Quotes about brown
page 3

W.E.B. Du Bois photo
Charles Kingsley photo
Patton Oswalt photo
Paul Auster photo
Thaddeus Stevens photo
Neal D. Barnard photo
François Bernier photo
Oliver Wendell Holmes photo
Michael Bond photo

“There aren't many of us left where I come from."
"And where is that?" asked Mrs. Brown.
The bear looked round carefully before replying.
"Darkest Peru.”

Michael Bond (1926–2017) English author, creator of Paddington the Bear

Page 9.
A Bear Called Paddington (1958)

Neal Stephenson photo
Dan Quayle photo
Harry V. Jaffa photo

“Affirmative action, rightly understood, would justify a wide variety of outreach programs for those whose lives have been stultified by poverty, broken families, bad schools, and neighborhoods filled with drugs, crime and gangs. One can heartily commend a program for tutoring young blacks, or young whites, who had never had a genuine teacher in a real classroom. One cannot, however, commend a program of raising the grades of young blacks, but not young whites, without having raised their skills. And what possible justification can there be there for giving scholarship assistance to the child of a black middle-class family, while denying it to a poor white? Can one imagine a more crass disregard for the genuine meaning of the Equal Protection Clause? The priests of this new religion of 'affirmative action' are not without material interests. Hundreds of millions of corporate dollars are spent annually on 'sensitivity training'. Within the universities, centers for black, brown and women's (i. e., feminist) studies are being established, with vast amount of patronage bestowed upon them. Traditional courses in Plato, Aristotle, Thomas Aquinas, Shakespeare and the Bible continue to appear in the catalogs, but they are increasingly taught by 'deconstructionists', who have no interest in the texts, but only in subjective reactions to the texts.”

Harry V. Jaffa (1918–2015) American historian and collegiate professor

1990s, The Party of Lincoln vs. The Party of Bureaucrats (1996)

Henry David Thoreau photo
Frederick Douglass photo

“What he wanted was to make his proclamation as effective as possible in the event of such a peace. He said, in a regretful tone, 'The slaves are not coming so rapidly and so numerously to us as I had hoped'. I replied that the slaveholders knew how to keep such things from their slaves, and probably very few knew of his proclamation. 'Well', he said, 'I want you to set about devising some means of making them acquainted with it, and for bringing them into our lines'. He spoke with great earnestness and much solicitude, and seemed troubled by the attitude of Mr. Greeley, and the growing impatience there was being manifested through the North at the war. He said he was being accused of protracting the war beyond its legitimate object, and of failing to make peace when he might have done so to advantage. He was afraid of what might come of all these complaints, but was persuaded that no solid and lasting peace could come short of absolute submission on the part of the rebels, and he was not for giving them rest by futile conferences at Niagara Falls, or elsewhere, with unauthorized persons. He saw the danger of premature peace, and, like a thoughtful and sagacious man as he was, he wished to provide means of rendering such consummation as harmless as possible. I was the more impressed by this benevolent consideration because he before said, in answer to the peace clamor, that his object was to save the Union, and to do so with or without slavery. What he said on this day showed a deeper moral conviction against slavery than I had ever seen before in anything spoken or written by him. I listened with the deepest interest and profoundest satisfaction, and, at his suggestion, agreed to undertake the organizing a band of scouts, composed of colored men, whose business should be somewhat after the original plan of John Brown, to go into the rebel States, beyond the lines of our armies, and carry the news of emancipation, and urge the slaves to come within our boundaries.”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

Source: 1880s, Life and Times of Frederick Douglass (1881), pp. 434–435.

Ben Croshaw photo
Camille Pissarro photo

“Tell [Père] Tanguy to send me some paints. What I need most are ten tubes of white, two of chrome yellow, one bright red, one brown lac, one ultramarine, five Veronese green, one cobalt j I have on hand only one tube of white … I expect to begin to paint again from nature, and I need the colors.”

Camille Pissarro (1830–1903) French painter

Quote of Camille Pissarro, in a letter, Eragny, 25 February 1887, to his son Lucien; in Camille Pissarro - Letters to His Son Lucien ed. John Rewald, with assistance of Lucien Pissarro; from the unpublished French letters; transl. Lionel Abel; Pantheon Books Inc. New York, second edition, 1943, p. 100
1880's

Russell Brand photo
John Brown (abolitionist) photo

“I, John Brown, am now quite certain that the crimes of this guilty land can never be purged away but with blood. I had, as I now think, vainly flattered myself that without very much bloodshed, it might be done.”

