Quotes about break
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Larry Wall photo

“tt>break; /* don't do magic till later */</tt”

Larry Wall (1954) American computer programmer and author, creator of Perl

Source code, <code>stab.c</code>

Nelson Mandela photo

“Difficulties break some men but make others. No axe is sharp enough to cut the soul of a sinner who keeps on trying, one armed with the hope that he will rise even in the end.”

Nelson Mandela (1918–2013) President of South Africa, anti-apartheid activist

Nelson Mandela on challenges, Letter to Winnie Mandela (1 February 1975), written on Robben Island. Source: From Nelson Mandela By Himself: The Authorised Book of Quotations © 2010 by Nelson R. Mandela and The Nelson Mandela Foundation http://www.nelsonmandela.org/content/mini-site/selected-quotes
1970s

Theodore Kaczynski photo
Stanley Baldwin photo
Chinua Achebe photo
Arthur Hugh Clough photo
Dylan Moran photo
Vladimir Lenin photo
Henry Adams photo

“Mystics like Saint Bernard, Saint Francis, Saint Bonaventure or Pascal had a right to make this objection, since they got into the Church, so to speak, by breaking through the windows; but society at large accepted and retains Saint Thomas's Man much as Saint Thomas delivered him to the government; a two-sided being, free or unfree, responsible or irresponsible, an energy or a victim of energy, moved by choice or moved by compulsion, as the interests of society seemed for the moment to need.”

Henry Adams (1838–1918) journalist, historian, academic, novelist

Mont Saint Michel and Chartres (1904)
Context: p>To religious mystics, whose scepticism concerned chiefly themselves and their own existence, Saint Thomas's Man seemed hardly worth herding, at so much expense and trouble, into a Church where he was not eager to go. True religion felt the nearness of God without caring to see the mechanism. Mystics like Saint Bernard, Saint Francis, Saint Bonaventure or Pascal had a right to make this objection, since they got into the Church, so to speak, by breaking through the windows; but society at large accepted and retains Saint Thomas's Man much as Saint Thomas delivered him to the government; a two-sided being, free or unfree, responsible or irresponsible, an energy or a victim of energy, moved by choice or moved by compulsion, as the interests of society seemed for the moment to need. Certainly Saint Thomas lavished no excess of liberty on the Man he created, but still he was more generous than the State has ever been. Saint Thomas asked little from Man, and gave much; even as much freedom of will as the State gave or now gives; he added immortality hereafter and eternal happiness under reasonable restraints; his God watched over man's temporal welfare far more anxiously than th State has ever done, and assigned him space in the Church which he can never have in the galleries of Parliament or Congress. [... ] No statute law ever did as much for Man, and no social reform ever will try to do it; yet Man bitterly complained that he had not his rights, and even in the Church is still complaining, because Saint Thomas set a limit, more or less vague, to what man was obstinate in calling his freedom of will.Thus Saint Thomas completed his work, keeping his converging lines clear and pure throughout, and bringing them together, unbroken, in the curves that gave unity to his plan. His sense of scale and proportion was that of the great architects of his age. One might go on studying it for a life-time.</p

Agatha Christie photo
Tom Cruise photo
Eugene Lee-Hamilton photo

“The hollow sea-shell, which for years hath stood
On dusty shelves, when held against the ear
Proclaims its stormy parent, and we hear
The faint, far murmur of the breaking flood.
We hear the sea. The Sea? It is the blood
In our own veins, impetuous and near.”

Eugene Lee-Hamilton (1845–1907) English poet and translator

Sonnet. Sea-shell Murmurs, reported in Bartlett's Familiar Quotations, 10th ed. (1919). Compare: "Gather a shell from the strewn beach / And listen at its lips: they sigh / The same desire and mystery, / The echo of the whole sea's speech", Dante Gabriel Rossetti, The Sea Hints; "I send thee a shell from the ocean-beach; But listen thou well, for my shell hath speech. Hold to thine ear / And plain thou'lt hear / Tales of ships", Charles Henry Webb, With a Nantucket Shell.

Oliver Wendell Holmes photo

“You think they are crusaders sent
From some infernal clime,
To pluck the eyes of sentiment
And dock the tail of Rhyme,
To crack the voice of Melody
And break the legs of Time.”

