Quotes about literature
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Hans von Bülow photo

“The editor of this selection from Chopin’s Pianoforte Studies has, however, no such intention; on the contrary. he wishes to make some of them, which owing to their difficulty have hitherto remained unpopularised, more accessible, particularly to the amateur, by pointing out the way to their correct study. And thus, on the basis of the technical facility to be acquired through these pieces, to enable even the non-professional to enjoy a more intimate acquaintance with those works of the classical romanticist, which, though representing the best and most undying side of his genius, have found till now but a small, though daily increasing circle of admirers; for the “Ladies’-Chopin”, which for forty years has blossomed in the pale and sickly rays of dilettantism; the “talented, languishing, Polish youth” to whom the most modest place on the Parnassus of musical literature was denied by the amateurish criticism of German professors, is as little the genuine entire Chopin, as is the Beethoven of “Adelaide” and the “Moonlight Sonata”, the god of Symphony. Truly a span of time must yet elapse before the matured and manly Chopin, the author of the two Sonatas, the 3rd and 4th Scherzos, the 4th Ballade, the Polonaise in F# minor, the later Mazurkas and Nocturnes etc., will be completely and generally appreciated at his full worth. At the same time much may be done by preparing and clearing the way; and one of the best means towards this end is sifting the material, and replacing favourite and unimportant works, by those less known though more important.”

Hans von Bülow (1830–1894) German musician

Preface to Instructive ausgabe. Klavier-Etuden von Fr. Chopin, 1880.

Dana Gioia photo
Marsden Hartley photo
Helen Keller photo

“Despite the fact that our profession constantly urges others to “consult the literature”, I do not think we are distinguished nowadays by knowledge of our heritage.”

Brian Campbell Vickery (1918–2009) British information theorist

Vickery (1998) "The Royal Society scientific information conference of 1948." Journal of Documentation, 54(3), p. 283; As cited in: Vanda Broughton (2011) " Brian Vickery and the Classification Research Group: the legacy of faceted classification http://www.iskouk.org/conf2011/papers/broughton.pdf".

Thomas Kuhn photo
Andrei Sakharov photo
Salman Rushdie photo
Jeremy Clarkson photo
Arundhati Roy photo

“Literature is the opposite of a nuclear bomb.”

Arundhati Roy (1961) Indian novelist, essayist

From a speech entitled Come September http://ada.evergreen.edu/~arunc/texts/politics/comeSeptember.pdf.
Speeches

Keith Ferrazzi photo
William Moulton Marston photo

“Comics they say are not literature – adventure strips lack artistic form, mental substance, and emotional appeal to any but the most moronic of minds. Can it be that 100,000,000 Americans are morons?”

William Moulton Marston (1893–1947) American psychologist, lawyer, inventor and comic book writer

Why 100,000,000 Americans Read Comics. p. 35-44.

Dana Gioia photo
James Russell Lowell photo
Suzanne Curchod photo

“Romance is the poetry of literature.”

Suzanne Curchod (1737–1794) French-Swiss salonist and writer

Reported in Hoyt's New Cyclopedia Of Practical Quotations (1922), p. 676.

Pope Benedict XVI photo

“The mysterious name of God, revealed from the burning bush, a name which separates this God from all other divinities with their many names and simply asserts being, "I am", already presents a challenge to the notion of myth, to which Socrates' attempt to vanquish and transcend myth stands in close analogy. Within the Old Testament, the process which started at the burning bush came to new maturity at the time of the Exile, when the God of Israel, an Israel now deprived of its land and worship, was proclaimed as the God of heaven and earth and described in a simple formula which echoes the words uttered at the burning bush: "I am". This new understanding of God is accompanied by a kind of enlightenment, which finds stark expression in the mockery of gods who are merely the work of human hands (cf. Ps 115). Thus, despite the bitter conflict with those Hellenistic rulers who sought to accommodate it forcibly to the customs and idolatrous cult of the Greeks, biblical faith, in the Hellenistic period, encountered the best of Greek thought at a deep level, resulting in a mutual enrichment evident especially in the later wisdom literature. Today we know that the Greek translation of the Old Testament produced at Alexandria - the Septuagint - is more than a simple (and in that sense really less than satisfactory) translation of the Hebrew text: it is an independent textual witness and a distinct and important step in the history of revelation, one which brought about this encounter in a way that was decisive for the birth and spread of Christianity. A profound encounter of faith and reason is taking place here, an encounter between genuine enlightenment and religion. From the very heart of Christian faith and, at the same time, the heart of Greek thought now joined to faith, Manuel II was able to say: Not to act "with logos" is contrary to God's nature.”

