Source: Fiction Sets You Free: Literature, Liberty and Western Culture (2007), p. 14.
Quotes about literature
page 10
Dagens Nyheter http://www.dn.se/kultur-noje/an-exclusive-interview-with-j-m-coetzee interview with David Attwell (December 8, 2003)
“Myth is at the beginning of literature, and also at its end.”
"Parable of Cervantes and Don Quixote" (January 1955)
Tr. Andrew Hurley, Collected Fictions (1998)
Dreamtigers (1960)
Variant: In the beginning of literature there is myth, as there is also in the end of it.
“Today's literature: prescriptions written by patients.”
Half-Truths and One-And-A-Half Truths (1976)
1970s, Synergetics: Explorations in the Geometry of Thinking (1975), The Wellspring of Reality
“The great standard of literature as to purity and exactness of style is the Bible.”
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 386.
Patil's goodbye wish: A 'corruption-free India' https://in.news.yahoo.com/patils-goodbye-wish-corruption-free-india-143318154.html in: IANS India Private Limited By Indo Asian News Service, 24 July 2012.
Goodybe Wish
“Clemens was sole, incomparable, the Lincoln of our literature.”
My Mark Twain http://www.gutenberg.org/files/3390/3390.txt (1910)
Source: "English and the Discipline of Ideas" (1920), p. 63
Molly Vetter, friend of Wadewitz — quoted in: Wetzel, Diane. (April 23, 2014). "NP grad, Wikipedia editor dies in Calif." http://www.nptelegraph.com/news/np-grad-wikipedia-editor-dies-in-calif/article_c7be4462-ab39-53ad-b3e8-9055b51d3bdf.html NPTelegraph.com. North Platte, Nebraska. — and: Wetzel, Diane (April 23, 2014). "North Platte grad, 37, Wikipedia editor, dies in climbing fall" http://www.omaha.com/article/20140423/NEWS/140429478/1707. Omaha World-Herald (Omaha, Nebraska).
About
Source: Real Presences (1989), II: The Broken Contract, Ch. 8 (p. 128).
Source: Inaugural Lecture, Oxford, 1961, p. 27
Source: "Quotes", Anatomy of Criticism: Four Essays (1957), p. 70
Source: Real Presences (1989), I: A Secondary City, Ch. 4 (p. 11).
Source: Philosophy, Science and Art of Public Administration (1939), p. 662
Section 4.5 <!-- p. 202 -->
The Crosswicks Journal, A Circle of Quiet (1972)
“Literature is not a subject of study, but an object of study.”
"Quotes", Anatomy of Criticism: Four Essays (1957), Polemical Introduction
[M. Marcel Proust: A New Sensibility, The Quarterly Review, 238, 86–100, https://babel.hathitrust.org/cgi/pt?id=hvd.32044092529312;view=1up;seq=104] July 1922, quote p. 88
Source: "A multiple-layer model of market-oriented organizational culture", 2000, p. 449 ; Abstract
Why our future depends on libraries, reading and daydreaming (2013)
With such downhearted feelings he entered the ward to see his patients.
A Battle For Life (July 1958)
"Literary bias on the slippery slope", p. 252
Bully for Brontosaurus (1991)
Source: The Archiving Society, 1961, p. 1; lead paragraph, about the problem
Letter to The Daily Telegraph, July 8, 1941; published in The Letters of Sean O'Casey: 1910-41 (New York: Macmillan, 1975) p. 890.
Of P. G. Wodehouse's wartime broadcasts from Berlin.
The Ancient History of the Egyptians, Carthaginians, Assyrians, Babylonians, Medes and Persians, Macedonians, and Grecians, Vol. I, Eleventh Edition (1808), Preface, p. iii
On the aspect of her studying Sanskrit.
Q&A with Wendy Doniger, the Mircea Eliade Distinguished Service Professor and author of The Hindus
"Quotes", The Educated Imagination (1963), Talk 3: Giants in Time
“I think there really is a place for science in literature and I think that may be increasing”
Source: Magids Series, The Merlin Conspiracy (2003), p. 113.
“The Oxford Companion to Children's Literature ed. H. Carpenter & M. Pritchard (1984)”
References
Pylyshyn (1981, 18-19), as cited in: Ken Clements, "Visual imagery and school mathematics." For the learning of mathematics 2.2 (1981): 2-9.