Oliver Wendell Holmes (1809–1894) Poet, essayist, physician

The Music Grinders; reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Joseph Strutt photo

“In each of the cathedral churches there was a bishop, or an archbishop of fools, elected; and in the churches immediately dependent upon the papal see a pope of fools. These mock pontiffs had usually a proper suit of ecclesiastics who attended upon them, and assisted at the divine service, most of them attired in ridiculous dresses resembling pantomimical players and buffoons; they were accompanied by large crowds of the laity, some being disguised with masks of a monstrous fashion, and others having their faces smutted; in one instance to frighten the beholders, and in the other to excite their laughter: and some, again, assuming the habits of females, practised all the wanton airs of the loosest and most abandoned of the sex. During the divine service this motley crowd were not contended with singing of indecent songs in the choir, but some of them ate, and drank, and played at dice upon the altar, by the side of the priest who celebrated the mass. After the service they put filth into the censers, and ran about the church, leaping, dancing, laughing, singing, breaking obscene jests, and exposing themselves in the most unseemly attitudes with shameless impudence. Another part of these ridiculous ceremonies was, to shave the precentor of fools upon a stage erected before the church, in the presence of the populace; and during the operation, he amused them with lewd and vulgar discourses, accompanied by actions equally reprehensible. The bishop, or the pope of fools, performed the divine service habited in the pontifical garments, and gave his benediction to the people before they quitted the church. He was afterwards seated in an open carriage, and drawn about to the different parts of the town, attended by a large train of ecclesiastics and laymen promiscuously mingled together; and many of the most profligate of the latter assumed clerical habits in order to give their impious fooleries the greater effect; they had also with them carts filled with ordure, which they threw occasionally upon the populace assembled to see the procession. These spectacles were always exhibited at Christmas-time, or near to it, but not confined to one particular day.”

Joseph Strutt (1749–1802) British engraver, artist, antiquary and writer

pg. 345
The Sports and Pastimes of the People of England (1801), Festival of Fools

Wilhelm Liebknecht photo
Richard Dawkins photo
James Jeans photo
John Aubrey photo
Helmut Kohl photo

“The means of existence of our country will break down, once the watergates are open to the foreigners.”

Helmut Kohl (1930–2017) former chancellor of West Germany (1982-1990) and then the united Germany (1990-1998)

Die Existenzgrundlage unseres Landes geht kaputt, wenn erst die Schleusen für die Ausländer geöffnet sind.
Lecture for businessmen from Schwabia (March 1994)

Tom Petty photo

“No more songs tonight,
I'm drivin' to the break of day.
No more words tonight,
We've got enough to throw away.”

Tom Petty (1950–2017) American musician

Supernatural Radio
Lyrics, Songs and Music from "She's the One" (1996)

Maria Edgeworth photo
Amir Taheri photo

“After weeks of dancing around the issue, the Obama administration has expressed concern about “heightened military activity” by Russia in Syria. But what if we are facing something more than “heightened military activity?” What if Moscow is preparing to give Syria the full Putin treatment? For years, Russia has been helping Syrian despot Bashar al-Assad cling to a diminishing power structure in a shrinking territorial base without trying to impose an overall strategy. Now, however, there are signs that Russia isn’t content to just support Assad. It wants to control Syria. The Putin treatment is reserved for countries in Russia’s “near neighborhood” that try to break out of Moscow’s orbit and deprive it of strategic assets held for decades. In such cases, unable to restore its past position, Russia tries to create a new situation in which it keeps a sword dangling above the head of the recalcitrant nation. Russia’s military intervenes directly and indirectly, always with help from a segment of the local population concerned. Russia starts by casting itself as protector of an ethnic, linguistic or religious minority that demands its military intervention against a central power vilified with labels such as “fascist” and “terrorist.””

Amir Taheri (1942) Iranian journalist

Putin is turning the Syrian coast into another Crimea http://nypost.com/2015/09/19/putin-is-turning-the-syrian-coast-into-another-crimea/, New York Post (September 19, 2015).
New York Post

David Berg photo
Antonin Artaud photo
Max Barry photo
Thérèse of Lisieux photo
Dana Milbank photo
Brendan Brazier photo
Mo Yan photo
Margaret Thatcher photo

“At one end of the spectrum are the terrorist gangs within our borders, and the terrorist states which finance and arm them. At the other are the Hard Left operating inside our system, conspiring to use union power and the apparatus of local government to break, defy and subvert the law.”

