Quotes about booking
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Margaret Mead photo
David Icke photo

“The most explosive book of the twentieth century… I'm not kidding, it explodes!!”

David Icke (1952) English writer and public speaker

Subtitle of his book ...And the truth shall set you free

Isaac Asimov photo
André Maurois photo
Ravi Zacharias photo

“In his book Modern Times, the historian Paul Johnson referred to Hitler, Stalin, and Mussolini as the three devils of the twentieth century. Interestingly, Nietzshean dogma influenced each of them.”

Ravi Zacharias (1946) Indian philosopher

[The Real Face of Atheism, 2004, 9780801065118, 3293056M, http://books.google.com/books?id=0SD0mYaYz3sC&pg=PA25&dq=%22in+his+book+Modern+Times%22, 25]
2000s

Thomas Hardy photo
Clive Staples Lewis photo

“I have at last come to the end of the Faerie Queene: and though I say "at last", I almost wish he had lived to write six books more as he had hoped to do — so much have I enjoyed it.”

Clive Staples Lewis (1898–1963) Christian apologist, novelist, and Medievalist

On Edmund Spenser and his famous work, in a letter to Arthur Greeves (7 March 1916), published in The Collected Letters of C.S. Lewis : Family Letters, 1905–1931 (2004) edited by Walter Hooper, p. 170

Laura Bush photo

“A love of books, of holding a book, turning its pages, looking at its pictures, and living its fascinating stories goes hand-in-hand with a love of learning.”

Laura Bush (1946) First Lady of the United States from 2001 to 2009

As quoted in "The Gift of Books" in Biography Today : Profiles of People of Interest to Young Readers, Vol. 12, Issue 2 : Laura Bush by Joanne Mattern (2003), p. 17

Scott Ritter photo
George Abernethy photo
Susan Sontag photo
Benjamin Graham photo

“Hughes spends a lot of time in this book saying what his country never had, and still hasn't got. Actually it's got it, because it's got Hughes. He should give his country a little more credit, if only because it still gives so much credit to him.”

Clive James (1939–2019) Australian author, critic, broadcaster, poet, translator and memoirist

Review of Things I Didn't Know by Robert Hughes (New York Review of Books, January 11, 2007)
Essays and reviews

Leo Tolstoy photo
Carl Sagan photo
Stephen King photo
Cees Nooteboom photo
Alain de Botton photo

“He was reminded of a Dutch book whose moral he often returned to: De Schoonheid van hoogspanningslijnen in het Hollandse landschap, written by a couple of academics in Rotterdam University, Anne Kieke Backer and Arij de Boode. The Beauty of Electricity Pylons in the Dutch Landscape was a defence of the contribution of transmission engineering to the visual appeal of Holland, referencing the often ignored grandeur of the towers on their march from power stations to cities. Its particular interest for Ian, however, lay in its thesis about the history of the Dutch relationship to windmills, for it emphasised that these early industrial objects had originally been felt to have all the pylons’ threateningly alien qualities, rather than the air of enchantment and playfulness now routinely associated with them. They had been denounced from pulpits and occasionally burnt to the ground by suspicious villagers. The re-evaluation of the windmills had in large part been the work of the great painters of the Dutch Golden Age, who, moved by their country’s dependence on the rotating utilitarian objects, gave them pride of place in their canvases, taking care to throw their finest aspect into relief, like their resilience during storms and the glint of their sails in the late afternoon sun. … It would perhaps be left to artists of our own day to teach us to discern the virtues of the furniture of contemporary technology.”

Alain de Botton (1969) Swiss writer

Source: The Pleasures and Sorrows of Work (2009), p. 212.

Kent Hovind photo
Amit Chaudhuri photo
Will Eisner photo
Peter Greenaway photo
Ralph Waldo Emerson photo
Tsunetomo Yamamoto photo
Peter Cain photo
Bell Hooks photo

