Quotes about blue
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Falsely attributed to Darwin, but actually from The Clansman: An Historical Romance of the Ku Klux Klan (1905) by Thomas Dixon, page 134 http://www.freefictionbooks.org/books/c/11773-the-clansman-by-thomas-dixon?start=133.
Misattributed
Michael Lewis, "Obama's Way" https://www.vanityfair.com/news/2012/10/michael-lewis-profile-barack-obama, Vanity Fair, (October 2012).
2012
2014 SBIFF - Cate Blanchett Discusses Selecting Roles, Woody Allen and Casting, Santa Barbara International Film Festival, 2 February 2014 https://www.youtube.com/watch?v=_9m9sMSGC5M,
The Notebooks of Leonardo Da Vinci (1938), XXIX Precepts of the Painter
“Blue Moon,
You saw me standing alone,
Without a dream in my heart,
Without a love of my own.”
"Blue Moon" (1934)
Letter to Frank Belknap Long (3 May 1923), published in Selected Letters Vol. I (1965), p. 227
Non-Fiction, Letters, to Frank Belknap Long
“I was thinking about Casagemas's death that started me painting in blue.”
Quoted in Pierre Daix, La Vie de Peintre de Pablo Picasso, Paris: Editions du Seuil, 1977.
Picasso explained his friend Pierre Daix (around 1965), why he started painting in blue early around 1905. Picasso had made a portrait of Carles Casagemas in 1899.
1970s
Original: C’est en passant que Casagemas était mort que je me suis mis à piendre en bleu
Statement by the President https://www.whitehouse.gov/the-press-office/2016/07/07/statement-president (7 July 2016)
2016
I am the Blues: the Willie Dixon Story (with Don Snowden, 1990), p. 4.
"Carric-thura"
The Poems of Ossian
Quote of Claude Monet (1909), as cited in: Sarah Walden (1985) The ravished image, or, How to ruin masterpieces by restoration, p. 67
1900 - 1920
Bk. III, Ch. 1
Wilhelm Meister's Lehrjahre (Apprenticeship) (1786–1830)
“Flames were rising from the waters and in the flames a blue man lived.”
Black Elk Speaks (1961)
Source: Terre des Hommes (1939), Ch. I : The Craft
Context: I had a vision of the face of destiny.
Old bureaucrat, my comrade, it is not you who are to blame. No one ever helped you to escape. You, like a termite, built your peace by blocking up with cement every chink and cranny through which the light might pierce. You rolled yourself up into a ball in your genteel security, in routine, in the stifling conventions of provincial life, raising a modest rampart against the winds and the tides and the stars. You have chosen not to be perturbed by great problems, having trouble enough to forget your own fate as man. You are not the dweller upon an errant planet and do not ask yourself questions to which there are no answers. You are a petty bourgeois of Toulouse. Nobody grasped you by the shoulder while there was still time. Now the clay of which you were shaped has dried and hardened, and naught in you will ever awaken the sleeping musician, the poet, the astronomer that possibly inhabited you in the beginning.
The squall has ceased to be a cause of my complaint. The magic of the craft has opened for me a world in which I shall confront, within two hours, the black dragons and the crowned crests of a coma of blue lightnings, and when night has fallen I, delivered, shall read my course in the stars.
"I am writing to you..." (1840)
Poems
Source: Pale Blue Dot: A Vision of the Human Future in Space (1994), p. 8, Supplemental image at randi.org http://www.randi.org/images/122801-BlueDot.jpg
Context: Consider again that dot. That's here. That's home. That's us. On it everyone you love, everyone you know, everyone you ever heard of, every human being who ever was, lived out their lives. The aggregate of our joy and suffering, thousands of confident religions, ideologies, and economic doctrines, every hunter and forager, every hero and coward, every creator and destroyer of civilization, every king and peasant, every young couple in love, every mother and father, hopeful child, inventor and explorer, every teacher of morals, every corrupt politician, every "superstar", every "supreme leader", every saint and sinner in the history of our species lived there — on a mote of dust suspended in a sunbeam.
The Earth is a very small stage in a vast cosmic arena. Think of the rivers of blood spilled by all those generals and emperors so that, in glory and triumph, they could become the momentary masters of a fraction of a dot. Think of the endless cruelties visited by the inhabitants of one corner of this pixel on the scarcely distinguishable inhabitants of some other corner, how frequent their misunderstandings, how eager they are to kill one another, how fervent their hatreds.
Our posturings, our imagined self-importance, the delusion that we have some privileged position in the Universe, are challenged by this point of pale light. Our planet is a lonely speck in the great enveloping cosmic dark. In our obscurity, in all this vastness, there is no hint that help will come from elsewhere to save us from ourselves.
The Earth is the only world known so far to harbor life. There is nowhere else, at least in the near future, to which our species could migrate. Visit, yes. Settle, not yet. Like it or not, for the moment the Earth is where we make our stand.
It has been said that astronomy is a humbling and character-building experience. There is perhaps no better demonstration of the folly of human conceits than this distant image of our tiny world. To me, it underscores our responsibility to deal more kindly with one another, and to preserve and cherish the pale blue dot, the only home we've ever known.
“He's a man way out there in the blue, riding on a smile and a shoeshine.”
Charley
Death of a Salesman (1949)
Context: Nobody dast blame this man. Willy was a salesman. And for a salesman, there is no rock bottom to the life. He don't put a bolt to a nut, he don't tell you the law or give you medicine. He's a man way out there in the blue, riding on a smile and a shoeshine. And when they start not smiling back — that's an earthquake. And then you get yourself a couple of spots on your hat, and you're finished. Nobody dast blame this man. A salesman is got to dream, boy. It comes with the territory.
