Quotes about nature
page 45

“Most of our 'pleasure' activities appear to be substitutes for the natural sensory pleasures of touching.”

James W. Prescott (1930) American psychologist

"Body Pleasure and the Origins of Violence" (1975)

André Maurois photo
Paul Davies photo
Karl Barth photo
Eugene V. Debs photo
Christopher Marlowe photo

“All women are ambitious naturally.”

First Sestiad
Hero and Leander (published 1598)

Vyasa photo
Naomi Klein photo
Thomas Robert Malthus photo
George William Curtis photo

“Up to this time, as I believe, slavery had been let alone, as it claimed to be, in good faith. Up to this time it is clear enough in our history that there was no general perception of the terrible truth that slavery was a system aggressive in its very nature, and necessarily destructive of Constitutional rights and liberties. Up to this time there had been a general blindness to the fact that, under the plea, which was allowed, that it was a local and State institution, slavery had acquired an absolute national supremacy, and if not checked would presently declare itself in national law as the national policy. I think that the eyes of the people were opened rather by the frank statements and legislative action in Congress of the slave party; by the speeches of Mr. Calhoun, filtered through lesser minds and mouths than his; at last by the events in Kansas forcing every man to consider whether, while we had let slavery alone, it had also let us alone; and forcing him to see that its hand was already upon the throat of freedom in this country. I think that by the cuts of the slave party, not by the words of the technical abolitionists, the country was at last aroused. The moral wrong and the political despotism of the system were at last perceived, and a reconstruction of political parties was inevitable. For in human society, while the individual conscience is the steam or motive power, political methods are the engine and the wheels by which progress is effected and secured.”

George William Curtis (1824–1892) American writer

1850s, The Present Aspect of the Slavery Question (1859)

Charles A. Beard photo
Frank Bunker Gilbreth, Sr. photo
John Gray photo
Alan Greenspan photo

“Intensive research in recent years into the sources of economic growth among both developing and developed nations generally point to a number of important factors: the state of knowledge and skill of a population; the degree of control over indigenous natural resources; the quality of a country's legal system, particularly a strong commitment to a rule of law and protection of property rights; and yes, the extent of a country's openness to trade with the rest of the world. For the United States, arguably the most important factor is the type of rule of law under which economic activity takes place. When asked abroad why the United States has become the most prosperous large economy in the world, I respond, with only mild exaggeration, that our forefathers wrote a constitution and set in motion a system of laws that protects individual rights, especially the right to own property. Nonetheless, the degree of state protection is sometimes in dispute. But by and large, secure property rights are almost universally accepted by Americans as a critical pillar of our economy. While the right of property in the abstract is generally uncontested in all societies embracing democratic market capitalism, different degrees of property protection do apparently foster different economic incentives and outcomes.”

Alan Greenspan (1926) 13th Chairman of the Federal Reserve in the United States

Alan Greenspan (2004) The critical role of education in the nation's economy.
2000s

Jean Baudrillard photo
George Horne photo
Cyrano de Bergerac photo
Leszek Kolakowski photo
John Gray photo
Edward Law, 1st Baron Ellenborough photo

“It is a principle of law, that a person intends to do that which is the natural effect of what he does.”

Edward Law, 1st Baron Ellenborough (1750–1818) Lord Chief Justice of England

Beckwith v. Wood and another (1817), 2 Starkie, 266.

Jefferson Davis photo

“We recognize the negro as God and God's Book and God's Laws, in nature, tell us to recognize him. Our inferior, fitted expressly for servitude.”

Jefferson Davis (1808–1889) President of the Confederate States of America

Speech (March 1861), as quoted in Look Away!: A History of the Confederate States of America https://books.google.com/books?id=KSd0SkDXtJQC&printsec=frontcover&source=gbs_ge_summary_r&cad=0#v=onepage&q&f=false (2002), by William C. Davis, New York: The Free Press, p. 137
1860s

David Garrick photo

“Here lies James Quinn. Deign, reader, to be taught,
Whate’er thy strength of body, force of thought,
In Nature’s happiest mould however cast,
To this complexion thou must come at last.”

David Garrick (1717–1779) English actor, playwright, theatre manager and producer

Epitaph on Quinn. Murphy’s Life of Garrick. Vol. ii. p. 38.

