Quotes about literature
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William Osler photo
Will Eisner photo

“1905
Tsar Nicholas II made inept efforts to mollify his angry people by granting basic liberties and allowing a parliament (Duma), which he kept dissolving. Meanwhile he ruthlessly suppressed the people’s rising. Royal troops fired ona peaceful march of workers in St. Petersburg on January 9, known as Bloody Sunday. Anti-Jewish pogroms were rampant. The Russian edition, published by Dr. Nilus, of the “Protocols of Zion” was widely circulated. Monarchists frequently read it aloud to illiterate peasants.
1914
The start of World War I led to Russian military defeats. A failing economy brought about terrible civilian suffering. Loyalists openly spoke about a “Jewish plot”.
Food riots, strikes, and the tsar’s panicky dissolution of the Fourth Duma exploded into revolution. By November, the Bolsheviks (the revolutionary faction of the former Social Democratic workers’ party) had seized control of the government. Royalist Russians began a civil warand were defeated. Tsar Nicholas II abdicated and was executed, along with his family, by Bolsheviks in 1918.
Russian aristocrats fled Russia and dispersed throughout Europe, the Far East, and the Middle East. There they settled as expatriates. Most had little work experience. In order to earn money, they frequently sold valuables. Some of these items provided information on the Russian use of anti-Semitic literature.”

Will Eisner (1917–2005) American cartoonist

The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005)

Anton Chekhov photo
Elias Canetti photo

“It amazes me how a person to whom literature means anything can take it up as an object of study.”

Elias Canetti (1905–1994) Bulgarian-born Swiss and British jewish modernist novelist, playwright, memoirist, and non-fiction writer

J. Agee, trans. (1989), p. 73
Das Geheimherz der Uhr [The Secret Heart of the Clock] (1987)

John Rogers Searle photo
Henry R. Towne photo

“[T]rying to keep an intellectual away from literature works about as well as recommending chastity to Homo sapiens, the sexiest primate of all.”

Stephen Jay Gould (1941–2002) American evolutionary biologist

The Median Isn't the Message (1985)

Anthony Burgess photo
Jerry Coyne photo

“To Parker Bright, Hannah Black, and other critics of this painting, I say this:
I completely reject your criticism. If only artists of the proper ethnicity can depict violence inflicted on their group, then only writers of the proper ethnicity can write about the same issues, and so on with all the arts. And what goes for ethnicity or race goes for gender: men cannot write about suffering inflicted on women, nor women about suffering inflicted on men. Gays cannot write about straight people and vice versa.
The fact is that we are all human, and we are all capable of sharing, as well as depicting, the pain and suffering of others. I will not allow you to fracture art and literature the way you have fractured politics. Yes, horrible injustices have been visited on minority groups, on women, on gays, and on other marginalized people, but to allow that injustice to be conveyed only by “properly ethnic or gendered artists” is to deny us our common humanity and deprive us of emotional solidarity. No group, whatever its pigmentation or chromosomal constitution, has the exclusive right to create art or literature about their own subgroup. To deny others that right is to censor them.
To those who say this painting has caused them “unnecessary hurt” because it is by a white artist about black pain, I say, “Your own pain about this artwork is gratuitous; I do not take it seriously. It’s the cry of a coddled child who simply wants attention.””

Jerry Coyne (1949) American biologist

" Insane political correctness: snowflakes urge destruction of Emmett Till painting https://whyevolutionistrue.wordpress.com/2017/04/04/insane-political-correctness-snowflakes-urge-destruction-of-emmett-till-painting/" April 4, 2017

Peter Greenaway photo

“Despite the polytheism of the East Mediterranean nations, monotheistic trends were always present even in such crass polytheisms such as we find in Homer and in Egyptian literature.”

Cyrus H. Gordon (1908–2001) American linguist

Source: The Common Background of Greek and Hebrew Civilizations (1965 [1962]), Ch.VII Further Observations on Homer

John Erskine photo
Fali Sam Nariman photo
Greg Egan photo

“There are times when it’s worth putting aside the endless myopic navel-gazing that occupies so much literature, in order to look out at the universe itself and value it for what it is.”

