“Reliance’s Big cinema had backed out as sponsors of MAMI as it was going through a massive financial crunch and there were rumours that it might shut down. ... From down-to-earth, genuine filmmakers like Shyam Benegal, the festival now was in the hands of corporates, critics, powerful people’s wives and their admirers. This was the year when MAMI officially transformed from a cinema lovers’ festival to a corporate club festival. I learnt this when I reached Chandan cinema with Pallavi for the closing award ceremony. We were official nominees, yet we were asked to sit in a corner seat in the tenth or twelfth row whereas the front rows were all occupied by commercial stars, star wives, their friends and people who are inconsequential to indie cinema. I was officially nominated; my wife Pallavi, besides being a senior actor is a national award winner and has been on the jury of the national awards, but nobody was ready to recognize those who did not make great press.”

Urban Naxals (2018)

Adopted from Wikiquote. Last update June 3, 2021. History

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Vivek Agnihotri17

director 1973

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“I live cinema. I chose the cinema when I was very young, sixteen years old, and from then on my memories virtually coincide with the history of the cinema … I'm not a director with a personal style, I am simply cinema. I have grown up with and through cinema; everything that I've had in the way of education has been through the cinema; insofar as I'm interested in images, in books, in music, it's all due to the cinema.”

Michael Powell (1905–1990) English film director

Midi-Minuit Fantastique, Oct. 1968

“During the festival we appreciate how big is God´s gift to Asmat people. They can preserve their identity through their woodcarvings. Their carving is art that reflects fundamental beliefs passed down from generation to generation.”

Aloysius Murwito (1950) Indonesian catholic priest

Source: Church Continues To Preserve Asmat Culture Through Art Festival https://www.ucanews.com/story-archive/?post_name=/2006/10/30/church-continues-to-preserve-asmat-culture-through-art-festival&post_id=28455 (6 October 2006)

“The statement is made with certainty: a festival that does not get its life from worship, even though the connection in human consciousness be ever so small, is not to be found. To be sure, since the French Revolution, people have tried over and over to create artificial festivals without any connection with religious worship, or even against such worship, such as the "Brutus Festival" or "Labor Day," but they all demonstrate, through the forced and narrow character of their festivity, what religious worship provides to a festival. […] Clearer than the light of day is the difference between the living, rooted trees of genuine cultic festival and our artificial festivals that resemble those "maypoles," cut at the roots, and carted here and there, to be planted for some definite purpose. Of course we may have to prepare ourselves for the possibility that we are only at the dawn of an age of artificial festivals. Were we [in Germany] prepared for the possibility that the official forces, and especially the bearers of political power, would artificially create the appearance of the festive with so huge an expense in external arrangements? And that this seductive, scarcely delectable appearance of artificial "holidays" would be so totally lacking in the essential quality, that true and ultimate harmony with the world? And that such holidays would in fact depend on the suppression of that harmony and derive their dangerous seduction from that very fact?”

Josef Pieper (1904–1997) German philosopher

In the three rhetorical questions that end this quote, Pieper alludes to the Nazis' elaborately stage-managed "festivals", in particular the Nuremberg Rally, the subject of Leni Riefenstahl's classic propaganda documentary, Triumph of the Will.
Source: Leisure, the Basis of Culture (1948), Leisure, the Basis of Culture, pp. 51–52

“The cinema is not an art which films life: the cinema is something between art and life. Unlike painting and literature, the cinema both gives to life and takes from it, and I try to render this concept in my films. Literature and painting both exist as art from the very start; the cinema doesn’t.”

Jean-Luc Godard (1930) French-Swiss film director, screenwriter and film critic

Quoted in: Richard Roud, Godard, introduction (1970).

“Because I didn't sell it to a distributor, it can be in lots of film festivals. It's been in, I think, at least 200 festivals, it's won more than 35 awards which is great. I like that! If I had gone with a distributor they would have immediately said no to film festivals which I do not understand why distributors do, but that's what they do.”

Nina Paley (1968) US animator, cartoonist and free culture activist

14m15s https://www.youtube.com/watch?v=eazIth4orfM#t=14m15s <br class="br">Power to the Pixel (2009)

“Radio through television becomes a species of Cinema. Why shouldn't Cinema, in turn, become a species of radio?”

Isidore Isou (1925–2007) Romanian-born French poet, film critic and visual artist

Venom and Eternity (1951), Danielle's Monologue

“To experience and live out a harmony with the world, in a manner quite different from that of everyday life — this, we have said, is the meaning of "festival." But no more intense harmony with the world can be thought of than that of "Praise of God," the worship of the Creator of this world. Now, as I have often experienced, this statement is often received with a mixture of discomfort and various other feelings, but its truth cannot be denied. The most festive festival that can be celebrated is religious worship or "cult," and there is no festival that does not get its life from such worship or does not actually derive its origin from this. There is no worship "without the gods," whether it be mardi gras or a wedding.”

Josef Pieper (1904–1997) German philosopher

Source: Leisure, the Basis of Culture (1948), Leisure, the Basis of Culture, pp. 50–51

“On the changing face of Indian cinema "At one time I wondered if I was doing the right films, today I know I have made the right choices. Indian cinema is changing, not step by step but by leaps. New blood is coming in, mindsets are changing and our exposure to the world is ever-increasing. I am glad these positive changes are happening when I am in the industry and not ten years from now.”

Preity Zinta (1975) film actress

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“Filmmakers of Cinema Verité resemble tourists who take pictures amid ancient ruins of facts.”

Werner Herzog (1942) German film director, producer, screenwriter, actor and opera director

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“Watch the movie closely, and you’ll see how personal it is. Here’s a film in which cinema brings down the Nazi regime, metaphorically and literally. What could possibly be better than that? In this story, cinema changes the world, and I fucking love that idea!”

Quentin Tarantino (1963) American film director, screenwriter, producer, and actor

Source: Interview with The London Paper about Inglourious Basterds http://www.thelondonpaper.com/going-out/whats-new/quentin-tarantino-the-big-interview

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Vivek Agnihotri17

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