Entry (1956)
Eric Hoffer and the Art of the Notebook (2005)
Laura Riding and Harry Kemp from The Left Heresy in Literature and Life (London: Methuen, 1939)
RODIN, AUGUSTE. L'Art. Entretiens réunis par Paul Gsell, 1911
As quoted in Mediterranean Fascism 1919-1945, edit., Charles F. Delzell, The MacMillian Press (1970) p. 23. Speech given on June 21, 1921 in Italy’s Chamber of Deputies.
1920s
See: recording Quoted in Classic Essays on Twentieth-Century Music, ISBN 0028645812.
"Jonathan Franzen Warns Ebooks are Corroding Values," The Guardian (Jan 30, 2012).
William Wordsworth, "Essay Supplementary to the Preface" http://spenserians.cath.vt.edu/TextRecord.php?textsid=35963 in Poems by William Wordsworth, Vol. I (1815), pp. 363–365.
Criticism
"The Right of Things to Come", presentation for the Science Fiction Research Association (1978), as published in Castle of Days (1992)
Nonfiction
The Paranoid Style in American Politics (1964)
Annie Besant Facts http://www.varanasi.org.in/annie-besant
interview with 3am http://www.3ammagazine.com/litarchives/2003/feb/interview_china_mieville.html
Source: Aphorisms and Reflections (1901), p. 106
"Up from Liberalism” Modern Age Vol. 3, No. 1 (Winter 1958-1959), p. 25, col. 2.
As quoted in "An American Novelist Who Sometimes Teaches" by John Corry http://www.nytimes.com/books/99/06/20/specials/ellison-teaches.html in The New York Times (20 November 1966).
"If Books Were Sold as Software" http://www.newsscan.com/cgi-bin/findit_view?table=newsletter&dateissued=20040818#11200, NewsScan.com (18 August 2004)
If Books Were Sold as Software (2004)
Source: 1980s and later, Thought and Wisdom (1982), p. 19; cited in Werner Ulrich (1998) '" C. West Churchman-75 years". in: Systems practice. December 1988, Volume 1, Issue 4, pp 341-350
Source: The construction of nationhood: ethnicity, religion, and nationalism (1997), p. 2; As cited in: nationalismproject.org http://www.nationalismproject.org/what/hastings.htm by Eric G.E. Zuelow, 1999-2007.
Source: The Human Form: Sculpture, Prints, and Drawings, 1977, p. 22.
Opera for the Man Who Reads Hamlet (1989).
"The Anonymity of the Regional Poet: Ted Kooser," from Can Poetry Matter? Essays on Poetry and American Culture (1992)
Essays
p 219-220
New Pathways In Psychology: Maslow and the Post-Freudian Revolution (1972)
My bright idea: Civilisation is still worth striving for
Wanderlust: A History of Walking (2001)
His argument for the introduction of a colony-wide library system in 1955.
Brown : The Last Discovery of America (2003)
Public Lecture (2018)
1850s, Latter-Day Pamphlets (1850), The New Downing Street (April 15, 1850)
The Decline and Fall of Practically Everybody (1950), Part II: Ancient Greeks and Worse, Hannibal
Source: The theory of environmental policy, 1988, p. 1
In Search of the Miraculous (1949)
Preface to the 2014 Edition
After the Cataclysm: Postwar Indochina and the Reconstruction of Imperial Ideology, with Noam Chomsky, 1979
On Hinduism (2000)
V.D. Savarkar quoted from B.R. Ambedkar, Pakistan or The Partition of India (1946)
“It is my considered opinion that the sweetest relief from suffering and the best comfort in affliction that this world affords are to be found almost entirely in the study of literature, and so I believe that the splendour of historical writing is to be cherished with the greatest delight and given the pre-eminent and most glorious position.”
Cum in omni fere litterarum studio dulce laboris lenimen et summum doloris solamen dum uiuitur insitum considerem, tum delectabilius et maioris praerogatiua claritatis historiarum splendorem amplectendum crediderim.
Prologue, pp. 2-3.
Historia Anglorum (The History of the English People)
"Reclaiming America for Christ" conference February, 2005
Source: "Presidential Address British Association for the Advancement of Science," 1890, p. 466 : On the need of text-books on higher mathematics
Quote from Duchamp's letter to Jean Mayoux (a Surrealist artist), New York, 8 March 1956; as cited in The Duchamp Book, ed. Gavin Parkinson, Tate Publishing, London 2008 p. 169
1951 - 1968
Source: The lever of riches: Technological creativity and economic progress, 1992, p. 295; as cited by Pol, Eduardo, and Peter Carroll.
