Quotes about cloud
page 4

Pierre-Auguste Renoir photo
Thomas Chatterton photo
Conrad Aiken photo
Iain Banks photo
Ruan Ji photo
Letitia Elizabeth Landon photo
Gerald Massey photo

“In this dim world of clouding cares,
We rarely know, till wildered eyes
See white wings lessening up the skies,
The angels with us unawares.”

Gerald Massey (1828–1907) British poet

Babe Cristabel, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Hermann Samuel Reimarus photo
James A. Garfield photo

“Mister Speaker, let us learn a lesson from the dealing of God with the Jewish nation. When his chosen people, led by the pillar of cloud and fire, had crossed the Red Sea and traversed the gloomy wilderness with its thundering Sinai, its bloody battles, disastrous defeats, and glorious victories; when near the end of their perilous pilgrimage they listened to the last words of blessing and warning from their great leader before he was buried with immortal honors by the angel of the Lord; when at last the victorious host, sadly joyful, stood on the banks of the Jordan, their enemies drowned in the sea or slain in the wilderness, they paused and made solemn preparation to pass over and possess the land of promise. By the command of God, given through Moses and enforced by his great successor, the ark of the covenant, containing the tables of the law and the sacred memorials of their pilgrimage, was borne by chosen men two thousand cubits in advance of the people. On the further shore stood Ebal and Gerizim, the mounts of cursing and blessing, from which, in the hearing of all the people, were pronounced the curses of God against injustice and disobedience, and his blessing upon justice and obedience. On the shore, between the mountains and in the midst of the people, a monument was erected, and on it were written the words of the law, 'to be a memorial unto the children of Israel forever and ever.”

James A. Garfield (1831–1881) American politician, 20th President of the United States (in office in 1881)

1860s, Speech in the House of Representatives (1866)

Eugène Delacroix photo

“.. The movement and the rustle of the branches [in the forest, while losing his attention for chasing] delights me. The clouds float past and I lift my head to follow their flight, or think about some madrigal, when a slight sound, which has been going on for a little while, rouses me slowly from my dream.; at least I turn my head and see, to my grief, a little white scut just disappearing into the thicket…”

Eugène Delacroix (1798–1863) French painter

Quote in a letter to Delacroix' friend Achille Peron - 16 September 1819, Paris; as quoted in Eugene Delacroix – selected letters 1813 – 1863, ed. and translation Jean Stewart, art Works MFA publications, Museum of Fine Art Boston, 2001, p. 51
1815 - 1830

“When man seized the loadstone of science, the loadstar of superstition vanished in the clouds.”

William R. Alger (1822–1905) American clergyman and poet

Reported in Maturin Murray Ballou, Treasury of thought: Forming an encyclopedia of quotations from Ancient and Modern Authors (1884), p. 460.

Loreena McKennitt photo

“As we cast our gaze on the tumbling sea
A vision came o'er me
Of thundering hooves and beating wings
In clouds above.”

Loreena McKennitt (1957) Canadian musician and composer

The Visit (1991), The Old Ways

Stevie Nicks photo

“The clouds, never expect it,
When it rains
But the sea changes color,
But the sea does not change”

Stevie Nicks (1948) American singer and songwriter, member of Fleetwood Mac

Edge of Seventeen
Bella Donna (album) (1981)

Jerry Goldsmith photo
Margaret Thatcher photo

“It seems like cloud cuckoo land… If anyone is suggesting that I would go to Parliament and suggest the abolition of the pound sterling – no! … We have made it quite clear that we will not have a single currency imposed on us.”

Margaret Thatcher (1925–2013) British stateswoman and politician

To the media immediately after the EEC Rome summit meeting (28 October, 1990); as reported in A Conservative Coup: The Fall of Margaret Thatcher (1992) by Alan Watkins.
Third term as Prime Minister

Steve Ballmer photo

“Not the consumer cloud. Not hardware-software innovation. We are not leaving any of that to Apple by itself. Not going to happen. Not on our watch.”

Steve Ballmer (1956) American businessman who was the chief executive officer of Microsoft

Steve Ballmer says Microsoft plans to compete with Apple in every market http://appleinsider.com/articles/12/07/10/steve_ballmer_says_microsoft_plans_to_compete_with_apple_in_every_market in AppleInsider (10 July 2012)
2010s

Thomas Jefferson photo
Anthony Burgess photo
Czeslaw Milosz photo

“I swear, there is in me no wizardry of word.
I speak to you with silence like a cloud or a tree.”

