Quoted in Frankenberry The Faith of Scientists: In Their Own Words (2008), p. 336
Srimad Bhagavatam, Bhaktivedanta Book Trust, 1999. Canto 5, Chapter 23, verse 3, purport. Vedabase http://www.vedabase.com/en/sb/5/23/3
Quotes from Books: Loving God, Quotes from Books: Regression of Science
Stanza 5
An die Freude (Ode to Joy; or Hymn to Joy) (1785)
The Autobiography of Charles H. Spurgeon, Compiled from His Diaries, Letters, and Records by His Wife and His Private Secretary, 1899, Fleming H. Revell, Vol. 2, (1854-1860), pp. 371-372. http://books.google.com/books?id=t3RAAAAAYAAJ&pg=PA371&dq=%22I+saw+this+medal,+bearing+the+venerated+likeness+of+John+Calvin,+I+kissed+it%22&hl=en&ei=JP4LTd-SMcX_lgf0--yzDA&sa=X&oi=book_result&ct=result&resnum=1&ved=0CCMQ6AEwAA#v=onepage&q=%22I%20saw%20this%20medal%2C%20bearing%20the%20venerated%20likeness%20of%20John%20Calvin%2C%20I%20kissed%20it%22&f=false
2013, Second Inaugural Address (January 2013)
C’est une grande question parmi eux s’ils [les africains] sont descendus des singes ou si les singes sont venus d’eux. Nos sages ont dit que l’homme est l’image de Dieu: voilà une plaisante image de l’Être éternel qu’un nez noir épaté, avec peu ou point d’intelligence! Un temps viendra, sans doute, où ces animaux sauront bien cultiver la terre, l’embellir par des maisons et par des jardins, et connaître la route des astres il faut du temps pour tout.
Les Lettres d'Amabed (1769): Septième Lettre d'Amabed http://www.voltaire-integral.com/Html/21/10AMABED.html
Citas
"Coming to America -- In the Fast Lane," "House Call," "Mansion," The Wall Street Journal (3 August 2018), M1
2010s
Clip from YouTube https://www.youtube.com/watch?v=3h00oBDCODs
Allen Iverson's reaction to being benched by Sixers coach Chris Ford in April 2004.
G.K. Gokhale urged her to join the Indian Independence Movement quoted in [Naravane, Vishwanath S., Sarojini Naidu: An Introduction to Her Life, Work and Poetry, http://books.google.com/books?id=h6v8HsRUBucC&pg=PA133, 1 January 1996, Orient Blackswan, 978-81-250-0931-3, 133]
1950s, What Desires Are Politically Important? (1950)
À en croire certains esprits bornés, — c'est le qualificatif qui leur convient, — l'humanité serait renfermée dans un cercle de Popilius qu'elle ne saurait franchir, et condamnée à végéter sur ce globe sans jamais pouvoir s'élancer dans les espaces planétaires! Il n'en est rien! On va aller à la Lune, on ira aux planètes, on ira aux étoiles, comme on va aujourd'hui de Liverpool à New York, facilement, rapidement, sûrement, et l'océan atmosphérique sera bientôt traversé comme les océans de la Lune!
Tr. Walter James Miller (1978)
Variant: If we are to believe certain narrow minded people — and what else can we call them? — humanity is confined within a circle of Popilius from which there is no escape, condemned to vegetate upon this globe, never able to venture into interplanetary space! That's not so! We are going to the moon, we shall go to the planets, we shall travel to the stars just as today we go from Liverpool to New York, easily, rapidly, surely, and the oceans of space will be crossed like the seas of the moon.
Source: From the Earth to the Moon (1865), Ch. XIX: A Monster Meeting (Charles Scribner's Sons "Uniform Edition", 1890, p. 93)
“Star of resplendent front! Thy glorious eye
Shines on me still from out yon clouded sky.”
Arcturus (To Edgar Allan Poe).