Margaret Thatcher (1925–2013) British stateswoman and politician

The Second Carlton Lecture (26 November 1984) http://www.margaretthatcher.org/speeches/displaydocument.asp?docid=105799
Second term as Prime Minister

Elton John photo
Bruce Springsteen photo
Sei Shonagon photo

“Learn the rules, break the rules, make up new rules, break the new rules.”

Marvin Bell (1937) Poet

"Thirty-two Statements About Writing Poetry" http://www.coppercanyonpress.org/400_opportunities/430_gettingpub/bell.cfm, statement # 5, The Writer's Chronicle, Commemorative Issue (Copper Canyon Press, 2002).

William Lane Craig photo
Thomas Moore photo

“When did morning ever break,
And find such beaming eyes awake?”

Thomas Moore (1779–1852) Irish poet, singer and songwriter

Fly not yet.
Bartlett's Familiar Quotations, 10th ed. (1919)

Brad Pitt photo

“Being married means I can break wind and eat ice cream in bed.”

Brad Pitt (1963) American actor and filmmaker

US Weekly (18 September 2000)

Eugène Edine Pottier photo

“The kings made us drunk with fumes,
Peace among us, war to the tyrants!
Let the armies go on strike,
Stocks in the air, and break ranks.
If they insist, these cannibals
On making heroes of us,
They will know soon that our bullets
Are for our own generals.”

Eugène Edine Pottier (1816–1887) French politician

Les rois nous saoulaient de fumées
Paix entre nous, guerre aux tyrans
Appliquons la grève aux armées
Crosse en l'air, et rompons les rangs
S'ils s'obstinent, ces cannibales
À faire de nous des héros
Ils sauront bientôt que nos balles
Sont pour nos propres généraux
The Internationale (1864)

Jack Benny photo

“Thug: You're gonna give us $10,000, or we're gonna break both your legs.”

Jack Benny (1894–1974) comedian, vaudeville performer, and radio, television, and film actor

The Jack Benny Program (Radio: 1932-1955), The Jack Benny Program (Television: 1950-1965)

Edmund White photo
Masiela Lusha photo

“Our nature as sensitive beings is far too complex to break apart, re-examine and reshape in a poem.”

Masiela Lusha (1985) Albanian actress, writer, author

On why she will not critique her fans' poetical work http://www.masielalusha.com/message_center.php

Eric Chu photo
Herbert Marcuse photo

“If the progressing rationality of advanced industrial society tends to liquidate, as an “irrational rest,” the disturbing elements of Time and Memory, it also tends to liquidate the disturbing rationality contained in this irrational rest. Recognition and relation to the past as present counteracts the functionalization of thought by and in the established reality. It militates against the closing of the universe of discourse and behavior it renders possible the development of concepts which destabilize and transcend the closed universe by comprehending it as historical universe. Confronted with the given society as object of its reflection, critical thought becomes historical consciousness as such, it is essentially judgment. Far from necessitating an indifferent relativism, it searches in the real history of man for the criteria of truth and falsehood, progress and regression. The mediation of the past with the present discovers the factors which made the facts, which determined the war of life, which established the masters and the servants; it projects the limits and the alternatives. When this critical consciousness speaks, it speaks “le langage de la connaissance” (Roland Barthes) which breaks open a closed universe of discourse and its petrified structure. The key terms of this language are not hypnotic nouns which evoke endlessly the same frozen predicates. They rather allow of an open development; they even unfold their content in contradictory predicates. The Communist Manifesto provides a classical example. Here the two key terms, Bourgeoisie and Proletariat, each “govern” contrary predicates. The “bourgeoisie” is the subject of technical progress, liberation, conquest of nature, creation of social wealth, and of the perversion and destruction of these achievements. Similarly, the "proletariat” carries the attributes of total oppression and of the total defeat of oppression. Such dialectical relation of opposites in and by the proposition is rendered possible by the recognition of the subject as an historical agent whose identity constitutes itself in and against its historical practice, in and against its social reality. The discourse develops and states the conflict between the thing and its function, and this conflict finds linguistic expression in sentences which join contradictory predicates in a logical unit—conceptual counterpart of the objective reality. In contrast to all Orwellian language, the contradiction is demonstrated, made explicit, explained, and denounced.”

