Quotes about nature
page 46

George Holmes Howison photo

“Nature no longer entertains us when conserving it becomes inconvenient.”

Reed Noss (1952)

[Toward a Pro‐Life Politics, Conservation Biology, 15, 4, August 2001, 827–828, https://onlinelibrary.wiley.com/doi/full/10.1046/j.1523-1739.2001.015004827.x]

Michael Moorcock photo
Louis Sullivan photo
Carl Gustav Jacob Jacobi photo

“History knew a midnight, which we may estimate at about the year 1000 A. D., when the human race lost the arts and sciences even to the memory. The last twilight of paganism was gone, and yet the new day had not begun. Whatever was left of culture in the world was found only in the Saracens, and a Pope eager to learn studied in disguise in their unversities, and so became the wonder of the West. At last Christendom, tired of praying to the dead bones of the martyrs, flocked to the tomb of the Saviour Himself, only to find for a second time that the grave was empty and that Christ was risen from the dead. Then mankind too rose from the dead. It returned to the activities and the business of life; there was a feverish revival in the arts and in the crafts. The cities flourished, a new citizenry was founded. Cimabue rediscovered the extinct art of painting; Dante, that of poetry. Then it was, also, that great courageous spirits like Abelard and Saint Thomas Aquinas dared to introduce into Catholicism the concepts of Aristotelian logic, and thus founded scholastic philosophy. But when the Church took the sciences under her wing, she demanded that the forms in which they moved be subjected to the same unconditioned faith in authority as were her own laws. And so it happened that scholasticism, far from freeing the human spirit, enchained it for many centuries to come, until the very possibility of free scientific research came to be doubted. At last, however, here too daylight broke, and mankind, reassured, determined to take advantage of its gifts and to create a knowledge of nature based on independent thought. The dawn of the day in history is know as the Renaissance or the Revival of Learning.”

Carl Gustav Jacob Jacobi (1804–1851) German mathematician

"Über Descartes Leben und seine Methode die Vernunft Richtig zu Leiten und die Wahrheit in den Wissenschaften zu Suchen," "About Descartes' Life and Method of Reason.." (Jan 3, 1846) C. G. J. Jacobi's Gesammelte werke Vol. 7 https://books.google.com/books?id=_09tAAAAMAAJ&pg=PA309 p.309, as quoted by Tobias Dantzig, Number: The Language of Science (1930).

Viktor Schauberger photo
David Morrison photo
Montesquieu photo
James Clerk Maxwell photo
Antonio Sabàto Jr. photo
Charles Sanders Peirce photo
Henry Adams photo

“Knowledge of human nature is the beginning and end of political education.”

Henry Adams (1838–1918) journalist, historian, academic, novelist

The Education of Henry Adams (1907)

Ronald Fisher photo
Lynne Cheney photo

“Expecting to be able to get rid of the competitive drive, first of all, flies in the face of human nature — and little girls certainly have this drive, as much as little boys do, or at least the little girls I have observed in my immediate family have it.”

Lynne Cheney (1941) Second Lady of the United States 2001–2009, writer and pundit

"The Truth & Lynne Cheney" http://www.findarticles.com/p/articles/mi_m0IUK/is_2001_Spring/ai_75453032/pg_1, interview, Women's Quarterly (Spring 2001).

Aaron Copland photo
Richard Dawkins photo
Arthur James Balfour photo
William H. Seward photo

“Remember always that the cause of the United States is the cause of human nature.”

William H. Seward (1801–1872) American lawyer and politician

Letter to Charles F. Adams (1863), as quoted in Papers Relating to the Foreign Relations of the United States, Volume 2 https://books.google.com/books?id=xe9TAAAAcAAJ&pg=PA150&lpg=PA150&dq=%22the+cause+of+the+United+States+is+the+cause+of+human%22&source=bl&ots=WHM-9fK5zZ&sig=3aspBI67n5cNTU2ARF6OaNTyCDQ&hl=en&sa=X&ved=0CB4Q6AEwAGoVChMIt7WJl9msxwIViDI-Ch3mpgBq#v=onepage&q=%22the%20cause%20of%20the%20United%20States%20is%20the%20cause%20of%20human%22&f=false, p. 150.