Margaret Fuller photo
George Gordon Byron photo

“Sighing that Nature formed but one such man,
And broke the die, in molding Sheridan.”

George Gordon Byron (1788–1824) English poet and a leading figure in the Romantic movement

Source: Monody on the Death of Sheridan (1816), Line 117; this can be compared to: "Natura il fece, e poi ruppe la stampa" (translated: "Nature made him, and then broke the mould"), Ariosto, Orlando Furioso, canto x, stanza 84; "The idea that Nature lost the perfect mould has been a favorite one with all song-writers and poets, and is found in the literature of all European nations", Book of English Songs, p. 28.

Halldór Laxness photo
Carl Friedrich Gauss photo
Daniel Buren photo

“Art is the illusion of disorientation, the illusion of liberty, the illusion of presence, the illusion of the sacred, the illusion of Nature. … Not the painting of Buren, Mosset, Parmentier or Toroni…. Art is a distraction, art is false. Painting begins with Buren, Mosset, Parmentier, Toroni.”

Daniel Buren (1938) sculptor from France

Daniel Buren, Olivier Mosset, Michel Parmentier and Niele Toroni, at the Paris Biennale in October 1967. Translated and cited in: Lucy R. Lippard, Six Years: The Dematerialization of the Art Object from 1966 to 1972, New York: Praeger, (1973), p. 30.
1960s

Vitruvius photo
Mark Hopkins (educator) photo
Clarence Darrow photo
Robert E. Howard photo
Jerome David Salinger photo
Ani DiFranco photo
Francisco De Goya photo

“Always lines, never forms. Where do they find these lines in Nature? Personally I see only forms that are lit up and forms that are not, planes that advance and planes that recede, relief and depth. My eye never sees outlines or particular features or details… …My brush should not see better than I do.”

Francisco De Goya (1746–1828) Spanish painter and printmaker (1746–1828)

Goya, in a recall of an overheard conversation
conversation of c. 1808, in the earliest biography of Goya: Goya, by Laurent Matheron, Schulz et Thuillié, Paris 1858; as quoted by Robert Hughes, in: Goya. Borzoi Book - Alfred Knopf, New York, 2003, p. 176
probably not accurate word for word, but according to Robert Hughes it rings true in all essentials, of the old Goya, in exile
1800s

Francis Galton photo

“This book undertakes the study of management by utilizing analysis of the basic managerial functions as a framework for organizing knowledge and techniques in the field. Managing is defined here as the creation and maintenance of an internal environment in an enterprise where individuals, working together in groups, can perform efficiently and effectively towards the attainment of group goals. Managing could, then, be called ""performance environment design."" Essentially, managing is the art of doing, and management is the body of organized knowledge which underlies the art.
Each of the managerial functions is analyzed and described in a systematic way. As this is done, both the distilled experience of practicing managers and the findings of scholars are presented., This is approached in such a way that the reader may grasp the relationships between each of the functions, obtain a clear view of the major principles underlying them, and be given the means of organizing existing knowledge in the field.
Part 1 is an introduction to the basis of management through a study of the nature and operation of management principles (Chapter 1), a description of the various schools and approaches of management theory (Chapter 2), the functions of the manager (Chapter 3), an analytical inquiry into the total environment in which a manager must work (Chapter 4), and an introduction to comparative management in which approaches are presented for separating external environmental forces and nonmanagerial enterprise functions from purely managerial knowledge (Chapter 5)…”

Harold Koontz (1909–1984)

Source: Principles of management, 1968, p. 1 (1972 edition)

Ralph Ellison photo
John Galsworthy photo
Annie Besant photo
Robert Sheckley photo
Charles Bell photo

“In concluding these papers, I hope I may be permitted to offer a few words in favour of anatomy, as better adapted for discovery than experiment. … Experiments have never been the means of discovery; and a survey of what has been attempted of late years in physiology, will prove that the opening of living animals has done more to perpetuate error, than to confirm the just views taken from the study of anatomy and natural motions.”