Pope Benedict XVI (1927) 265th Pope of the Catholic Church

2006, Faith, Reason and the University — Memories and Reflections (2006)

Daniel Drake photo

“A religious spirit animates the infancy of our literature, and must continue to gloe in its maturity. The public taste calls for this quality, and would relish no work in which it might be supplanted by a principle of infidelity. Our best authors have written under the influence of Christian feeling; but had they been destitute of this sentiment, they would have found it necessary to accommodate themselves to the opinions of the people, and follow Christian precedents. The beneficent influence of religion on literature, is like that of our evening sun, when it awakens in the clouds those beautiful and burning tints, which clothe the firmament in gold and purple. It constitutes the heart of learning - the great source of its moral power. Religion addresses itself to the highest and holiest of our sentiments - benevolence and veneration, and their excitement stirs up the imagination, strengthens the undeerstanding, and purifies the taste. Thus, both in the mind of the author and the reader, Christianity and literature act and react on each other, with the effect of elevating both, and carrying the human character to the highest perfection which it is destined to reach. Learning should be proud of this companionship, and exert all her wisdom to render it perpetual.”

Daniel Drake (1785–1852) American physician and writer

Daniel Drake (1834). Discourse on the History, Character, and Prospects of the West: Delivered to the Union Literary Society of Miami University, Oxford, Ohio, at Their Ninth Anniversary, September 23, 1834. Truman and Smith. p. 31

Ragnar Frisch photo
D. V. Gundappa photo
Eugéne Ionesco photo
Luther Burbank photo
Alain de Botton photo
John Steinbeck photo
Thomas Babington Macaulay, 1st Baron Macaulay photo
Frederic G. Kenyon photo
Rebecca West photo
Gottfried Feder photo

“Suppression of all harmful influences in literature and the press, stage, art and cinema.”

Gottfried Feder (1883–1941) German economist and politician

Source: The German State on a National and Socialist Foundation (1923), p. 56

Sam Harris photo

“We are, even now, killing ourselves over ancient literature. Who would have thought something so tragically absurd could be possible?”

Sam Harris (1967) American author, philosopher and neuroscientist

2000s, The End of Faith (2004)

Joel Mokyr photo
Robert Gascoyne-Cecil, 3rd Marquess of Salisbury photo
Thomas Kuhn photo
Dana Gioia photo
John Steinbeck photo
Herbert Marcuse photo
Brian Selznick photo

“It's funny, I grew up in a happy family with loving parents, but I've killed off a lot of parents in these books. The orphan in children's literature, allows the child protagonist to move the story forward themselves. I think that, however happy a family, every intelligent child thinks: 'How did I come to be born to these parents?”

Brian Selznick (1966) American children's illustrator and writer

it is about finding your place in the world.
Source: Brian Selznick: how Scorsese's Hugo drew inspiration from his magical book https://www.theguardian.com/books/2012/feb/11/brian-selznick-hugo-martin-scorsese (February 11, 2012)

Robert Benchley photo

“Great literature must spring from an upheaval in the author's soul. If that upheaval is not present then it must come from the works of any other author which happens to be handy and easily adapted.”

Robert Benchley (1889–1945) American comedian

As quoted in The Routledge Dictionary of Quotations : A Dictionary of Quotations (1987) by Robert Andrews, p. 154

Frances Kellor photo
Tristan Tzara photo
Jiddu Krishnamurti photo
Jane Roberts photo
William Stanley Jevons photo
Max Born photo
Charles William Eliot photo

“A university teaches. What does it teach? It must obviously teach all the languages in which the great literatures which have been preserved were written — Hebrew, Arabic, Sanskrit, Greek, Latin, French, Italian, German, Scandinavian, and English.”