Viktor Schauberger photo

“THe engaged Party have laid the Axe to the very root of Monarchy and Parliaments; they have caſt all the Myſteries and ſecrets of Government, both by Kings and Parliaments, before the vulgar, (like Pearl before Swine) and have taught both the Souldiery and People to look ſo far into them as to ravel back all Governments, to the firſt principles of nature: He that ſhakes Fundamentals, means to take down the Fabrick. Nor have they been careful to ſave the materials for Poſterity. What theſe negative Statiſts will ſet up in the room of theſe ruined buildings, doth not appear, only I will ſay, They have made the People thereby ſo curious and ſo arrogant, that they will never find humility enough to ſubmit to a civil rule; their aim therefore from the beginning was to rule them by the power of the Sword, a military Ariſtocracy or Oligarchy, as now they do. Amongſt the ancient Romans, Tentare arcana Imperii, to prophane the Myſteries of State, was Treaſon; becauſe there can be no form of Government without its proper Myſteries, which are no longer Myſteries than while they are concealed. Ignorance, and Admiration ariſing from Ignorance are the Parents of civil devotion and obedience, though not of Theological.”

Clement Walker (1595–1651) English politician

[Walker, Clement, Relation and Observations, Historical and Politick, upon the Parliament Begun Anno Dom. 1640., 1648, 140–141, The Hiſtory of Independency, http://books.google.ca/books?id=Aes_AAAAcAAJ&pg=PP147]

William Ellery Channing photo
Marek Sanak photo
Hugh Blair photo

“Embellish truth only with a view to gain it the more full and free admission into your hearer's minds; and your ornaments will, in that case, be simple, masculine, natural.”

Hugh Blair (1718–1800) British philosopher

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 481.

Adam Smith photo
Vyasa photo
Alexis De Tocqueville photo

“Born under another sky, placed in the middle of an always-moving scene, himself driven by the irresistible torrent which sweeps along everything that surrounds him, the American has no time to tie himself to anything; he grows accustomed to naught but change, and concludes by viewing it as the natural state of man; he feels a need for it; even more, he loves it: for instability, instead of occurring to him in the form of disasters, seems to give birth to nothing around him but wonders…”

Alexis De Tocqueville (1805–1859) French political thinker and historian

National Character of Americans—first impressions (1831) Oeuvres complètes, vol. VIII, p. 233 https://books.google.de/books?id=x9pnAAAAMAAJ&pg=RA2-PA233&q=ciel.
Original text:
Né sous un autre ciel, placé au milieu d'un tableau toujours mouvant, poussé lui-même par le torrent irrésistible qui entraîne tout ce qui l'environne, l'Américain n'a le temps de s'attacher à rien; il ne s'accoutume qu'au changement, et finit par le regarder comme l'état naturel à l'homme; il en sent le besoin; bien plus, il l'aime : car l'instabilité, au lieu de se produire à lui par des désastres, semble n'enfanter autour de lui que des prodiges...
1830s

Neil Gaiman photo
Walter Bagehot photo
Letitia Elizabeth Landon photo
Alfred North Whitehead photo
Thomas Carlyle photo
Leif Edward Ottesen Kennair photo
Hsing Yun photo
Herman Kahn photo
Ward Cunningham photo

“Wiki pages are very much free form. Across the whole wiki there is a hypertext structure, but on a given page, within the versatility of your command of your natural language, you can say whatever needs to be said.”

Ward Cunningham (1949) American computer programmer who developed the first wiki

A Conversation with Ward Cunningham (2003), Exploring with Wiki

Matthew Arnold photo

“Inequality has the natural and necessary effect, under the present circumstances, of materializing our upper class, vulgarizing our middle class, and brutalizing our lower class.”

Matthew Arnold (1822–1888) English poet and cultural critic who worked as an inspector of schools

"Mixed Essays, Equality" (1879)

