have done my duty to young composers… so I return to my first love Romantic music – and especially to Brahms who has always been my favourite.”

Pierre Monteux (1875–1964) French conductor

'Pierre Monteux in his own words', Classic Record Collector, Autumn 2003, Number 34, p. 18

Love, Music, Feeling

“The abuse of the veto power has become so predictable that frequently resolutions are not even tabled because of the certainty of a veto against their adoption. Necessary discussion is thereby suppressed. Concerted action by the Security Council, the General Assembly and other United Nations agencies is necessary to prevent major human rights violations, stop ongoing breaches and provide remedies to victims.”

Alfred de Zayas (1947) American United Nations official

United Nations General Assembly - Promotion of a democratic and equitable international order http://www.ohchr.org/Documents/Issues/IntOrder/A-68-284_en.pdf. 2013

“In any potential collectivity, members have different interests, capabilities, preferences, and so forth. They want to accomplish different things. However, to achieve some of these diverse ends, concerted, interdependent actions are required.”

Karl E. Weick (1936) Organisational psychologist

Karl E. Weick. "Group Processes, Family Processes, and Problem Solving," in J. Aldous, T. Condon, R. Hill, M. Straus, and I. Tallman, eds., Farnily Problem Solving: A Synzposizim on Theoretical, Methodological, and Substantive Concerns. Hinsdale, Ill.: Dryden Press, 1971, p. 26
1970s

“An audience member: Question is for GG. Sir, if a woman is at your concert and chooses to leave through an exit door because she didn't realize she may be getting raped are you gonna let her leave or are you gonna rape her?”

GG Allin (1956–1993) American singer-songwriter

On The Jerry Springer Show

Question

“The peace-loving nations must make a concerted effort in opposition to those violations of treaties and those ignorings of humane instincts which today are creating a state of international anarchy and instability from which there is no escape through mere isolation or neutrality.”

Franklin D. Roosevelt (1882–1945) 32nd President of the United States

1930s, Quarantine Speech (1937)

Love, Peace, Effort

“My concerts were canceled left and right. Speaking about South African Apartheid was fine, but they were suddenly afraid I might speak about American Apartheid, although I never did. Bookers told me that my shows would finance radical activities and [Reprise Records] told me they were not going to honor my recording contract. I didn’t say anything, but if I was married to a troublemaker, I must be a troublemaker. I’d already lived in exile for 10 years, and the world is free, even if some of the countries in it aren’t, so I packed my bags and left.”

Miriam Makeba (1932–2008) South African singer and civil rights activist

As quoted in Poet, J. (11 February 2009)

World, Country

“On my orders, coalition forces have begun striking selected targets of military importance to undermine Saddam Hussein's ability to wage war. These are opening stages of what will be a broad and concerted campaign. More than 35 countries are giving crucial support -- from the use of naval and air bases, to help with intelligence and logistics, to the deployment of combat units. Every nation in this coalition has chosen to bear the duty and share the honor of serving in our common defense.”

George W. Bush (1946) 43rd President of the United States

2000s, 2003, Invasion of Iraq (March 2003)

War, Intelligence, Support, Help

“Producers of opera nowadays usually make the mistake of translating each particular orchestral phrase into terms of a movement on the stage. In this matter one should proceed with a maximum of caution and good taste. There is no objection to bringing life to into the production by changes of position and new nuances of acting during repetitive passages of music, especially in arias. Preludes of one or two bars frequently, and especially in Mozart, clearly express some gesture on stage. But each trill on the flute does not represent a wink on the prima donna, nor every delayed chord on the strings a step or gesture. Whole passages, especially in the finales, are pure concert music and are best left undisturbed by “play acting.””

Richard Strauss (1864–1949) German composer and orchestra director

Recollections and Reflections

Life, Music, Change

“Jane Whitney: GG Allin brags he's about to become the leader, the messiah for America's youth. He already claims to have a million followers. Where ever he goes he plays to sell out crowds and this is what they see: concerts filled with violence, bloodshed and sexual assault. GG Allin wants to lead America's young people in a bloody revolution to take over the country and he says nothing can be done to stop him.”

GG Allin (1956–1993) American singer-songwriter

GG Allin on The Jane Whitney Show July 16. 1993. Documentary watched March 1, 2010.
On The Jane Whitney Show

People, Youth, Country

“Can the human appropriation of nature ever achieve the elimination of violence, cruelty, and brutality in the daily sacrifice of animal life for the physical reproduction of the human race? To treat nature "for its own sake" sounds good, but it is certainly not for the sake of the animal to be eaten, nor probably for the sake of the plant. The end of this war, the perfect peace in the animal world — this idea belongs to the Orphic myth, not to any conceivable historical reality. In the face of the suffering inflicted by man on man, it seems terribly "premature" to campaign for universal vegetarianism or synthetic foodstuffs; as the world is, priority must be on human solidarity among human beings. And yet, no free society is imaginable which does not, under its "regulative idea of reason," make the concerted effort to reduce consistently the suffering which man imposes on the animal world.”