“Betty Friedan's The Feminine Mystique is still heralded as having paved the way for contemporary feminist movement-it was written as if these women did not exist. Friedan's famous phrase, "the problem that has no name," often quoted to describe the condition of women in this society, actually referred to the plight of a select group of college-educated, middle and upper class, married white women-housewives bored with leisure, with the home, with children, with buying products, who wanted more out of life. Friedan concludes her first chapter by stating: "We can no longer ignore that voice within women that says: 'I want something more than my husband and my children and my house.'" That "more" she defined as careers. She did not discuss who would be called in to take care of the children and maintain the home if more women like herself were freed from their house labor and given equal access with white men to the professions. She did not speak of the needs of women without men, without children, without homes. She ignored the existence of all non-white women and poor white women. She did not tell readers whether it was more fulfilling to be a maid, a babysitter, a factory worker, a clerk, or a prostitute, than to be a leisure class housewife. She made her plight and the plight of white women like herself synonymous with a condition affecting all American women. In so doing, she deflected attention away from her classism, her racism, her sexist attitudes towards the masses of American women. In the context of her book, Friedan makes clear that the women she saw as victimized by sexism were college-educated, white women who were compelled by sexist conditioning to remain in the home. … Specific problems and dilemmas of leisure class white housewives were real concerns that merited consideration and change but they were not the pressing political concerns of masses of women. Masses of women were concerned about economic survival, ethnic and racial discrimination, etc. When Friedan wrote The Feminine Mystique, more than one third of all women were in the work force. Although many women longed to be housewives, only women with leisure time and money could actually shape their identities on the model of the feminine mystique.”

p. 1-2 https://books.google.com/books?id=uvIQbop4cdsC&pg=PA1.
Feminist Theory: From Margin to Center (1984), Chapter 1: Black Women: Shaping Feminist Theory

Julius Hare photo
E. W. Hobson photo
Robert G. Ingersoll photo
A. Wayne Wymore photo
Richard Feynman photo

“The Quantum Universe has a quotation from me in every chapter — but it's a damn good book anyway.”

Richard Feynman (1918–1988) American theoretical physicist

Review blurb for the first edition of The Quantum Universe http://www.cambridge.org/catalogue/catalogue.asp?isbn=0521564573 (1987)

Edgar Rice Burroughs photo
John R. Bolton photo
Angela of Foligno photo
Charles Dupin photo
Susan Sontag photo

“Since it is hardly likely that contemporary critics seriously mean to bar prose narratives that are unrealistic from the domain of literature, one suspects that a special standard is being applied to sexual themes. … There is nothing conclusive in the well-known fact that most men and women fall short of the sexual prowess that people in pornography are represented as enjoying; that the size of organs, number and duration of orgasms, variety and feasibility of sexual powers, and amount of sexual energy all seem grossly exaggerated. Yes, and the spaceships and the teeming planets depicted in science-fiction novels don’t exist either. The fact that the site of narrative is an ideal topos disqualifies neither pornography or science-fiction from being literature. … The materials of the pornographic books that count as literature are, precisely, one of the extreme forms of human consciousness. Undoubtedly, many people would agree that the sexually obsessed consciousness can, in principle, enter into literature as an art form. … But then they usually add a rider to the agreement which effectively nullifies it. They require that the author have the proper “distance” from his obsessions for their rendering to count as literature. Such a standard is sheer hypocrisy, revealing one again that the values commonly applied to pornography are, in the end, those belonging to psychiatry and social affairs rather than to art. (Since Christianity upped that ante and concentrated on sexual behavior as the root of virtue, everything pertaining to sex has been a “special case” in our culture, evoking particularly inconsistent attitudes.) Van Gogh’s paintings retain their status as art even if it seems his manner of painting owed less to a conscious choice of representational means than to his being deranged and actually seeing reality the way he painted it. … What makes a work of pornography part of the history of art rather than of trash is not distance, the superimposition of a consciousness more conformable to that of ordinary reality upon the “deranged consciousness” of the erotically obsessed. Rather, it is the originality, thoroughness, authenticity, and power of that deranged consciousness itself, as incarnated in a work.”

“The Pornographic Imagination,” pp. 45-47
Styles of Radical Will (1966)

Arnold Schoenberg photo

“I have just read your book [On the Spiritual in Art] from cover to cover, and I will read it once more. I find it pleasing to an extraordinary degree, because we agree on nearly all of the main issues..”

Arnold Schoenberg (1874–1951) Austrian-American composer

In a letter to Wassily Kandinsky, 18 Dec. 1911; as quoted in Schönberg and Kandinsky: An Historic Encounter, by Klaus Kropfinger; edited by Konrad Boehmer; published by Routledge (imprint of Taylor & Francis, an Informa Group company), 2003, p. 15-16 note 49
1910s

Fritjof Capra photo
Vasily Grossman photo
Gancho Tsenov photo
Adolphe Quetelet photo
Larry Niven photo
Taylor Caldwell photo
Charles Darwin photo

“I think it can be shown that there is such an unerring power at work in Natural Selection (the title of my book), which selects exclusively for the good of each organic being.”