Greg Egan (1961) Australian science fiction writer and former computer programmer

Interview with Renai LeMay http://rlemay.com.au/greg-egan-the-big-interview/
Other

Perry Anderson photo

“Far from participating in a current literary scene agog with vogue and hyperbole, the LRB has kept what is widely perceived as a mandarin aloofness from it. Complicity with the institutions of literature, whether patrons or advertisers, is scarcely a charge that can be made against the paper.”

Perry Anderson (1938) British historian

Debts 1. "The London Review of Books" (1996; 2005)
Ref: en.wikiquote.org - Perry Anderson / Quotes / Spectrum: From Right to Left in the World of Ideas (2005)
Spectrum: From Right to Left in the World of Ideas (2005), Debts 1. "The London Review of Books" (1996; 2005)

Letitia Elizabeth Landon photo
Richard Rodríguez photo
Stanisław Lem photo
Colin Wilson photo
Robert Todd Carroll photo
Brion Gysin photo
Václav Havel photo
Karl Kraus photo

“When I read, it is not acted literature; but what I write is written acting.”

Karl Kraus (1874–1936) Czech playwright and publicist

Half-Truths and One-And-A-Half Truths (1976)

D. V. Gundappa photo

“Any journalist worth his salt, should have to study literature to some extent.”

D. V. Gundappa (1887–1975) Indian writer

In page=19
D.V. Gundappa,Sahitya Akademi

Vyasa photo
Sidney Lee photo

“Every great national literature is a fruit of much foreign sustenance and refreshment, however capable the national spirit may prove of mastering the foreign element.”

Sidney Lee (1859–1926) English biographer and critic

"The French Renaissance in England" (1910), Preface

E. M. S. Namboodiripad photo
Robert K. Merton photo
Toni Morrison photo
Theodore Dreiser photo

“Literature, outside of the masters, has given us but one idea of the mistress, the subtle, calculating siren who delights to prey on the souls of men. The journalism and the moral pamphleteering of the time seem to foster it with almost partisan zeal. It would seem that a censorship of life had been established by divinity, and the care of its execution given into the hands of the utterly conservative. Yet there is that other form of liaison which has nothing to do with conscious calculation. In the vast majority of cases it is without design or guile. The average woman, controlled by her affections and deeply in love, is no more capable than a child of anything save sacrificial thought—the desire to give; and so long as this state endures, she can only do this. She may change—Hell hath no fury, etc.—but the sacrificial, yielding, solicitous attitude is more often the outstanding characteristic of the mistress; and it is this very attitude in contradistinction to the grasping legality of established matrimony that has caused so many wounds in the defenses of the latter. The temperament of man, either male or female, cannot help falling down before and worshiping this nonseeking, sacrificial note. It approaches vast distinction in life. It appears to be related to that last word in art, that largeness of spirit which is the first characteristic of the great picture, the great building, the great sculpture, the great decoration—namely, a giving, freely and without stint, of itself, of beauty.”

Source: The Financier (1912), Ch. XXIII

Erving Goffman photo
Jacob Bronowski photo
Kurt Schuschnigg photo

“The Bruce, with which the Scottish contribution to English literature begins, long held its place as the national epic of Scotland.”

John Barbour (1316–1395) Scottish poet

Kenneth Sisam Fourteenth Century Verse and Prose (Oxford: Clarendon Press, 1964) p. 108.
Criticism

Michael Chabon photo
Edmund Burke photo
Sidonius Apollinaris photo

“For the man who considers himself the best critic generally studies sound and unsound composition with equal interest, being no more greedy for lofty utterances to praise than for contemptible ones to ridicule. In this way technique, grandeur, and propriety in the use of the Latin language are particularly underrated by the armchair critics, who, with an insensibility which goes hand in hand with scurrility, and wishing to read only what they may criticize, cannot, by their very abuse of literature, be making a proper use of it.”
Nam qui maxume doctus sibi videtur, dictionem sanam et insanam ferme appetitu pari revolvit, non amplius concupiscens erecta quae laudet quam despecta quae rideat. atque in hunc modum scientia pompa proprietas linguae Latinae iudiciis otiosorum maximo spretui est, quorum scurrilitati neglegentia comes hoc volens tantum legere, quod carpat, sic non utitur litteris, quod abutitur.