Source: One-Dimensional Man (1964), p. 99-100

Muhammad photo
Ernesto Che Guevara photo
Sallust photo

“Ambition breaks the ties of blood, and forgets the obligations of gratitude.”

Sallust (-86–-34 BC) Roman historian, politician

The earliest attributions of this yet found are to it being a saying of William Scott, 1st Baron Stowell, in History of the Anti-Corn Law League (1853), by Archibald Prentice, p. 54; around 1876 it began to began to be cited to W. Scott, and then around 1880 sometimes to Walter Scott, but without citations of source, including a variant: "Selfish ambition breaks the ties of blood, and forgets the obligations of gratitude" in a publication of 1907. It seems to only recently to have begun to be attributed to Sallust, on the internet.
Misattributed

R. A. Lafferty photo

“I'll break the spell or the science of her singing yet. As the only man left it devolves on me to do it.”

R. A. Lafferty (1914–2002) American writer

Roadstrum, not realizing he has become a small ape, in Ch. 6
Space Chantey (1968)

William Blake photo

“Turn away no more;
Why wilt thou turn away?
The starry floor,
The watery shore
Is given thee till the break of day.”

William Blake (1757–1827) English Romantic poet and artist

Introduction, st. 4
1790s, Songs of Experience (1794)

“When I break any of the chains that bind me, I feel that I make myself smaller.”

Antonio Porchia (1885–1968) Italian Argentinian poet

Cuando rompo algunas de las cadenas que me encadenan, siento que me disminuyo.
Voces (1943)
Variant: When I break any of the chains that bind me, I feel that I make myself smaller.

Gerd von Rundstedt photo
Ralph Waldo Emerson photo
Vitruvius photo
Marc Chagall photo

“Two or three o'clock in the morning. The sky is blue. Dawn is breaking. Down there, a little way off, they slaughtered cattle, cows bellowed, and I painted them. I used to sit up like that all night long. It's already a week since the studio was cleaned out. Frames, eggshells, empty two-sou soup tins lie about higgledy-piggledy... On the shelves, reproductions of El Greco and Cézanne lay next tot the remains of a herring I had cut in two, the head for the first day, the tail for the next, and Thank God, a few crusts of bread.”

Marc Chagall (1887–1985) French artist and painter

Quote in Marc Chagall - the Russian years 1906 – 1922, editor Christoph Vitali, exhibition catalogue, Schirn Kunsthalle Frankfurt, 1991, pp. 29-30
Chagall describes a morning in his studio in Paris, c. 1911, in 'La Ruche' an old factory where many artists as Soutine, Archipenko, Léger and Modigliani had their studio
1920's, My life (1922)

“Nothing ends without breaking, because everything is endless.”

Antonio Porchia (1885–1968) Italian Argentinian poet

Nada termina sin romperse, porque todo es sin fin.
Voces (1943)

Lew Rockwell photo
Siddharth Katragadda photo
Christopher Hitchens photo
Don Henley photo
E. L. James photo

“I vowed I would bring you solace in time of need. Please don't make me break my vows.”

Anastasia Steele, Chapter 4, p. 75.
Fifty Shades Freed (2011)

Percy Bysshe Shelley photo
Ray Charles photo
Patrick Pearse photo

“And let us make no mistake as to what Tone sought to do, what it remains to us to do. We need to restate our programme: Tone has stated it for us:
"To break the connection with England, the never-failing source of all our political evils, and to assert the independence of my country—these were my objects. To unite the whole people of Ireland, to abolish the memory of all past dissentions, and to substitute the common name of Irishmen in place of the denominations of Protestant, Catholic and Dissenter—these were my means."
I find here implicit all the philosophy of Irish nationalism, all the teaching of the Gaelic League and the later prophets. Ireland one and Ireland free—is not this the definition of Ireland a Nation? To that definition and to that programme we declare our adhesion anew; pledging ourselves as Tone pledged himself—and in this sacred place, by this graveside, let us not pledge ourselves unless we mean to keep our pledge—we pledge ourselves to follow in the steps of Tone, never to rest either by day or night until his work be accomplished, deeming it the proudest of all privileges to fight for freedom, to fight not in despondency but in great joy hoping for the victory in our day, but fighting on whether victory seem near or far, never lowering our ideal, never bartering one jot or tittle of our birthright, holding faith to the memory and the inspiration of Tone, and accounting ourselves base as long as we endure the evil thing against which he testified with his blood.”

