Quotes about cloud
page 5

Michael Moorcock photo
Yukio Mishima photo
John Muir photo

“When night was drawing near, I ran down the flowery slopes exhilarated, thanking God for the gift of this great day. The setting sun fired the clouds. All the world seemed new-born. Every thing, even the commonest, was seen in new light and was looked at with new interest as if never seen before.”

John Muir (1838–1914) Scottish-born American naturalist and author

Travels in Alaska http://www.sierraclub.org/john_muir_exhibit/writings/travels_in_alaska/ (1915), chapter 7: Glenora Peak
1910s

Han-shan photo
Jonathan Edwards photo
Daniel Handler photo
Vincent Van Gogh photo
Théodore Guérin photo
Benoît Mandelbrot photo
Joseph Addison photo
Mark Hurd photo

“Remember what’s bigger, to me, about the cloud isn’t so much the technology. It’s just as much about the business model. It’s just about what the customer needs to do to enable their business.”

Mark Hurd (1957–2019) American businessman, philanthropist and CEO of Oracle

Diginomica: "Oracle CEO Mark Hurd on the looming transformation of enterprise IT" https://diginomica.com/2018/01/11/oracle-ceo-mark-hurd-on-the-looming-transformation-of-enterprise-it/ (11 January 2018)

Robert G. Ingersoll photo

“When I am on my own and quiet, the landscape tells you a great deal and Turner and Cotman talk to me from the clouds.”

Rigby Graham (1931–2015) British author and illustrator

Obituary, Daily Telegraph,London, 20th May 2015

Halldór Laxness photo
Anna Akhmatova photo
Henry Miller photo
Carl Sagan photo
Cesare Pavese photo

“Stop allowing your day-to-day life to be clouded by busy nothingness.”

Source: Life, the Truth, and Being Free (2010), p. 116

Aristophanés photo

“Chremylus: And what good thing can [Poverty] give us, unless it be burns in the bath, and swarms of brats and old women who cry with hunger, and clouds uncountable of lice, gnats and flies, which hover about the wretch's head, trouble him, awake him and say, “You will be hungry, but get up!” […]
Poverty: It's not my life that you describe; you are attacking the existence beggars lead. […] The beggar, whom you have depicted to us, never possesses anything. The poor man lives thriftily and attentive to his work; he has not got too much, but he does not lack what he really needs. […] But what you don't know is this, that men with me are worth more, both in mind and body, than with [Wealth]. With him they are gouty, big-bellied, heavy of limb and scandalously stout; with me they are thin, wasp-waisted, and terrible to the foe. […] As for behavior, I will prove to you that modesty dwells with me and insolence with [Wealth]. […] Look at the orators in our republics; as long as they are poor, both state and people can only praise their uprightness; but once they are fattened on the public funds, they conceive a hatred for justice, plan intrigues against the people and attack the democracy. […]
Chremylus: Then tell me this, why does all mankind flee from you?
Poverty: Because I make them better. Children do the very same; they flee from the wise counsels of their fathers. So difficult is it to see one's true interest.”

tr. O'Neill 1938, Perseus http://www.perseus.tufts.edu/hopper/text.jsp?doc=Aristoph.+Pl.+535
Plutus, line 535-539 & 548 & 552-554 & 558-561 & 563-564 & 567-570 & 575-578
Plutus (388 BC)

John Constable photo

“England, with her climate of more than vernal freshness, and in whose summer skies, and rich autumnal clouds, the observer of Nature may daily watch her endless varieties of effect.... to one brief moment caught [by the artist] from fleeting time..”

John Constable (1776–1837) English Romantic painter

Quote from Constable's Introduction of the 1833 edition of English landscape scenery, as cited in Constable's English Landscape Scenery, Andrew Wilton, British Museum Prints and Drawings Series, 1979; as quoted in: 'A brief history of weather in European landscape art', John E. Thornes, in Weather Volume 55, Issue 10 Oct. 2000, p. 368
Constable expressed - in his Introduction to the 1833 edition of English landscape scenery - similar sentiments as contemporary landscape-painter Turner, according to Andrew Wilton
1830s

“When I do not walk in the clouds I walk as though I were lost.”

