
As paraphrased and quoted in "News Spotlight," https://news.google.com/newspapers?id=S8cxAAAAIBAJ&sjid=PIYDAAAAIBAJ&pg=6062%2C6382171 The Kingsport Daily News (December 11, 1974), p. 9
As paraphrased and quoted in "News Spotlight," https://news.google.com/newspapers?id=S8cxAAAAIBAJ&sjid=PIYDAAAAIBAJ&pg=6062%2C6382171 The Kingsport Daily News (December 11, 1974), p. 9
I'm telling you: sing.
Source: Sofia Rotaru's sister, also singer, back-stage vocal in 1993
Source: a Russian term used to describe a style of man's haircut that features a lock of hair sprouting from the top or the front of an otherwise closely shaven head. The word is also commonly used mostly by Russians as a derogatory name for Ukrainians, as it was a common haircut of Ukrainian Cossacks. [Sofia Rotaru is Ukrainian national, although of Moldavian origin considering herself also Russian]
“When I was a little kid I thought I would grow up to be black and sing jazz in nightclubs.”
As quoted in Funny Ladies: The Best Humor from America's Funniest Women (2001) by Bill Adler, p. 47
Songs of Freedom by Irish Authors (1907) Introduction. Revolutionary Song https://www.marxists.org/archive/connolly/1907/xx/revsong.htm
Mojo magazine (December 2009), p. 40.
"I'm Sorry"
Lyrics, Happy Hour (1992)
Home, Sweet Home (1822), from the opera of "Clari, the Maid of Milan", reported in Bartlett's Familiar Quotations, 10th ed. (1919).
Paolo Padillo, "A Traviata of Note: Teatro Lirico d'Europa". Opera - L (March, 2004) http://listserv.cuny.edu/Scripts/wa.exe?A2=ind0403d&L=opera-l&F=&S=&P=15287
Cyn rheitied i mi brydu
Ag i tithau bregethu,
A chyn iawned ym glera
Ag I tithau gardota.
Pand englynion ac odlau
Yw'r hymnau a'r segwensiau?
A chywyddau i Dduw lwyd
Yw sallwyr Dafydd Broffwyd.
"Y Bardd a'r Brawd Llwyd" (The Poet and the Grey Brother), line 53; translation from Dafydd ap Gwilym (trans. Nigel Heseltine) Twenty-Five Poems (Banbury: The Piers Press, 1968) p. 42.
Quoted from Lal, K. S. (1990). Indian muslims: Who are they.
Travels in Asia and Africa (Rehalã of Ibn Battûta)
I said "It does?" It turned out to be one of the finer beers of my entire life.
Arlo talking about his first meeting with Steve Goodman, who would perform to him "The City of New Orleans" (Live in Sydney)
Talked about changes in career after marriage http://www.hindustantimes.com/bollywood/i-feel-restless-when-i-m-not-singing-want-to-work-24-7-shreya-ghoshal/story-hAKs3O9xVa8bQXvZvKpXIP.html
Ibid, pp. 517-518, (1809)
“A nightingale dies for shame if another bird sings better.”
Section 2, member 3, subsection 6.
The Anatomy of Melancholy (1621), Part I
Quand vous serez bien vieille, au soir, à la chandelle,
Assise auprès du feu, dévidant et filant,
Direz, chantant mes vers, en vous émerveillant:
"Ronsard me célébrait du temps que j'étais belle."
vous serez bien vieille, au soir, à la chandelle" http://fr.wikisource.org/wiki/Quand_vous_serez_bien_vieille%2C_au_soir%2C_%C3%A0_la_chandelle"Quand, Sonnets pour Hélène (1578), ll. 1-4.
"Home-Thoughts, from Abroad", line 14.
Dramatic Romances and Lyrics (1845)
Page 8
The Complete Story: A New Biography on the Apostle of Faith By Julian Wilson http://books.google.co.uk/books?id=e2RWZpOHfmoC|Wigglesworth:
“Maybe I should try singing like a man.”
Speaking at the 2006 BRIT Awards. http://news.superiorpics.com/print/2006/02/16/blunt_and_martin_attack_critics_0211_6.html
Four Riddles, no. III
Rhyme? and Reason? (1883)
“I will probably die singing.”