“I saw within the wheelwright’s shed
The big round cartwheels, blue and red”
"Making Cider", p. 100
The Land (1926)
Context: I saw within the wheelwright’s shed
The big round cartwheels, blue and red;
A plough with blunted share;
A blue tin jug; a broken chair;
And paint in trial patchwork square
Slapping up against the wall;
The lumber of the wheelwright’s trade,
And tools on benches neatly laid,
The brace, the adze, the awl;
The Oak
The Blue Bird (1908)
Context: I know that you are looking for the Blue Bird, that is to say, the great secret of things and of happiness, so that Man may make our servitude still harder. … I do not hear the Animals... Where are they?... All this concerns them as much as us... We, the Trees, must not assume the responsibility alone for the grave measures that have become necessary... On the day when Man hears that we have done what we are about to do, there will be terrible reprisals... It is right, therefore, that our agreement should be unanimous, so that our silence may be the same...
“He's not quite blue yet, but that will come, you shall see!”
Tyltyl
The Blue Bird (1908)
Context: He's not quite blue yet, but that will come, you shall see! … Take him off quick to your little girl...
First lines
Vineland (1990)
Context: LATER than usual one summer morning in 1984, Zoyd Wheeler drifted awake in sunlight through a creeping fig that hung in the window, with a squadron of blue jays stomping around on the roof. In his dream these had been carrier pigeons from someplace far across the ocean, landing and taking off again one by one, each bearing a message for him, but none of whom, light pulsing in their wings, he could ever quite get to in time. He understood it to be another deep nudge from forces unseen, almost surely connected with the letter that had come along with his latest mental-disability check, reminding him that unless he did something publicly crazy before a date now less than a week away, he would no longer qualify for benefits. He groaned out of bed.
In a letter to Émile Bernard, from Arles, June 1888, in 'Van Gogh's Letters', http://www.webexhibits.org/vangogh/letter/18/B06.htm
1880s, 1888
Context: There is no blue without yellow and without orange, and if you put in blue, then you must put in yellow, and orange too, mustn't you? Oh well, you will tell me that what I write to you are only banalities.
On Fairy-Stories (1939)
Context: The mind that thought of light, heavy, grey, yellow, still, swift also conceived of magic that would make heavy things light and able to fly, turn grey lead into yellow gold, and the still rock into a swift water. If it could do the one, it could do the other; it inevitably did both. When we can take green from grass, blue from heaven, and red from blood, we have already an enchanter's power.
As quoted in Earth's Aura (1977) by Louise B. Young
Context: What beauty. I saw clouds and their light shadows on the distant dear earth.... The water looked like darkish, slightly gleaming spots.... When I watched the horizon, I saw the abrupt, contrasting transition from the earth's light-colored surface to the absolutely black sky. I enjoyed the rich color spectrum of the earth. It is surrounded by a light blue aureole that gradually darkens, becoming turquiose, dark blue, violet, and finally coal black.
Source: Tonio Kröger (1903), Ch. 9, as translated by Bayard Quincy Morgan
Variant translation: But my deepest and most secret love belongs to the fair-haired and the blue-eyed, the bright children of life, the happy, the charming and the ordinary.
Ch. 9, as translated by David Luke
Context: What I have done is nothing, not much — as good as nothing. I shall do better things, Lisaveta — this is a promise. While I am writing, the sea's roar is coming up to me, and I close my eyes. I am looking into an unborn and shapeless world that longs to be called to life and order, I am looking into a throng of phantoms of human forms which beckon me to conjure them and set them free: some of them tragic, some of them ridiculous, and some that are both at once — and to these I am very devoted. But my deepest and most secret love belongs to the blond and blue-eyed, the bright-spirited living ones, the happy, amiable, and commonplace.
Do not speak lightly of this love, Lisaveta; it is good and fruitful. There is longing in it and melancholy envy, and a tiny bit of contempt, and an unalloyed chaste blissfulness.
Source: https://www.youtube.com/watch?v=xiLR4sCgvnc
“Why would she make calls out the blue?
Now I'm awake, sleepless in you.”
Say You Will
Lyrics, 808s & Heartbreak (2008)
Source: Count Zero (1986), Ch. 2, Marly's sensory link conversation interview with Herr Virek.
Source: Magic Burns
Source: Girl, Interrupted
“Whenever I feel blue, I start breathing again.”
“If you hand me a guitar, I'll play the blues. That's the place I automatically go.”
“Roses are red
Violets are blue
Everything's possible
Nothing is true.”
Source: V for Vendetta, Vol. VIII of X
“I am the blue-lidded daughter of Sunset; I am the naked brilliance of the voluptuous night-sky.”
Source: The Book of the Law (1904)
“Five tender apricots in a blue bowl, a brief and exact promise of things to come.”
Source: In Tuscany
Source: The Educated Imagination
“I must feel the fire of my soul so my intellectual blues can set others on fire.”
Source: Brother West: Living and Loving Out Loud, A Memoir
Source: The Thirteenth Tale
“If there's anything I look down on, it's a man in a blue outfit.”
Source: The Bell Jar
Source: The Cloudspotter's Guide
Source: Again the Magic
“Solace? That's why God made fermented beverages and the blues.”
Source: Fierce Invalids Home from Hot Climates