Antonio Porchia (1885–1968) Italian Argentinian poet

Cuando no ando en las nubes, ando como perdido.
Voces (1943)

Joseph Addison photo
Robert E. Howard photo
Pat Murphy photo
Letitia Elizabeth Landon photo
William James photo
Sarah Fuller Flower Adams photo

“He sendeth sun, he sendeth shower,-
Alike they’re needful to the flower;
And joys and tears alike are sent
To give the soul fit nourishment.
As comes to me or cloud or sun,
Father! thy will, not mine, be done.”

Sarah Fuller Flower Adams (1805–1848) English poet, hymnwriter

"He sendeth Sun, he sendeth Shower", reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 282; and in Bartlett's Familiar Quotations, 10th ed. (1919).

Robert Seymour Bridges photo

“There's a silver lining
Through the dark clouds shining.
Turn the dark cloud inside out
Till the boys come home.”

Lena Guilbert Ford (1870–1918) American lyricist, poet

Song Keep the Home Fires Burning (1914)

Fred Thompson photo
Girolamo Cardano photo
Frederick Douglass photo
Nathalia Crane photo

“Cloud-made mountains towered,
Beckoning to me;
Visionary triremes
Talked about the sea…”

Nathalia Crane (1913–1998) American writer

The Janitor's Boy And Other Poems (1924)

Denise Levertov photo
Roy Spencer photo
Mary Mapes Dodge photo
Bouck White photo
Ai Weiwei photo

“It is as difficult [for Chinese politicians] to get a real smile [from the people] as it is to keep the sky blue and clouds white.”

Ai Weiwei (1957) Chinese concept artist

2000-09, Happiness Can’t Be Faked, 2008

Bruce Springsteen photo
Letitia Elizabeth Landon photo
Gustave Geffroy photo

“From now on whatever the hour represented on the canvas, a supreme accord will be wrought amongst all the parts of the subject: the water, the sky, the clouds, the foliage, reunified by the atmosphere, will form a whole of an irreproachable homogeneity, a grandiose and charming image of natural harmony.”

Gustave Geffroy (1855–1926) French writer

1898 in: Steven Z. Levine, ‎Claude Monet (1994), Monet, Narcissus, and Self-Reflection: The Modernist Myth of the Self. p. 93: presented as "account at the time of the reexhibition of the seven Cathedrals in 1898."

William Blake photo
Eugène Boudin photo

“[Venice is] somewhat disguised by the artists who usually paint Venice, who have disfigured it by turning it into a city heated by the brightest and hottest sun. On the contrary, Venice, like all luminous cities, has a grey hue, the atmosphere is mild and misty and the sky arrays itself with clouds, just like the sky of our Norman and Dutch regions.”

Eugène Boudin (1824–1898) French painter

Quote of Boudin's letter, from Venice, 1895; to art-dealer Durand-Ruel; as cited in 'Venice, The Grand Canal' 1895, by Anne-Marie Bergeret-Gourbin https://www.museothyssen.org/en/collection/artists/boudin-eugene/venice-grand-canal, Museo Thyssen
1880s - 1890s

Lauren Duca photo
Charles Lindbergh photo

“I owned the world that hour as I rode over it… free of the earth, free of the mountains, free of the clouds, but how inseparably I was bound to them.”

Charles Lindbergh (1902–1974) American aviator, author, inventor, explorer, and social activist

On flying over the Rocky Mountains, as quoted in Lindbergh (1978) by Leonard Mosley

David Mitchell photo

“What wouldn't I give now for a never-changing map of the ever-constant ineffable? To possess, as it were, an atlas of clouds.”

