Quotes about awareness
page 8

Roger Ebert photo

“Well, what is a political film? A film about politicians? Or a film about issues — sexism, racism, the environment, nuclear policy? I decided on the broader definition. If I'd limited myself to films about politicians, it would have been a short list: How many characters in any mainstream American movie seem aware of the political process, or belong to a party?”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Ranking "the 20 best political films of the past two decades" in "The Big Picture: Roger Ebert" in MotherJones (May/June 1996) http://www.motherjones.com/arts/film/1996/05/ebert.html

Wolfram von Eschenbach photo

“Day thrust its brightness through the window-pane.
They, locked together, strove to keep Day out
And could not, whence they grew aware of dread.
She, his beloved, casting her arms about
Her loved one, caught him close to her again.
Her eyes drenched both their cheeks. She said:
"One body and two hearts are we."”

Wolfram von Eschenbach (1170–1220) German knight and poet

Der tac mit kraft al durh diu venster dranc.
vil slôze sie besluzzen.
daz half niht: des wart in sorge kunt.
diu vriundîn den vriunt vast an sich twanc.
ir ougen diu beguzzen
ir beider wangel. sus sprach zim ir munt:
"zwei herze und einen lîp hân wir."
"Den Morgenblic bî Wahtærs Sange Erkôs", line 11; translation in Margaret F. Richey Essays on Mediæval German Poetry (Oxford: Basil Blackwell, 1969) p. 99.

Chuck Klosterman photo
Johan Huizinga photo
Andrew Scheer photo

“if the party was made aware of a sexual assault allegation today, the individual involved would be immediately removed as a candidate for the Conservative Party of Canada”

Andrew Scheer (1979) 35th Speaker of the Canadian House of Commons and MP for Regina—Qu'Appelle

29 January 2018 interview with Globe and Mail https://www.theglobeandmail.com/news/politics/andrew-scheer-says-he-would-remove-candidates-if-they-were-accused-of-sexual-assault/article37768280/

Bernard Lewis photo

“What we have now come to regard as typical of Middle Eastern regimes is not typical of the past. The regime of Saddam Hussein, the regime of Hafiz al Assad, this kind of government, this kind of society, has no roots either in the Arab or in the Islamic past. It is due and let me be quite specific and explicit it is due to an importation from Europe, which comes in two phases.
Phase one, the 19th century, when they are becoming aware of their falling behind the modern world and need desperately to catch up, so they adopt all kinds of European devices with the best of intentions, which nevertheless have two harmful effects. One, they enormously strengthen the power of the state by placing in the hands of the ruler, weaponry and communication undreamt of in earlier times, so that even the smallest petty tyrant has greater powers over his people than Harun al-Rashid or Suleyman the Magnificent, or any of the legendary rulers of the past.
Second, even more deadly, in the traditional society there were many, many limits on the autocracy, the ruler. The whole Islamic political tradition is strongly against despotism. Traditional Islamic government is authoritarian, yes, but it is not despotic. On the contrary, there is a quite explicit rejection of despotism. And this wasn't just in theory; it was in practice too because in Islamic society, there were all sorts of established orders in society that acted as a restraining factor. The bazaar merchants, the craft guilds, the country gentry and the scribes, all of these were well organized groups who produced their own leaders from within the group. They were not appointed or dismissed by the governments. And they did operate effectively as a constraint.”

Bernard Lewis (1916–2018) British-American historian

Books, Islam and the West: A Conversation with Bernard Lewis (2006)

Julie Christie photo

“All women are aware of that moment when suddenly the boys don’t look at you. It’s a fairly common thing, when suddenly you no longer attract that instant male attention because of the way you look. I never really knew how to enjoy beauty, but it took the form of a subconscious arrogance, expecting things, all muddled up with celebrity.”