As quoted in
Ich fühle, wie in mir sich wachsend Wort an Wort, Gedanke an Gedanke reiht zum letzten Akt der Schöpfung. Heilige Stunde des Gebärens, Schmerz bist du und Lust und eine Sehnsucht nach Form, Gestalt und Wesen. Ich bin nur Instrument, darauf der alte Gott sein Lied singt. Ich bin nur harrendes Gefäß, in das Natur den neuen Wein mit Lächeln füllt.
Michael: a German fate in diary notes (1926)
America, reported in Bartlett's Familiar Quotations, 10th ed. (1919).
Representative American Negroes, an essay from The Negro Problem, a collection of essays written in 1903 by leading African Americans.
"Israfel", st. 8 (1831).
"Being for the Benefit of Mr. Kite!" (1967)
Lyrics
From an interview with "The Nashville Network" in 1991, putting rumors aside that she might be retiring.
Mahfouz (1957) Palace of Desire Part II; Cited in Matt Schudel " Leading Arab Novelist Gave Streets a Voice http://www.washingtonpost.com/wp-dyn/content/article/2006/08/30/AR2006083000475.html" in: Washington Post, August 31, 2006
“No opera plot can be sensible, for people do not sing when they are feeling sensible.”
"Notes on Music and Opera", p. 472
The Dyer's Hand, and Other Essays (1962)
“The traveller with empty pockets will sing in the thief's face.”
Cantabit vacuus coram latrone viator.
X, line 22.
Satires, Satire X
Source: Interview with V Magazine, as quoted in UsMagazine: Justin Bieber Talks Sex, Drugs and Turning 18 http://www.usmagazine.com/celebrity-news/news/justin-bieber-talks-sex-drugs-and-turning-18-2012101, January 2012
As quoted in Poet, J. (11 February 2009)
Car en mon cuer porte couvertement
Le dueil qui soit qui plus me puet desplaire,
Et si me fault, pour les gens faire taire,
Rire en plorant et très amerement
De triste cuer chanter joyeusement.
Rondeau "De triste cuer chanter joyeusement", line 8; Maurice Roy (ed.) Œuvres Poétiques de Christine de Pisan (1886) vol. 1, p. 154, as translated by http://www.brindin.com/pfpistri.htm by Sheenagh Pugh.
Confessions of Jean-Jacques Rousseau (1765-1770; published 1782), On the musicians of the Ospedale della Pieta (book VII)
Letter to Anton Chekhov http://books.google.com/books?id=rXsdAAAAMAAJ&q="It+is+quiet+and+peaceful+here+the+air+is+good+there+are+numerous+gardens+and+in++them+nightingales+sing+and+spies+lurk+under+the+bushes"&pg=PA28#v=onepage
Source: On the Mystical Body of Christ, p.427
On her creative inspiration http://tolucantimes.info/section/inside-this-issue/young-author-makes-her-mark-in-the-world-of-children’s-literature/
On other musicians who has 'grown up' listening to ABBA, who wants to work with Agnetha; Interview on 'Loose Women', Interviewer: Carol Vorderman, ITV 16 May 2013 https://www.youtube.com/watch?v=7USzqiSflss
You Need Me, I Don't Need You.
Song lyrics, + (2011)
Source: Work Without Hope (1825), l. 1
“Sing away sorrow, cast away care.”
Source: Don Quixote de la Mancha (1605–1615), Part I, Book III, Ch. 8.
Under Ben Bulben http://poetry.poetryx.com/poems/1745/, V
Last Poems (1936-1939)
Lady Gaga on Britney Spears http://www.nowmagazine.co.uk/celebrity-news/300123/lady-gaga-i-don-t-have-time-for-dating/1
The Sarcastic Fair
<span class="plainlinks"> Foreword, 'Tales of Transformation: English Translation of Tagore's Chitrangada and Chandalika', Lopamudra Banerjee, (2018). https://www.amazon.co.uk/dp/B07DQPD8F4/</span>
From Prose
Memoirs of Childhood and Youth (1924)
Ch. 18 (Martin Palmer/Elizabeth Breuily, Penguin Publishing 1996)
Letter to James F. Morton (10 February 1923), published in Selected Letters Vol. I (1965), p. 208
Non-Fiction, Letters, to James Ferdinand Morton, Jr.