Charles Bell (1774–1842) Scottish surgeon and artist (1774-1842)

An Exposition of the Natural System of the Nerves of the Human Body. With a Republication of the Papers Delivered to the Royal Society, on the Subject of the Nerves, London: Spottiswoode, 1824, pp. 376 https://books.google.it/books?id=hc0GAAAAQAAJ&pg=PA376-377.

Albert Pike photo
Helena Petrovna Blavatsky photo
Émile Durkheim photo
Arnold J. Toynbee photo
Alex Salmond photo
Jeffrey Tucker photo
Waheeda Rehman photo
Bayard Taylor photo

“Knowledge alone is the being of Nature,
Giving a soul to her manifold features,
Lighting through paths of the primitive darkness,
The footsteps of Truth and the vision of Song.”

Bayard Taylor (1825–1878) United States poet, novelist and travel writer

Kilimandjaro (1852), Stanza 2; later published in The Poetical Works of Bayard Taylor (1907), p. 73.

Rex Stout photo
Herbert Marcuse photo
Anton Chekhov photo

“Do you know when you may concede your insignificance? Before God or, perhaps, before the intellect, beauty, or nature, but not before people. Among people, one must be conscious of one’s dignity.”

Anton Chekhov (1860–1904) Russian dramatist, author and physician

Letter to his brother, M.P. Chekhov (April 1879)
Original: Ничтожество свое сознавай, знаешь где? Перед богом, пожалуй, пред умом, красотой, природой, но не пред людьми. Среди людей нужно сознавать свое достоинство.

Abraham Isaac Kook photo
Viktor Schauberger photo

“It is possible to regulate watercourses over any given distance without embankment works; to transport timber and other materials, even when heavier than water, for example ore, stones, etc., down the centre of such water-courses; to raise the height of the water table in the surrounding countryside and to endow the water with all those elements necessary for the prevailing vegetation. Furthermore it is possible in this way to render timber and other such materials non-inflammable and rot resistant; to produce drinking and spa-water for man, beast and soil of any desired composition and performance artificially, but in the way that it occurs in Nature; to raise water in a vertical pipe without pumping devices; to produce any amount of electricity and radiant energy almost without cost; to raise soil quality and to heal cancer, tuberculosis and a variety of nervous disorders… the practical implementation of this … would without doubt signify a complete reorientation in all areas of science and technology. By application of these new found laws, I have already constructed fairly large installations in the spheres of log-rafting and river regulation, which as is known, have functioned faultlessly for a decade, and which today still present insoluble enigmas to the various scientific disciplines concerned.”

Viktor Schauberger (1885–1958) austrian philosopher and inventor

Viktor Schauberger: Our Senseless Toil (1934)

Caspar David Friedrich photo

“What the newer landscape artists see in a circle of a hundred degrees in Nature they press together unmercifully into an angle of vision of only forty-five degrees. And furthermore, what is in Nature separated by large spaces, is compressed into a cramped space and overfills and oversatiates the eye, creating an unfavorable and disquieting effect on the viewer.”

Caspar David Friedrich (1774–1840) Swedish painter

cited by Timothy Mitchell, (September 1984), in 'Caspar David Friedrich's Der Watzmann: German Romantic Landscape Painting and Historical Geology', 'The Art Bulletin', 66 (3), p. 452–464, doi:10.2307/3050447, JSTOR 3050447
undated

Theodor Mommsen photo
Eric R. Kandel photo
John Stuart Mill photo
Thomas Carlyle photo
Peter Kropotkin photo
Alexander Smith photo

“Death is the ugly fact which Nature has to hide, and she hides it well.”

Alexander Smith (1829–1867) Scottish poet and essayist

"The Fear of Dying".
City Poems (1857)

Larry Fessenden photo
Robert Pinsky photo

“It is the nature of poetry to emphasize that the physical sounds of words come from a particular body, one at a time, in a particular order.”

Robert Pinsky (1940) American poet, editor, literary critic, academic.

Poetry and the World, Ecco Press,1988

Ken Binmore photo
Henry Wadsworth Longfellow photo
Hugh Montefiore photo
José Martí photo
Saeed Akhtar Mirza photo

“I’ve always maintained that it’s easy to make a film on Adolf Hitler. What is difficult is to find out why he struck a chord with the German people; what is the nature of fear, aspiration and identity that he evoked in them that it became Hitler’s Germany.”