Sidonius Apollinaris (430–489) Gaulish poet, aristocrat and bishop

Lib. 3, Ep. 14, sect. 2; vol. 2, p. 59.
Epistularum

Henry Adams photo

“As a type for study, or a standard for education, Lodge was the more interesting of the two. Roosevelts are born and never can be taught; but Lodge was a creature of teaching — Boston incarnate — the child of his local parentage; and while his ambition led him to be more, the intent, though virtuous, was — as Adams admitted in his own case — restless. An excellent talker, a voracious reader, a ready wit, an accomplished orator, with a clear mind and a powerful memory, he could never feel perfectly at ease whatever leg he stood on, but shifted, sometimes with painful strain of temper, from one sensitive muscle to another, uncertain whether to pose as an uncompromising Yankee; or a pure American; or a patriot in the still purer atmosphere of Irish, Germans, or Jews; or a scholar and historian of Harvard College. English to the last fibre of his thought — saturated with English literature, English tradition, English taste — revolted by every vice and by most virtues of Frenchmen and Germans, or any other Continental standards, but at home and happy among the vices and extravagances of Shakespeare — standing first on the social, then on the political foot; now worshipping, now banning; shocked by the wanton display of immorality, but practicing the license of political usage; sometimes bitter, often genial, always intelligent — Lodge had the singular merit of interesting. The usual statesmen flocked in swarms like crows, black and monotonous. Lodge's plumage was varied, and, like his flight, harked back to race. He betrayed the consciousness that he and his people had a past, if they dared but avow it, and might have a future, if they could but divine it.”

Henry Adams (1838–1918) journalist, historian, academic, novelist

The Education of Henry Adams (1907)

Matthew Arnold photo

“For the creation of a masterwork of literature two powers must concur, the power of the man and the power of the moment, and the man is not enough without the moment.”

Matthew Arnold (1822–1888) English poet and cultural critic who worked as an inspector of schools

The Functions of Criticism at the Present Time (1864)

Alexis De Tocqueville photo
George Steiner photo
Lin Yutang photo

“This shifted the centre of a truly Hellenic civilization to the east, to the Aegean, the Ionian littoral of Asia Minor and to Constantinople. It also meant that modem Greeks could hardly count as being of ancient Greek descent, even if this could never be ruled out.’ There is a sense in which the preceding discussion is both relevant to a sense of Greek identity, now and earlier, and irrelevant. It is relevant in so far as Greeks, now and earlier, felt that their ‘Greekness’ was a product of their descent from the ancient Greeks (or Byzantine Greeks), and that such filiations made them feel themselves to be members of one great ‘super-family’ of Greeks, shared sentiments of continuity and membership being essential to a lively sense of identity. It is irrelevant in that ethnies arc constituted, not by lines of physical descent, but by the sense of continuity, shared memory and collective destiny, i. e. by lines of cultural affinity embodied in distinctive myths, memories, symbols and values retained by a given cultural unit of population. In that sense much has been retained, and revived, from the extant heritage of ancient Greece. For, even at the time of Slavic migrations, in Ionia and especially in Constantinople, there was a growing emphasis on the Greek language, on Greek philosophy and literature, and on classical models of thought and scholarship. Such a ‘Greek revival’ was to surface again in the tenth and fourteenth centuries, as well as subsequently, providing a powerful impetus to the sense of cultural affinity with ancient Greece and its classical heritage.”

Anthony D. Smith (1939–2016) British academic

Source: National Identity (1991), p. 29: About Ethnic Change, Dissolution and Survival

Alan Hirsch photo
Theodor Mommsen photo

“We have reached the end of the Roman republic. We have seen it rule for five hundred years in Italy and in the countries on the Mediterranean; we have seen it brought to rum in politics and morals, religion and literature, not through outward violence but through inward decay, and thereby making room for the new monarchy of Caesar. There was in the world, as Caesar found it, much of the noble heritage of past centuries and an infinite abundance of pomp and glory, but little spirit, still less taste, and least of all true delight in life. It was indeed an old world; and even the richly-gifted patriotism of Caesar [b] could not make it young again. The dawn does not return till after the night has fully set in and run its course. But yet with him there came to the sorely harassed peoples on the Mediterranean a tolerable evening after the sultry noon; and when at length after a long historical night a new day dawned once more for the peoples, and fresh nations in free self-movement commenced their race towards new and higher goals, there were found among them not a few, in which the seed sown by Caesar had sprung up, and which were and are indebted to him for their national individuality.”