Tunnel of Love, written with Richard Rodgers and Oscar Hammerstein II
Song lyrics, Making Movies (1980)
"Coming to America -- In the Fast Lane," "House Call," "Mansion," The Wall Street Journal (3 August 2018), M1
2010s
The Gay Science (1882)
Luthers Works, 40 p. 146 as quoted in Against the Idols: The Reformation of Worship from Erasmus to Calvin https://books.google.com/books?id=95sDFZbl4S4C&pg=PA55&source=gbs_toc_r&cad=3#v=onepage&q=Calvin&f=falseby Carlos M. N. Eire, p. 72
Music without lyrics travels more easily and may be biologically conceived and received".
1979
“Singing is of a lover.”
Cantare amantis est.
Variant translation: To sing is characteristic of the lover.
336
Sermons
“Red Rose, proud Rose, sad Rose of all my days!
Come near me, while I sing the ancient ways:”
To The Rose Upon The Rood Of Time http://poetry.poetryx.com/poems/1736/
The Rose (1893)
Context: Red Rose, proud Rose, sad Rose of all my days!
Come near me, while I sing the ancient ways:
Cuchulain battling with the bitter tide;
The Druid, grey, wood-nurtured, quiet-eyed,
Who cast round Fergus dreams, and ruin untold;
Liza Minelli, as quoted in "Liza Minelli 'Never Felt Better' Despite Tabloids' Whispers" https://news.google.com/newspapers?id=rmRGAAAAIBAJ&sjid=6ugMAAAAIBAJ&pg=3577%2C2269544 by Douglas J. Rowe, in TV Plus: The Schenectady Sunday Gazette Supplement (June 9, 1996), p. 4
Context: It really scared me to do what Mom did because I never did anything that she did. I promised her that I would never sing her songs, and I kept my promise. "You sing them better than anybody. I don't want to be a second-rate example of you. I want to be a first-rate example of myself."
“Awake, Ausonian Muse, and sing the vineyard song!”
Heroic Poem in Praise of Wine (1932)
Context: To exalt, enthrone, establish and defend,
To welcome home mankind's mysterious friend
Wine, true begetter of all arts that be;
Wine, privilege of the completely free;
Wine the recorder; wine the sagely strong;
Wine, bright avenger of sly-dealing wrong,
Awake, Ausonian Muse, and sing the vineyard song!
“Yet she, singing upon her road,
Half lion, half child, is at peace.”
Against Unworthy Praise http://poetry.poetryx.com/poems/1433/
The Green Helmet and Other Poems (1910)
Context: p>O heart, be at peace, because
Nor knave nor dolt can break
What's not for their applause
Being for a woman's sake.
Enough if the work has seemed,
So did she your strength renew,
A dream that a lion had dreamed
Till the wilderness cried aloud,
A secret between you two,
Between the proud and the proud.What, still you would have their praise!
But here's a haughtier text,
The labyrinth of her days
That her own strangeness perplexed;
And how what her dreaming gave
Earned slander, ingratitude,
From self-same dolt and knave;
Aye, and worse wrong than these.
Yet she, singing upon her road,
Half lion, half child, is at peace.</p
Epigraph, The Thorn Birds (1977)
Context: There is a legend about a bird that sings just once in its life, more sweetly than any other creature on the face of the earth. From the moment it leaves the nest it searches for a thorn tree and does not rest until it has found one. Then, singing among the savage branches, it impales itself upon the longest, sharpest spine. Dying, it rises above its own agony to out-carol the lark and the nightingale. One superlative song, existence the price. But the whole world stills to listen, and God in His heaven smiles. For the best is only bought at the cost of the great pain. … Or so says the legend.
The Ballot or the Bullet (1964), Speech in Detroit, Michigan (12 April 1964)
Context: The government has failed us; you can’t deny that. Anytime you live in the twentieth century, 1964, and you’re walking around here singing “We Shall Overcome,” the government has failed us. This is part of what’s wrong with you -- you do too much singing. Today it’s time to stop singing and start swinging. You can’t sing up on freedom, but you can swing up on some freedom. Cassius Clay can sing, but singing didn’t help him to become the heavyweight champion of the world; swinging helped him become the heavyweight champion.
Introducing "Who by Fire"
Warsaw concert (1985)
Context: I come from a country where we do not have the same struggles as you have. I respect your struggles. And it may surprise you, but I respect both sides of this struggle. It seems to be that in Europe there needs to be a left foot and a right foot to move forward. I wish that both feet move forward and the body moves towards its proper destiny. This is an intense country; the people are heroic, the spirit is independent. It is a difficult country to govern, it needs a strong government and a strong union. … I would like to say to you, to the leaders of the left, and the leaders of the right, I sing... I sing for everyone. My song has no flag, my song has no party. And I say the prayer, that we said in our synagogue, I say it for the leader of your union and the leader of your party. May the Lord put a spirit, a wisdom and understanding into the hearts of your leaders and into the hearts of all their counsellors.