Frankfurt Book Fair speech (2003)
Context: Literature is dialogue; responsiveness. Literature might be described as the history of human responsiveness to what is alive and what is moribund as cultures evolve and interact with one another.
Writers can do something to combat these clichés of our separateness, our difference — for writers are makers, not just transmitters, of myths. Literature offers not only myths but counter-myths, just as life offers counter-experiences — experiences that confound what you thought you thought, or felt, or believed.
A. W. Bulloch, in The Cambridge History of Classical Literature (1989), edited by P. E. Easterling and B. M. W. Knox, vol. 1, part 4, p. 9
Criticism
"Susan Sontag Finds Romance," interview by Leslie Garis, The New York Times (2 August 1992)
Context: To me, literature is a calling, even a kind of salvation. It connects me with an enterprise that is over 2,000 years old. What do we have from the past? Art and thought. That's what lasts. That's what continues to feed people and give them an idea of something better. A better state of one's feelings or simply the idea of a silence in one's self that allows one to think or to feel. Which to me is the same.
Letter to Sherwood Anderson (23 May 1925); published in Ernest Hemingway: Selected Letters 1917–1961 (1981) edited by Carlos Baker
Context: God knows, people who are paid to have attitudes toward things, professional critics, make me sick; camp-following eunuchs of literature. They won't even whore. They're all virtuous and sterile. And how well meaning and high minded. But they're all camp-followers.
Nobel Prize acceptance speech (1962)
Context: Literature was not promulgated by a pale and emasculated critical priesthood singing their litanies in empty churches — nor is it a game for the cloistered elect, the tinhorn mendicants of low calorie despair.
Literature is as old as speech. It grew out of human need for it, and it has not changed except to become more needed.
The skalds, the bards, the writers are not separate and exclusive. From the beginning, their functions, their duties, their responsibilities have been decreed by our species.
On Literature, Revolution, Entropy and Other Matters (1923)
Context: What we need in literature today are vast philosophic horizons — horizons seen from mastheads, from airplanes; we need the most ultimate, the most fearsome, the most fearless "Why?" and "What next?"
This is what children ask. But then children are the boldest philosophers. They enter life naked, not covered by the smallest fig leaf of dogma, absolutes, creeds. This is why every question they ask is so absurdly naive and so frighteningly complex. The new men entering life today are as naked and fearless as children; and they, too, like children, like Schopenhauer, Dostoevsky, Nietzsche, ask "Why?" and "What next?" Philosophers of genius, children, and the people are equally wise — because they ask equally foolish questions. Foolish to a civilized man who has a well-furnished European apartment with an excellent toilet and a well-furnished dogma.
Recreation (1919)
Context: I am not attempting here a full appreciation of Colonel Roosevelt. He will be known for all time as one of the great men of America. I am only giving you this personal recollection as a little contribution to his memory, as one that I can make from personal knowledge and which is now known only to myself. His conversation about birds was made interesting by quotations from poets. He talked also about politics, and in the whole of his conversation about them there was nothing but the motive of public spirit and patriotism. I saw enough of him to know that to be with him was to be stimulated in the best sense of the word for the work of life. Perhaps it is not yet realised how great he was in the matter of knowledge as well as in action. Everybody knows that he was a great man of action in the fullest sense of the word. The Press has always proclaimed that. It is less often that a tribute is paid to him as a man of knowledge as well as a man of action. Two of your greatest experts in natural history told me the other day that Colonel Roosevelt could, in that department of knowledge, hold his own with experts. His knowledge of literature was also very great, and it was knowledge of the best. It is seldom that you find so great a man of action who was also a man of such wide and accurate knowledge. I happened to be impressed by his knowledge of natural history and literature and to have had first-hand evidence of both, but I gather from others that there were other fields of knowledge in which he was also remarkable.
The Well-Tempered Critic, p. 140
"Quotes"
Context: The fundamental act of criticism is a disinterested response to a work of literature in which all one's beliefs, engagements, commitments, prejudices, stampedings of pity and terror, are ordered to be quiet. We are now dealing with the imaginative, not the existential, with the "let this be," not with "this is," and no work of literature is better by virtue of what it says than any other work.