Henry Temple, 3rd Viscount Palmerston photo

“When Bonaparte was to be dethroned, the Sovereigns of Europe called up their people to their aid; they invoked them in the sacred names of Freedom and National Independence; the cry went forth throughout Europe: and those, whom Subsidies had no power to buy, and Conscriptions no force to compel, roused by the magic sound of Constitutional Rights, started spontaneously into arms. The long-suffering Nations of Europe rose up as one man, and by an effort tremendous and wide spreading, like a great convulsion of nature, they hurled the conqueror from his throne. But promises made in days of distress, were forgotten in the hour of triumph…The rulers of mankind…had set free a gigantic spirit from its iron prison, but when that spirit had done their bidding, they shrunk back with alarm, from the vastness of that power, which they themselves had set into action, and modestly requested, it would go down again into its former dungeon. Hence, that gloomy discontent, that restless disquiet, that murmuring sullenness, which pervaded Europe after the overthrow of Bonaparte; and which were so unlike that joyful gladness, which might have been looked for, among men, who had just been released from the galling yoke of a foreign and a military tyrant. In 1820 the long brooding fire burst out into open flame; in Germany it was still kept down and smothered, but in Italy, in Spain, and in Portugal, it overpowered every resistance.”

Henry Temple, 3rd Viscount Palmerston (1784–1865) British politician

Speech http://hansard.millbanksystems.com/commons/1830/mar/10/affairs-of-portugal in the House of Commons (10 March 1830).
1830s

John Derbyshire photo
A.C. Cuza photo

“A nation is all the individuals of same blood, forming by their cohesion a natural related collective being with it s own organs and state which are social classes and the State and the same soul, which is nationality.”

A.C. Cuza (1857–1947) Romanian politician

From Naţionalitatea în artă ("Nationality in Art"), Bucureşti: Cartea Romaneasca, 1905.

Winston S. Churchill photo
Jean Metzinger photo

“Instead of copying Nature, we [ Cubists ] create a 'milieu', of our own, wherein our sentiment can work itself out through a juxtaposition of colors. It is hard to explain it, but it may perhaps be illustrated by analogy of literature and music. Your [ Gelett Burgess is American] Edgar Poe did not attempt to reproduce Nature realistically. Some phase of life suggested an emotion, as that of horror in 'The Fall of the House of Ushur.”

Jean Metzinger (1883–1956) French painter

That subjective idea he translated into art. He made a composition of it.
Quote of Metzinger in 'The Wild Men of Paris', by Gelett Burgess https://monoskop.org/images/f/f3/Burgess_Gelett_1910_The_Wild_Men_of_Paris.pdf, in 'The Architectural Record, Vol XXVII, May 1910, p. 413

Gustave Moreau photo
Paul Cézanne photo
Ludwig Feuerbach photo
Julian of Norwich photo
Richard Strauss photo

“My wife, my child, my music, Nature and the sun; they are my happiness.”

Richard Strauss (1864–1949) German composer and orchestra director

written on the sketches for his Domestic Symphony. Charles Youmans, Mahler and Strauss in Dialogue, Indiana University press (2016), found on page 60.
Other sources

Joshua Reynolds photo

“The true test of all the arts, is not solely whether the production is a true copy of nature, but whether it answers the end of art, which is to produce a pleasing effect upon the mind.”

Joshua Reynolds (1723–1792) English painter, specialising in portraits

Discourse no. 13; vol. 2, p. 136.
Discourses on Art

Barend Cornelis Koekkoek photo

“I really believe that the general, happy mood of the people here [in Elberfeld, Germany] is largely caused by nature. At least I am experiencing that in places like these people are much more natural than in regions where nature offers them little or nothing to subtract their heart for some time from the hypocrisy of the world, and to taste a not-deceitful delight.”

Barend Cornelis Koekkoek (1803–1862) painter from the Northern Netherlands

(original Dutch, citaat van B.C. Koekkoek:) Ik geloof dat de algemeene, hier heerschende gelukkige gemoedsstemming der menschen [in Elberfeld, Germany] grotendeels door den natuur wordt veroorzaakt. Ik ten minste ben van gevoelen, dat in oorden, zooals deze de mensch natuurlijker is, dan in streken waar de natuur hem weinig of niets aanbiedt, om zijn hart eenige tijd van de huichelarij der wereld af te trekken, en een niet bedrieglijk genot te smaken.
Source: Herinneringen aan en Mededeelingen van…' (1841), p. 47

Clement Attlee photo
John Knox photo

“To promote a woman to beare rule, superioritie, dominion or empire above any realme, nation, or citie, is repugnant to nature, contumelie to God, a thing most contrarious to his reveled will and approved ordinance, and finalie it is the subversion of good order, of all equitie and justice.”