Julie Christie (1940) British actress and activist

As quoted in "A Role About Winter for Julie Christie, a Star in Eternal Spring http://www.nytimes.com/2007/04/18/movies/18chri.html?_r=0" by Alan Riding in The New York Times (18 April 2007)]

Winston S. Churchill photo
Jay Leiderman photo
Mary McCarthy photo
Robert P. George photo
Jane Roberts photo
Giorgio Morandi photo
Colin Wilson photo
John Green photo
Jack Vance photo

“A barbarian is not aware that he is a barbarian.”

Source: Big Planet (1957), Chapter 3 “Free for All” (p. 31)

Theo van Doesburg photo
Margaret Cho photo

“This land is your land, but this land isn't my land - that is what so many of us thought. This 2nd class citizenship has sunk in so deeply that we have barely an awareness of it.”

Margaret Cho (1968) American stand-up comedian

From Her Books, I Have Chosen To Stay And Fight, INVISIBILITY

Sören Kierkegaard photo

“People are scarcely aware that it is a slavery they are creating; they forget this in their zeal to make people free by overthrowing dominions. They are scarcely aware that it is slavery; how could it be possible to be a slave in relation to equals?”

Sören Kierkegaard (1813–1855) Danish philosopher and theologian, founder of Existentialism

Søren Kierkegaard, Upbuilding Discourses in Various Spirits, Hong p. 327
1840s, Upbuilding Discourses in Various Spirits (1847)

Linda McCartney photo
Jane Roberts photo
Enoch Powell photo
Albrecht Dürer photo
Salman al-Ouda photo
Max Müller photo

“As for more than twenty years my principal work has been devoted to the ancient literature of India, I cannot but feel a deep and real sympathy for all that concerns the higher interests of the people of that country. Though I have never been in India, I have many friends there, both among the civilians and among the natives, and I believe I am not mistaken in supposing that the publication in England of the ancient sacred writings of the Brahmans, which had never been published in India, and other contributions from different European scholars towards a better knowledge of the ancient literature and religion of India, have not been without some effect on the intellectual and religious movement that is going on among the more thoughtful members of Indian society. I have sometimes regretted that I am not an Englishman, and able to help more actively in the great work of educating and improving the natives. But I do rejoice that this great task of governing and benefiting India should have fallen to one who knows the greatness of that task and all its opportunities and responsibilities, who thinks not only of its political and financial bearings, but has a heart to feel for the moral welfare of those millions of human beings that are, more or less directly, committed to his charge. India has been conquered once, but India must be conquered again, and that second conquest should be a conquest by education. Much has been done for education of late, but if the funds were tripled and quadrupled, that would hardly be enough. The results of the educational work carried on during the last twenty years are palpable everywhere. They are good and bad, as was to be expected. It is easy to find fault with what is called Young Bengal, the product of English ideas grafted on the native mind. But Young Bengal, with all its faults, is full of promise. Its bad features are apparent everywhere, its good qualities are naturally hidden from the eyes of careless observers.... India can never be anglicized, but it can be reinvigorated. By encouraging a study of their own ancient literature, as part of their education, a national feeling of pride and self-respect will be reawakened among those who influence the large masses of the people. A new national literature may spring up, impregnated with Western ideas, yet retaining its native spirit and character. The two things hang together. In order to raise the character of the vernaculars, a study of the ancient classical language is absolutely necessary: for from it these modern dialects have branched off, and from it alone can they draw their vital strength and beauty. A new national literature will bring with it a new national life and new moral vigour. As to religion, that will take care of itself. The missionaries have done far more than they themselves seem to be aware of, nay, much of the work which is theirs they would probably disclaim. The Christianity of our nineteenth century will hardly be the Christianity of India. But the ancient religion of India is doomed — and if Christianity does not step in, whose fault will it be?”

Max Müller (1823–1900) German-born philologist and orientalist

Letter to the Duke of Argyll, published in The Life and Letters of Right Honorable Friedrich Max Müller (1902) edited by Georgina Müller

Ernesto Che Guevara photo
Dennis Skinner photo

“Is my right hon. Friend aware that in the 1970s and a lot of the 1980s, we would have thanked our lucky stars in the coalfield areas for growth of 1.75 per cent.? The only thing growing then were the lines of coke in front of boy George and the rest of them.”