John Brown (abolitionist) (1800–1859) American abolitionist

This was written on a note that he had at his execution (2 December 1859), most sources say it was handed to the guard, but some dispute that and claim it was handed to a reporter accompaning him; as quoted in John Brown and his Men https://books.google.com/books?id=uiaYWp66b-cC&pg=PR1&dq=John+Brown+and+his+Men+%281894%29+by+Richard+Josiah+Hinton&hl=en&sa=X&ei=Uub_VN3CN5HbggTdxIK4Cw&ved=0CB4Q6AEwAA#v=onepage&q=John%20Brown%20and%20his%20Men%20(1894)%20by%20Richard%20Josiah%20Hinton&f=false (1894) by Richard Josiah Hinton, p. 398.

Jimmy Buffett photo

“Come Monday, it'll be all right.
Come Monday, I'll be holding you tight.
I spent four lonely days in a brown L. A. haze
And I just want you back by my side.”

Jimmy Buffett (1946) American singer–songwriter and businessman

Come Monday
Song lyrics, Living & Dying in 3/4 Time (1974)

Arthur Machen photo
Rudyard Kipling photo
John Buchan photo
Letitia Elizabeth Landon photo
Edgar Rice Burroughs photo
Richard Rodríguez photo
Brandon Boyd photo

“If I forgot some stuff, please excuse me; I ate the brown acid at Woodstock '69 and can scarcely remember my own name.”

Brandon Boyd (1976) American rock singer, writer and visual artist

In his "Thanks" for the MV album

Arshile Gorky photo
Paul Simon photo
George William Curtis photo
Robin Morgan photo
Jean Cocteau photo

“People would say to Al Brown: "You are not a boxer. You are a dancer." He laughed at this, and won.”

Jean Cocteau (1889–1963) French poet, novelist, dramatist, designer, boxing manager and filmmaker

Diary of an Unknown (1988)

Georgia O'Keeffe photo
Konrad Heiden photo
Richard Dawkins photo

“Imagine you are God. You’re all-powerful, nothing is beyond you. You’re all-loving. So it is really, really important to you that humans are left in no doubt about your existence and your loving nature, and exactly what they need to do in order to get to heaven and avoid eternity in the fires of hell. It’s really important to you to get that across. So what do you do? Well, if you’re Jehovah, apparently this is what you do. You talk in riddles. You tell stories which on the surface have a different message from the one you apparently want us to understand. You expect us to hear X, and instinctively understand that it needs to be interpreted in the light of Y, which you happen to have said in the course of a completely different story 500-1,000 years earlier. Instead of speaking directly into our heads - which God has presumed the capability of doing so - simply, clearly and straightforwardly in terms which the particular individual being addressed will immediately understand and respond to positively - you steep your messages in symbols, in metaphors. In fact, you choose to convey the most important message in the history of creation in code, as if you aspired to be Umberto Eco or Dan Brown. Anyone would think your top priority was to keep generation after generation after generation of theologians in meaningless employment, rather than communicate an urgent life-or-death message to the creatures you love more than any other.”

Richard Dawkins (1941) English ethologist, evolutionary biologist and author

FFRF 2012 National Convention, http://www.youtube.com/watch?v=dJTQiChzTNI?t=43m19s

P. W. Botha photo

“Many refugees – white, brown and black – flee to South Africa. Why? Here they know they have safety.”

P. W. Botha (1916–2006) South African prime minister

As Minister of Defence, House of Assembly, 1 September 1975, as cited in PW Botha in his own words, Pieter-Dirk Uys, 1987, p. 17

George Galloway photo

“As for Gordon Brown - I've described him and Blair as two cheeks of the same arse.”

George Galloway (1954) British politician, broadcaster, and writer

Rescuing something labour from the wreckage http://commentisfree.guardian.co.uk/george_galloway/2006/05/rescuing_something_labour_from.html, Comment is Free, May 9, 2006

Edouard Manet photo

“What a pelisse! It's tawny brown with an old gold lining – staggering. It will make a wonderful background for some things I'm thinking of doing. Promise that when it's worn out you'll give it to me”

Edouard Manet (1832–1883) French painter

Méry promised!
quote of Manet, c. 1881; as cited in The private lives of the Impressionists, Sue Roe; Harpen Collins Publishers, New York 2006, p. 232
Méry Laurent was posing for Manet's painting 'Autumn', one work of Manet's series of the seasons, he painted in 1881 – she had ordered the pelisse from Worth for that posing]
1876 - 1883

Tom Baker photo
Wilt Chamberlain photo
Ian Smith photo
Derren Brown photo
Matthijs Maris photo
John Fante photo
Ian Hislop photo
Pete Doherty photo
Neil Young photo

“Did you see them in the river?
They were there to wave to you.
Could you tell that the empty quiver,
Brown skinned Indian on the banks
That were crowded and narrow,
Held a broken arrow?”

Neil Young (1945) Canadian singer-songwriter

Broken Arrow, from Buffalo Springfield Again (1967)
Song lyrics, With Buffalo Springfield

“It seems to me (said she) that you are in some brown study.”

