Quotes about making love
page 9

William Blake photo

“Fun I love, but too much Fun is of all things the most loathsom. Mirth is better than Fun & Happiness is better than Mirth.”

William Blake (1757–1827) English Romantic poet and artist

1790s, Letter to Revd. Dr. Trusler (1799)

Thomas McKean photo
Harold Macmillan photo
Harold Macmillan photo
Ernest Becker photo

“At first the child is amused by his anus and feces, and gaily inserts his finger into the orifice, smelling it, smearing feces on the walls, playing games of touching objects with his anus, and the like. This is a universal form of play that does the serious work of all play: it reflects the discovery and exercise of natural bodily functions; it masters an area of strangeness; it establishes power and control over the deterministic laws of the natural world; and it does all this with symbols and fancy. With anal play the child is already becoming a philosopher of the human condition. But like all philosophers he is still bound by it, and his main task in life becomes the denial of what the anus represents: that in fact, he is nothing but body so far as nature is concerned. Nature’s values are bodily values, human values are mental values, and though they take the loftiest flights they are built upon excrement, impossible without it, always brought back to it. As Montaigne put it, on the highest throne in the world man sits on his arse. Usually this epigram makes people laugh because it seems to reclaim the world from artificial pride and snobbery and to bring things back to egalitarian values. But if we push the observation even further and say men sit not only on their arse, but over a warm and fuming pile of their own excrement—the joke is no longer funny. The tragedy of man’s dualism, his ludicrous situation, becomes too real. The anus and its incomprehensible, repulsive product represents not only physical determinism and boundness, but the fate as well of all that is physical: decay and death.”

The Recasting of Some Basic Psychoanalytic Ideas
The Denial of Death (1973)

Alessandro Cagliostro photo

“Oh, you privileged beings to whom heaven has made the rare and fatal gift of an ardent soul and a sensitive heart, you who have experienced the delights of a first love, you alone will understand me, you alone will appreciate what after ten months of torture the first moment of bliss is like!”

Alessandro Cagliostro (1743–1795) Italian occultist

Cagliostro: the Splendour And Misery of a Master of Magic by W.R.H. Trowbridge, (William Rutherford Hayes), (August 1910) https://onlinebooks.library.upenn.edu/webbin/book/lookupname?key=Trowbridge%2c%20W%2e%20R%2e%20H%2e%20%28William%20Rutherford%20Hayes%29%2c%201866%2d1938

Alessandro Cagliostro photo

“I amuse myself, not by making people believe what I wish, but by letting them believe what they wish. These fools of Parisians declare that I am five hundred, and I confirm them in the idea since it pleases them.”

Alessandro Cagliostro (1743–1795) Italian occultist

Cagliostro: the Splendour And Misery of a Master of Magic by W.R.H. Trowbridge, (William Rutherford Hayes), (August 1910) https://onlinebooks.library.upenn.edu/webbin/book/lookupname?key=Trowbridge%2c%20W%2e%20R%2e%20H%2e%20%28William%20Rutherford%20Hayes%29%2c%201866%2d1938

Alessandro Cagliostro photo
Alessandro Cagliostro photo
Jen Wang photo

“By the time I get to coloring it’s usually the last step and I’m a little creatively tapped out. So I don’t spend a ton of time building a concept for the coloring, but I do love seeing things take final form. A lot of it is thinking about the scene, what the mood is, and how to light it. By that point I’ve spent enough time with the book I already know what I want to achieve when I get to it.”

Jen Wang (1984) American comics artist

On putting the final touches to her images in “The Prince and the Dressmaker’s Jen Wang Talks High-School Habits, Sensitive Storytelling & Her Favorite Princesses” https://www.pastemagazine.com/articles/2018/02/the-prince-and-the-dressmakers-jen-wang-talks-high.html in Paste Magazine (2018 Feb 13)

Jen Wang photo

“I come up with a concept and might doodle a little bit to get some ideas flowing, but I mostly write and take notes. I write an outline. In a way, I feel like I can make the art fit the story that needs to be told, so I start with the story first.”