"The Ghastly Ordeal of Timothy Cavendish", p. 389
Cloud Atlas (2004)

Letitia Elizabeth Landon photo
James Madison photo
David Thomas (born 1813) photo
Dylan Thomas photo
Ursula K. Le Guin photo
Robert Charles Wilson photo

“there is a mushroom cloud in the back garden
i did i tried to bring in the cat
but it simply came to pieces in my hand
i did i tried to whitewash the windows
but there weren't any”

Roger McGough (1937) British writer and poet

"Mother the Wardrobe is Full of Infantrymen", from The Mersey Sound (1967)

Horace Bushnell photo
John Gray photo
Edwin Arnold photo
Paula Modersohn-Becker photo
Lydia Maria Child photo

“Misfortune is never mournful to the soul that accepts it; for such do always see that every cloud is an angel’s face. Every man deems that he has precisely the trials and temptations which are the hardest of all others for him to bear; but they are so, simply because they are the very ones he most needs.”

Lydia Maria Child (1802–1880) American abolitionist, author and women's rights activist

1840s, Letters from New York (1843)
Source: Letters from New York http://www.bartleby.com/66/64/12264.html, vol. 1, letter 39

Alfred Horsley Hinton photo
Oliver Lodge photo
Sengai photo

“He who comes knows only his coming,
He who goes knows only his end.
To be saved from the chasm,
Why cling to the cliff?
Clouds floating low
Never know where the breezes will blow them.”

Sengai (1750–1837) Japanese artist

Japanese Death Poems. Compiled by Yoel Hoffmann. ISBN 978-0-8048-3179-6

James A. Garfield photo
Stephen King photo
George Eliot photo
Han-shan photo
Jane Roberts photo
Kate Bush photo

“This cloud, this cloud —
Says "Noah,
C'mon and build me an Ark."
And if you're coming, jump,
'Cause
We're leaving with the Big Sky.”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

Song lyrics, Hounds of Love (1985)

Plutarch photo

“The most perfect soul, says Heraclitus, is a dry light, which flies out of the body as lightning breaks from a cloud.”

Plutarch (46–127) ancient Greek historian and philosopher

Life of Romulus
Bartlett's Familiar Quotations, 10th ed. (1919)

William James photo

“Every Jack sees in his own particular Jill charms and perfections to the enchantment of which we stolid onlookers are stone-cold. And which has the superior view of the absolute truth, he or we? Which has the more vital insight into the nature of Jill's existence, as a fact? Is he in excess, being in this matter a maniac? or are we in defect, being victims of a pathological anesthesia as regards Jill's magical importance? Surely the latter; surely to Jack are the profounder truths revealed; surely poor Jill's palpitating little life-throbs are among the wonders of creation, are worthy of this sympathetic interest; and it is to our shame that the rest of us cannot feel like Jack. For Jack realizes Jill concretely, and we do not. He struggles toward a union with her inner life, divining her feelings, anticipating her desires, understanding her limits as manfully as he can, and yet inadequately, too; for he also is afflicted with some blindness, even here. Whilst we, dead clods that we are, do not even seek after these things, but are contented that that portion of eternal fact named Jill should be for us as if it were not. Jill, who knows her inner life, knows that Jack's way of taking it - so importantly - is the true and serious way; and she responds to the truth in him by taking him truly and seriously, too. May the ancient blindness never wrap its clouds about either of them again! Where would any of us be, were there no one willing to know us as we really are or ready to repay us for our insight by making recognizant return? We ought, all of us, to realize each other in this intense, pathetic, and important way.”

William James (1842–1910) American philosopher, psychologist, and pragmatist

"What Makes a Life Significant?"
1910s, Talks to Teachers on Psychology and to Students on Some of Life's Ideals (1911)

Helen Keller photo
Alfred Horsley Hinton photo
Joan Maragall photo

“Think deeply about this: what are you going to ask of Christ when you are in his Church? You come stepping in softly, seeking quiet under her vaulted roofs (unless, of course, you come out of mere vanity) in order to forget your problems and preoccupations [-] languidly immersing yourself in the majesty of the sacred chorales and in the aromatic clouds of incense: and then to sleep[-] But this is not the peace of Christ. My peace I give you, my peace I leave you. He said My, which is not the peace of this world. But you want to establish the Church in the peace of the world, and that is why the others, when they come, cannot enter without war cries rising from their overwrought lungs. They rebel, filling the temple with blashemous roars, they eject the terrified faithful, who had been half asleep, they insult or kill the ministers at the altar, knock over the altar itself, smash the stone saints, burn the church [-] so it is that she once again becomes, for them, the church of the Christ that died on the cross. [-] This time, do not leave her rebuilding to others. Do not wish to put up sturdier walls for these will not give her a better defense [-] Nor should you ask the rich to contribute too much money for the reconstruction, lest the poor, should receive the benefice with mistrust. Let it be the poor who rebuild her, for then they will do so according to their fashion and only in this way will they love her.”