Saeed Akhtar Mirza (1943) Indian film director

‘Once again, I feel I have something to say’ Interview, Page 2 http://www.indianexpress.com/news/once-again-i-feel-i-have-something-to-say/471304/2 Indian Express, Jun 07, 2009.

Joan Miró photo

“.. wherever you are, you find the sun, a blade of grass, the spirals of the dragonfly. Courage consists of staying at home, close to nature, which could not care less about our disasters. Each grain of dust contains the soul of something marvellous.”

Joan Miró (1893–1983) Catalan painter, sculptor, and ceramicist

Miró admonished art-critic w:Georges Duthuit
1915 - 1940
Source: 'Où allez-vous Miró?' (Where do you go, Miró), Georges Duthuit in Cahiers d'Art 11, nos. 8-10, 1936

Steph Davis photo
Benjamin Spock photo

“The more people have studied different methods of bringing up children the more they have come to the conclusion that what good mothers and fathers instinctively feel like doing for their babies is usually best after all. All parents do their best job when they have a natural, easy confidence in themselves. Better to make a few mistakes from being natural than to try to do everything letter-perfect out of a feeling of worry.”

Ch. 1. http://books.google.com/books?id=AEk0AAAAIAAJ&q=%22The+more+people+have+studied+different+methods+of+bringing+up+children+the+more+they+have+come+to+the+conclusion+that+what+good+mothers+and+fathers+instinctively+feel+like+doing+for+their+babies+is+usually+best+after+all%22&pg=PA4#v=onepage
Dr. Spock's Baby and Child Care (1945)

Samuel Vince photo

“What we mean by the laws of nature, are those laws which are deduced from that series of events, which, by divine appointment, follow each other in the moral and physical world; the former of which we shall here have occasion principally to consider, the present question altogether, respecting the moral government of God — a consideration which our author has entirely neglected, in his estimation of the credibility of miracles. Examining the question therefore upon this principle, it is manifest, that the extraordinary nature of the fact is no ground for disbelief, provided such a fact, in, a moral point of view, was, from the condition of man, become necessary; for in that case, the Deky, by dispensing his assistance in proportion to our wants, acted upon the same principle as in his more 'ordinary operations. For however ' opposite the physical effects may be, if their moral tendency be the same, they form a part of the jmoral law. Now in those actions which are called miracles, the Deity is directed by the same moral principle as in his usual dispensations; and therefore being influenced by the same motive to accomplish the same end, the laws of God's moral government are not violated, such laws being established by the motives and the ends produced, and not by the means employed. To prove therefore the moral laws to be the same in those actions called miraculous, as in common events, it is not the actions thetnselves which are to be considered, but the principles by which they were directed, and their consequences, for if these be the same, the Deity acts by the same laws. And here, moral analogy will be found to confirm the truth of the miracles recorded in scripture. But as the moral government of God is directed by motives which lie beyond the reach of human investigation, we have no principles by which we can judge concerning the probability of the happening of any new event which respects the moral world; we cannot therefore pronounce any extraordinary event of that nature to be a violation of the moral law of God's dispensations; but we can nevertheless judge of its agreement with that law, so far as it has fallen under our observation. But our author leaves out the consideration of God's moral government, and reasons simply -on the facts which arc said to have nappened, without any reference to an end; we will therefore examine how far his conclusions are just upon this principle.
He defines miracles to be "a violation of the laws of nature;" he undoubtedly means the physical laws, as no part of his reasoning has any reference to them in a moral point of view. Now these laws must be deduced, either from his own view of events only, or from that, and testimony jojntly; and if testimony beallowed on one part, it ought also to be admitted on the other, granting that there is no impossibility in the fact attested. But the laws by which the Deity governs the universe can, at best, only be inferred from the whole series of his dispensations from the beginning of the world; testimony must therefore necessarily be admitted in establishing these laws. Now our author, in deducing the laws of nature, rejects all well authenticated miraculous events, granted to be possible, and therefore not altogether incredible and to be rejected without examination, and thence establishes a law to prove against their credibility; but the proof of a position ought to proceed upon principles which are totally independent of any supposition of its being either true or falser. His conclusion therefore is not deduced by just reasoning from acknowledged principles, but it is a necessary consequence of his own arbitrary supposition. "Tis a miracle," says he, "that a dead man should come to life, because that has never been observed in any age or country." Now, testimony, confirmed by every proof which can tend to establish a true matter of fact, asserts that such an event; has happened. But our author argues against the credibility of this, because it is contrary to the laws of nature; and in establishing these laws, he rejects all such extraordinary facts, although they are authenticated by all the evidence which such facts can possibly admit of; taking thereby into consideration, events of that kind only which have fallen within the sphere of his own observations, as if the whole series of God's dispensations were necessarily included in the course of a few years. But who shall thus circumscribe the operations of divine power and infinite wisdom, and say, "Hitherto shall thou go, and no further."”