Theodor Mommsen (1817–1903) German classical scholar, historian, jurist, journalist, politician, archaeologist and writer

/b
Vol. 4, Pt. 2, Translated by W.P. Dickson.
Last paragraph of the last volume
The History of Rome - Volume 4: Part 2

Roger Scruton photo
Rajiv Malhotra photo
Samuel Johnson photo

“The richest author that ever grazed the common of literature.”

Samuel Johnson (1709–1784) English writer

Of John Campbell, as quoted by Joseph Wharton; reported in "John Campbell", Encyclopedia Britannica (1911)

Dana Gioia photo
Letitia Elizabeth Landon photo

“Now a nation’s character is in its literature.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Monthly Magazine

Russell L. Ackoff photo
Max Beerbohm photo

“There is much virtue in a window. It is to a human being as a frame is to a painting, as a proscenium to a play, as 'form' to literature. It strongly defines its content.”

"Fenestralia" http://books.google.com/books?id=YZMhAAAAMAAJ&q=%22There+is+much+virtue+in+a+window+It+is+to+a+human+being+as+a+frame+is+to+a+painting+as+a+proscenium+to+a+play+as+form+to+literature+It+strongly+defines+its+content%22&pg=PA147#v=onepage, Mainly on the Air (1946), The Atlantic ( April 1944 http://books.google.com/books?id=5KAGAQAAIAAJ&q=%22There+is+much+virtue+in+a+window+It+is+to+a+human+being+as+a+frame+is+to+a+painting+as+a+proscenium+to+a+play+as+form+to+literature+It+strongly+defines+its+content%22&pg=PA85#v=onepage)

George William Curtis photo

“There are certain great sentiments which simultaneously possess many minds and make what we call the spirit of the age. That spirit at the close of the last century was peculiarly humane. From the great Spanish Cardinal Ximenes, who refused the proposal of the Bishop Las Casas to enslave the Indians; from Milton, who sang, 'But man over man He made not Lord; such title to himself Reserving, human left from human free', from John Selden, who said, 'Before all, Liberty', from Algernon Sidney, who died for it, from Morgan Godwyn, a clergyman of the Established Church, and Richard Baxter, the Dissenter, with his great contemporary, George Fox, whose protest has been faithfully maintained by the Quakers; from Southern, Montesquieu, Hutcheson, Savage, Shenstone, Sterne, Warburton, Voltaire, Rosseau, down to Cowper and Clarkson in 1783 — by the mouths of all these and innumerable others Religion, Scepticism, Literature, and Wit had persistently protested against the sin of slavery. As early as 1705 Lord Holt had declared there was no such thing as a slave by the law of England. At the close of the century, four years before our Declaration, Lord Mansfield, though yearning to please the planters, was yet compelled to utter the reluctant 'Amen' to the words of his predecessor. Shall we believe Lord Mansfield, who lived in the time and spoke for it, when he declared that wherever English law extended — and it extended to these colonies — there was no man whatsoever so poor and outcast but had rights sacred as the king's; or shall we believe a judge eighty-four years afterwards, who says that at that time Africans were regarded as people 'who had no rights which the white man was bound to respect?”

George William Curtis (1824–1892) American writer

I am not a lawyer, but, for the sake of the liberty of my countrymen, I trust the law of the Supreme Court of the United States is better than its knowledge of history.
1850s, The Present Aspect of the Slavery Question (1859)

George Steiner photo

“Literature is most social when it is least social.”