Jen Wang (1984) American comics artist

On her creation process in “Q & A with Jen Wang” https://www.publishersweekly.com/pw/by-topic/childrens/childrens-authors/article/81155-q-a-with-jen-wang.html in Publishers Weekly (2019 Sep 12)

Elie Wiesel photo
Joseph E. Stiglitz photo

“I try to root the language of my poetry in kindness, forgiveness, compassion and curiosity, that is the way I want to live, but of course that’s not to say anger and resentment and envy and other difficult emotions don’t make a noise in my work…”

On his preferred themes in “Deaf poetics: Conversation with Raymond Antrobus" https://poetryinternationalonline.com/conversation-with-raymond-antrobus/ (Poetry International; 2018 Oct 11)

Morgan Parker (writer) photo
Fiona Hill (presidential advisor) photo
Beto O'Rourke photo

“I absolutely have made mistakes, and some of them are very grave. I think people are owed that story and should make a decision based on the complete story.”

Beto O'Rourke (1972) American politician

[Tilove, Jonathan, Beto Effin’ O’Rourke: On running for Senate with the expletive undeleted First Reading, http://politics.blog.mystatesman.com/2017/09/25/beto-effin-orourke-on-running-for-senate-with-the-expletive-undeleted/, My Statesman, 12 November 2018, en, September 25, 2017] When asked about his "youthful indiscretions"
2017

Beto O'Rourke photo

“He absolutely loved life and loved people and his family and gave it everything that he could. He was always so focused on doing what he thought was important or the right thing, and there was a joy that came out of that. I wish I could find my own and I seek to do that.”

Beto O'Rourke (1972) American politician

[Beto O'Rourke, 2017, One-on-One with Evan Smith of Texas Tribune #TribFest17, https://www.facebook.com/betoorourke/videos/1424903200892719/, video, Austin, Texas, Facebook] A tearful answer to the question "What’s the thing you take away from [Pat O'Rourke's, Beto's father,] life as a public servant?” during an interview with the Texas Tribune
2017

Aurangzeb photo
Maximilien Robespierre photo
Maximilien Robespierre photo

“Citizens, did you want a revolution without a revolution? What is this spirit of persecution that has come to revise, so to speak, the one that broke our chains? But what sure judgement can one make of the effects that can follow these great commotions? Who can mark, after the event, the exact point at which the waves of popular insurrection should break? At that price, what people could ever have shaken off the yoke of despotism? For while it is true that a great nation cannot rise in a simultaneous movement, and that tyranny can only be hit by the portion of citizens that is closest to it, how would these ever dare to attack it if, after the victory, delegates from remote parts could hold them responsible for the duration or violence of the political torment that had saved the homeland? They ought to be regarded as justified by tacit proxy for the whole of society. The French, friends of liberty, meeting in Paris last August, acted in that role, in the name of all the departments. They should either be approved or repudiated entirely. To make them criminally responsible for a few apparent or real disorders, inseparable from so great a shock, would be to punish them for their devotion.”

Maximilien Robespierre (1758–1794) French revolutionary lawyer and politician

Citoyens, vouliez-vous une révolution sans révolution?
"Answer to Louvet's Accusation" (5 November 1792) Réponse à J.- B. Louvet http://www.royet.org/nea1789-1794/archives/discours/robespierre_reponse_louvet.htm, a speech to the National Convention (5 November 1792)

Jack Kirby photo
Iain Banks photo
Edmund Hillary photo

“I became a Hindu. I was very close to the Hindu ethic. It was a great spiritual experience. ... I believe a man can make his own destiny through his work and effort.”

Edmund Hillary (1919–2008) New Zealand mountaineer

Cited in Pioneer, 9/11/1990. Quoted from Elst, Koenraad (1991). Ayodhya and after: Issues before Hindu society.

Charles Stross photo

“If life hands your research department lemons and a recipe, you shouldn’t be surprised if they make lemonade for you. Or, better still, anti-lemonade countermeasures.”