Czeslaw Milosz (1911–2004) Polish, poet, diplomat, prosaist, writer, and translator

Przysięgam, nie ma we mnie czarodziejstwa słów.
Mówię do ciebie milcząc, jak obłok czy drzewo.
"Dedication" (1945); quoted in Conversant Essays : Contemporary Poets on Poetry (1990) edited by James McCorkle, p. 69

Robert Jordan photo
Han-shan photo
Jordan Peterson photo

“We're adapted to the meta-reality, which means that we're adapted to that which remains constant across the longest spans of time. And that's not the same things that you see around you day to day. They're just like clouds, they're just evaporating, you know? There are things underneath that that are more fundamental realities, like the dominance hierarchy, like the tribe, like the danger outside of society, like the threat that other people pose to you, and the threat that you pose to yourself. Those are eternal realities, and we're adapted to those. That's our world, and that's why we express all those things in stories. Then you might say, well how do you adapt yourself to that world? The answer, and I believe this is a neurological answer, is that your brain can tell you when you're optimally situated between chaos and order. The way it tells you that is by producing the sense of engagement and meaning. Let's say that there's a place in the environment that you should be. So what should that place be? Well, you don't want to be terrified out of your skull. What good is that? And you don't want to be so comfortable that you might as well sleep. You want to be somewhere where you are kind of on firm ground with both of your feet, but you can take a step with one leg and test out new territory. Some of you who are exploratory and emotionally stable are going to go pretty far out there into the unexplored territory without destabilizing yourself. And some people are just going to put a toe in the chaos, and that's neuroticism basically - your sensitivity to threat that is calibrated differently in different people. And some people are more exploratory than others. That's extroversion and openness, and intelligence working together. Some people are going to tolerate more chaos in their mixture of chaos and order. Those are often liberals, by the way. They're more interested in novel chaos, and conservatives are more interested in the stabilization of the structures that already exist. Who's right? It depends on the situation. That's why liberals and conservatives have to talk to each other, because one of them isn't right and the other is wrong. Sometimes the liberals are right and sometimes the liberals are right, because the environment is unpredictable and constantly changing, so that's why you have to communicate. That's what a democracy does. It allows people of different temperamental types to communicate and to calibrate their societies. So let's say you're optimally balanced between chaos and order. What does that mean? Well, you're stable enough, but you're interested. A little novelty heightens your anxiety. It wakes you up a bit. That's the adventure part of it. But it also focuses the part of your brain that does exploratory activity, and that's associated with pleasure. That's the dopamine circuit. So if you're optimally balanced - and you know you're there if you're listening to an interesting conversation or you're engaged in one…you're saying some things that you know, and the other person is saying some things that they know - and what both of you know is changing. Music can model that. It provides you with multi-level predictable forms that can transform just the right amount. So music is a very representational art form. It says, 'this is what the universe is like.' There's a dancing element to it, repetitive, and then little variations that surprise you and produce excitement in you. In doesn't matter how nihilistic you are, music still infuses you with a sense of meaning because it models meaning. That's what it does. That's why we love it. And you can dance to it, which represents you putting yourself in harmony with these multiple layers of reality, and positioning yourself properly.”

Jordan Peterson (1962) Canadian clinical psychologist, cultural critic, and professor of psychology

"The selection pressure that women placed on men developed the entire species. There's two things that happened. The men competed for competence, since the male hierarchy is a mechanism that pushes the best men to the top. The effect of that is multiplied by the fact that women who are hypergamous peel from the top. And so the males who are the most competent are much more likely to leave offspring, which seems to have driven cortical expansion."
Concepts

William Beckford photo

“Eternal Power!
Grant me through obvious clouds one transient gleam
Of thy bright essence in my dying hour!”

William Beckford (1760–1844) English novelist

"A Prayer", line 14; cited from Cyrus Redding Memoirs of William Beckford of Fonthill (London: Charles J. Skeet, 1859) vol. 2, p. 283.

William H. Gass photo
Elton John photo

“Daniel is travelling tonight on a plane.
I can see the red tail lights heading for Spain.
Oh and I can see Daniel waving goodbye.
God it looks like Daniel, must be the clouds in my eyes.”

Elton John (1947) English rock singer-songwriter, composer and pianist

Daniel
Song lyrics, Don't Shoot Me I'm Only the Piano Player (1973)

John Fante photo
Carl Sagan photo
Dejan Stojanovic photo

“God is a cloud from which rain fell.”

Dejan Stojanovic (1959) poet, writer, and businessman

“A Cloud," p. 26
The Sun Watches the Sun (1999), Sequence: “Skywalking”

Du Fu photo
Gloria Allred photo

“It could be advantageous for Mr. Cosby to give up the statute of limitations because there is a huge cloud on his reputation and legacy.”