Patrick Pearse (1879–1916) Irish revolutionary, shot by the British Army in 1916

Address delivered at the Grave of Wolfe Tone in Bodenstown Churchyard, Co. Kildare, 22 June 1913

János Esterházy photo

“We Hungarians have an overriding obligation to break republic with the help of others and to prove (at home and abroad) that Czech-Slovak unity does not exist.”

János Esterházy (1901–1957) Czechoslovak member of Czechoslovak national parliament, russian nation politician and hungary nation polit…

Report to the Hungarian government about goal of his negotiations with Hlinka's Slovak People's Party, March 11, 1938.
Relationship to Czechoslovakia
Source: Mitáč, Ján (2012), „János Esterházy a jeho miesto v slovenských dejinách“, Historická revue (3), ISSN 1335-6550

Demi Lovato photo

“I'm a lightweight,
easy to fall easy to break.”

Demi Lovato (1992) American singer, songwriter, actress, and author

Lightweight
Lyrics, Unbroken (2011)

Thomas Carlyle photo
Bernard Cornwell photo

“"The door is locked, Captain." "Then I'll break it down." "It is a shrine." "Then I'll say a prayer of forgiveness after I've knocked it down."”

Bernard Cornwell (1944) British writer

Major Pedro Ferreira and Captain Richard Sharpe, p. 13
Sharpe (Novel Series), Sharpe's Escape (2003)

Melanie Joy photo
Harriet Harman photo

“While the happy couple are enjoying the thrill of the rose garden, the in-laws are saying that they are just not right for each other. We keep telling them that they cannot pay couples to stay together, and it is clear that it will take more than a three-quid-a-week tax break to keep this marriage together.”

Harriet Harman (1950) British politician

During the Queen's Speech Debate, on the newly formed Coalition Government and their policy to provide a tax break to married couples http://www.publications.parliament.uk/pa/cm201011/cmhansrd/cm100525/debtext/100525-0002.htm#10052511000378, 25 May 2010.

Pope Benedict XVI photo
Tom Hanks photo
Judith Sheindlin photo
Charles Manson photo

“I wanna say this to every man that has a mind, to all the intelligent life forms that exist on this planet Earth. I wish the British would say this to the Scottish Rites and the Masons and all the people with minds who have degrees of knowledge, and who are aware of courts, laws, United Nations, governments.
In the 40s, we had a war, and all of our economies went towards this war effort. The war ended on one level, but we wouldn't let it end on the other levels. We kept buying and selling this war. I'm not locked in the penitentiary for crimes, I'm locked in the Second World War. I'm locked in the Second World War with this decision to bring to the World Court - there must be a One World Court, or we're all gonna be devoured by crime.
Crime, and the definition of crime comes from Nuremberg, when the judges decided that they wanted to call Second World War a crime. Honor and war is not a crime. Crime is bad. When you go to war and you're a soldier, and you fight for your God and your country, that's not criminal. That's honorable. That's what you must do to be a man. If you don't fight for your God and your country, you're not worth anything. If you have no honor, then you're not worth petty's pigs.
Truth is, we've got to overturn this decision that you made in the Second World War, or the Second World War will never end. Degrees of the war was written in Switzerland, in Geneva, at conferences that were made by the men at the tables, clearly stated that anyone in uniform would be given the respect of their rank and their uniforms. Then when the United States and got all the Germans in handcuffs, they started breaking their own rules. And they've been breaking their own rules ever since. War is not a crime, but if you judge war as a crime in a court room, then turn around: If 2 + 3 = 5, and 3 + 2 = 5; if you say war is a crime, then crime becomes your war. I am, by all standards, a prisoner of war.
I've been a prisoner of war since 1944 in Juvenile Hall, for setting a school building on fire in Indianapolis, Indiana. I've been locked up 45 years trying to figure out why I got to be a criminal. It matters not whether I want to be; you've got to keep criminals going to keep the war going because that's your economy, your whole economy is based on the war. You've got to get your dollar bills off the war, you've got your silver market sterling off of the war, you've got to take your gold and your diamonds off of the war - You've got to overturn that decision, that hung 6000 men by the neck.
You killed 6000 soldiers for obeying orders. It's wrong. And the world has got to accept that's wrong. When you accept you're wrong, and you say you're sorry for all the things you've done, then that will be a note on that court, and we'll have some harmony going on this planet Earth, now.”