Source: The Laundry Files, The Annihilation Score (2015), Chapter 10, “Great Pay and Benefits! Apply Here!” (p. 184)

Charles Stross photo
Dennis Prager photo

“I bring everything I know to whatever I write, and I believe the same of other writers. A person’s complete life experience forms the basis of authorial voice, in my opinion. To hold back any part makes a narrative feel contrived.”

Tade Thompson British science fiction writer

On incorporating his medicine background into his writings in “Interview: Tade Thompson” http://www.lightspeedmagazine.com/nonfiction/interview-tade-thompson/ in Lightspeed Magazine (October 2017)

Algis Budrys photo
Algis Budrys photo
Algis Budrys photo

“I do what seems best—I live, I let live; so far I’ve done well. I don’t see why I should act like a predator, simply because I’m in a predatory society. I’m a human being, I’m myself—if I make my life something vicious, who’ll give me another if, too late, I regret what I’ve done?”

Algis Budrys (1931–2008) American writer

The Eye and the Lightning, in The Magazine of Fantasy & Science Fiction https://en.wikipedia.org/wiki/The_Magazine_of_Fantasy_%26_Science_Fiction, December 1958, p. 18
Short fiction

“Myths die hard. We humans define ourselves by the ideological teams we join. We are liberals or conservatives, Christians or atheists, Yankee fans or Red Sox fans. We filter facts to conform to our group’s ideology and then defend that ideology to the death. Only a truly momentous event can make us change teams…”

Carlos Lacámara (1958) American actor

On people choosing sides and scapegoating others (as quoted in the book Nuestras Voces: Latino Plays, Volume One https://books.google.com/books?id=FLj1AwAAQBAJ&pg=PA258&lpg=PA258&dq)

“I had Chavo Guerrero in mind a lot when I was writing this play…Chavo’s job was to make guys look better than they were, which meant he lost a lot. And he was so skilled at it that there weren’t a lot of guys who could play that same fall-guy role for him so that he could be the champion.”

Kristoffer Diaz American writer

On the inspiration for his play The Elaborate Entrance of Chad Deity in “Playwright Kristoffer Diaz steps into the ring” https://www.latimes.com/entertainment/la-xpm-2011-aug-21-la-ca-chad-deity-20110821-story.html in the Los Angeles Times (2011 Aug 21)

“Turning those revelations into art was a whole other thing…I did it, though — and that helped me realize my power, beyond the pain. Being able to illustrate those experiences for readers was a triumph, because it took everything to resist all the urges I have as a human being to present myself as good, or healed, or undamaged. I had to work against myself to make the memoir, and I ended up more empowered than I ever thought I could be.”

Terese Marie Mailhot (1983) First Nation Canadian writer, journalist, memoirist, teacher

On writing about her ordeals in “Why 'Heart Berries' Author Terese Marie Mailhot Doesn't Use The Word ‘Resilient’" https://www.bustle.com/p/why-heart-berries-author-terese-marie-mailhot-doesnt-use-the-word-resilient-8134108 in Bustle Magazine (2018 Feb 7)

“At this point in my life, I don’t worry about telling a literary story or the right story; I tell the story I want to tell, the story that makes me feel alive, the questions I want to answer.”

Amulya Malladi (1974) Indian writer

On not caring about what other people think about her writing in “An Interview with Amulya Malladi” http://jaggerylit.com/an-interview-with-amulya-malladi/ in Jaggery

Viet Thanh Nguyen photo
Viet Thanh Nguyen photo

“Fiction and nonfiction accomplish very different things, but they can overlap. I wanted my fiction to seem nonfictional, and my nonfiction to seem fictional. At the same time, in fiction I could say things I couldn’t get away with in nonfiction without footnotes. And in nonfiction, I could make things explicit that I couldn’t say in fiction because of the viewpoint of my protagonist.”