Charles Darwin (1809–1882) British naturalist, author of "On the origin of species, by means of natural selection"

Darwin's first published expression of the concept of natural selection.
"On the Tendency of Species to form Varieties; and on the Perpetuation of Varieties and Species by Natural Means of Selection" Journal of the Proceedings of the Linnean Society of London: Zoology (read 1 July 1853; published 20 August 1858) volume 3, pages 45-62, at page 51 http://darwin-online.org.uk/content/frameset?pageseq=7&itemID=F350&viewtype=image
Other letters, notebooks, journal articles, recollected statements

William Burges photo
Ralph Waldo Emerson photo
Eugene McCarthy photo
Mickey Spillane photo
Kevin Henkes photo
Rex Stout photo
Brian W. Aldiss photo

“Why don’t you go somewhere quietly and consult your history books if you have no consciences to consult?”

Brian W. Aldiss (1925–2017) British science fiction author

“Basis for Negotiations” p. 122
Short fiction, Who Can Replace a Man? (1965)

Kent Hovind photo
Nicole Krauss photo

“Franz Kafka is dead.He died in a tree from which he wouldn't come down. "Come down!" they cried to him. "Come down! Come down!" Silence filled the night, and the night filled the silence, while they waited for Kafka to speak. "I can't," he finally said, with a note of wistfulness. "Why?" they cried. Stars spilled across the black sky. "Because then you'll stop asking for me." The people whispered and nodded among themselves. […] They turned and started for home under the canopy of leaves. Children were carried on their fathers' shoulders, sleepy from having been taken to see who wrote his books on pieces of bark he tore off the tree from which he refused to come down. In his delicate, beautiful, illegible handwriting. And they admired those books, and they admired his will and stamina. After all: who doesn't wish to make a spectacle of his loneliness? One by one families broke off with a good night and a squeeze of the hands, suddenly grateful for the company of neighbors. Doors closed to warm houses. Candles were lit in windows. Far off, in his perch in the trees, Kafka listened to it all: the rustle of the clothes being dropped to the floor, or lips fluttering along naked shoulders, beds creaking along the weight of tenderness. That night a freezing wind blew in. When the children woke up, they went to the window and found the world encased in ice.”

Source: The History of Love (2005), P. 187

Paul Bourget photo
Rousas John Rushdoony photo
Charles Lamb photo
Mortimer J. Adler photo

“The telephone book is full of facts, but it doesn't contain a single idea.”

Mortimer J. Adler (1902–2001) American philosopher and educator

Source: Connie Robertson (1998). Book of Humorous Quotations. p. 2

Rudy Rucker photo
Will Eisner photo

“This patchwork of largely fictional works makes the Protocols an incoherent text that easily reveals its fabricated origins. It is hardly credible, if not in a roman feuilleton or in a grand opera, that the “bad guys” should express their evil plans in such a frank and unashamed manner, that they should declare, as the Elders of Zion do, that they have “boundless ambition, a ravenous greed, a merciless desire for revenge and an intended hatred.” If at first the Protocols was taken seriously, it is because it was presented as a shocking revelation, and by sources all in all trustworthy. But what seems incredible is how this fake arose from its own ashes each time someone proved that it was, beyond all doubt, a fake. This is when the “novel of the Protocols” truly starts to sound like fiction. Following the article that appeared in 1921 in the Times of London revealing that the Protocols was plagiarized, as well as every other time some authoritative source confirmed the spurious nature of the Protocols, there was someone else who published it again claiming its authenticity. And the story continues unabated on the Internet today. It is as if, after Copernicus, Galileo, and Kepler, one were to continue publishing textbooks claiming that the sun travels around the earth.
How can one explain resilience against all evidence, and the perverse appeal that this book continues to exercise? The answer can be found in the works of Nesta Webster, an antisemetic author who spent her life supporting this account of the Jewish plot. In her Secret Societies and Subversive Movements, she seems well informed and knows the whole story as Eisner narrates it here, but this is her conclusion:
The only opinion I have committed myself is that, whether genuine or not, the Protocols represent the programme of a world revolution, and that in view of their prophetic nature and of their extraordinary resemblance to the protocols of certain secret societies of the past, they were either the work of some such society or of someone profoundly versed in the lore of secret society who was able to reproduce their ideas and phraseology.
Her reasoning is flawless: “since the Protocols say what I said in my story, they confirm it,” or: “the Protocols confirm the story that I derived from them, and are therefore authentic.” Better still: “the Protocols could be fake, but they say exactly what the Jews think, and must therefore be considered authentic.””