Dennis Skinner (1932) British politician

8 Dec 2005 : Column 988 http://www.publications.parliament.uk/pa/cm200506/cmhansrd/vo051208/debtext/51208-04.htm publications.parliament.uk/
2000s

Derren Brown photo
Susan Faludi photo
Derek Humphry photo
Bram van Velde photo

“I am well aware that a painting must inevitably be a bizarre, incomprehensible thing.”

Bram van Velde (1895–1981) Dutch painter

1970's, Conversations with Samuel Beckett and Bram van Velde (1970 - 1972)

Rashi photo

“They were not aware of the way of modesty, to distinguish between good and bad. Even though there had been put in man knowledge to be able to call the animals names, there had not been put in him the drive towards evil.”

Rashi (1040–1105) French rabbi and commentator

Commenting on Gen. 2:25; they were both naked and they were not ashamed.
Commentary on Genesis

Ken MacLeod photo
Francisco Varela photo
Camille Pissarro photo

“I don't know what to write Feneon about the theory of 'passages'. I will write him what seems to me to be the truth of the matter, that I am at this moment looking for some substitute for the dot [which was the 'heart of [w:Neo-Impressionism|Neo-Impressionist]] painting]; so far I have not found what I want, the actual execution does not seem to me to be rapid enough and does not follow sensation with enough inevitability, but it would be best not to speak of this. The fact is I would be hard put to express my meaning clearly, although I am completely aware of what I lack.”

Camille Pissarro (1830–1903) French painter

Quote of Camille Pissarro, in a letter, Paris, 20 February 1889, to his son Lucien; in Camille Pissarro - Letters to His Son Lucien ed. John Rewald, with assistance of Lucien Pissarro; from the unpublished French letters; transl. Lionel Abel; Pantheon Books Inc. New York, second edition, 1943, p. 134-135
Rewald: 'This data was doubtless for an article in preparation. While the question of the 'passage', which was going to separate Camille Pissarro from pointillism and thus from Divisionism, was then the main preoccupation of the artist, Pissarro was still unable to express himself with precision on it.'
1880's

Epifanio de los Santos photo

“…we were not aware of this and the seditious character of the poem (Balagtas' Florante and Laura) until Epifanio de los Santos discovered and pointed them out”

Epifanio de los Santos (1871–1928) Filipino politician

Leopoldo Y. Babes "A brief survey of Iloko literature from the beginnings to its present development, with a bibliography of works pertaining to the Iloko people and their language" Manila Oriental Co. 1924, p. 56-57.
BALIW

Paul Weller (singer) photo
Albert Einstein photo
Roger Wolcott Sperry photo
Bernice King photo
David Chalmers photo
Philip K. Dick photo
Rachel Whiteread photo

“I became aware of Louise Bourgeois in my first or second year at Brighton Art College. One of my teachers, Stuart Morgan, curated a small retrospective of her work at the Serpentine, and both he and another teacher, Edward Allington, saw something in her, and me, and thought I should be aware of her. I thought the work was wonderful. It was her very early pieces, The Blind Leading the Blind, the wooden pieces and some of the later bronze works. Biographically, I don't really think she has influenced me, but I think there are similarities in our work. We have both used the home as a kind of kick-off point, as the space that starts the thoughts of a body of work. I eventually got to meet Louise in New York, soon after I made House. She asked to see me because she had seen a picture of House in the New York Times while she was ironing it one morning, so she said. She was wonderful and slightly kind of nutty; very interested and eccentric. She drew the whole time; it was very much a salon with me there as her audience, watching her. I remember her remarking that I was shorter than she was. I don't know if this was true but she was commenting on the physicality of making such big work and us being relatively small women. When you meet her you don't know what's true, because she makes things up. She has spun her web and drawn people in, and eaten a few people along the way.”