Bartlett's Familiar Quotations, 10th ed. (1919)
On First Principles, Bk. 4, ch. 2, par 16
On First Principles
2011, Address on interventions in Libya (March 2011)
Reviewing "Arabesque Cookie" https://www.youtube.com/watch?v=GJtWZ771OqA from Ellington's The Nutcracker Suite; as quoted in "Clare Fischer: Blindfold Test" http://www.mediafire.com/view/fix6ane8h54gx/Clare_Fischer#rjvay58eo774rhe by Leonard Feather, in Downbeat (October 25, 1962), p. 39
Quoted in The Star Trek Encyclopedia (1999) by Michael Okuda and Denise Okuda, p. 185
Fiction, The Crawling Chaos (1921)
Context: There now ensued a series of incidents which transported me to the opposite extremes of ecstasy and horror; incidents which I tremble to recall and dare not seek to interpret. No sooner had I crawled beneath the overhanging foliage of the palm, than there dropped from its branches a young child of such beauty as I never beheld before. Though ragged and dusty, this being bore the features of a faun or demigod, and seemed almost to diffuse a radiance in the dense shadow of the tree. It smiled and extended its hand, but before I could arise and speak I heard in the upper air the exquisite melody of singing; notes high and low blent with a sublime and ethereal harmoniousness. The sun had by this time sunk below the horizon, and in the twilight I saw an aureole of lambent light encircled the child's head. Then in a tone of silver it addressed me: "It is the end. They have come down through the gloaming from the stars. Now all is over, and beyond the Arinurian streams we shall dwell blissfully in Teloe." As the child spoke, I beheld a soft radiance through the leaves of the palm tree, and rising, greeted a pair whom I knew to be the chief singers among those I had heard. A god and goddess they must have been, for such beauty is not mortal; and they took my hands, saying, "Come, child, you have heard the voices, and all is well...."
Source: Terre des Hommes (1939), Ch. I : The Craft
Context: I had a vision of the face of destiny.
Old bureaucrat, my comrade, it is not you who are to blame. No one ever helped you to escape. You, like a termite, built your peace by blocking up with cement every chink and cranny through which the light might pierce. You rolled yourself up into a ball in your genteel security, in routine, in the stifling conventions of provincial life, raising a modest rampart against the winds and the tides and the stars. You have chosen not to be perturbed by great problems, having trouble enough to forget your own fate as man. You are not the dweller upon an errant planet and do not ask yourself questions to which there are no answers. You are a petty bourgeois of Toulouse. Nobody grasped you by the shoulder while there was still time. Now the clay of which you were shaped has dried and hardened, and naught in you will ever awaken the sleeping musician, the poet, the astronomer that possibly inhabited you in the beginning.
The squall has ceased to be a cause of my complaint. The magic of the craft has opened for me a world in which I shall confront, within two hours, the black dragons and the crowned crests of a coma of blue lightnings, and when night has fallen I, delivered, shall read my course in the stars.
Equality (1943)
Context: We Britons should rejoice that we have contrived to reach much legal democracy (we still need more of the economic) without losing our ceremonial Monarchy. For there, right in the midst of our lives, is that which satisfies the craving for inequality, and acts as a permanent reminder that medicine is not food. Hence a man's reaction to Monarchy is a kind of test. Monarchy can easily be "debunked", but watch the faces, mark well the accents of the debunkers. These are the men whose taproot in Eden has been cut — whom no rumor of the polyphony, the dance, can reach – men to whom pebbles laid in a row are more beautiful than an arch. Yet even if they desire mere equality they cannot reach it. Where men are forbidden to honor a king they honor millionaires, athletes, or film-stars instead — even famous prostitutes or gangsters. For spiritual nature, like bodily nature, will be served — deny it food and it will gobble poison.
Introduction to the "Corners on the Curving Sky" section of the book Soulscript (1970) compiled by Jordan. These lines have been widely published in verse format as work misattributed to Gwendolyn Brooks, usually as a poem titled "Corners on the Curving Sky." One website http://web.archive.org/20090809112040/www.geocities.com/juscurious/anon.html indicated that Brooks had publicly repudiated the attribution of these lines to her, but the misattribution seems to have long remained largely unrecognized.
Context: Our earth is round, and, among other things, that means that you and I can hold completely different points of view and both be right. The difference of our positions will show stars in your window I cannot even imagine. Your sky may burn with light, while mine, at the same moment, spreads beautiful to darkness. Still we must choose how we separately corner the circling universe of our experience. Once chosen, our cornering will determine the message of any star and darkness we encounter. These poems speak to philosophy; they reveal the corners where we organize what we know.
“But love has no uttermost, as the stars have no number and the sea no rest.”
Martin Pippin in the Apple Orchard (1922)
Context: He loved her, both for her fault and her redemption of it, more than he had ever thought that he could love her; for he had believed that in their kiss love had reached its uttermost. But love has no uttermost, as the stars have no number and the sea no rest.