Samuel Vince (1749–1821) British mathematician, astronomer and physicist

Before he rejected circumstances of this kind in establishing the laws of nature, he should, at least, have shewn, that we have not all that evidence for them which we might "have had" upon supposition that they were true ; he should also have shewn, in a moral point of view, that the events were inconsistent with the ordinary operations of Providence ; and that there was no end to justify the means. Whereas, on the contrary, there is all the evidence for them which a real matter of fact can possibly have ; they are perfectly consistent with all the moral dispensations of Providence and at the same time that the resurrection of Jesus Christ is most unexceptionably attested, we discover a moral intention in the miracle, which very satisfactorily accounts for that exertion of divine power?
Source: The Credibility of Christianity Vindicated, p. 48; As quoted in " Book review http://books.google.nl/books?id=52tAAQAAMAAJ&pg=PA259," in The British Critic, Volume 12 (1798). F. and C. Rivington. p. 259-261

Ludovico Ariosto photo

“Nature inclines to ill, through all her range,
And use is second nature, hard to change.”

Natura inchina al male, e viene a farsi
L'abito poi difficile a mutarsi.
Canto XXXVI, stanza 1 (tr. W. S. Rose)
Orlando Furioso (1532)

Albert Camus photo
Otto Weininger photo
A. James Gregor photo
Albert Barnes photo
Marshall McLuhan photo

“Blast Sputnik for closing terrestrial nature in a man-made environment that transfers the evolutionary process from biology to technology.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1960s, Counterblast (1969), p. 85

John Dryden photo
Thomas Campbell photo

“And muse on Nature with a poet's eye.”

Thomas Campbell (1777–1844) British writer

Part II, line 98
Pleasures of Hope (1799)

Hugh Blair photo
John Gray photo
Oliver Lodge photo
Denis Healey photo

“It has never been my nature, I regret to admit to the House, to turn the other cheek.”

Denis Healey (1917–2015) British Labour Party politician and Life peer

Speech http://hansard.millbanksystems.com/commons/1974/dec/18/the-economy in the House of Commons (18 December 1974)
1970s

“The issue of 'science' does not intrude itself directly upon the occasion of the performance of a musical work, at least a non-electronically produced work, since—as has been said—there is at least a question as to whether the question as to whether musical composition is to be regarded as a science or not is indeed really a question; but there is no doubt that the question as to whether musical discourse or—more precisely—the theory of music should be subject to the methodological criteria of scientific method and the attendant scientific language is a question, except that the question is really not the normative one of whether it 'should be' or 'must be,' but the factual one that it is, not because of the nature of musical theory, but because of the nature and scope of scientific method and language, whose domain of application is such that if it is not extensible to musical theory, then musical theory is not a theory in any sense in which the term ever has been employed. This should sound neither contentious nor portentous, rather it should be obvious to the point of virtual tautology.”

Milton Babbitt (1916–2011) American composer

From Milton Babbitt, "The Structure and Function of Musical Theory", College Music Symposium, Vol. 5 (Fall 1965), pp. 49-60; reprinted in Perspectives on Contemporary Music Theory, ed. Benjamin Boretz and Edward T. Cone (New York: Norton, 1972), pp. 10-21, ISBN 0393005488, and in Milton Babbitt, The Collected Essays of Milton Babbitt, ed. Stephen Peles, with Stephen Dembski, Andrew Mead, and Joseph N. Straus (Princeton: Princeton University Press, 2003), pp. 191-201, ISBN 0691089663.

Anne Brontë photo