Quotes about nature
page 47

Michel Foucault photo
John Muir photo

“Nature in her green, tranquil woods heals and soothes all afflictions.”

John Muir (1838–1914) Scottish-born American naturalist and author

August 1875, page 220
John of the Mountains, 1938

John Milton photo

“No man who knows aught, can be so stupid to deny that all men naturally were born free.”

John Milton (1608–1674) English epic poet

Tenure of Kings and Magistrates (1649)

E. W. Hobson photo
Joseph H. Hertz photo

“Though man comes from the dust, sin is not a part of his nature. Man can overcome sin, and through repentance attain to at-one-ment with his Maker.”

Joseph H. Hertz (1872–1946) British rabbi

Genesis II, 7 (p. 7)
The Pentateuch and Haftorahs (one-volume edition, 1937, ISBN 0-900689-21-8

Raya Dunayevskaya photo
Adam Smith photo
Gertrude Stein photo
Brian Leiter photo
John Derbyshire photo

“Failure to properly conceptualize the nature of knowledge assets condemns firms.”

Max Boisot (1943–2011) British academic and educator

Source: Knowledge Assets, 1998, p. 2

Robert Maynard Hutchins photo

“It is a specious but very false reason to allege that, since man has acquired this taste, he ought to be permitted to indulge it — in the first place because Nature has not given him cooked flesh, and because several ages must have rolled away before fire was used. … Nature, then, could have given man only raw or living flesh, and we know that it is repugnant to him over the whole extent of the earth.”

Jean-Antoine Gleizes (1773–1843) French writer

Thalysie: the New Existence. Quoted in The Ethics of Diet: A Catena of Authorities Deprecatory of the Practice of Flesh-eating https://archive.org/stream/ethicsofdietcate00will/ethicsofdietcate00will#page/n3/mode/2up by Howard Williams (London: F. Pitman, 1883), pp. 216-217.

Morrissey photo
Ralph George Hawtrey photo
Camille Paglia photo
Max Horkheimer photo
Julian of Norwich photo
Sun Myung Moon photo
Jacob Bronowski photo

“We re-make nature by the act of discovery, in the poem or in the theorem. And the great poem and the deep theorem are new to every reader, and yet are his own experience, because he himself re-creates them.”

Jacob Bronowski (1908–1974) Polish-born British mathematician

Part 1: "The Creative Mind", §9 ( p. 20 http://books.google.com/books?id=TeHXAAAAMAAJ&q=%22We+re-make+nature+by+the+act+of+discovery+in+the+poem+or+in+the+theorem+And+the+great+poem+and+the+deep+theorem+are+new+to+every+reader+and+yet+are+his+own+experience+because+he+himself+re-creates+them%22&pg=PA20#v=onepage)
Science and Human Values (1956, 1965)

Eric R. Kandel photo

“Reductionism can expand our vision and give us new insights into the nature and creation of art.”

Eric R. Kandel (1929) American neuropsychiatrist

The Age of Insight (2012)

Friedrich Hayek photo
Aldous Huxley photo
Letitia Elizabeth Landon photo
George Savile, 1st Marquess of Halifax photo
George Holmes Howison photo

“To the question, What is the right relation between reason and religion, you will now understand me to answer, It is that reason should be the source of which religion is the issue; that reason, when most itself, will unquestionably be religious, but that religion must for just that cause be entirely rational; that reason is the final authority from which religion must derive its warrant, and with which its contents must comply; that all religious doctrines and instrumentalities, all religious practices, all religious institutions, and all records of religion, whether in tradition or in scripture, must alike submit their claims at the bar of general human reason, and that only those approved in that tribunal can be regarded as of weight or of obligation; in short, that the only real basis of religion is our human reason, the only seat of its authority our genuine human nature, the only sufficient witness of God the human soul. Reason, I shall endeavour to show, is not confined to the mastery of the sense-world and the goods of this world only, but does cover all the range of being, and found and rule the world eternal; it is not merely natural, it is also spiritual; it is itself, when come to itself, the true divine revelation.”

George Holmes Howison (1834–1916) American philosopher

Source: The Limits of Evolution, and Other Essays, Illustrating the Metaphysical Theory of Personal Ideaalism (1905), The Right Relation of Reason to Religion, p.224-5

Jan Hendrik Weissenbruch photo

“Better send in one good picture than a lot of poor ones, but then that good one must be so good that it almost walks out of the frame and becomes a portion of nature itself.”