When You Are Old http://poetry.poetryx.com/poems/1756/, st. 1–3
The Rose (1893)
Context: p>When you are old and gray and full of sleep,
And nodding by the fire, take down this book,
And slowly read, and dream of the soft look
Your eyes had once, and of their shadows deep;How many loved your moments of glad grace,
And loved your beauty with love false or true,
But one man loved the pilgrim soul in you,
And loved the sorrows of your changing face.And bending down beside the glowing bars,
Murmur, a little sadly, how Love fled
And paced upon the mountains overhead
And hid his face amid a crowd of stars.</p
Beyond the Veil
Context: Life passes, but the conditions of life do not. Air, food, water, the moral sense, the mathematical problem and its solution. These things wait upon one generation much as they did upon its predecessor. What, too, is this wonderful residuum which refuses to disappear when the very features of time seem to succumb to the law of change, and we recognize our world no more? Whence comes this system in which man walks as in an artificial frame, every weight and lever of which must correspond with the outlines of an eternal pattern?
Our spiritual life appears to include three terms in one. They are ever with us, this Past which does not pass, this Future which never arrives. They are part and parcel of this conscious existence which we call Present. While Past and Future have each their seasons of predominance, both are contained in the moment which is gone while we say, "It is here."
So the Eternal is with us, whether we will or not, and the idea of God is inseparable from the persuasion of immortality; the Being which, perfect in itself, can neither grow nor decline, nor indeed undergo any change whatever. The great Static of the universe, the rationale of the steadfast faith of believing souls, the sense of beauty which justifies our high enjoyments, the sense of proportion which upholds all that we can think about ourselves and our world, the sense of permanence which makes the child in very truth parent to the man, able to solve the deepest riddle, the profoundest problem in all that is. Let us then willingly take the Eternal with us in our flight among the suns and stars.
Experience is our great teacher, and on this point it is wholly wanting. No one on the farther side of the great Divide has been able to inform those on the hither side of what lies beyond.
Tape recording declaring how he recited one of his poems in response to a question "What is your background?" (1992)
Shadowbox Studio
Context: I am a being of Heaven and Earth,
of thunder and lightning,
of rain and wind,
of the galaxies,
of the suns and the stars
and the void through which they travel.
The essence of nature,
eternal, divine that all men seek to know to hear,
known as the great illusion time,
and the all-prevailing atmosphere.
And now you know my background.
Pupils at Sais (1799)
Context: Over his own heart and his own thoughts he watched attentively. He knew not whither his longing was carrying him. As he grew up, he wandered far and wide; viewed other lands, other seas, new atmospheres, new rocks, unknown plants, animals, men; descended into caverns, saw how in courses and varying strata the edifice of the Earth was completed, and fashioned clay into strange figures of rocks. By and by, he came to find everywhere objects already known, but wonderfully mingled, united; and thus often extraordinary things came to shape in him. He soon became aware of combinations in all, of conjunctures, concurrences. Erelong, he no more saw anything alone. — In great variegated images, the perceptions of his senses crowded round him; he heard, saw, touched and thought at once. He rejoiced to bring strangers together. Now the stars were men, now men were stars, the stones animals, the clouds plants; he sported with powers and appearances; he knew where and how this and that was to be found, to be brought into action; and so himself struck over the strings, for tones and touches of his own.
On Truth and Lie in an Extra-Moral Sense (1873)
Context: We produce these representations in and from ourselves with the same necessity with which the spider spins. If we are forced to comprehend all things only under these forms, then it ceases to be amazing that in all things we actually comprehend nothing but these forms. For they must all bear within themselves the laws of number, and it is precisely number which is most astonishing in things. All that conformity to law, which impresses us so much in the movement of the stars and in chemical processes, coincides at bottom with those properties which we bring to things. Thus it is we who impress ourselves in this way
As closing scene in the 1968 musical Jacques Brel is Alive and Well and Living in Paris (1975 film version) http://www.youtube.com/watch?v=wdSXpC8fbNA
Translations and adaptations, If We Only Have Love (1968)
Context: If we only have love
We will never bow down
We'll be tall as the pines
Neither heroes nor clowns.
If we only have love
Then we'll only be men
And we'll drink from the Grail
To be born once again
Then with nothing at all
But the little we are
We'll have conquered all time
All space, the sun, and the stars.
New York Times (July 2, 2004)
Context: When I lie on the beach there naked, which I do sometimes, and I feel the wind coming over me and I see the stars up above and I am looking into this very deep, indescribable night, it is something that escapes my vocabulary to describe. Then I think: 'God, I have no importance. Whatever I do or don't do, or what anybody does, is not more important than the grains of sand that I am lying on, or the coconut that I am using for my pillow.' So I really don't think in the long sense.