Source: Euphues (Arber [1580]), P. 80. Compare: "A brown study", Jonathan Swift, Polite Conversation.

Angela Davis photo
Roger Raveel photo

“As far as my exhibition concerned [opening was 8 May 1954, in Ghent].... there is however a recent and important painting hanging there 'Man met Boompje' [Man with tree, later titled 'The Gardener] - permettez-moi - with beautiful refracting matters and color: lemon-yellow spots and lacquerish black on white, (face) transparent pure light-blue with a very thin layer glacis over it (in the small wall) and strong-blue painted vertical line. Yellow brown and mauve brush-sweeps with small red dashes over it (for the small tree), and further a lot of beautiful white.”

Roger Raveel (1921–2013) painter

version in original Flemish (citaat van Roger Raveel, in het Vlaams): Wat nu mijn tentoonstelling betreft (opening was 8 mei 1954, in Gent].. .er is echter een recent en belangrijk werk bij n.l. 'Man met boompje' [later 'De Tuinman' getiteld] - permettez-moi- met mooie brekende materies en kleur: citroengele vlekken en lakachtig zwarte op wit, (gezicht) transparante zuivere lichte blauwe met een heel dunne glacis erover (in muurtje) en sterk blauwe geschilderde vertikale lijn. Geelbruine en mauve vegen met daarop kleine rode streepjes (voor boompje) verder veel mooi wit.
Quote of Raveel, in a letter to his friend Hugo Claus, from Machelen aan de Leie, May 1954; as cited in Hugo Claus, Roger Raveel; Brieven 1947 – 1962, ed. Katrien Jacobs, Ludion; Gent Belgium, 2007 - ISBN 978-90-5544-665-0, p. 164 (translation: Fons Heijnsbroek)
1945 - 1960

John Fante photo
Julian of Norwich photo
Boris Berezovsky photo
John Milton photo

“Then to the spicy nut-brown ale.”

John Milton (1608–1674) English epic poet

Source: L'Allegro (1631), Line 100

Langston Hughes photo
Chris Rock photo
Tanith Lee photo
Anthony Burgess photo
Eric Holder photo
Paul Simon photo
Joseph Conrad photo

“Coming in from the eastward, the bright colouring of the [Nore] lightship marking the part of the river committed to the charge of an Admiral (the Commander-in-Chief at the Nore) accentuates the dreariness and the great breadth of the Thames Estuary. But soon the course of the ship opens the entrance of the Medway, with its men-of-war moored in line, and the long wooden jetty of Port Victoria, with its few low buildings like the beginning of a hasty settlement upon a wild and unexplored shore. The famous Thames barges sit in brown clusters upon the water with an effect of birds floating upon a pond… [The inward-bound ships] all converge upon the Nore, the warm speck of red upon the tones of drab and gray, with the distant shores running together towards the west, low and flat, like the sides of an enormous canal. The sea-reach of the Thames is straight, and, once Sheerness is left behind, its banks seem very uninhabited, except for the cluster of houses which is Southend, or here and there a lonely wooden jetty where petroleum ships discharge their dangerous cargoes, and the oil-storage tanks, low and round with slightly-domed roofs, peep over the edge of the fore-shore, as it were a village of Central African huts imitated in iron. Bordered by the black and shining mud-flats, the level marsh extends for miles. Away in the far background the land rises, closing the view with a continuous wooded slope, forming in the distance an interminable rampart overgrown with bushes.”

The Nore to Hope Point
The Mirror of the Sea (1906), On the River Thames, Ch. 16

Anthony Burgess photo
Philip Pullman photo

“Her dæmon's name was Pantalaimon, and he was currently in the form of a moth, a dark brown one so as not to show up in the darkness of the hall.”

Introducing Pantalaimon, also called Pan, in Ch. 1 : The Decanter of Tokay
His Dark Materials, The Golden Compass (1995)

Peter Greenaway photo
Sienna Guillory photo
Alfred P. Sloan photo
Frank Deford photo
Khaled Hosseini photo
Maurice Glasman, Baron Glasman photo
William Burges photo
Chris Stedman photo

“That my old bitter heart was pierced in this black doom,
That foreign devils have made our land a tomb,
That the sun that was Munster's glory has gone down
Has made me a beggar before you, Valentine Brown.”

Egan O'Rahilly (1670–1726) Irish poet

"Valentine Brown", as quoted in An Anthology of Irish Literature (1954), p. 239
Variant translation:
Because all night my mind inclines to wander and to rave,
Because the English dogs have made Ireland a green grave,
Because all of Munster's glory is daily trampled down,
I have traveled far to meet you, Valentine Brown.