Jan Hendrik Weissenbruch (1824–1903) Dutch painter of the Hague School (1824-1903)

as quoted by E. C. Cady, in 'The Art of Johannes Hendrick Weissenbruch' https://ia801702.us.archive.org/33/items/jstor-25540452/25540452.pdf, in 'Brush and Pencil, Volume 12', April 1904, p. 51

George Soros photo
Robert LeFevre photo

“When the government uses "divide and conquer," it sows suspicion so that the people who would naturally tend to affiliate will distrust each other. Thus, they don't affiliate. The consequence is that everyone distrusts his neighbor. But everyone trusts the government.”

Robert LeFevre (1911–1986) American libertarian businessman

Rampart Institute, (Society for Libertarian Life edition), from 1977 speech, p. 23.
Good Government: Hope or Illusion? (1978)

Samuel Butler photo

“Dullness is so much stronger than genius because there is so much more of it, and it is better organised and more naturally cohesive.”

Samuel Butler (1835–1902) novelist

Genius, iv
The Note-Books of Samuel Butler (1912), Part XI - Cash and Credit

Peter D. Schiff photo

“…it is the natural tendency of market economies to lower prices that makes them so successful.”

Peter D. Schiff (1963) American entrepreneur, economist and author

Quotes from Crash Proof (2006)

Daniel De Leon photo
William McDonough photo

“If we think about things having multiple lives, cradle to cradle, we could design things that can go back to either nature or back to industry forever.”

William McDonough (1951) American architect

"William McDonough: Godfather of Green", WNYC Studio 360 (18 March 2008) http://www.studio360.org/2011/apr/22/william-mcdonough-godfather-green/

George W. Bush photo
Vitruvius photo

“From food and water, then, we may learn whether sites are naturally unhealthy or healthy.”

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter IV, Sec. 10

Amartya Sen photo
Ursula Goodenough photo
John of St. Samson photo
Woodrow Wilson photo

“Negro rule under unscrupulous adventurers had been finally put an end to in the South, and the natural, inevitable ascendancy of the whites, the responsible class, established.”

Woodrow Wilson (1856–1924) American politician, 28th president of the United States (in office from 1913 to 1921)

Division and Reunion, 1829-1889 Longmans, Green, & Company (1893) p. 273
1890s

Albert Einstein photo

“I am the one to whom you wrote in care of the Belgian Academy… Read no newspapers, try to find a few friends who think as you do, read the wonderful writers of earlier times, Kant, Goethe, Lessing, and the classics of other lands, and enjoy the natural beauties of Munich's surroundings. Make believe all the time that you are living, so to speak, on Mars among alien creatures and blot out any deeper interest in the actions of those creatures. Make friends with a few animals. Then you will become a cheerful man once more and nothing will be able to trouble you.
Bear in mind that those who are finer and nobler are always alone — and necessarily so — and that because of this they can enjoy the purity of their own atmosphere.
I shake your hand in heartfelt comradeship, E.”

Albert Einstein (1879–1955) German-born physicist and founder of the theory of relativity

Response to a letter from an unemployed professional musician (5 April 1933), p. 115
The editors precede this passage thus, "Early in 1933, Einstein received a letter from a professional musician who presumably lived in Munich. The musician was evidently troubled and despondent, and out of a job, yet at the same time, he must have been something of a kindred spirit. His letter is lost, all that survives being Einstein's reply....Note the careful anonymity of the first sentence — the recipient would be safer that way:" Albert Einstein: The Human Side concludes with this passage, followed by the original passages in German.
Attributed in posthumous publications, Albert Einstein: The Human Side (1979)

Charles Stross photo
Matthew Arnold photo

“Know, man hath all which Nature hath, but more,
And in that more lie all his hopes of good.”

Matthew Arnold (1822–1888) English poet and cultural critic who worked as an inspector of schools

To An Independent Preacher

Fred Hoyle photo
George Macaulay Trevelyan photo

“Socrates gave no diplomas or degrees, and would have subjected any disciple who demanded one to a disconcerting catechism on the nature of true knowledge.”