Rachel Whiteread (1963) British sculptor

Rachel Whiteread, " Kisses for Spiderwoman http://www.theguardian.com/artanddesign/2007/oct/14/art2," The Guardian, 14 Oct. 2007: on Louise Bourgeois

Marshall McLuhan photo

“Medieval and ancient sensibility now dominates our time as acoustic and multisensory awareness displaces the merely visual.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1980s, Laws of Media: The New Science (with Eric McLuhan) (1988), p. 225

Richard Ford photo
Ronald David Laing photo
William Styron photo
S. I. Hayakawa photo
Jayachamarajendra Wadiyar photo
Dana Gioia photo
Mahatma Gandhi photo

“If India adopted the doctrine of love as an active part of her religion and introduced it in her politics. Swaraj would descend upon India from heaven. But I am painfully aware that that event is far off as yet.”

Mahatma Gandhi (1869–1948) pre-eminent leader of Indian nationalism during British-ruled India

"A Word of Explanation" in Young India (January 1921)
1920s

André Maurois photo
Nisargadatta Maharaj photo
Marshall McLuhan photo
Marcus Aurelius photo
Thom Yorke photo
Johann Wolfgang von Goethe photo
Christopher Hitchens photo
Stephenie Meyer photo
Albert Camus photo
Max Scheler photo
John Stuart Mill photo
Colin Wilson photo
John Gray photo
James Gleick photo
Heidi Klum photo
Temple Grandin photo
Vanna Bonta photo

“It's closer to Platonic Idealism in the theory that substantive reality is only a reflection of some other non-quantified spirit, awareness, consciousness, whatever you want to call it.”

Vanna Bonta (1958–2014) Italian-American writer, poet, inventor, actress, voice artist (1958-2014)

Vanna Bonta Talks About Quantum fiction: Author Interview (2007)

Ray Bradbury photo
Ray Comfort photo
James Thurber photo
Jeremy Corbyn photo
Steph Davis photo
Báb photo
Aaron Copland photo
Clement of Alexandria photo
Pat Condell photo
Jacques Ellul photo
Werner Erhard photo
Piet Mondrian photo
Rian Johnson photo
Alice A. Bailey photo

“Masculine process has at its foundation externalization. The young boy is focused away from his inner and personal self and into achievement, performance, competition, success, emotional control (being "cool"), autonomy (not being dependent or needy), fearlessness, action, and an ethic that only values time spent in doing. Anything else is suspect and viewed as lazy, worthless, time-wasting, or meaningless.Externalization, or the process of being pushed outside of oneself, amplifies and eventually becomes disconnection. Personal relationships are then objectified and founded on the role another can play in his life. Relationships are based on doing and are therefore fairly readily interchangeable with anyone else who can do.Disconnection leads men to the experience of being loners, where it's "lonely at the top," and freedom, space, and "doing one's thing," are the rationalized values. Disconnection transforms a man into someone who has everything he wanted externally, but has nothing that is bonded or connected on a personal level. He is "out of touch," so he doesn't know why he's unhappy, and may conclude that the cause of his malaise is that he needs "more." He sets out to get it, but when he gets it he feels deader and more isolated than ever.The end stage of this journey of masculine process is personal oblivion, which can occur early in his life or may not appear full blown until he's an older man, depending on how extreme his externalized process is. At this point, personal connection becomes impossible. He doesn't know he rationalizes his personal emptiness with cynical philosophies and escapes painful awareness through non-relationships he can control by buying. In the end state of oblivion, he is beyond personal reach and can only relate in abstract, depersonalized, intellectualized ways. The only way he is "loved" is in return for providing or taking care of others.”

Herb Goldberg (1937–2019) American psychologist

The Personal Journey of Masculinity: From Externalization to Disconnection to Oblivion, pp. 10–11
What Men Still Don't Know About Women, Relationships, and Love (2007)

P.G. Wodehouse photo