Viet Thanh Nguyen (1971) American author of fiction

On the congruent nature of fiction and nonfiction in “Viet Thanh Nguyen: From both sides” https://www.writermag.com/writing-inspiration/author-interviews/viet-thanh-nguyen-sides/ in The Writer (2017 Jan 17)

Kirstin Valdez Quade photo

“I love the short story: I love its flexibility, its distillation of language, the pressure it exerts on the moment. A story demands that the reader look closely. And yet, despite the intensity and constraints, a story can be surprisingly capacious…”

Kirstin Valdez Quade American writer

On why she loves writing short stories in “Kirstin Valdez Quade: How I Write” https://www.writermag.com/writing-inspiration/author-interviews/kirstin-valdez-quade/ in The Writer (2017 Apr 21)

“I succeeded in making you care. If you feel nothing, I failed you as a storyteller. I love happy endings, but some readers need the darker stories, too. The stories that don’t make them feel disturbed by their own reality because it doesn’t reflect what they’re used to seeing in fiction. There’s some comfort in harsher stories, and witnessing how one character rebuilds after tragedy can provide hope for the reader.”

Adam Silvera (1990) American author

On what he aims for as a storyteller in “History Is All You Left Me Author Adam Silvera Talks Second Books and More with Nicola Yoon” https://www.barnesandnoble.com/blog/teen/history-left-author-adam-silvera-talks-second-books-nicola-yoon/ (Barnes & Noble; 2017 Jan 19)

Luis Alfaro photo

“I am often inspired by actors and I fall in love with them, so I write towards their strengths and gifts. Sometimes, it is merely about logic and making sense of the poetry in my head and how it translates that can be hard to articulate…”

Luis Alfaro (1963) Chicano performance artist, writer, theater director, and social activist

On the challenges of the writing process in “BWW Interview: Acclaimed Playwright Luis Alfaro of OEDIPUS EL REY at Magic Theatre Talks about His Path & the Role of the Artist in Creating Change” https://www.broadwayworld.com/san-francisco/article/BWW-Interview-Acclaimed-Playwright-Luis-Alfaro-of-OEDIPUS-EL-REY-at-Magic-Theatre-Talks-about-His-Path-the-Role-of-the-Artist-in-Creating-Change-20190614 in Broadway World (2010 Jun 14)

“To see brown bodies in this environment was exciting to me…Rural upstate New York could be anywhere in middle America…The parents being from Brooklyn, and Pop having Puerto Rican heritage, and the mom being white, makes it a quintessential American story.”

Raúl Castillo (1977) American actor, writer

On his role in the film We the Animals in “After ‘Looking’ and ‘We the Animals,’ Raul Castillo Is Ready to Be a Movie Star” https://www.indiewire.com/2019/01/raul-castillo-interview-we-the-animals-looking-1202029967/ in IndieWire (2019 Jan 2)

Vivek Agnihotri photo
Vivek Agnihotri photo
Vivek Agnihotri photo
Radosveta Vassileva photo

“Translation from Portuguese: Many modern analysts have been focused on explaining the troubles with communism and its repercussions as seen in Eastern Europe and Russia. Communism remains a topic of study for political scientists. In contrast, the memory of fascism has slightly faded away. It is a topic of study primarily for historians. This makes it easier for politicians to muddle and play with fascist ideas.”

Radosveta Vassileva (1985) legal scholar

Muitos analistas modernos têm-se concentrado em explicar os problemas com o comunismo e as suas repercussões no leste europeu e na Rússia. O comunismo continua a ser um objeto de estudo para politólogos. Em contraste, a memória do fascismo tem-se desvanecido e é um objeto de estudo sobretudo para historiadores. Isto torna mais fácil para os políticos confundirem e brincarem com ideias fascistas.
Sete breves exemplos da aparente “retórica reconfortante” da extrema-direita e uma explicação sobre a extrema-esquerda, " https://expresso.pt/internacional/2019-11-14-Sete-breves-exemplos-da-aparente-retorica-reconfortante-da-extrema-direita-e-uma-explicacao-sobre-a-extrema-esquerda", Expresso (November 14, 2019)

Franz Bardon photo
Franz Bardon photo
Tomáš Garrigue Masaryk photo
Alvin C. York photo
Daniel Abraham photo
Daniel Abraham photo

“Human brains needed an answer, even if they had to make up something they knew was bullshit.”

