“I always wish, in reading my favourite poets, to know what first suggested my favourite poems. Few things would be more interesting than to know under what circumstances they were composed, — how much of individual sentiment there was in each, or how, on some incident seemingly even opposed, they had contrived to ingraft their own associations. What a history of the heart would such annals reveal! Every poem is in itself an impulse.”

The Monthly Magazine

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "I always wish, in reading my favourite poets, to know what first suggested my favourite poems. Few things would be more…" by Letitia Elizabeth Landon?

Letitia Elizabeth Landon785

English poet and novelist 1802–1838

Related quotes

“The general opinion appears to be that it is very funny to make yourself out as fast or as foolish as possible; though even worse than this is the painful orthodoxy of those individuals who claim Shakespeare for their favourite poet, Beethoven for their favourite composer, and Raphael for their favourite painter.”

Aubrey Beardsley (1872–1898) English illustrator and author

The Story of a Confession Album (1889)

“A successful poem says what a poet wants to say, and more, with particular finality. The remarks he makes about his poems are incidental when the poem is good, or embarrassing or absurd when it is bad — and he is not permitted to say how the good poem is good, and may never know how the bad poem is bad. It is better to write about other people's poetry.”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

"Answers to Questions," from Mid-Century American Poets, edited by John Ciardi, 1950 [p. 171]
Kipling, Auden & Co: Essays and Reviews 1935-1964 (1980)

“Thereafter, when he himself was dead, he imagined that his poems would be published in some mysterious way, and the nation would read them for comfort in adversity, as it had read the poems of other poets before him; it was his highest wish that his poems could help those as unfortunate as himself to have patience to endure.</b”

Halldór Laxness (1902–1998) Icelandic author

Heimsljós (World Light) (1940), Book One: The Revelation of the Deity

“At certain times I read a lot of poetry. My favorite poets are Shelley and Keats. Rimbaud is so identifiable. Lord Byron. I don't know. Lately if I read poems, it's like I can always hear the guitar. Even with Shakespeare's sonnets I can hear a melody because it's all broken up into timed phrases so I hear it. I always keep thinking, 'What kind of song would this be?”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

Interview with Denise Worrell, "'It's All Right in Front': Dylan on Life and Rock" in Time Magazine (25 November 1985)

“Emerson writes in his Journal that all men try their hands at poetry, but few know which their poems are. The poets are not those who write poems, but those who know which of the things they write are poems.”

Carl Andre (1935) American artist

Quote from a 1962 essay by Andre; as quoted in ' Objects Are What We Aren't' https://www.theparisreview.org/blog/2015/02/26/objects-are-what-we-arent/, by Andy Battaglia; The Parish Review, February 26, 2015

“It is better to have the child in the chimney corner moved by what happens in the poem, in spite of his ignorance of its real meaning, than to have the poem a puzzle to which that meaning is the only key. Still, complicated subjects make complicated poems, and some of the best poems can move only the best readers; this is one more question of curves of normal distribution. I have tried to make my poems plain, and most of them are plain enough; but I wish that they were more difficult because I had known more.”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

"Answers to Questions," from Mid-Century American Poets, edited by John Ciardi, 1950 [p. 170]
Kipling, Auden & Co: Essays and Reviews 1935-1964 (1980)

“I know that any discussion of the relation of this poem to its historical materials is, in one perspective, irrelevant to its value; and it could be totally accurate as history and still not worth a dime as a poem. I am trying to write a poem, not a history, and therefore have no compunction about tampering with non-essential facts. But poetry is more than fantasy and is committed to the obligation of trying to say something, however obliquely, about the human condition. Therefore, a poem dealing with history is no more at liberty to violate what the writer takes to be the spirit of his history than it is at liberty to violate what he takes to be the nature of the human heart. What he takes those things to be is, of course, his ultimate gamble.”

Robert Penn Warren (1905–1989) American poet, novelist, and literary critic

Foreword, Brother to Dragons: A Tale in Verse and Voices — A New Version (1979)

“I don’t know if watching your own work is a good or bad thing. I don’t know how much I learn from it. Each individual circumstance holds its own world of singularities and peculiarities. But among that, you can go: “Oh yeah, I remember that was what I tried to do.””

Benedict Cumberbatch (1976) English actor and film producer

Sometimes it doesn’t fit with the cast or the energy of the scene or the beat of another character. But to sit down in the audience and go: “Oh my God, I think that was what I intended”, was great. <br class="br"> "Benedict Cumberbatch: ‘I loved not being a people-pleaser’" in The Guardian https://www.theguardian.com/film/2021/dec/17/benedict-cumberbatch-i-loved-not-being-a-people-pleaser (17 December 2021)

“There was a time when I thought I loved my first wife more than life itself. But now I hate her guts. I do. How do you explain that? What happened to that love? What happened to it, is what I'd like to know. I wish someone could tell me.”

Raymond Carver book What We Talk About When We Talk About Love

Source: What We Talk About When We Talk About Love (1981)

“The human mind is [a poet's] individual mind at first, but as soon as he writes a poem it becomes our [the readers'] minds too. There is no self-expression in [a poet's] poem, because once the poem is there the individual [poet] has disappeared. …there is really no such thing as self-expression in literature.”

Northrop Frye (1912–1991) Canadian literary critic and literary theorist

"Quotes", The Educated Imagination (1963), Talk 3: Giants in Time

Help us to complete the source, original and additional information

Letitia Elizabeth Landon785

Related quotes

Related topics