Brown : The Last Discovery of America (2003)
Context: Books should confuse. Literature abhors the typical. Literature flows to the particular, the mundane, the greasiness of paper, the taste of warm beer, the smell of onion or quince. Auden has a line: "Ports have names they call the sea." Just so will literature describe life familiarly, regionally, in terms life is accustomed to use — high or low matters not. Literature cannot by this impulse betray the grandeur of its subject — there is only one subject: What it feels like to be alive. Nothing is irrelevant. Nothing is typical.
"Political Correctness: Robert Bly and Philip Larkin" (1997)
Context: The reaction against Larkin has been unprecedentedly violent as well as unprecedentedly hypocritical, tendentious and smug. Its energy does not, could not derive from literature — it derives from ideology, or from the vaguer promptings of a new ethos. … This is critical revisionism in an eye-catching new outfit. The reaction, like most reactions, is just an overreaction, and to get an overreaction you need plenty of overreactors — somebody has to do it. … I remember thinking when I saw the fiery Tom Paulin's opening shot, We're not really going to do this, are we? But the new ethos was already in place, and yes, we really were going to do this — on Paulin's terms, too. His language set the tone for the final assault and mop-up, which came with the publication of Andrew Motion's, Philip Larkin: A Writer's Life. Revolting. Sewer. Such language is essentially unstable. It calls for a contest of the passions and hopes that the fight will get dirty.
Source: Christianity and the Social Crisis (1907), Ch.2 The Social Aims of Jesus, p. 46
Context: Eminent theologians, like other eminent thinkers, live in the social environment of wealth and to that extent are slow to see. The individualistic conception of religion is so strongly fortified in theological literature and ecclesiastical institutions that its monopoly cannot be broken in a hurry. It will take a generation or two for the new social comprehension of religion to become common property.
Letter XXIV (19 April 1848), ** Part II, Things and Thoughts of Europe, p. 326.
At Home And Abroad (1856)
Context: My friends write to urge my return the talk of our country as the land of the future. It is so, but that spirit which made it all it is of value in my eyes, which gave me all hope with which I can sympathize for that future, is more alive here at present than in America. My country is at present spoiled by prosperity, stupid with the lust of gain, soiled by crime in its willing perpetuation of slavery, shamed by an unjust war, noble sentiment much forgotten even by individuals, the aims of politicians selfish or petty, the literature frivolous and venal. In Europe, amid the teachings of adversity, a nobler spirit is struggling — a spirit which cheers and animates mine. I hear earnest words of pure faith and love. I see deeds of brotherhood. This is what makes my America. I do not deeply distrust my country. She is not dead, but in my time she sleepeth, and the spirits of our fathers flame no more, but lies hid beneath the ashes. It will not be so long; bodies cannot live when the soul gets too overgrown with gluttony and falsehood.
"Meeting with Enrique Lihn" (The New Yorker,December 22, 2008)
Context: Literature was a vast minefield occupied by enemies, except for a few classic authors (just a few), and every day I had to walk through that minefield, where any false move could be fatal, with only the poems of Archilochus to guide me. It’s like that for all young writers. There comes a time when you have no support, not even from friends, forget about mentors, and there’s no one to give you a hand; publication, prizes, and grants are reserved for the others, the ones who said “Yes, sir,” over and over, or those who praised the literary mandarins, a never-ending horde distinguished only by their aptitude for discipline and punishment — nothing escapes them and they forgive nothing.
"The Mutabilities of Literature".
The Sketch Book of Geoffrey Crayon (1819–1820)
Context: Language gradually varies, and with it fade away the writings of authors who have flourished their allotted time; otherwise, the creative powers of genius would overstock the world, and the mind would be completely bewildered in the endless mazes of literature. Formerly there were some restraints on this excessive multiplication. Works had to be transcribed by hand, which was a slow and laborious operation; they were written either on parchment, which was expensive, so that one work was often erased to make way for another; or on papyrus, which was fragile and extremely perishable. Authorship was a limited and unprofitable craft, pursued chiefly by monks in the leisure and solitude of their cloisters. The accumulation of manuscripts was slow and costly, and confined almost entirely to monasteries. To these circumstances it may, in some measure, be owing that we have not been inundated by the intellect of antiquity; that the fountains of thought have not been broken up, and modern genius drowned in the deluge. But the inventions of paper and the press have put an end to all these restraints. They have made everyone a writer, and enabled every mind to pour itself into print, and diffuse itself over the whole intellectual world. The consequences are alarming. The stream of literature has swollen into a torrent — augmented into a river — expanded into a sea.