Charles William Eliot (1834–1926) President of Harvard

[Z. Elmarsafy, A. Bernard, D. Attwell, Debating Orientalism, https://books.google.com/books?id=VP6ARP2m-D0C&pg=PA82, 13 June 2013, Springer, 978-1-137-34111-2, 82]

Richard Holt Hutton photo
Revilo P. Oliver photo
Lu Xun photo
Larry Wall photo
Thomas Carlyle photo
Edvard Munch photo
Nassim Nicholas Taleb photo
Eric Hobsbawm photo
R. Nagaswamy photo
Bob Dylan photo
Adam Schaff photo

“The main trouble with avant-garde art and literature, from the point of view of fascists and Stalinists, is not that they are too critical, but that they are too "innocent," that it is too difficult to inject effective propaganda, that kitsch is more pliable to this end.”

Clement Greenberg (1909–1994) American writer and artist

"Avant-Garde and Kitsch" http://www.sharecom.ca/greenberg/kitsch.html (1939), p. 19
1960s, Art and Culture: Critical Essays, (1961)

Amit Chaudhuri photo
Thomas Carlyle photo
Bernard Lewis photo

“Of all these offenses the one that is most widely, frequently, and vehemently denounced is undoubtedly imperialism—sometimes just Western, sometimes Eastern (that is, Soviet) and Western alike. But the way this term is used in the literature of Islamic fundamentalists often suggests that it may not carry quite the same meaning for them as for its Western critics. In many of these writings the term "imperialist" is given a distinctly religious significance, being used in association, and sometimes interchangeably, with "missionary," and denoting a form of attack that includes the Crusades as well as the modern colonial empires. One also sometimes gets the impression that the offense of imperialism is not—as for Western critics—the domination by one people over another but rather the allocation of roles in this relationship. What is truly evil and unacceptable is the domination of infidels over true believers. For true believers to rule misbelievers is proper and natural, since this provides for the maintenance of the holy law, and gives the misbelievers both the opportunity and the incentive to embrace the true faith. But for misbelievers to rule over true believers is blasphemous and unnatural, since it leads to the corruption of religion and morality in society, and to the flouting or even the abrogation of God's law. This may help us to understand the current troubles in such diverse places as Ethiopian Eritrea, Indian Kashmir, Chinese Sinkiang, and Yugoslav Kossovo, in all of which Muslim populations are ruled by non-Muslim governments. It may also explain why spokesmen for the new Muslim minorities in Western Europe demand for Islam a degree of legal protection which those countries no longer give to Christianity and have never given to Judaism. Nor, of course, did the governments of the countries of origin of these Muslim spokesmen ever accord such protection to religions other than their own. In their perception, there is no contradiction in these attitudes. The true faith, based on God's final revelation, must be protected from insult and abuse; other faiths, being either false or incomplete, have no right to any such protection.”

Bernard Lewis (1916–2018) British-American historian

Books, The Roots of Muslim Rage (1990)

Stephen Colbert photo

“Winning the Nobel Prize does not automatically qualify you to be commander in chief. I think George Bush has proved definitively that to be president, you don’t need to care about science, literature or peace.”

Stephen Colbert (1964) American political satirist, writer, comedian, television host, and actor

"A Mock Columnist, Amok" http://www.nytimes.com/2007/10/14/opinion/14dowd.html, in The New York Times (14 October 2007)

“Neither citation nor loan demand is an adequate measure of literature use by a large community. Each is only an indicator, illuminating some aspects of use but with its own inherent bias. The joint study of several indicators gives a more balanced picture..”

Brian Campbell Vickery (1918–2009) British information theorist

Penelope Earle and Brian Campbell Vickery (1969), "Social Science Literature Use in the U.K. as Indicated by Citations," Journal of Documentation 25: p. 133; As cited in Yasar Tonta, Yurdagül Ünal (2005) "Scatter of journals and literature obsolescence reflected in document delivery requests". JASIST 56(1): 84-94.

Carl von Clausewitz photo
Czeslaw Milosz photo
Northrop Frye photo

“A person who knows nothing about literature may be an ignoramus, but many people don't mind being that.”

Northrop Frye (1912–1991) Canadian literary critic and literary theorist

"Quotes", The Educated Imagination (1963), Talk 1: The Motive For Metaphor http://northropfrye-theeducatedimagination.blogspot.ca/2009/08/1-motive-for-metaphor.html

A.E. Housman photo
Francis Bacon photo
Aubrey Beardsley photo
Dana Gioia photo

“Literature has many uses, not all of which occur in a classroom”

Dana Gioia (1950) American writer

20
Essays, Can Poetry Matter? (1991), Poetry as Enchantment (2015)

Rudolph Rummel photo
Pearl S.  Buck photo
Tom Wolfe photo
Anton Chekhov photo

“Despite your best efforts, you could not invent a better police force for literature than criticism and the author’s own conscience.”