Gloria Allred (1941) American civil rights lawyer

Statement by Gloria Allred at press conference representing three women who say they were sexually assaulted by Bill Cosby — quoted in: [December 6, 2014, http://uptownmagazine.com/2014/12/judy-hurth-sues-bill-cosby-gloria-allred/, Uptown Magazine, K, Whaley, December 4, 2014, New Accuser Sues Bill Cosby, Gloria Allred Demands He Face Judgement]

Helen Garner photo
Xun Zi photo

“In order to properly understand the big picture, everyone should fear becoming mentally clouded and obsessed with one small section of truth.”

Xun Zi (-313–-238 BC) Ancient Chinese philosopher

Quoted in: Joan Klostermann-Ketels (2011) HumaniTrees, p. 96.

Louis-ferdinand Céline photo

“And the music came back with the carnival, the music you've heard as far back as you can remember, ever since you were little, that's always playing somewhere, in some corner of the city, in little country towns, wherever poor people go and sit at the end of the week to figure out what's become of them, sometimes here, sometimes there, from season to season, it tinkles and grinds out the tunes that rich people danced to the year before. It's the mechanical music that floats down from the wooden horses, from the cars that aren't cars anymore, from the railways that aren't at all scenic, from the platform under the wrestler who hasn't any muscles and doesn't come from Marseille, from the beardless lady, the magician who's a butter-fingered jerk, the organ that's not made of gold, the shooting gallery with the empty eggs. It's the carnival made to delude the weekend crowd. We go in and drink the beer with no head on it. But under the cardboard trees the stink of the waiter's breath is real. And the change he gives you has several peculiar coins in it, so peculiar that you go on examining them for weeks and weeks and finally, with considerable difficulty, palm them off on some beggar. What do you expect at the carnival? Gotta have what fun you can between hunger and jail, and take things as they come. No sense complaining, we're sitting down aren't we? Which ain't to be sneezed at. I saw the same old Gallery of the Nations, the one Lola caught sight of years and years ago on that avenue in the park of Saint-Cloud. You always see things again at carnivals, they revive the joy of past carnivals. Over the years the crowds must have come back time and again to stroll on the main avenue of the park of Saint-Cloud…taking it easy. The war had been over long ago. And say I wonder if that shooting gallery still belonged to the same owner? Had he come back alive from the war? I take an interest in everything. Those are the same targets, but in addition, they're shooting at airplanes now. Novelty. Progress. Fashion. The wedding was still there, the soldier too, and the town hall with its flag. Plus a few more things to shoot at than before.”

27
Journey to the End of the Night (1932)

Alfred Horsley Hinton photo
John Muir photo
Letitia Elizabeth Landon photo
Han-shan photo

“"All this beauty makes a person realize how insignificant they are," Paul says.
"How insignificant I am. You're the insignificant one"
He grins real big as he realizes how his words sounded. "I didn't mean it like that," he chuckles.
"No, I know what you meant, bud. I was just thinking kind of the same thing. I was looking at all this depth and it came to me how very shallow you are."
"Ha, ha," Paul chortles. He takes a few steps down the trail and turns. "You know, Don, I was just looking at this little flowery cactus here and thinking how nice it looks and it made me realize how ugly you are."
"Is that right," I say. "Well, I was just considering how smart these rocks look and it made me realize how dumb you are." With that I give him a little kick in the backside.
"How smart these rocks are?" he heckles. "Well, I was just looking at that cloud up there, reflecting on its beauty and stuff, and it hit me how much you smell."
"Is that right," I say. "The cloud made you realize that, huh?"
Paul distances himself a little and keeps turning to see if I am going to kick him again. He's got this grin going like he got the last laugh.
"You know, Paul, I was just looking at this pebble and it made me realize that I'm going to tackle you and throw you off the ledge."
"I see. That's real deep, Don. The pebble; you got that from a pebble?"”

Donald Miller (1971) American writer

Prayer and the Art of Volkswagen Maintenance (2000, Harvest House Publishers)

John Milton photo
Peter Greenaway photo
John Bright photo
Matthew Lewis (writer) photo
Patrick Nielsen Hayden photo
Nick Cave photo

“Looka yonder! Looka yonder! A big black cloud come!”

Nick Cave (1957) Australian musician

Song lyrics, The Firstborn Is Dead (1985), Tupelo

Robert Seymour Bridges photo

“I know
that if odour were visible as colour is, I'd see
the summer garden aureoled in rainbow clouds.”