Herbert Marcuse book Counterrevolution and Revolt

Source: Counterrevolution and Revolt (1972), Chapter "Nature and Revolution," in The Essential Marcuse: Selected Writings of Philosopher and Social Critic Herbert Marcuse, edited by Andrew Feenberg and ‎William Leiss, Beacon Press, 2007, pp. 240 https://books.google.it/books?id=JqoyBgAAQBAJ&pg=PA240-241

Life, War, World, Peace

“I can't believe that people really prefer to go to the concert hall under intellectually trying, socially trying, physically trying conditions, unable to repeat something they have missed, when they can sit at home under the most comfortable and stimulating circumstances and hear it as they want to hear it. I can't imagine what would happen to literature today if one were obliged to congregate in an unpleasant hall and read novels projected on a screen.”

Milton Babbitt (1916–2011) American composer

See: recording Quoted in Classic Essays on Twentieth-Century Music, ISBN 0028645812.

People, Music, Quotes, Home

“In the stupendous rush of change which is coming on the human world as a result of the present tornado of upheaval, ancient India's culture, attacked by European modernism, overpowered in the material field, betrayed by the indifference of her children, may perish for ever along with the soul of the nation that holds it in its keeping…. Each nation is a Shakti or power of the evolving spirit in humanity and lives by the principle which it embodies. India is the Bharata Shakti, the living energy of a great spiritual conception, and fidelity to it is the very principle of her existence…. To follow a law or principle involuntarily or ignorantly or contrary to the truth of one's consciousness is a falsehood and a self-destruction. To allow oneself to be killed, like the lamb attacked by the wolf, brings no growth, farthers no development, assures no spiritual merit. Concert or unity may come in good time, but it must be an underlying unity with a free differentiation, not a swallowing up of one by another or an incongruous and inharmonious mixture. Nor can it come before the world is ready for these greater things. To lay down one's arms in a state of war is to invite destruction and it can serve no compensating spiritual purpose…. India is indeed awaking and defending herself, but not sufficiently and not with the whole-heartedness, the clear sight and the firm resolution which can alone save her from the peril. Today it is close; let her choose,… for the choice is imperatively before her, to live or to perish.”

Sri Aurobindo (1872–1950) Indian nationalist, freedom fighter, philosopher, yogi, guru and poet

December, 1918
India's Rebirth

War, Children, Truth, World

“What is any political campaign save a concerted effort to turn out a set of politicians who are admittedly bad and put in a set who are thought to be better. The former assumption, I believe is always sound; the latter is just as certainly false. For if experience teaches us anything at all it teaches us this: that a good politician, under democracy, is quite as unthinkable as an honest burglar.”

H.L. Mencken (1880–1956) American journalist and writer

Prejudices, Fourth Series (1924)
1920s

Democracy, Effort, Falseness

“A nation is not a complex of wheels, nor a wild horse race, but a stride upward concerted by real men.”

José Martí (1853–1895) Poet, writer, Cuban nationalist leader

A Glance at the North American's Soul Today (1886)

Men, Horse

“What we are fighting, in Islamist extremism, is an ideology. It is an extreme doctrine. And like any extreme doctrine, it is subversive. At its furthest end it seeks to destroy nation-states to invent its own barbaric realm. And it often backs violence to achieve this aim – mostly violence against fellow Muslims – who don’t subscribe to its sick worldview. But you don’t have to support violence to subscribe to certain intolerant ideas which create a climate in which extremists can flourish. Ideas which are hostile to basic liberal values such as democracy, freedom and sexual equality. Ideas which actively promote discrimination, sectarianism and segregation. Ideas – like those of the despicable far right – which privilege one identity to the detriment of the rights and freedoms of others. And ideas also based on conspiracy: that Jews exercise malevolent power; or that Western powers, in concert with Israel, are deliberately humiliating Muslims, because they aim to destroy Islam. In this warped worldview, such conclusions are reached – that 9/11 was actually inspired by Mossad to provoke the invasion of Afghanistan; that British security services knew about 7/7, but didn’t do anything about it because they wanted to provoke an anti-Muslim backlash. And like so many ideologies that have existed before – whether fascist or communist – many people, especially young people, are being drawn to it. We need to understand why it is proving so attractive.”

David Cameron (1966) Former Prime Minister of the United Kingdom

2010s, 2015, Speech on (20 July 2015)

Hostility, People, Exercises, Democracy

“And we, with Nature’s heart in tune,
Concerted harmonies.”

William Motherwell (1797–1835) British writer

Jeannie Morrison (c. 1832), Stanza 8.

Nature, Heart

“In 7th grade, I saw the Allman Brothers play at the Beacon Theatre. I also saw the Dave Mathews Band perform at Giant’s Stadium. Those concerts changed my life. I was inspired so much. In my heart, I knew that was the only thing I wanted to do with my life.”