Charles Manson (1934–2017) American criminal and musician

Interview with Bill Murphy (1994) http://www.youtube.com/watch?v=XAjh_wOByoY

Frances Ridley Havergal photo
Manav Gupta photo

“Life – the break of dawn, the sound of a stream.Twilight.Dusk. Silent or loud, eloquent scream of joy or despair or just an ecstatic dream…<Br”

Manav Gupta (1967) Indian artist

Referenced from TEDx Talk (19 October, 2012) http://lingayasuniversity.edu.in/tedx/?page_id=77
"on my eyot", Manav Gupta (Anthology of poems, 2012)
2010s

Calvin Coolidge photo
John Singer Sargent photo
Peter Greenaway photo
George S. Patton photo

“It is the cold glitter of the attacker's eye not the point of the questing bayonet that breaks the line.”

George S. Patton (1885–1945) United States Army general

Quoted in How We Are Changed by War: A Study of Letters and Diaries from Colonial Conflicts to Operation Iraqi Freedom (2010) http://books.google.com/books?id=h-Fens34378C&pg=PA70 by D.C. Gill, p. 70

Ben Gibbard photo
Nicholas Sparks photo
Joanna MacGregor photo

“It's a simple thing to break a string, but you cannot hope to break a rope.”

Henry Schriver (1914–2011) American politician

Cows, Kids, and Co-ops

Harbhajan Singh photo

“I don't think I need to experiment with anything like carrom ball or so. I have my core strengths which is the off-break and the doosra. It has given me results in the last 15 years and no one can take away my 700 plus international wickets from me.”

Harbhajan Singh (1980) Indian cricketer

Singh on his cricket performance, quoted on sports.ndtv, "Harbhajan Singh Says He Relies On His Strength Which Has Served Him Well For 15 Years" http://sports.ndtv.com/australia-vs-india-2015-16/news/253472-harbhajan-singh-says-he-relies-on-his-strength-which-has-served-him-well-for-15-years, December 22, 2015.

Thomas Jackson photo
Gottfried Feder photo
Kathy Griffin photo
Herbert Marcuse photo

“No matter how close and familiar the temple or cathedral were to the people who lived around them, they remained in terrifying or elevating contrast to the daily life of the slave, the peasant, and the artisan—and perhaps even to that of their masters. Whether ritualized or not, art contains the rationality of negation. In its advanced positions, it is the Great Refusal—the protest against that which is. The modes in which man and things are made to appear, to sing and sound and speak, are modes of refuting, breaking, and recreating their factual existence. But these modes of negation pay tribute to the antagonistic society to which they are linked. Separated from the sphere of labor where society reproduces itself and its misery, the world of art which they create remains, with all its truth, a privilege and an illusion. In this form it continues, in spite of all democratization and popularization, through the nineteenth and into the twentieth century. The “high culture” in which this alienation is celebrated has its own rites and its own style. The salon, the concert, opera. theater are designed to create and invoke another dimension of reality. Their attendance requires festive-like preparation; they cut off and transcend everyday experience. Now this essential gap between the arts and the order of the day, kept open in the artistic alienation, is progressively closed by the advancing technological society. And with its closing, the Great Refusal is in turn refused; the “other dimension” is absorbed into the prevailing state of affairs. The works of alienation are themselves incorporated into this society and circulate as part and parcel of the equipment which adorns and psychoanalyzes the prevailing state of affairs.”

Source: One-Dimensional Man (1964), pp. 63-64