My Triumph, reported in Bartlett's Familiar Quotations, 10th ed. (1919)
Context: Sweeter than any sung
My songs that found no tongue;
Nobler than any fact
My wish that failed of act.
Others shall sing the song,
Others shall right the wrong,—
Finish what I begin,
And all I fail of win.
Black Elk Speaks (1961)
Context: To the center of the world you have taken me and showed the goodness and the beauty and the strangeness of the greening earth, the only mother — and there the spirit shapes of things, as they should be, you have shown to me and I have seen. At the center of this sacred hoop, you have said that I should make the tree to bloom.
With tears running, O Great Spirit, Great Spirit, my Grandfather — with running tears I must say now that the tree has never bloomed. A pitiful old man, you see me here, and I have fallen away and have done nothing. Here at the center of the world, where you took me when I was young and taught me; here, old, I stand, and the tree is withered, Grandfather, my Grandfather!
Again, and maybe the last time on this earth, I recall the great vision you sent me. It may be that some little root of the sacred tree still lives. Nourish it then, that it may leaf and bloom and fill with singing birds. Hear me, not for myself, but for my people; I am old. Hear me that they may once more go back into the sacred hoop and find the good red road, the shielding tree!
Source: The Book on the Taboo Against Knowing Who You Are (1966), p. 95
“And singing still dost soar and soaring ever singest.”
St. 2
To a Skylark (1821)
Context: Higher still and higher
From the earth thou springest,
Like a cloud of fire;
The blue deep thou wingest,
And singing still dost soar and soaring ever singest.
To The Rose Upon The Rood Of Time
The Rose (1893)
Context: Come near, come near, come near — Ah, leave me still
A little space for the rose-breath to fill!
Lest I no more hear common things that crave;
The weak worm hiding down in its small cave,
The field-mouse running by me in the grass,
And heavy mortal hopes that toil and pass;
But seek alone to hear the strange things said
By God to the bright hearts of those long dead,
And learn to chaunt a tongue men do not know.
Come near; I would, before my time to go,
Sing of old Eire and the ancient ways:
Red Rose, proud Rose, sad Rose of all my days.
"The Chantry Of The Cherubim" in The Oxford Book of English Mystical Verse (1917) by D. H. S. Nicholson.
Context: p>I buoyed me on the wings of dream,
Above the world of sense;
I set my thought to sound the scheme,
And fathom the Immense;
I tuned my spirit as a lute
To catch wind-music wandering mute.Yet came there never voice nor sign;
But through my being stole
Sense of a Universe divine,
And knowledge of a soul
Perfected in the joy of things,
The star, the flower, the bird that sings.Nor I am more, nor less, than these;
All are one brotherhood;
I and all creatures, plants, and trees,
The living limbs of God;
And in an hour, as this, divine,
I feel the vast pulse throb in mine.</p
“He that sings a lasting song
Thinks in a marrow-bone.”
A Prayer For Old Age http://poetry.poetryx.com/poems/1423/, st. 1.
A Full Moon in March (1935)
Context: God guard me from those thoughts men think
In the mind alone;
He that sings a lasting song
Thinks in a marrow-bone.
Fragment 58 Voigt
The Willis Barnstone translations, Old Age
As quoted in Debussy (1989) by Paul Holmes, p. 36
Context: Music would take over at the point at which words become powerless, with the one and only object of expressing that which nothing but music could express. For this, I need a text by a poet who, resorting to discreet suggestion rather than full statement, will enable me to graft my dream upon his dream — who will give me plain human beings in a setting belonging to no particular period or country. … Then I do not wish my music to drown the words, nor to delay the course of the action. I want no purely musical developments which are not called for inevitably by the text. In opera there is always too much singing. Music should be as swift and mobile as the words themselves.
“One does not always sing out of happiness.”
“The singing legend lives on her suprabathams (morning prayer songs) and w:bhajansbhajans.”
Quoted in Ode to a Nightingale in "The Complete Guide to Functional Writing in English}, pages= 11-12
About M.S.