Robert Seymour Bridges (1844–1930) British writer

Book IV, lines 492-492.
The Testament of Beauty (1929-1930)

Thich Nhat Hanh photo

“The same clouds that Buddha had seen were in the sky. Each serene step brought to life the old path and white clouds of the Buddha. The path of Buddha was beneath his very feet.”

Thich Nhat Hanh (1926) Religious leader and peace activist

Old Path White Clouds : Walking in the Footsteps of the Buddha (1991) Parallax Press ISBN 81-216-0675-6

Christiaan Huygens photo
George Gordon Byron photo
Alfred Horsley Hinton photo

“…skies and clouds were still regarded as something quite apart from the rest of the picture, and, indeed, are still so regarded by the less advanced.”

Alfred Horsley Hinton (1863–1908) British photographer

Source: Practical Pictorial Photography, 1898, Clouds. Their use, and practical instructions as to how to photography them, p. 92

George Soros photo
Henry Wadsworth Longfellow photo
Ayumi Hamasaki photo

“On that day, you decided
That you would walk by yourself
On the endless road
that crosses the clouds [and leads] to the sky
Leaving so much here
I want to tell you and talk about.”

Ayumi Hamasaki (1978) Japanese recording artist, lyricist, model, and actress

Untitled ~For Her~
Lyrics, Guilty

Dante Gabriel Rossetti photo

“We two will stand beside that shrine,
Occult, withheld, untrod,
Whose lamps are stirr'd continually
With prayer sent up to God;
And see our old prayers, granted, melt
Each like a little cloud.”

Dante Gabriel Rossetti (1828–1882) English poet, illustrator, painter and translator

The Blessed Damozel http://www.cs.rice.edu/~ssiyer/minstrels/poems/715.html (1850)

Frederick William Faber photo

“See! he sinks
Without a word; and his ensanguined bier
Is vacant in the west, while far and near
Behold! each coward shadow eastward shrinks,
Thou dost not strive, O sun, nor dost thou cry
Amid thy cloud-built streets.”

Frederick William Faber (1814–1863) British hymn writer and theologian

The Rosary and Other Poems, On the Ramparts at Angoulême; reported in Hoyt's New Cyclopedia Of Practical Quotations (1922), p. 769-70.

John Ruskin photo
Oliver Goldsmith photo
Chief Seattle photo
Steve Jobs photo

“digital hub (center of our universe) is moving from PC to cloud
- PC now just another client alongside iPhone, iPad, iPod touch, …
- Apple is in danger of hanging on to old paradigm too long (innovator's dilemma)
- Google and Microsoft are further along on the technology, but haven't quite figured it out yet
- tie all of our products together, so we further lock customers into our ecosystem”

Steve Jobs (1955–2011) American entrepreneur and co-founder of Apple Inc.

email sent to his managers staff in 2010, which went public during trial against Samsung http://fr.scribd.com/doc/216405190/Apple-outline?_ga=1.21582200.27979217.1396947917
2010s

Arthur Hugh Clough photo
Peter M. Senge photo
Charles Dickens photo

“I want sculpture to show the wonder of man, that flowing water, rocks, clouds
vegetation have for the man in peace who glories in existence... Its existence will be its statement”

David Smith (1906–1965) American visual artist (1906-1965)

1940s, The Question – What is your Hope' (c. 1940s)

Richard Dawkins photo
David Brin photo
George William Russell photo
Baba Amte photo
Jim Morrison photo
John F. Kennedy photo
Henrik Ibsen photo
Han-shan photo
Camille Paglia photo

“The sixteenth century transformed Middle English into modern English. Grammar was up for grabs. People made up vocabulary and syntax as they went along. Not until the eighteenth century would rules of English usage appear. Shakespearean language is a bizarre super-tongue, alien and plastic, twisting, turning, and forever escaping. It is untranslatable, since it knocks Anglo-Saxon root words against Norman and Greco-Roman importations sweetly or harshly, kicking us up and down rhetorical levels with witty abruptness. No one in real life ever spoke like Shakespeare’s characters. His language does not “make sense,” especially in the greatest plays. Anywhere from a third to a half of every Shakespearean play, I conservatively estimate, will always remain under an interpretive cloud. Unfortunately, this fact is obscured by the encrustations of footnotes in modern texts, which imply to the poor cowed student that if only he knew what the savants do, all would be as clear as day. Every time I open Hamlet, I am stunned by its hostile virtuosity, its elusiveness and impenetrability. Shakespeare uses language to darken. He suspends the traditional compass points of rhetoric, still quite firm in Marlowe, normally regarded as Shakespeare’s main influence. Shakespeare’s words have “aura.””