Joan Maragall (1860–1911) Spanish writer
Octavio Paz photo
Letitia Elizabeth Landon photo
Georgia O'Keeffe photo

“Today I walked into the sunset — to mail some letters —... But some way or other I didn't seem to like the redness much so after I mailed the letters I walked home — and kept walking - The Eastern sky was all grey blue — bunches of clouds — different kinds of clouds — sticking around everywhere and the whole thing — lit up — first in one place — then in another with flashes of lightning — sometimes just sheet lightning — and some times sheet lightning with a sharp bright zigzag flashing across it -. I walked out past the last house — past the last locust tree — and sat on the fence for a long time — looking — just looking at — the lightning — you see there was nothing but sky and flat prairie land — land that seems more like the ocean than anything else I know — There was a wonderful moon. Well I just sat there and had a great time by myself — Not even many night noises — just the wind —... I wondered what you were doing - It is absurd the way I love this country — Then when I came back — it was funny — roads just shoot across blocks anywhere — all the houses looked alike — and I almost got lost — I had to laugh at myself — I couldn't tell which house was home - I am loving the plains more than ever it seems — and the SKY — Anita you have never seen SKY — it is wonderful”

Georgia O'Keeffe (1887–1986) American artist

Canyon, Texas (September 11, 1916), pp. 183-184
1915 - 1920, Letters to Anita Pollitzer' (1916)

Joni Mitchell photo
Dorothy Wordsworth photo
Georg Christoph Lichtenberg photo
Robert Southey photo
John Steinbeck photo
George William Russell photo

“Only in clouds and dreams I felt those souls
In the abyss, each fire hid in its clod,
From which in clouds and dreams the spirit rolls
Into the vast of God.”

George William Russell (1867–1935) Irish writer, editor, critic, poet, and artistic painter

"Dusk"
By Still Waters (1906)

Thomas Moore photo
Czeslaw Milosz photo

“I was left behind with the immensity of existing things. A sponge, suffering because it cannot saturate itself; a river, suffering because reflections of clouds and trees are not clouds and trees.”

Czeslaw Milosz (1911–2004) Polish, poet, diplomat, prosaist, writer, and translator

"Esse" (1954), trans. Czesław Miłosz and Robert Pinsky
Uncollected Poems (1954-1969)