Ross Mintzer (1987) American musician and performer

Interview with Arts Brooksfield(16 October 2014) https://www.facebook.com/artsBrookfield/photos/a.100993377692.102500.97825917692/10152291198457693/ 2014

Life, Change, Heart

“Politics in the middle of things of the imagination is like a pistol shot in the middle of a concert. The noise is loud without being forceful. It isn't in harmony with the sound of any instrument. This political discussion will mortally offend half my readers and bore the others, who have found a much more precise and vigorous account of such matters in their morning newspapers.”

Stendhal book The Red and the Black

La politique au milieu des intérêts d'imagination, c'est un coup de pistolet au milieu d'un concert. Ce bruit est déchirant sans être énergique. Il ne s'accorde avec le son d'aucun instrument. Cette politique va offenser mortellement une moitié des lecteurs et ennuyer l'autre qui l'a trouvée bien autrement spéciale et énergique dans le journal du matin.
Vol. II, ch. XXII
Le Rouge et le Noir (The Red and the Black) (1830)

Imagination

“The world is what it is, which is to say, nothing much. This is what everyone learned yesterday, thanks to the formidable concert of opinion coming from radios, newspapers, and information agencies.”

Albert Camus (1913–1960) French author and journalist

Between Hell and Reason (1945)
Context: The world is what it is, which is to say, nothing much. This is what everyone learned yesterday, thanks to the formidable concert of opinion coming from radios, newspapers, and information agencies. Indeed we are told, in the midst of hundreds of enthusiastic commentaries, that any average city can be wiped out by a bomb the size of a football. American, English, and French newspapers are filled with eloquent essays on the future, the past, the inventors, the cost, the peaceful incentives, the military advantages, and even the life-of-its-own character of the atom bomb.
We can sum it up in one sentence: Our technical civilization has just reached its greatest level of savagery. We will have to choose, in the more or less near future, between collective suicide and the intelligent use of our scientific conquests.
Meanwhile we think there is something indecent in celebrating a discovery whose use has caused the most formidable rage of destruction ever known to man. What will it bring to a world already given over to all the convulsions of violence, incapable of any control, indifferent to justice and the simple happiness of men — a world where science devotes itself to organized murder? No one but the most unrelenting idealists would dare to wonder.

World, Learning

“I don't mind being arrested for putting on a free concert, but I don't want to be arrested for being a vandal. I am a vandal and I do regret what I did. I really do regret it. It was dumb.”

Bono (1960) Irish rock musician, singer of U2

On reactions to his spray painting the fountain at the free concert he gave in San Francisco, in a Press conference (November 1987) http://www.u2source.com/2007/08/19/bono-press-conference-regarding-graffiti/ Context: It is fair to say that we overreacted a bit. … Its not really worth defending my action, I did it in the spirit of the concert, and I thought I did it in the spirit of the artist's work, and he agreed — but, in fact he didn't own his work anymore, as most artists are prone to, he'd sold it, and the City of San Francisco owned it, and they didn't like what I did at all. … Its a really wild thing, you know, you're in Rock n Roll band — you know, I happen to sell millions of records — people therefore think that makes you a responsible citizen — this is not true. … I think this is one of the more mild actions of tour-madness. … It's the music that is magical with U2. … I don't mind being arrested for putting on a free concert, but I don't want to be arrested for being a vandal. I am a vandal and I do regret what I did. I really do regret it. It was dumb.

“The whole idea of our government is this: If enough people get together and act in concert, they can take something and not pay for it.”

P. J. O'Rourke book Parliament of Whores

Parliament of Whores (1991)

People, Idea

“The State of Israel is prepared to make its contribution in a concerted effort for the advancement of the entire Middle East.”

David Ben-Gurion (1886–1973) Israeli politician, Zionist leader, prime minister of Israel

Israel's Proclamation of Independence, read on (14 May 1948)
Context: We extend the hand of peace and good-neighborliness to all the States around us and to their people, and we call upon them to cooperate in mutual helpfulness with the independent Jewish nation in its Land. The State of Israel is prepared to make its contribution in a concerted effort for the advancement of the entire Middle East.

Effort

“Well its great to do a neighborhood concert.”

Paul Simon (1941) American musician, songwriter and producer

During the Concert At Central Park (19 September 1981)
Context: Well its great to do a neighborhood concert. I hope everyone can hear us. I hope that the sound is good. I hope we are blasting Central Park West and Fifth avenue pretty much away. I just want to thank the police department and the fire department and the parks commissioner, and Ed Koch [Audience boos] — and particularly, you know, people that never get recognized for doing good things for the city, a group of people that have donated half of the proceeds that they're making tonight — the guys who are selling loose joints are giving the city half of their income tonight.

“There is nothing wrong with meditating just to meditate, in the same way that you listen to music just for the music. If you go to concerts to "get culture" or to improve your mind, you will sit there as deaf as a doorpost.”

Alan Watts (1915–1973) British philosopher, writer and speaker

Source: The Book on the Taboo Against Knowing Who You Are (1966), p. 90

Music, Way

“I am no stranger to loud noise. I've been to a Mitch Ryder and the Detroit Wheels concert. I once dated a woman with two kids.”

P. J. O'Rourke book Holidays in Hell

Holidays in Hell (1989)

Quotes about concert page 2

Quotes about concert
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