2016, Convention (August 2016)
Context: No one -- no one -- has given more for our freedom and our security than our Gold Star families.... They represent the very best of our country. They continue to inspire us every day, every moment. They serve as a powerful reminder of the true strength of America. We have to do everything we can for those families, and honor them, and be humbled by them.
"The Chantry Of The Cherubim" in The Oxford Book of English Mystical Verse (1917) by D. H. S. Nicholson.
Context: p>I buoyed me on the wings of dream,
Above the world of sense;
I set my thought to sound the scheme,
And fathom the Immense;
I tuned my spirit as a lute
To catch wind-music wandering mute.Yet came there never voice nor sign;
But through my being stole
Sense of a Universe divine,
And knowledge of a soul
Perfected in the joy of things,
The star, the flower, the bird that sings.Nor I am more, nor less, than these;
All are one brotherhood;
I and all creatures, plants, and trees,
The living limbs of God;
And in an hour, as this, divine,
I feel the vast pulse throb in mine.</p
Source: Demian (1919), p. 9 Prologue
Context: I do not consider myself less ignorant than most people. I have been and still am a seeker, but I have ceased to question stars and books; I have begun to listen to the teachings my blood whispers to me. My story is not a pleasant one; it is neither sweet nor harmonious, as invented stories are; it has the taste of nonsense and chaos, of madness and dreams — like the lives of all men who stop deceiving themselves.
Each man's life represents the road toward himself, and attempt at such a road, the intimation of a path. No man has ever been entirely and completely himself. Yet each one strives to become that — one in an awkward, the other in a more intelligent way, each as best he can.
Through A Glass, Darkly (1918)
Context: Through the travail of the ages,
Midst the pomp and toil of war,
Have I fought and strove and perished
Countless times upon this star. In the form of many people
In all panoplies of time
Have I seen the luring vision
Of the Victory Maid, sublime.
“I was still blind, but twinkling stars did dance
Throughout my being's limitless expanse”
As quoted in Romantic Vision, Ethical Context: Novalis and Artistic Autonomy (1987) by Géza von Molnár, p. 2
Context: I was still blind, but twinkling stars did dance
Throughout my being's limitless expanse,
Nothing had yet drawn close, only at distant stages
I found myself, a mere suggestion sensed in past and future ages.
About
Source: https://www.japantimes.co.jp/culture/2016/08/06/books/book-reviews/life-japans-god-manga/#.XSjK_VVKi70 "The life of Osamu Tezuka, Japan’s ‘god of manga’"
“One day she will be the biggest star of the Indian screen.”
Raj Kapoor after taking her screen test for his film Sapno ka Saudagar.in "MOTHER MAIDEN MISTRESS". Page=1976.
Nam si tibi sidera cessant,
nil faciet longi mensura incognita nervi,
quamvis te nudum spumanti Virro labello
viderit et blandae adsidue densaeque tabellae
sollicitent, autos gar ephelketai andra kinaidos.
IX, line 33.
Satires, Satire IX
Summertime on Icarus, p. 730
2000s and posthumous publications, The Collected Stories of Arthur C. Clarke (2001)
John Lennon, in "Instant Karma!" (written 27 January 1970)
Lyrics
“The stars are far from eternal, but for man they might as well be.”
Section 1, Phssthpok, Chapter 1 (p. 7)
Protector (1973)
spirituality and wisdom
“I'm not picking up dog shit. I'm a rock star.”
The Osbournes television show
Source: Song lyrics, The Kick Inside (1978)
Source: The Great Gatsby
Their applause, cued in by a light-signal, is transmitted directly on the popular radio programmes they are permitted to attend. They call themselves 'jitter-bugs', bugs which carry out reflex movements, performers of their own ecstasy. Merely to be carried away by anything at all, to have something of their own, compensates for their impoverished and barren existence. The gesture of adolescence, which raves for this or that on one day with the ever-present possibility of damning it as idiocy on the next, is now socialized.
Perennial fashion — Jazz, as quoted in The Sociology of Rock (1978) by Simon Frith, ISBN 0094602204
“I am glad we do not have to try to kill the stars.”
Source: Lucky Star
Variant: I met in the street a very poor young man who was in love. His hat was old, his coat was threadbare - there were holes at his elbows; the water passed through his shoes and the stars through his soul.
Source: Les Misérables
“We are all creatures of the stars.”
Source: Re: Colonised Planet 5, Shikasta
“If people sat outside and looked at the stars each night, I'll bet they'd live a lot differently.”
Source: American on Purpose: The Improbable Adventures of an Unlikely Patriot
“Forget Jesus, the stars died so you could be born.”