Peter Greenaway photo
Isaac Barrow photo

“Mathematics is the fruitful Parent of, I had almost said all, Arts, the unshaken Foundation of Sciences, and the plentiful Fountain of Advantage to Human Affairs. In which last Respect, we may be said to receive from the Mathematics, the principal Delights of Life, Securities of Health, Increase of Fortune, and Conveniences of Labour: That we dwell elegantly and commodiously, build decent Houses for ourselves, erect stately Temples to God, and leave wonderful Monuments to Posterity: That we are protected by those Rampires from the Incursions of the Enemy; rightly use Arms, skillfully range an Army, and manage War by Art, and not by the Madness of wild Beasts: That we have safe Traffick through the deceitful Billows, pass in a direct Road through the tractless Ways of the Sea, and come to the designed Ports by the uncertain Impulse of the Winds: That we rightly cast up our Accounts, do Business expeditiously, dispose, tabulate, and calculate scattered 248 Ranks of Numbers, and easily compute them, though expressive of huge Heaps of Sand, nay immense Hills of Atoms: That we make pacifick Separations of the Bounds of Lands, examine the Moments of Weights in an equal Balance, and distribute every one his own by a just Measure: That with a light Touch we thrust forward vast Bodies which way we will, and stop a huge Resistance with a very small Force: That we accurately delineate the Face of this Earthly Orb, and subject the Oeconomy of the Universe to our Sight: That we aptly digest the flowing Series of Time, distinguish what is acted by due Intervals, rightly account and discern the various Returns of the Seasons, the stated Periods of Years and Months, the alternate Increments of Days and Nights, the doubtful Limits of Light and Shadow, and the exact Differences of Hours and Minutes: That we derive the subtle Virtue of the Solar Rays to our Uses, infinitely extend the Sphere of Sight, enlarge the near Appearances of Things, bring to Hand Things remote, discover Things hidden, search Nature out of her Concealments, and unfold her dark Mysteries: That we delight our Eyes with beautiful Images, cunningly imitate the Devices and portray the Works of Nature; imitate did I say? nay excel, while we form to ourselves Things not in being, exhibit Things absent, and represent Things past: That we recreate our Minds and delight our Ears with melodious Sounds, attemperate the inconstant Undulations of the Air to musical Tunes, add a pleasant Voice to a sapless Log and draw a sweet Eloquence from a rigid Metal; celebrate our Maker with an harmonious Praise, and not unaptly imitate the blessed Choirs of Heaven: That we approach and examine the inaccessible Seats of the Clouds, the distant Tracts of Land, unfrequented Paths of the Sea; lofty Tops of the Mountains, low Bottoms of the Valleys, and deep Gulphs of the Ocean: That in Heart we advance to the Saints themselves above, yea draw them to us, scale the etherial Towers, freely range through the celestial Fields, measure the Magnitudes, and determine the Interstices of the Stars, prescribe inviolable Laws to the Heavens themselves, and confine the wandering Circuits of the Stars within fixed Bounds: Lastly, that we comprehend the vast Fabrick of the Universe, admire and contemplate the wonderful Beauty of the Divine 249 Workmanship, and to learn the incredible Force and Sagacity of our own Minds, by certain Experiments, and to acknowledge the Blessings of Heaven with pious Affection.”

Isaac Barrow (1630–1677) English Christian theologian, and mathematician

Source: Mathematical Lectures (1734), p. 27-30

William Jennings Bryan photo
Iain Banks photo

“When I believe a stone is a stone and a cloud a cloud, I am in a state of unconsciousness.”

Antonio Porchia (1885–1968) Italian Argentinian poet

Cuando creo que la piedra es piedra, que la nube es nube, me hallo es un estado de inconsciencia.
Voces (1943)

Muhammad of Ghor photo

“When the afiairs of this tract was settled, the royal army marched, in the year 592 h., (1196 a. d.) "towards Galewar (Gwalior), and invested that fort, which is the pearl of the necklace of the castles of Hind, the summit of which the nimble-footed wind from below cannot reach, and on the bastion of which the rapid clouds have never cast their shade, and which the swift imagination has never surmounted, and at the height of which the celestial sphere is dazzled."…In compliance with the divine injunction of holy war, they drew out the bloodthirsty sword before the faces of the enemies of religion…Solankh Pal who had raised the standard of infidelity, and perdition, and prided himself on his countless army and elephants, and who expanded the fist^ of oppression from the hiding place of deceit, and who had lighted the flame of turbulence and rebellion, and who had fixed the root of sedition and enmity firm in his heart, and in the courtyard of whose breast the shrub of tyranny and commotion had shot forth its branches, when he saw the power and majesty of the army of Islam," he became alarmed and dispirited. " Wherever he looked, he saw the road of flight blocked up."”

Muhammad of Ghor (1160–1206) Ghurid Sultan

He therefore " sued for pardon, and placed the ring of servitude in his ear," and agreed to pay tribute...
About the capture of Gwalior. Hasan Nizami. Elliot and Dowson, Vol. II : Elliot and Dowson, History of India as told by its own Historians, 8 Volumes, Allahabad Reprint, 1964. pp. 227-228 Also quoted in Jain, Meenakshi (2011). The India they saw: Foreign accounts.