Will Eisner (1917–2005) American cartoonist

In other words, it is not the Protocols that produce antisemetism, it is people’s profound need to single out an Enemy that leads them to believe in the Protocols.
I believe that-in spite of this courageous, not comic but tragic book by Will Eisner- the story is hardly over. Yet is is a story very much worth telling, for one must fight the Big Lie and the hatred it spawns.
Umberto Eco, Milan Italy December 2004 translated by Allesandra Bastagli, p. vi-vii
The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005)

Miguel de Unamuno photo
Alberto Manguel photo
W. Somerset Maugham photo
Jacob Bronowski photo
Northrop Frye photo

“The Book of Revelation, difficult as it may be for "literalists," becomes much simpler when we read it typologically, as a mosiac of allusions to Old Testament prophecy.”

Northrop Frye (1912–1991) Canadian literary critic and literary theorist

Source: "Quotes", The Great Code: The Bible and Literature (1982), Chapter 8, p. 199

Ben Jonson photo

“Reader, look,
Not at his picture, but his book.”

Ben Jonson (1572–1637) English writer

To the Reader [On the portrait of Shakespeare prefixed to the First Folio] (1618), lines 9-10

Walter Savage Landor photo

“I am heartily glad to witness your veneration for a Book which to say nothing of its holiness or authority, contains more specimens of genius and taste than any other volume in existence.”

Walter Savage Landor (1775–1864) British writer

Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 33.

Ramachandra Guha photo

“In the generation (or two generations) before mine, the leading Indian historians (judged in terms of scholarly books and papers written and read) included Irfan Habib, R. S. Sharma, Ranajit Guha, Romila Thapar, Bipan Chandra, Amalendu Guha, Sumit Sarkar, and Sabyasachi Bhattacharya, all of whom were influenced to a lesser or greater degree by Marxism; and Ashin Dasgupta, Dharma Kumar, Parthasarathy Gupta, Amales Tripathi, Rajat Kanta Rai, Mushirul Hasan, and Tapan Roychowdhury, all of whom were liberals. The leading political scientists included the liberals Rajni Kothari, Basheeruddin Ahmed and Ramashray Ray; the Marxists Javed Alam and Partha Chatterjee; and Ashis Nandy, an admirer of Tagore and Gandhi who like them stoutly resists being classified in conventional terms. The pre-eminent sociologists of that generation were M. N. Srinivas and André Béteille, both of whom would own the label ‘liberal’; and T. N. Madan, who while working on classically conservative themes such as family, kinship and religion would most likely see himself as a liberal too. Even the best-known or most influential economists of the 1960s and 1970 tended to be on the left of the spectrum, as the names of K. N. Raj, Amartya Sen, V. M. Dandekar, Amit Bhaduri, Krishna Bharadwaj, Pranab Bardhan, Prabhat and Utsa Patnaik, and Ashok Rudra (among others) signify.”

Ramachandra Guha (1958) historian and writer from India

[Guha, Ramachandra, Where Are The Conservative Intellectuals in India?, http://ramachandraguha.in/archives/where-are-the-conservative-intellectuals-in-india-caravan.html, Caravan, March 2015]

John Updike photo
William Makepeace Thackeray photo
Peter F. Drucker photo
The Mother photo
Max Müller photo
Joseph Joubert photo

“The number of books is infinite.”

Joseph Joubert (1754–1824) French moralist and essayist
R. G. Collingwood photo
Miyamoto Musashi photo
Ernest Hemingway photo
Ted Nelson photo

“Everybody has only a 24-hour day. Most people, if they increase consumption of one medium (like magazines or books) will cut down on another (like TV). This drastically reduces the sort of growth some people have been expecting.”

Ted Nelson (1937) American information technologist, philosopher, and sociologist; coined the terms "hypertext" and "hypermedia"

Dream Machines
Computer Lib/Dream Machines (1974, rev. 1987)

Peter Greenaway photo
David Deutsch photo
Helen Keller photo
Lawrence Lessig photo
Vannevar Bush photo
Diana, Princess of Wales photo
Kent Hovind photo
W. Richard Scott photo
Vasily Grossman photo
Nathaniel Hawthorne photo