
"Pope: welcoming refugees helps keeps us safe from terrorism", Lexington Herald-Leader (17 September 2016) http://www.kentucky.com/news/nation-world/world/article102453732.html
2010s, 2016
"Pope: welcoming refugees helps keeps us safe from terrorism", Lexington Herald-Leader (17 September 2016) http://www.kentucky.com/news/nation-world/world/article102453732.html
2010s, 2016
Robert G. Ingersoll, The Liberty of Man, Woman and Child
About
Éstas que fueron pompa y alegría
despertando al albor de la mañana,
a la tarde serán lástima vana
durmiendo en brazos de la noche fría.
A las flores ("Éstas, que fueron pompa y alegría") http://es.wikisource.org/wiki/A_las_flores_%28Calder%C3%B3n_de_la_Barca%29.
Canto 1, "The Trysting"
Phantasmagoria (1869)
"Moonlit Night" https://allpoetry.com/Moonlit-Night (trans. David Lunde)
http://m.youtube.com/watch?feature=m-ch-vid&v=l0dLyjo2lNA
Quotes On Films
Napoleon : In His Own Words (1916)
Source: 1910s, Why Men Fight https://en.wikisource.org/wiki/Why_Men_Fight (1917), pp. 48-50
2008, Election victory speech (November 2008)
Cold Sweat, written with Alfred "Pee Wee" Ellis (1967)
Song lyrics
Letter to Queen Elizabeth II sent in 1969 with his MBE, explaining why he was returning it. http://www.bbc.co.uk/news/uk-england-merseyside-37787297
The Notebooks of Leonardo da Vinci (1883), XVII Topographical Notes
“The frost stings sweetly with a burning kiss
As intimate as love, as cold as death.”
"The Sisters," lines 13-14
Adamastor (1930)
Opening lines
Phantasmagoria (1869)
“Love is feeling cold in the back of vans
Love is a fanclub with only two fans”
"Love Is ...", from The Mersey Sound (1967).
“The ceremonial (hot or cold) as opposed to the haphazard (lukewarm) characterizes piety.”
Source: 1930s-1951, Philosophical Occasions 1912-1951 (1993), Ch. 7 : Remarks on Frazer's Golden Bough, p. 127
Source: 1980's, Off the Wall: Robert Rauschenberg and the Art world of Our Time, 1980, p. 89
2001 - 2010, Isa Genzken in conversation with Wolfgang Tillmans' (2003)
Interview with Edney Silvestre, 2007.
1960s, A Time for Choosing (1964)
His trip to Canada, quoted on Toronto Sun (February 16, 2016), "Leonardo DiCaprio headed on an expedition to Mongolia" http://www.torontosun.com/2016/02/16/leonardo-dicaprio-headed-on-an-expedition-to-mongolia
Sample of Bradwardine devotional writing quoted by James Burnes, The Church of England Magazine under the superintendence of clergymen of the United Church of England and Ireland Vol. IV (January to June 1838)
The Wild Swans At Coole, st. 4
The Wild Swans at Coole (1919)
Interview http://www.youtube.com/watch?v=mJHq2aN9tYE by Penny Daniels (1989)
The Notebooks of Leonardo da Vinci (1883), XIX Philosophical Maxims. Morals. Polemics and Speculations.
Source: 1950s, Portraits from Memory and Other Essays (1956), p. 9
2014, Statement on Cuban policy (December 2014)
As quoted in Rise of the Spanish-American Republics as Told in the Lives of their Liberators (1918) by William Spence Robertson, p. 239
The Angostura Address (1819)
Challenge to the Cold War (1985) Vol. 3, Ch. 14
“Cast a cold eye
On life, on death.
Horseman, pass by!”
Last Poems (1936-1939)
Context: No marble, no conventional phrase;
On limestone quarried near the spot
By his command these words are cut:
Cast a cold eye
On life, on death.
Horseman, pass by!
“Fair, cold, and faithless wert thou, my own!
For that I love
Thy heart of stone!”
"The Dirge of the Sea" (April 1891)
Context: Years! Years, ye shall mix with me!
Ye shall grow a part
Of the laughing Sea;
Of the moaning heart
Of the glittered wave
Of the sun-gleam's dart
In the ocean-grave. Fair, cold, and faithless wert thou, my own!