George Macaulay Trevelyan (1876–1962) Historian

History of England http://books.google.com/books?id=6hUTAQAAIAAJ&q="Socrates+gave+no+diplomas+or+degrees+and+would+have+subjected+any+disciple+who+demanded+one+to+a+disconcerting+catechism+on+the+nature+of+true+knowledge" (1960).

Julian (emperor) photo

“The end and aim of the Cynic philosophy, as indeed of every philosophy, is happiness, but happiness that consists in living according to nature, and not according to the opinions of the multitude.”

Julian (emperor) (331–363) Roman Emperor, philosopher and writer

As quoted in The Works of the Emperor Julian (1923) by Wilmer Cave France Wright, p. 39; also in The Missing Jesus: Rabbinic Judaism and the New Testament (2003) by Craig Alan Evans, Carl A. Elliott, Bruce Chilton, Jacob Neusner
General sources

Samuel T. Cohen photo
Charlotte Brontë photo

“The theatre was full — crammed to its roof: royal and noble were there; palace and hotel had emptied their inmates into those tiers so thronged and so hushed. Deeply did I feel myself privileged in having a place before that stage; I longed to see a being of whose powers I had heard reports which made me conceive peculiar anticipations. I wondered if she would justify her renown: with strange curiosity, with feelings severe and austere, yet of riveted interest, I waited. She was a study of such nature as had not encountered my eyes yet: a great and new planet she was: but in what shape? I waited her rising.She rose at nine that December night: above the horizon I saw her come. She could shine yet with pale grandeur and steady might; but that star verged already on its judgment-day. Seen near, it was a chaos — hollow, half-consumed: an orb perished or perishing — half lava, half glow.I had heard this woman termed "plain," and I expected bony harshness and grimness — something large, angular, sallow. What I saw was the shadow of a royal Vashti: a queen, fair as the day once, turned pale now like twilight, and wasted like wax in flame.For awhile — a long while — I thought it was only a woman, though an unique woman, who moved in might and grace before this multitude. By-and-by I recognized my mistake. Behold! I found upon her something neither of woman nor of man: in each of her eyes sat a devil. These evil forces bore her through the tragedy, kept up her feeble strength — for she was but a frail creature; and as the action rose and the stir deepened, how wildly they shook her with their passions of the pit! They wrote HELL on her straight, haughty brow. They tuned her voice to the note of torment. They writhed her regal face to a demoniac mask. Hate and Murder and Madness incarnate she stood.It was a marvellous sight: a mighty revelation.It was a spectacle low, horrible, immoral.Swordsmen thrust through, and dying in their blood on the arena sand; bulls goring horses disembowelled, made a meeker vision for the public — a milder condiment for a people's palate — than Vashti torn by seven devils: devils which cried sore and rent the tenement they haunted, but still refused to be exorcised.Suffering had struck that stage empress; and she stood before her audience neither yielding to, nor enduring, nor in finite measure, resenting it: she stood locked in struggle, rigid in resistance. She stood, not dressed, but draped in pale antique folds, long and regular like sculpture. A background and entourage and flooring of deepest crimson threw her out, white like alabaster — like silver: rather, be it said, like Death.”

Source: Villette (1853), Ch. XXIII: Vashi

William Morley Punshon photo
Louisa May Alcott photo
Ignatius Sancho photo
Bobby Fischer photo
B.K.S. Iyengar photo
Laurence Sterne photo
Izaak Walton photo

“The great secretary of Nature and all learning, Sir Francis Bacon.”

Izaak Walton (1593–1683) English author and biographer

Life of Herbert (1670).

John Constable photo

“The climax of absurdity to which the art may be carried, when led away from nature by fashion, may be best seen in the works of Boucher… His landscape, of which he was evidently fond, is pastoral; and such pastorality! the pastoral of the Opera house.”

John Constable (1776–1837) English Romantic painter

Notes of Six Lectures on Landscape Painting (1836), C.R. Leslie, Memoirs of the Life of John Constable (1843), p. 343
1830s, his lectures History of Landscape Painting (1836)

Ward Cunningham photo
Harry V. Jaffa photo
Jean Giraudoux photo
Matthew Arnold photo
Margaret Fuller photo