Source: A Universe from Nothing: Why There Is Something Rather Than Nothing
Source: The Hero and the Crown
“If I could only reach out and touch the stars, I would know everything. I would understand.”
Source: The Kiss of Deception
Source: Old Kingdom series (The Abhorsen Trilogy), Abhorsen (2003), p. 343.
“Between two worlds life hovers like a star, twixt night and morn, upon the horizon's verge.”
“what time is it? its is by every star
a different time, and each most falsely true…”
Source: Selected Poems
“My will and my desire were turned by love, the love that moves the sun and the other stars.”
Source: City of Fallen Angels
Variant: I like too many things and get all confused and hung-up running from one falling star to another til I drop.
Source: On the Road
Source: Dance with the Devil
“It's all I ever really wanted, that revelation. The possibility of fixed stars.”
Source: White Oleander
“I'm restless. Things are calling me away. My hair is being pulled by the stars again.”
Variant: I’m restless. Things are calling me away. My hair is being pulled by the stars again.
Source: A Season in Hell/The Drunken Boat
This passage contains some phrases King later used in "Where Do We Go From Here?" (1967) which has a section below.
1950s, Loving Your Enemies (Christmas 1957)
Variant: Returning hate for hate multiplies hate, adding deeper darkness to a night already devoid of stars. Darkness cannot drive out darkness; only light can do that. Hate cannot drive out hate, only love can do that.
Source: Mentioned in "Out of Osama's Death, a Fake Quotation Is Born" by Megan McArdle, The Atlantic (May 2011) http://www.theatlantic.com/national/archive/2011/05/out-of-osamas-death-a-fake-quotation-is-born/238220/, and widely distributed on twitter http://twitter.com/#!/jmadly/status/65314784136011776 as a quote of King, after the death of Osama bin Laden, the first sentence is one written by Jessica Dovey http://i.imgur.com/cqtjw.jpg on her Facebook page, which became improperly combined by others with genuine statements of King, whom she quoted, and which occur in Strength to Love (1963), Ch. 5 : Loving your enemies, and in Where Do We Go from Here : Chaos or Community? (1967), p. 62.
For the full story see "Anatomy of a Fake Quotation" by Megan McArdle, The Atlantic (May 3, 2011) http://www.theatlantic.com/national/archive/2011/05/anatomy-of-a-fake-quotation/238257/ and for the Facebook version of the quote see Did Martin Luther King, Jr. say that “I will not rejoice in the death of one, not even an enemy”? at skeptics.stackexchange.com http://skeptics.stackexchange.com.
Context: Returning hate for hate multiplies hate, adding deeper darkness to a night already devoid of stars. Darkness cannot drive out darkness; only light can do that. Hate cannot drive out hate; only love can do that. Hate multiplies hate, violence multiplies violence, and toughness multiplies toughness in a descending spiral of destruction.
Context: Let us move now from the practical how to the theoretical why: Why should we love our enemies? The first reason is fairly obvious. Returning hate for hate multiplies hate, adding deeper darkness to a night already devoid of stars. Darkness cannot drive out darkness; only light can do that. Hate cannot drive out hate; only love can do that. Hate multiplies hate, violence multiplies violence, and toughness multiplies toughness in a descending spiral of destruction. So when Jesus says "love your enemies," he is setting forth a profound and ultimately inescapable admonition. Have we not come to such an impasse in the modern world that we must love our enemies-or else? The chain reaction of evil-Hate begetting hate, wars producing more wars-must be broken, or we shall be plunged into the dark abyss of annihilation.
Context: I mourn the loss of thousands of precious lives, but I will not rejoice in the death of one, not even an enemy. Returning hate for hate multiplies hate, adding deeper darkness to a night already devoid of stars. Darkness cannot drive out darkness: only light can do that. Hate cannot drive out hate: only love can do that.
Source: The Miraculous Journey of Edward Tulane
“And this is the wonder that's keeping the stars apart
I carry your heart [ i carry it in my heart ]”
Variant: i carry your heart with me(i carry it in my heart)
Source: Selected Poems
“If the stars should appear but one night every thousand years how man would marvel and adore.”
Source: 1830s, Nature http://www.emersoncentral.com/nature.htm (1836), Ch. 1, Nature
Context: If the stars should appear one night in a thousand years, how would men believe and adore, and preserve for many generations the remembrance of the city of God which had been shown!
Context: If the stars should appear one night in a thousand years, how would men believe and adore, and preserve for many generations the remembrance of the city of God which had been shown! But every night come out these envoys of beauty, and light the universe with their admonishing smile.