John Knox (1514–1572) Scottish clergyman, writer and historian

The First Blast of the Trumpet Against the Monstrous regiment of women 1558 reprint New York: Da Capo Press, 1972, p.9 as quoted in "Gender Difference and Tudor Monarchy: The Significance of Queen Mary I" https://muse.jhu.edu/article/474844/pdf, Judith Richards

Philo photo
Michael Moorcock photo
Koichi Tohei photo
P.G. Wodehouse photo
James McNeill Whistler photo

“Yes, madam, Nature is creeping up. [in response to a lady who said that a landscape reminded her of his work]”

James McNeill Whistler (1834–1903) American-born, British-based artist

D.C. Seitz, Whistler Stories (1913)
posthumous published

Michael Swanwick photo

““You ask a question that cannot be answered without knowing the nature of the primal chaos from which being arose. Is Spiral Castle like a crystal, once shattered, forever destroyed? That is what I prefer to believe. Or is it like a still pond, whose mirrored surface may be shattered and churned, but which will inevitably restore itself as the waves die down? You may believe this if you choose. You can even believe—why not?—that the restored universe will be an improvement on the old. For me, so long as I have my vengeance I care not what comes after.”
“And us?”
“We die.” An involuntary rise in the dragon’s voice, a slight quickening of cadence, told her that she had touched upon some unclean hunger akin to but less seemly than battle-lust. “We die beyond any chance of rebirth. You and I and all we have known will cease to be. The worlds that gave us birth, the creatures that shaped us—all will be unmade. So comprehensive will be their destruction that even their pasts will die with them. It is an extinction beyond death that we court. Though the ages stretch empty and desolate into infinity and beyond, there will be none to remember us, nor any to mourn. Our joys, sorrows, struggles, will never have been.
“And even if there is a universe to come, it will know naught of us.””

Source: The Iron Dragon's Daughter (1993), Chapter 19 (pp. 340-341)

P.G. Wodehouse photo
Sadao Araki photo
Andrea Dworkin photo
Ray Comfort photo
Richard Leakey photo
Pythagoras photo
Ayn Rand photo
Karl Kraus photo

“Progress celebrates Pyrrhic victories over nature.”

Karl Kraus (1874–1936) Czech playwright and publicist

Der Fortschritt feiert Pyrrhussiege über die Natur.
Pro Domo et Mundo, 7, „Pro Domo et Mundo”

Theo van Doesburg photo
Rein Vihalemm photo
Aron Ra photo
Frank Herbert photo

“If we define Futurism as an exploration beyond accepted limits, then the nature of limiting systems becomes the first object of exploration.”

Frank Herbert (1920–1986) American writer

"Doll Factory, Gun Factory" (1973), essay reprinted in The Maker of Dune : Insights of a Master of Science Fiction (1987), edited by Tim O'Reilly
General sources

Thomas Carlyle photo
Albrecht Thaer photo

“When humus remains constantly damp, without, however, being covered with water, it forms a very unpleasant smelling acid, which is more particularly, characterized by the property which it possesses of colouring blue litmus paper into red. This circumstance has long been known, and it is the reason that land and meadows which are not properly drained, and which exhibit these phenomena, are called sour. We have carefully examined these facts, and have endeavoured to discover the peculiar constitution of this acid. At first, we were inclined to regard it as being of a distinct nature, and having carbon for its base; but we have since become convinced that it is generally composed of acetic acid, and occasionally contains a portion of the phosphoric. This latter always adheres so firmly to the humus that it cannot be separated from it either by boiling or washing. The liquid in which the humus is boiled certainly acquires a slight acid flavour, but the greater part of the acid remains attached to the humus.
This acid or sour humus it not at all of a fertilizing nature; on the contrary, it is prejudicial to vegetation* Where it is very strong and pervades the whole of the humus, the soil only produces reeds, rushes, sedge, and other useless, unpalatable plants; and whenever these abound, it may be inferred that the soil contains a great deal of sour or acid humus… There are various means of getting rid of this baneful property, and rendering the humus fertile. It is well known that with the aid of alkalies, ashes, lime, and marl, humus may be deprived of its acidity, and rendered easily soluble… Heaths do not thrive where this humus does not exist, and when they have established themselves in one particular spot, they suffer few other plants to appear. This humus may be changed by a dressing composed of marl, lime, or ammonia; and where this has been mixed with the soil, the heaths, &c., speedily perish.”