“Heroes have filled the zodiac of beneficent labors, and then given up their mortal part to the fire without a murmur. Sages and lawgivers have bent their whole nature to the search for truth, and thought themselves happy if they could buy, with the sacrifice of all temporal ease and pleasure, one seed for the future Eden. Poets and priests have strung the lyre with heart-strings, poured out their best blood upon the altar which, reare'd anew from age to age, shall at last sustain the flame which rises to highest heaven. What shall we say of those who, if not so directly, or so consciously, in connection with the central truth, yet, led and fashioned by a divine instinct, serve no less to develop and interpret the open secret of love passing into life, the divine energy creating for the purpose of happiness; — of the artist, whose hand, drawn by a preexistent harmony to a certain medium, moulds it to expressions of life more highly and completely organized than are seen elsewhere, and, by carrying out the intention of nature, reveals her meaning to those who are not yet sufficiently matured to divine it; of the philosopher, who listens steadily for causes, and, from those obvious, infers those yet unknown; of the historian, who, in faith that all events must have their reason and their aim, records them, and lays up archives from which the youth of prophets may be fed. The man of science dissects the statement, verifies the facts, and demonstrates connection even where he cannot its purpose·”

Woman in the Nineteenth Century (1845)

Carver Mead photo
Alistair Cooke photo
Roberto Clemente photo

“I feel better now than I did at any time last season; the shoulder really hurt me bad last year. The left shoulder still gives me some trouble. It makes me swing differently. I have to adjust. Sometimes I find I'm over-cutting the ball. That is not my natural style. I used to swing and I just knew I could hit the ball hard. I knew when I could hit to right field, when I could pull. Now it's different. I have to force myself more than I ever did. Maybe it's because I'm getting old. Maybe.”

Roberto Clemente (1934–1972) Puerto Rican baseball player

Discussing two separate pre-season shoulder injuries, sustained, respectively, in February 1968 to the right shoulder, and in March 1969 to the left; as quoted in "A Sounder Clemente Has New Outlook; Buc Super Star May Play On and On" https://news.google.com/newspapers?id=JFAOAAAAIBAJ&sjid=4H0DAAAAIBAJ&pg=7168,1534716 by Charley Feeney, in The Pittsburgh Post-Gazette (Tuesday, August 12, 1969), p. 18
Baseball-related, <big><big>1960s</big></big>, <big>1969</big>

Vernor Vinge photo
Houston Stewart Chamberlain photo
William L. Shirer photo
Richard Dawkins photo
Bernhard Riemann photo
Frederick William Robertson photo
Albert Pike photo
William James photo

“Every Jack sees in his own particular Jill charms and perfections to the enchantment of which we stolid onlookers are stone-cold. And which has the superior view of the absolute truth, he or we? Which has the more vital insight into the nature of Jill's existence, as a fact? Is he in excess, being in this matter a maniac? or are we in defect, being victims of a pathological anesthesia as regards Jill's magical importance? Surely the latter; surely to Jack are the profounder truths revealed; surely poor Jill's palpitating little life-throbs are among the wonders of creation, are worthy of this sympathetic interest; and it is to our shame that the rest of us cannot feel like Jack. For Jack realizes Jill concretely, and we do not. He struggles toward a union with her inner life, divining her feelings, anticipating her desires, understanding her limits as manfully as he can, and yet inadequately, too; for he also is afflicted with some blindness, even here. Whilst we, dead clods that we are, do not even seek after these things, but are contented that that portion of eternal fact named Jill should be for us as if it were not. Jill, who knows her inner life, knows that Jack's way of taking it - so importantly - is the true and serious way; and she responds to the truth in him by taking him truly and seriously, too. May the ancient blindness never wrap its clouds about either of them again! Where would any of us be, were there no one willing to know us as we really are or ready to repay us for our insight by making recognizant return? We ought, all of us, to realize each other in this intense, pathetic, and important way.”

William James (1842–1910) American philosopher, psychologist, and pragmatist

"What Makes a Life Significant?"
1910s, Talks to Teachers on Psychology and to Students on Some of Life's Ideals (1911)

Timothy Shay Arthur photo
George Holmes Howison photo
Joshua Reynolds photo
Wassily Kandinsky photo
Samuel Butler photo

“Nothing is so cruel as to try and force a man beyond his natural pace.”

Samuel Butler (1835–1902) novelist

Capping a Success
The Note-Books of Samuel Butler (1912), Part X - The Position of a HomoUnius Libri

John Gray photo
Gabriele Münter photo

“.. the rejection of impressionistic copies of nature and a move towards sensing the content, abstraction, – expressing the extract..”

