“This was a wonderful role. I played a Sicilian baron. They had incredible locations, for instance this majestic castle, I couldn't believe how beautiful it was! We also shot a scene in Hadrian's Villa, in a place called Sanctuario di Ercole. I had a great costume - the costume designers also worked on Visconti's GATTOPARDO. It's a mystery to me why they wouldn't let the film out. It's terrible for an actor: You think you have a big break, then the film just rots on the shelf! Also, the director was a very likeable person, very calm on the set. A wonderful movie.”

Euro Trash Cinema magazine interview (March 1996)

Adopted from Wikiquote. Last update June 3, 2021. History

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Donald O'Brien (actor)35

Italian film and TV actor 1930–2003

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“Errol Flynn was an excellent fencer. He also knew his lines, something I greatly respect in an actor. Of course there was one glaring inconsistency with his professionalism. Errol also drank on the set, something I greatly disliked. You couldn't stop him. If the director prohibited alcohol on the set, then Errol would inject oranges with booze and eat during breaks. Everything good that we got on film was shot early in the day. He started gulping his water early in the morning and by four P. M. was in no shape to continue filming.”

Maureen O'Hara (1920–2015) Irish-American film actress and singer

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“Manikda was always different from the others. He did everything — from writing the script to choosing the location, finalizing the cast to designing sets and costumes, supervising make-up to framing the shots to editing. He was involved with each and every part of his film and was always very clear about what he wanted. His films were Indian but the production process was western. He also proved that silence can say a million words if used properly and was very economical with dialogues. He used barking of dogs, birdcalls, mechanical clatter or other natural sounds to brilliant effect. It was because of this detailing that every scene of his films became powerful and meaningful. And though he played so many roles behind the scenes, he accepted remuneration from the producer only for direction.”

Satyajit Ray (1921–1992) Indian author, poet, composer, lyricist, filmmaker

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“Katsumi Tezuka and I both tried on the Godzilla costume during the first day of shooting. The costume was very stiff and heavy. I could walk about thirty feet in it, but Mr. Tezuka could only walk about ten feet in it. There were three cables coming out of the back of the costume. Two were for the operation of the eyes, and one was for the operation of the mouth. Eizo Kaimai was responsible for the movement of the eyes and the mouth. The ASA speed of the film that was used at the time was very slow, so the set had to be very brightly lit. Another actor complained that the lights made it too hot inside the costume, but I never complained. Batteries were installed in the Godzilla costume that was made for the second Godzilla movie. They were for the operation of the eyes and the mouth. The batteries made the costume even heavier than the one that had been constructed for the first Godzilla film.”

Haruo Nakajima (1929–2017) Japanese actor

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“For me, a director is more important than a big banner. A great director can do wonders. Of course, banners do matter because, ultimately, after all the hard work you put it, the film must release. This will happen only if you work with a good banner or a producer who markets your film well, gives the director whatever he wants, and releases the film.”

Rani Mukerji (1978) Indian film actress

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Dave Bautista (1969) American actor and professional wrestler

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“I keep wondering why the Academy decided that they needed a separate category for animated films just at a moment when there are a lot of people who couldn't tell you whether a film is animated or not.”

Roy E. Disney (1930–2009) longtime senior executive for The Walt Disney Company

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“René Char
you are a poet who believes
in the power of beauty
to right all wrongs.
I believe it also.
With invention and courage
we shall surpass
the pitiful dumb beasts,
let all men believe it,
as you have taught me also
to believe it.”

William Carlos Williams book The Desert Music and Other Poems

"To a Dog Injured in the Street"
The Desert Music and Other Poems (1954)
Context: The cries of a dying dog
are to be blotted out
as best I can.
René Char
you are a poet who believes
in the power of beauty
to right all wrongs.
I believe it also.
With invention and courage
we shall surpass
the pitiful dumb beasts,
let all men believe it,
as you have taught me also
to believe it.

“I am glad I got to be part of such a historic film,” she says and pauses to think. And then adds, “The movie is still popular and that’s great. It also means that for as long as people remember the film, I will also be there in their memories. That’s special. And of course, it is not just Sholay but people also remember me for Seeta Aur Geeta. When I am in the U. S., I love travelling in cabs. And there have been times when Russian cab drivers recognised me and hummed a few tunes from the movie!”

Hema Malini (1948) Indian actress, dancer and politician

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“Twenty-five years in the industry for him, 25 films with him for me… It gives me great pleasure to realise that I too have had some small role to play in his success.”

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I thought I was going over for real. <br class="br"> Psychotronic Video interview http://www.zomboscloset.com/zombos_closet_of_horror_b/2013/08/the-jeff-morrow-interview-part-4.html (1993)

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Donald O'Brien (actor)35

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