Daniel Abraham (1969) speculative fiction writer from the United States

Source: Cibola Burn (2014), Chapter 22 (p. 219)

Daniel Abraham photo
Daniel Abraham photo

“That kind of attention changes people, and it don’t make them better.”

Daniel Abraham (1969) speculative fiction writer from the United States

Source: Abaddon's Gate (2013), Chapter 11 (p. 122)

Jami photo
Margaret Thatcher photo

“I keep thinking what happens when the power of love is twisted into the love of power. … When he bought our temple we had an eternal light going. Jim asked us to leave it. He wanted to keep it burning as a sign of our friendship and what we stood for. All last night I kept wondering, where did it go out?”

Maurice Davis (1921–1993) American rabbi

On Jim Jones, upon hearing of the mass murders and suicides of Jonestown, as quoted in "Cult Chief's Beginnings in Indianapolis Recalled" by James Feron, The New York Times (22 November 1978); in the early years of Jones' ministries, Davis had sold Jones a synagogue in Indianapolis within which Jones housed his first "People's Temple"; also quoted in "Masters and Slaves: The Tragedy of Jonestown", by Fanita English, M.S.W, in Idea, Vol.1, no.2 (1 September 1996) http://www.ideajournal.com/articles.php?id=7

Francis Drake photo
Pierre Teilhard De Chardin photo
H.L. Mencken photo
James Branch Cabell photo
Karl Popper photo
Gustave de Molinari photo

“If the roused and insurgent consumers secure the means of production of the salt industry, in all probability they will confiscate this industry for their own profit, and their first thought will be, not to relegate it to free competition, but rather to exploit it, in common, for their own account. They will then name a director or a directive committee to operate the saltworks, to whom they will allocate the funds necessary to defray the costs of salt production. Then, since the experience of the past will have made them suspicious and distrustful, since they will be afraid that the director named by them will seize production for his own benefit, and simply reconstitute by open or hidden means the old monopoly for his own profit, they will elect delegates, representatives entrusted with appropriating the funds necessary for production, with watching over their use, and with making sure that the salt produced is equally distributed to those entitled to it. The production of salt will be organized in this manner.This form of the organization of production has been named communism.When this organization is applied to a single commodity, the communism is said to be partial.When it is applied to all commodities, the communism is said to be complete.But whether communism is partial or complete, political economy is no more tolerant of it than it is of monopoly, of which it is merely an extension.”

Gustave de Molinari (1819–1912) Belgian political economist and classical liberal theorist

Source: The Production of Security (1849), p. 31

Mikhail Bulgakov photo
Amelia Earhart photo

“The time to worry is three months before a flight. Decide then whether or not the goal is worth the risks involved. If it is, stop worrying. To worry is to add another hazard. It retards reactions, makes one unfit.... Hamlet would have been a bad aviator. He worried too much.”

Amelia Earhart (1897–1937) American aviation pioneer and author

Original forward for the writings in Last Flight, as quoted in Lost Star : The Search for Amelia Earhart (1995) by Randall Brink, p. 85

Richard Feynman photo
Gustav Landauer photo

“Anarchy is not a matter of the future; it is a matter of the present. It is not a matter of making demands; it is a matter of how one lives.”

Gustav Landauer (1870–1919) German anarchist

"Anarchic Thoughts on Anarchism," in Revolution and Other Writings: A Political Reader, p. 87

Linus Torvalds photo
Doris Veillette photo

“Funny time when most of the poor and disinherited parts of the world could live what the other party leaves on his plate … And we continue to sing the joy, the peace, the love … do we really believe?”

Doris Veillette (1935–2019) Quebec journalist

Chronicle "Interdit aux hommes" (Forbidden to men), by Doris Veillette-Hamel, Journal Le Nouvelliste, December 22, 1973, page 37.
Chronicle "Forbidden to men", 1973

Doris Veillette photo

“If the young terrorists had a mother with a heart full of love, they would not think of making the revolution, but to build in this country that does not lack corners to exploit.”