Gabriele Münter (1877–1962) German painter

as quoted in the exposition-text 'Alexej von Jawlensky', Museum Boymans-van-Beuningen Rotterdam; 25/9 – 27/ 11-1994, p. 21
this quote of Gabriele Münter was the leading idea for her early painting during the period she worked with Kandinsky in and around Murnau..

Paul Cézanne photo
Joseph Gurney Cannon photo

“You can't make a silk purse out of a sow's ear, and you can't change human nature from intelligent self-interest into pure idealism—not in this life; and if you could, what would be left for paradise?”

Joseph Gurney Cannon (1836–1926) American politician

Maxim quoted in a tribute to Cannon on his retirement, reported in The Sun, Baltimore, Maryland (March 4, 1923); Congressional Record (March 4, 1923), vol. 64, p. 5714.

Richard Rumelt photo
Ralph Waldo Emerson photo
Colin Wilson photo
Tanith Lee photo

“A few months ago I read an interview with a critic; a well-known critic; an unusually humane and intelligent critic. The interviewer had just said that the critic “sounded like a happy man”, and the interview was drawing to a close; the critic said, ending it all: “I read, but I don’t get any time to read at whim. All the reading I do is in order to write or teach, and I resent it. We have no TV, and I don’t listen to the radio or records, or go to art galleries or the theater. I’m a completely negative personality.”
As I thought of that busy, artless life—no records, no paintings, no plays, no books except those you lecture on or write articles about—I was so depressed that I went back over the interview looking for some bright spot, and I found it, one beautiful sentence: for a moment I had left the gray, dutiful world of the professional critic, and was back in the sunlight and shadow, the unconsidered joys, the unreasoned sorrows, of ordinary readers and writers, amateurishly reading and writing “at whim”. The critic said that once a year he read Kim, it was plain, at whim: not to teach, not to criticize, just for love—he read it, as Kipling wrote it, just because he liked to, wanted to, couldn’t help himself. To him it wasn’t a means to a lecture or an article, it was an end; he read it not for anything he could get out of it, but for itself. And isn’t this what the work of art demands of us? The work of art, Rilke said, says to us always: You must change your life. It demands of us that we too see things as ends, not as means—that we too know them and love them for their own sake. This change is beyond us, perhaps, during the active, greedy, and powerful hours of our lives, but during the contemplative and sympathetic hours of our reading, our listening, our looking, it is surely within our power, if we choose to make it so, if we choose to let one part of our nature follow its natural desires. So I say to you, for a closing sentence: Read at whim! read at whim!”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

“Poets, Critics, and Readers”, pp. 112–113
A Sad Heart at the Supermarket: Essays & Fables (1962)

Anthony Watts photo
Joseph Addison photo

“The chief ingredients in the composition of those qualities that gain esteem and praise, are good nature, truth, good sense, and good breeding.”

Joseph Addison (1672–1719) politician, writer and playwright

William Temple, in "Heads Designed for an Essay on Conversation" in The Works of Sir William Temple, Bart. in Four Volumes (1757), Vol. III, p. 547.
Misattributed

Charles Grey, 2nd Earl Grey photo

“What I most heartily wish for is, a union between the two countries: by a union I mean something more than a mere word—a union, not of parliaments, but of hearts, affections, and interests—a union of vigour, of ardour, of zeal for the general welfare of the British empire. It is this species of union, and this only, that can tend to increase the real strength of the empire, and give it security against any danger. But if any measure with the name only of union be proposed, and the tendency of which would be to disunite us, to create disaffection, distrust, and jealousy, it can only tend to weaken the whole of the British empire. Of this nature do I take the present measure to be. Discontent, distrust, jealousy, suspicion, are the visible fruits of it in Ireland already: if you persist in it, resentment will follow; and although you should be able, which I doubt, to obtain a seeming consent of the parliament of Ireland to the measure, yet the people of that country would wait for an opportunity of recovering their rights, which they will say were taken from them by force.”

Charles Grey, 2nd Earl Grey (1764–1845) Prime Minister of the United Kingdom of Great Britain and Ireland

Speech in the House of Commons on the proposed unification of Great Britain and Ireland (7 February 1799), reported in The Parliamentary History of England, from the Earliest Period to the Year 1803. Vol. XXXIV (London: 1819), p. 334.
1790s

Nelson Mandela photo