For that I love
Thy heart of stone!
From the heights above
To the depths below,
Where dread things move, There is naught can show
A life so trustless! Proud be thy crown!
Ruthless, like none, save the Sea, alone!
Letter to Queen Mother Elisabeth of Belgium (9 January 1939), asking for her help in getting an elderly cousin of his out of Germany and into Belgium. Quoted in Einstein on Peace edited by Otto Nathan and Heinz Norden (1960), p. 282
1930s
Context: The moral decline we are compelled to witness and the suffering it engenders are so oppressive that one cannot ignore them even for a moment. No matter how deeply one immerses oneself in work, a haunting feeling of inescapable tragedy persists. Still, there are moments when one feels free from one's own identification with human limitations and inadequacies. At such moments, one imagines that one stands on some spot of a small planet, gazing in amazement at the cold yet profoundly moving beauty of the eternal, the unfathomable: life and death flow into one, and there is neither evolution nor destiny; only being.
The monster in Ch. 13
Frankenstein (1818)
Context: What was I? Of my creation and creator I was absolutely ignorant, but I knew that I possessed no money, no friends, no kind of property. I was, besides, endued with a figure hideously deformed and loathsome; I was not even of the same nature as man. I was more agile than they and could subsist upon coarser diet; I bore the extremes of heat and cold with less injury to my frame; my stature far exceeded theirs. When I looked around I saw and heard of none like me. Was I, then, a monster, a blot upon the earth, from which all men fled and whom all men disowned?
I cannot describe to you the agony that these reflections inflicted upon me; I tried to dispel them, but sorrow only increased with knowledge. Oh, that I had forever remained in my native wood, nor known nor felt beyond the sensations of hunger, thirst, and heat!
1830s, The Lyceum Address (1838)
Context: Passion has helped us; but can do so no more. It will in future be our enemy. Reason, cold, calculating, unimpassioned reason, must furnish all the materials for our future support and defence. — Let those materials be moulded into general intelligence, sound morality, and in particular, a reverence for the constitution and laws: and, that we improved to the last; that we remained free to the last; that we revered his name to the last; that, during his long sleep, we permitted no hostile foot to pass over or desecrate his resting place; shall be that which to learn the last trump shall awaken our WASHINGTON.
Upon these let the proud fabric of freedom rest, as the rock of its basis; and as truly as has been said of the only greater institution, "the gates of hell shall not prevail against it".
“You say You want Diamonds on a Ring of Gold,Your Story to remain untold.Your Lovee not to go Cold”
"All I Want Is You"
Lyrics, Rattle And Hum(1988)
Context: You say You want Diamonds on a Ring of Gold, Your Story to remain untold. Your Lovee not to go Cold
Ancient Medicine
Context: Whoever having undertaken to speak or write on Medicine, have first laid down for themselves some hypothesis to their argument, such as hot, or cold, or moist, or dry, or whatever else they choose, (thus reducing their subject within a narrow compass, and supposing only one or two original causes of diseases or of death among mankind,) are all clearly mistaken in much that they say; and this is the more reprehensible as relating to an art which all men avail themselves of on the most important occasions... For there are practitioners, some bad and some far otherwise, which, if there had been no such thing as Medicine, and if nothing had been investigated or found out in it... all would have been equally unskilled and ignorant of it, and everything concerning the sick would have been directed by chance. But now it is not so; for, as in all the other arts, those who practise them differ much from one another in dexterity and knowledge, so is it in like manner with Medicine. Wherefore I have not thought that it stood in need of an empty hypothesis, like those subjects which are occult and dubious... as, for example, with regard to things above us [meteorology, astronomy or astrology] and things below the earth [geology, Hades, ]; if any one should treat of these and undertake to declare how they are constituted, the reader or hearer could not find out, whether what is delivered be true or false; for there is nothing which can be referred to in order to discover the truth.<!--pp. 161-162
Death (1912)