Zainab Salbi photo
William Lloyd Garrison photo
Jefferson Davis photo

“I think Stone Mountain is amusing, but then again I find most representations of Robert E. Lee and Stonewall Jackson outside of Virginia, and, in Jackson's case, West Virginia, to be amusing. Aside from a short period in 1861-62, when Lee was placed in charge of the coastal defense of South Carolina and Georgia, neither general stepped foot in Georgia during the war. Lee cut off furloughs to Georgia's soldiers later in the war because he was convinced that once home they’d never come back. He resisted the dispatch of James Longstreet's two divisions westward to defend northern Georgia, and he had no answer when Sherman operated in the state. It would be better to see Joseph E. Johnston and John Bell Hood on the mountain, although it probably would have been difficult to get those two men to ride together. Maybe Braxton Bragg would have been a better pick, but no one calls him the hero of Chickamauga. Yet Bragg, Johnston, and Hood all attempted to defend Georgia, and they are ignored on Stone Mountain. So is Joe Wheeler, whose cavalry feasted off Georgians in 1864. So is John B. Gordon, wartime hero and postwar Klansman. Given Stone Mountain's history, Klansman Gordon would have been a good choice. It's also amusing to see Jefferson Davis represented. Yes, Davis came to Georgia, once to try to settle disputes within the high command of the Army of Tennessee, not a rousing success, and once to rally white Georgians to the cause once more after the fall of Atlanta. But any serious student of the war knows that Davis spent much of his presidency arguing with Georgia governor Joseph Brown about Georgia's contribution to the Confederate war effort, and that the vice president of the Confederacy, Georgia's own Alexander Hamilton Stephens, was not a big supporter of his superior. Yet we don't see Brown or Stephens on Stone Mountain, either.”

Jefferson Davis (1808–1889) President of the Confederate States of America

Brooks D. Simpson, "The Future of Stone Mountain" https://cwcrossroads.wordpress.com/2015/07/22/the-future-of-stone-mountain/ (22 July 2015), Crossroads, WordPress

George Raymond Richard Martin photo
Stewart Lee photo
Rick Warren photo
Karen Blixen photo
Henry David Thoreau photo
Gordon Brown photo

“Luckily for the world economy, however, Gordon Brown and his officials are making sense. And they may have shown us the way through this crisis.”

Gordon Brown (1951) British Labour Party politician

" Gordon Does Good http://www.nytimes.com/2008/10/13/opinion/13krugman.html", New York Times, 12 October 2008.
Paul Krugman, winner of the 2008 Prize in memory of Alfred Nobel for Economics.
About

Jean Toomer photo

“Superstition saw
Something it had never seen before:
Brown eyes that loved without a trace of fear,
Beauty so sudden for that time of year.”

Jean Toomer (1894–1967) American poet and novelist

from "November Cotton Flower"
Poems from Cane (1923)

Rousas John Rushdoony photo
Stanley Baldwin photo
James Comey photo
Stanley Holloway photo
Sasha Pivovarova photo

“I have these large pieces of recycled brown paper stretched on my apartment wall and when I am not doing anything fashion-related, I'm drawing on it, playing with colour spectrums.”

Sasha Pivovarova (1985) Russian model

Interview with V magazine, quoted in "A supermodel life", The Sydney Morning Herald (25 November 2008) http://www.smh.com.au/lifestyle/fashion/a-supermodel-life-20090403-9o99.html

John Milton photo
James Macpherson photo
Dorothy Parker photo

“This use of soldiers to make a play popular seems too much like taking an unfair advantage of the uniform—hitting below the Sam Browne belt, as it were. p. 93”

Dorothy Parker (1893–1967) American poet, short story writer, critic and satirist

Dorothy Parker: Complete Broadway, 1918–1923 (2014) https://openlibrary.org/books/OL25758762M/Dorothy_Parker_Complete_Broadway_1918-1923, Chapter 2: 1919

P. W. Botha photo

“I hate no black man. I hate no brown man. The same God that made me put them there too. My God is not only for Afrikaners.”

P. W. Botha (1916–2006) South African prime minister

Addressing the Transvaal NP Congress on 18 September 1979, as cited in PW Botha in his own words, Pieter-Dirk Uys, 1987, p. 25

Charles Baudelaire photo

“It is the hour when the swarm of malevolent dreams
Makes sun-browned adolescents writhe upon their pillows.”

C'était l'heure où l'essaim des rêves malfaisants
Tord sur leurs oreillers les bruns adolescents.
"Le Crépuscule du Matin" [Morning Twilight] http://fr.wikisource.org/wiki/Le_cr%C3%A9puscule_du_matin
Les fleurs du mal (Flowers of Evil) (1857)

Bill Whittle photo

“You're not black, white, yellow or brown. You're an American.”

Bill Whittle (1959) author, director, screenwriter, editor

citation needed