Doris Veillette (1935–2019) Quebec journalist

Editor's note: Chronicle published in following the assassination of Quebec Minister Pierre Laporte.
Chronicle "Interdit aux hommes" (Forbidden to men), by Doris Veillette-Hamel, Journal Le Nouvelliste, Oct 20, 1970, page 18.
Chronicle "Forbidden to men", 1970

Koenraad Elst photo
Koenraad Elst photo
Koenraad Elst photo
Isi Leibler photo

“Randomness, chaos, uncertainty, and chance are all a part of our lives. They reside at the ill-defined boundaries between what we know, what we can know, and what is beyond our knowing. They make life interesting.”

Ivars Peterson (1948) Canadian mathematician

Source: The Jungles of Randomness: A Mathematical Safari (1997), Chapter 10, “Lifetimes of Chance” (p. 202)

“The theory of probability combines commonsense reasoning with calculation. It domesticates luck, making it subservient to reason.”

Ivars Peterson (1948) Canadian mathematician

Source: The Jungles of Randomness: A Mathematical Safari (1997), Chapter 1, “The Die is Cast” (p. 19)

Edmonia Lewis photo

“Love? What is it? The most natural painkiller what there is.”

Thomas Ligotti (1953) American horror author

You may become curious, though, about what happened to that painkiller should depression take hold and expose your love—whatever its object—as just one of the many intoxicants that muddled your consciousness of the human tragedy. You may also want to take a second look at whatever struck you as a person, place, or thing of “beauty,” a quality that lives only in the neurotransmitters of the beholder. (Aesthetics? What is it? A matter for those not depressed enough to care nothing about anything, that is, those who determine almost everything that is supposed to matter to us. Protest as you like, neither art nor an aesthetic view of life are distractions granted to everyone.) In depression, all that once seemed beautiful, or even startling and dreadful, is nothing to you. The image of a cloud-crossed moon is not in itself a purveyor of anything mysterious or mystical; it is only an ensemble of objects represented to us by our optical apparatus and perhaps processed as a memory.
The Conspiracy Against the Human Race: A Contrivance of Horror (2010)

Leo Tolstoy photo

“I longed for activity, instead of an even flow of existence. I wanted excitement and danger and the chance to renounce self for the sake of my love. I was conscious of a superabundance of energy which found no outlet in our quiet life. I had bouts of depression, which I tried to hide, as something to be ashamed of…My mind, even my senses were occupied, but there was another feeling – the feeling of youth and a craving for activity – which found no scope in our quiet life…So time went by, the snow piled higher and higher round the house, and there we remained together, always and for ever alone and just the same in each other’s eyes; while somewhere far away amidst glitter and noise multitudes of people thrilled, suffered and rejoiced, without one thought of us and our existence which was ebbing away.”

Worst of all, I felt that every day that passed riveted another link to the chain of habit which was binding our life into a fixed shape, that our emotions, ceasing to be spontaneous, were being subordinated to the even, passionless flow of time… ‘It’s all very well … ‘ I thought, ‘it’s all very well to do good and lead upright lives, as he says, but we’ll have plenty of time for that later, and there are other things for which the time is now or never.’ I wanted, not what I had got, but a life of challenge; I wanted feeling to guide us in life, and not life to guide us in feeling.
Family Happiness (1859)

George Bernard Shaw photo
Elizabeth Bibesco photo
Josh Billings photo
Paul Krugman photo
Wendy Doniger photo

“An array of puns, asides and (sometimes off-key) jokes makes the book more bulky and somewhat anecdotal, but also entertaining to read.”

Wendy Doniger (1940) American Indologist

Shome, Shubhodeep (2012), "Review of The Hindus: An Alternative History by Wendy Doniger", South Asia Research, 32: 77–79
The Hindus' (2009), About her book 'The Hindus

Wendy Doniger photo
Vladimir Putin photo