Context: It is childish to talk of happiness and unhappiness where infinity is in question. The idea which we entertain of happiness and unhappiness is something so special, so human, so fragile that it does not exceed our stature and falls to dust as soon as we go beyond its little sphere. It proceeds entirely from a few accidents of our nerves, which are made to appreciate very slight happenings, but which could as easily have felt everything the reverse way and taken pleasure in that which is now pain. We believe that we see nothing hanging over us but catastrophes, deaths, torments and disasters; we shiver at the mere thought of the great interplanetary spaces, with their cold and formidable and gloomy solitudes; and we imagine that the revolving worlds are as unhappy as ourselves because they freeze, or clash together, or are consumed in unutterable flames. We infer from this that the genius of the universe is an outrageous tyrant, seized with a monstrous madness, and that it delights only in the torture of itself and all that it contains. To millions of stars, each many thousand times larger than our sun, to nebulee whose nature and dimensions no figure, no word in our languages is able to express, we attribute our momentary sensibility, the little ephemeral and chance working of our nerves; and we are convinced that life there must be impossible or appalling, because we should feel too hot or too cold. It were much wiser to say to ourselves that it would need but a trifle, a few papilla more or less to our skin, the slightest modification of our eyes and ears, to turn the temperature, the silence and the darkness of space into a delicious spring-time, an unequalled music, a divine light. It were much more reasonable to persuade ourselves that the catastrophes which we think that we behold are life itself, the joy and one or other of those immense festivals of mind and matter in which death, thrusting aside at last our two enemies, time and space, will soon permit us to take part. Each world dissolving, extinguished, crumbling, burnt or colliding with another world and pulverized means the commencement of a magnificent experiment, the dawn of a marvelous hope and perhaps an unexpected happiness drawn direct from the inexhaustible unknown. What though they freeze or flame, collect or disperse, pursue or flee one another: mind and matter, no longer united by the same pitiful hazard that joined them in us, must rejoice at all that happens; for all is but birth and re-birth, a departure into an unknown filled with wonderful promises and maybe an anticipation of some unutterable event …
And, should they stand still one day, become fixed and remain motionless, it will not be that they have encountered calamity, nullity or death; but they will have entered into a thing so fair, so great, so happy and bathed in such certainties that they will for ever prefer it to all the prodigious chances of an infinity which nothing can impoverish.
“If the flame inside you goes out, the souls that are next to you will die of cold.”
Let those materials be moulded into general intelligence, sound morality, and in particular, a reverence for the constitution and laws: and, that we improved to the last; that we remained free to the last; that we revered his name to the last; that, during his long sleep, we permitted no hostile foot to pass over or desecrate his resting place; shall be that which to learn the last trump shall awaken our WASHINGTON.
Upon these let the proud fabric of freedom rest, as the rock of its basis; and as truly as has been said of the only greater institution, "the gates of hell shall not prevail against it".
1830s, The Lyceum Address (1838)
(1993), Epilogue, p. 154
The First Three Minutes (1977; second edition 1993)
Soviet Russia: Some Random Sketches and Impressions (1949)
1900s, "The Study of Mathematics" (November 1907)
The Notebooks of Leonardo da Vinci (1883), I Prolegomena and General Introduction to the Book on Painting
but I do not envy them. For if anything is capable of making a poet out of a man of letters, it is this plebeian love of mine for the human, living, and commonplace. All warmth, all goodness, all humor is born of it, and it almost seems to me as if it were that love itself, of which it is written that a man might speak with the tongues of men and of angels, and yet without it be no more than sounding brass or a tinkling cymbal.
Source: Tonio Kröger (1903), Ch. 9, as translated by Bayard Quincy Morgan
Source: As quoted, Antony and Cleopatra by William Shakespeare, Act III, movie XV, (1623)
Source: Breadcrumbs
Source: The Art of Racing in the Rain
“I don't mean to sound bitter, cold, or cruel, but I am, so that's how it comes out.”
“I can’t exactly describe how I feel but it’s not quite right. And it leaves me cold.”
Source: The Silver Door
Never Seek to Tell
1790s, Poems from Blake's Notebook (c. 1791-1792)
“My shoe is off. My foot is cold. I have a bird I like to hold.”
Source: One Fish, Two Fish, Red Fish, Blue Fish
“Sitting in cold wet britches for an hour was no fun even in a magic kingdom.”
Source: Bridge to Terabithia