Camille Paglia (1947) American writer

This he got from Spenser, not Marlowe.
Source: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 195

Alexander von Humboldt photo
Bruno Schulz photo
Robert Frost photo
Hugh Blair photo
Neal Stephenson photo

“If only I could leave everything as it is, without moving a single star or a single cloud. Oh, if only I could!”

Antonio Porchia (1885–1968) Italian Argentinian poet

Si pudiera dejar todo como está, sin mover ni una estrella, ni una nube. ¡Ah, si pudiera!
Voces (1943)

John Howe (illustrator) photo

“Science Fiction Gods; Do they take much of an interest in us? I doubt it. How much entertainment does an ant's nest provide you with?
'Adepticus Sir, that bunch of Ornithoids on Artoc 4 that you asked me to observe, well they've just trashed their planet.'
'Oh that is a pity Initiatus Jones. What was it this time, ecological screw up or nuclear winter?'
'Worse than that sir, i looks lke they were mucking around with vacuum energy without having first invented the Mobius sphere.'
'Ah yes, the old classic mistake, we loose a few like that.'
'Could we not have tipped them off about it Sir?'
'I'm afraid not Jones, stupidity must remain its own reward, it's regrettable but there you are. Did you salvage anything?'
'They composed some fairly good poetry a couple of centuries ago, and some rather fine cloud sculptures fairly recently, I've logged some records in the archives.'
'Splendid Jones, I'll peruse them this evening. What about those Apes on Sol 3, how are they getting on?'
'Quit a bit of warfare as usual Sir, mostly based on chemical explosives these days, but with the occasional use of plutonium. Many of them have developed a belief in a big bang theory, and they reckon that they have the maths to prove it.'
'Really? Smith in anthropology will probably find that hilarious, I'm sure she would appreciate the data. It was one of her old Stomping grounds you know?'
'No I didnt know that Sir'
'It was a long time ago Jones, and a bit of a fiasco actually, she gave them a piece of her mind about some of their barbaric behavior which then abruptly became worse. Ever since then they have been obsessed with the number plate on her craft, it read 'JHVH'. The department gave her a desk job after that.”

Peter J. Carroll (1953) British occultist

Source: The Apophenion (2008), p. 107-108

Horace photo

“He will through life be master of himself and a happy man who from day to day can have said, "I have lived: tomorrow the Father may fill the sky with black clouds or with cloudless sunshine."”
Ille potens sui laetusque deget, cui licet in diem dixisse "vixi: cras vel atra nube polum pater occupato vel sole puro."

Horace book Odes

Book III, ode xxix, line 41
John Dryden's paraphrase:
Happy the man, and happy he alone,
He, who can call to day his own:
He who, secure within, can say,
To-morrow do thy worst, for I have lived to-day.
Odes (c. 23 BC and 13 BC)

Caspar David Friedrich photo

“Alas, the blue arc of heaven / Is covered with gloomy clouds, / And the bright radiance of the sun / Is completely hidden
See the terrifying force of the tempest / Bows the oaks so that is groans, / And the rose on the beautiful pasture / has ben bent down by the rain.”

Caspar David Friedrich (1774–1840) Swedish painter

some poetry lines of Friedrich, c. 1807-09; as cited by C. D. Eberlein in C. D. Friedrich Bekenntnisse, p 57; as quoted and translated by Linda Siegel in Caspar David Friedrich and the Age of German Romanticism, Boston Branden Press Publishers, 1978, p. 52
1794 - 1840

John Constable photo

“This appearance of the Evening was… just after a very heavy rain — more rain in the night and very — [? light] wind which continued all the — day following while making – this sketch observed the Moon easing – very beautifully… [in the] due East over the — heavy clouds from which the late showers – had fallen.”

John Constable (1776–1837) English Romantic painter

Inscription: 12 September, 1821, written on the back of 'Hampstead Heath, Sun setting over Harrow,' his sketch in oil on paper; as quoted in Leslie Parris and Ian Fleming-Williams, Constable (Tate Gallery Publications, London. 1993), p. 221
1820s

Han-shan photo
Conrad Aiken photo
Richard Brautigan photo
Alfred Horsley Hinton photo
Charlotte Brontë photo

“Where still the branches guarded the skin of ruddy hue, like to illumined cloud or to Iris when she ungirds her robe and glides to meet glowing Phoebus.”
Cuius adhuc rutilam servabant bracchia pellem, nubibus accensis similem aut cum veste recincta labitur ardenti Thaumantias obvia Phoebo.

Source: Argonautica, Book VIII, Lines 114–116