Anton Chekhov (1860–1904) Russian dramatist, author and physician

Letter to M.V. Kiseleva (January 14, 1887
Letters

Ernest Hemingway photo
Muammar Gaddafi photo

“The science you enjoy now is the science we taught you. The medicine you treat yourselves with is the medicine we gave you. It’s the same with the astronomy you know, the mathematics, the literature, the art…”

Muammar Gaddafi (1942–2011) Libyan revolutionary, politician and political theorist

Interview with Oriana Fallaci (2 December 1979), Corriere della Sera
Interviews

Robert G. Ingersoll photo

“It has been suggested that an army of monkeys might be trained to pound typewriters at random in the hope that ultimately great works of literature would be produced. Using a coin for the same purpose may save feeding and training expenses and free the monkeys for other monkey business.”

William Feller (1906–1970) Croatian-American mathematician

Source: An Introduction To Probability Theory And Its Applications (Third Edition), Chapter VIII, Unlimited Sequences Of Bernoulli Trials, p. 202.

Edward Said photo
Charles A. Beard photo
Jahangir photo
Sueton photo

“However, he had a particular bent for mythology and carried his researches in it to such a ridiculous point that he would test professors of Greek literature – whose society, as I have already mentioned, he cultivated above all others – by asking them questions like: "Who was Hecuba's mother?" – "What name did Achilles assume when he was among the girls?" – "What song did the Sirens sing?"”
Maxime tamen curavit notitiam historiae fabularis usque ad ineptias atque derisum; nam et grammaticos, quod genus hominum praecipue, ut diximus, appetebat, eius modi fere quaestionibus experiebatur: "Quae mater Hecubae, quod Achilli nomen inter virgines fuisset, quid Sirenes cantare sint solitae."

Cf. Thomas Browne, Urn Burial, Ch. V
Source: The Twelve Caesars, Tiberius, Ch. 70

“Total actions are a further development of the happening and combine the elements of all art forms, painting music, literature, film, theatre, which have been so infected by the progressive process of cretinisation in our society that any examination of reality has become impossible using these means alone. Total actions are the unprejudiced examination of all the materials that make up reality. Total actions take place in a consciously delineated area of reality with deliberately selected materials. They are partial, dynamic occurrences in which the most varied materials and elements of reality are linked, swapped over, turn on their heads and destroyed. This procedure creates the occurrence. The actual nature of the occurrence depends on the composition of the material and actors′ unconscious tendencies. Anything may constitute the material: people, animals, plants, food, space, movement, noise, smells, light, fire, coldness, warmth, wind, dust, steam, gas, events, sport, all art forms and all art products. All the possibilities of the material are ruthlessly exhausted. As a result of the incalculable possibilities for choices that the material presents to the actor, he plunges into a concentrated whirl of action finds himself suddenly in a reality without barriers, performs actions resembling those of a madman, and avails himself of a fool′s privileges, which is probably not without significance for sensible people. Old art forms seek to reconstruct reality, total actions unfold within reality itself. Total actions are direct occurrences(direct art), not the repetition of an occurrence, a direct encounter between unconscious elements and reality(material). The actor performs and himself becomes material: stuttering, stammering, burbling, groaning, choking, shouting, screeching, laughing, spitting, biting, creeping, rolling about in the material.”

Günter Brus (1938) Austrian artist

Source: Nervous Stillness on the Horizon (2006), P. 166 (1966/1972)

Gertrude Stein photo

“Remarks are not literature.”

Comment to Ernest Hemingway, Ch. 7
The Autobiography of Alice B. Toklas (1933)

Jean Paul Sartre photo

“If literature isn’t everything, it’s not worth a single hour of someone’s trouble.”

Jean Paul Sartre (1905–1980) French existentialist philosopher, playwright, novelist, screenwriter, political activist, biographer, and …

Interview (1960), Quoted in Susan Sontag's introduction to Barthes: Selected Writings, “Writing Itself: On Roland Barthes,” (1982)

J.M. Coetzee photo