Albrecht Thaer (1752–1828) German agronomist and an avid supporter of the humus theory for plant nutrition

Source: The Principles of Agriculture, 1844, Section III: Agronomy, p. 343-4, as cited in Ruffin (1852, p. 85).

Gustave de Molinari photo
Bernard Leach photo

“It seems reasonable to expect that beauty will emerge from a fusion of the individual character and culture of the potter, with the nature of his materials.”

Bernard Leach (1887–1979) British studio potter and art teacher

A Potters Book (1940) Faber & Faber,London 1978 (reprint of 1940) ISBN 978-0571109739

Isaac Watts photo

“Let dogs delight to bark and bite,
For God hath made them so;
Let bears and lions growl and fight,
For 't is their nature too.”

Isaac Watts (1674–1748) English hymnwriter, theologian and logician

Song 16: "Against Quarrelling and Fighting".
1710s, Divine Songs Attempted in the Easy Language of Children (1715)

Henry Nettleship photo

“Newton achieved the clearest appreciation of the relation between the empirical elements in a scientific system and the hypothetical elements derived from a philosophy of nature.”

Alistair Cameron Crombie (1915–1996) Australian zoologist, historian of science

Alistair Cameron Crombie, as quoted by John Freely in Before Galileo; The Birth of Modern Science in Medieval Europe http://books.google.com/books?id=MfhjAAAAQBAJ (2012).

John Burroughs photo
Charles Darwin photo
Archibald Hill photo

“In the last few years there has been a harvest of books and lectures about the "Mysterious Universe." The inconceivable magnitudes with which astronomy deals produce a sense of awe which lends itself to a poetic and philosophical treatment. "When I consider thy heavens, the work of thy hands, the moon and the starts, whuch thou hast ordained: what is man that thou art mindful of him? The literary skill with which this branch of science has been exploited compels one's admiration, but alos, a little, one's sense of the ridiculous. For other facts than those of astronomy, oother disciplines than of mathematics, can produce the same lively feelings of awe and reverence: the extraordinary finenness of their adjustments to the world outside: the amazing faculties of the human mind, of which we know neither whence it comes not whither it goes. In some fortunate people this reverence is produced by the natural bauty of a landscape, by the majesty of an ancient building, by the heroism of a rescue party, by poetry, or by music. God is doubtless a Mathematician, but he is also a Physiologist, an Engineer, a Mother, an Architect, a Coal Miner, a Poet, and a Gardener. Each of us views things in his own peculiar war, each clothes the Creator in a manner which fits into his own scheme. My God, for instance, among his other professions, is an Inventor: I picture him inventing water, carbon dioxide, and haemoglobin, crabs, frogs, and cuttle fish, whales and filterpassing organisms ( in the ratio of 100,000,000,000,000,000,000,000 to 1 in size), and rejoicing greatly over these weird and ingenious things, just as I rejoice greatly over some simple bit of apparatus. But I would nor urge that God is only an Inventor: for inventors are apt, as those who know them realize, to be very dull dogs. Indeed, I should be inclined rather to imagine God to be like a University, with all its teachers and professors together: not omittin the students, for he obviously possesses, judging from his inventions, that noblest human characteristic, a sense of humour.”

Archibald Hill (1886–1977) English physiologist and biophysicist

The Ethical Dilemma of Science and Other Writings https://books.google.com.mx/books?id=zaE1AAAAIAAJ&printsec=frontcover#v=onepage&q&f=false (1960, Cap 1. Scepticism and Faith, p. 41)

Mahatma Gandhi photo
William Empson photo

“Attending there let us absorb the cultures of nations
And dissolve into our judgement all their codes.
Then, being clogged with a natural hesitation
(People are continually asking one the way out),
Let us stand here and admit that we have no road.”

William Empson (1906–1984) English literary critic and poet

"Homage to the British Museum" (1932), line 8; cited from John Haffenden (ed.) The Complete Poems (London: Allen Lane, 2000) p. 55.
The Complete Poems

Carl von Clausewitz photo
Alastair Reynolds photo
John Muir photo
Maimónides photo
Huston Smith photo
Richard Whately photo
Camille Paglia photo
Jane Roberts photo
Camille Paglia photo