Russell Berman (1950) American academic

Source: Fiction Sets You Free: Literature, Liberty and Western Culture (2007), p. 62

Mark Satin photo

“How long, Lord, O how long will it be before I can f--k someone like the girl sitting at the SDS literature table?”

Mark Satin (1946) American political theorist, author, and newsletter publisher

Page 140. Spring of 1966. Satin is a sophomore at State University of New York at Binghamton. The f-word is spelled out in the original. "SDS" stands for Students for a Democratic Society.
Confessions of a Young Exile (1976)

Terry Eagleton photo

“It is language which speaks in literature, in all its swarming 'polysemic' plurality, not the author himself.”

Terry Eagleton (1943) British writer, academic and educator

Source: 1980s, Literary Theory: An Introduction (1983), Chapter 4, p. 120

Letitia Elizabeth Landon photo
Igor Ansoff photo
Aldous Huxley photo

“What the cinema can do better than literature or the spoken drama is to be fantastic.”

Aldous Huxley (1894–1963) English writer

"Where are the Movies Moving?" in Essays Old and New (1926)

Burkard Schliessmann photo
Mozah bint Nasser Al Missned photo
Samuel Butler photo
Aga Khan III photo

“There is a right and legitimate Pan-Islamism to which every sincere and believing Mahomedan belongs--that is, the theory of the spiritual brotherhood and unity of the children of the Prophet. It is a deep, perennial element in that Perso-Arabian culture, that great family of civilisation to which we gave the name Islamic in the first chapter. It connotes charity and goodwill towards fellow-believers everywhere…It means an abiding interest in the literature of Islam, in her beautiful arts, in her lovely architecture, in her entrancing poetry. It also means a true reformation -- a return to the early and pure simplicity of the faith, to its preaching by persuasion and argument, to the manifestation of a spiritual power in individual lives, to beneficent activity for mankind. This natural and worthy spiritual movement makes not only the Master and His teaching but also His children of all climes an object of affection to the Turk or the Afghan, to the Indian or the Egyptian. A famine or a desolating fire in the Moslem quarters of Kashgar or Sarajevo would immediately draw the sympathy and material assistance of the Mahomedan of Delhi or Cairo. The real spiritual and cultural unity of Islam must ever grow, for to the follower of the Prophet it is the foundation of the life of the soul.”

Aga Khan III (1877–1957) 48th Imam of the Nizari Ismaili community

p. 156; a variant of this begins "This is a right and legitimate Pan-Islamism…", but is otherwise identical.
/ India in Transition (1918)

Ali Al-Wardi photo
Marguerite Duras photo

“I see journalists as the manual workers, the laborers of the word. Journalism can only be literature when it is passionate.”

Marguerite Duras (1914–1996) French writer and film director

Walesa's Wife, from Practicalities (1987, trans. 1990).

Henry Stephens Salt photo
Leo Tolstoy photo
James Branch Cabell photo
Roberto Bolaño photo

“Literature is a vast forest and the masterpieces are the lakes, the towering trees or strange trees, the lovely eloquent flowers, the hidden caves, but a forest is also made up of ordinary trees, patches of grass, puddles, clinging vines, mushrooms and little wildflowers.”

Roberto Bolaño (1953–2003) Chilean author

La literatura es un vasto bosque y las obras maestras son los lagos, los árboles inmensos o extrañísimos, las elocuentes flores preciosas o las escondidas grutas, pero un bosque también está compuesto por árboles comunes y corrientes, por yerbazales, por charcos, por plantas parásitas, por hongos y por florecillas silvestres.
2666: A Novel (2008)

Henry David Thoreau photo
Matthew Arnold photo

“The curse of Scottish literature is the lack of a whole language, which finally means the lack of a whole mind.”

Edwin Muir (1887–1959) British poet, novelist and translator

Scott and Scotland (1936), Introduction.

Edward Grey, 1st Viscount Grey of Fallodon photo
Stanley Baldwin photo
Northrop Frye photo
Dana Gioia photo
Catharine A. MacKinnon photo
Laura Antoniou photo
Bob Dylan photo
Ernest Hemingway photo
Jeff VanderMeer photo
Sarah Grimké photo
Northrop Frye photo
Arthur Symons photo
George Steiner photo