Quotes about literature (1152 quotes, page 10)

“Myth is at the beginning of literature, and also at its end.”

Jorge Luis Borges Dreamtigers

"Parable of Cervantes and Don Quixote" (January 1955)
Tr. Andrew Hurley, Collected Fictions (1998)
Dreamtigers (1960)
Variant: In the beginning of literature there is myth, as there is also in the end of it.

“Today's literature: prescriptions written by patients.”

Karl Kraus (1874–1936) Czech playwright and publicist

Half-Truths and One-And-A-Half Truths (1976)

“The word generalization in literature usually means covering too much territory too thinly to be persuasive, let alone convincing. In science, however, a generalization means a principle that has been found to hold true in every special case. … The principle of leverage is a scientific generalization.”

Buckminster Fuller (1895–1983) American architect, systems theorist, author, designer, inventor and futurist

1970s, Synergetics: Explorations in the Geometry of Thinking (1975), The Wellspring of Reality

Science

“The great standard of literature as to purity and exactness of style is the Bible.”

Hugh Blair (1718–1800) British philosopher

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 386.

“The fundamental principle of literature is to create something out of nothing and to make up stories. My creation has not been altogether fashioned out of nothing, and is not entirely made up.”

Mo Yan book The Republic of Wine

Source: The Republic of Wine (1992), Chapter Four, Section V

Fashion

“Corruption is the enemy of development. It must be got rid of. Both the government and the people at large must come together to achieve this national objective. You have always shown an ability to understand events happening around you; expressed your views and I am sure you will not fail in building a strong, progressive, cohesive and corruption-free India. These are totally unacceptable and must be opposed by one and all. The government, social organizations, NGOs and other voluntary bodies all have to work collectively. Therefore, their issues received my constant attention during my Presidency. Women have talent and intelligence but due to social constraints and prejudices, it is still a long distance away from the goal of gender equality. A paradigm shift, where, in addition to, physical inputs for farming, a focused emphasis placed on knowledge inputs, can be a promising way forward. This knowledge-based approach will bring immense returns particularly in rainfed and dryland farming areas. I believe economic growth should translate into the happiness and progress of all. Alongwith it, there should be development of art and culture, literature and education, science and technology. We have to see how to harness the many resources of India for achieving common good and for inclusive growth.”

Pratibha Patil (1934) 12th President of India

Patil's goodbye wish: A 'corruption-free India' https://in.news.yahoo.com/patils-goodbye-wish-corruption-free-india-143318154.html in: IANS India Private Limited By Indo Asian News Service, 24 July 2012.
Goodybe Wish

Women , People , Education , Art

“Clemens was sole, incomparable, the Lincoln of our literature.”

William Dean Howells (1837–1920) author, critic and playwright from the United States

My Mark Twain http://www.gutenberg.org/files/3390/3390.txt (1910)

“The question I propose to consider is in what way one may justify the study of English on cultural and disciplinary, and not merely on sentimental or utilitarian, grounds. My own conviction is that if English is to be thus justified it must be primarily by what I am terming the discipline of ideas.
As a matter of fact one hears it commonly said nowadays that literature may be rescued from the philologist on the one hand and the mere dilettante on the other by an increase of emphasis on its intellectual content, that the teaching of literature, if it is to have virility, must be above all the teaching of ideas.”

Irving Babbitt (1865–1933) American academic and literary criticism

Source: "English and the Discipline of Ideas" (1920), p. 63

Way , Idea , Question , Study

“One of the things about Adrianne I was always grateful for was that she always wanted to learn and experience more things in the world. She was very thoughtful and interested. She loved literature and reading.”

Adrianne Wadewitz (1977–2014) academic and Wikipedian

Molly Vetter, friend of Wadewitz — quoted in: Wetzel, Diane. (April 23, 2014). "NP grad, Wikipedia editor dies in Calif." http://www.nptelegraph.com/news/np-grad-wikipedia-editor-dies-in-calif/article_c7be4462-ab39-53ad-b3e8-9055b51d3bdf.html NPTelegraph.com. North Platte, Nebraska. — and: Wetzel, Diane (April 23, 2014). "North Platte grad, 37, Wikipedia editor, dies in climbing fall" http://www.omaha.com/article/20140423/NEWS/140429478/1707. Omaha World-Herald (Omaha, Nebraska).
About

Love , World , Learning , Reading

“I myself represent the style of a Bach who was a human being with all his heights and depths, who knew life very well. My Bach is the experience of my playing the whole literature; and filling the different voices with their own life, vitality, vividness; it’s the independent speaking-until-singing of the different voices; and lastly it’s a balance between pianistic virtuosity and something chamber-music-like.”

Burkard Schliessmann classical pianist

Talkings on Bach

Life , Music , Singing

“Even where it is manipulated by major talents, deconstruction tends to bear either on marginal texts (Sade, Lautréamont), or on secondary work by a great writer (Barthes on Balzac's Sarrazine). The classics of deconstruction, in Jacques Derrida or Paul De Man, are "misreadings" not of literature but of philosophy; they address themselves to philosophical linguistics and the theory of language. The masks they seek to strip off are those worn by Plato, by Hegel, by Rousseau, by Nietszche or Saussure. Deconstruction has nothing to tell us of Aeschylus or Dante, of Shakespeare or Tolstoy.”

George Steiner (1929–2020) American writer

Source: Real Presences (1989), II: The Broken Contract, Ch. 8 (p. 128).

“I put my books in a bag because I don't care anymore if people in the subway look at me admiringly. I can't hold on to a girl, I can't keep an office job, I make a fool of myself in my first literature class and I wonder why I left Limerick at all. […] I could have read Jonathan Swift to my heart's content not giving a fiddler's fart whether he was a satirist or a seanachie.”

Frank McCourt book 'Tis

§23
'Tis (2000)

People , Books , Fools , Girl

“We must make [the Honour School of Chinese] sufficiently broad and humane to satisfy those whose interests are not narrowly philological […] by presenting Chinese literature as a part of our total human heritage; [and] we must always insist that the Honour School should be based on the study of literature.”

David Hawkes (sinologist) (1923–2009) British sinologist

Source: Inaugural Lecture, Oxford, 1961, p. 27

School , Study , Parting

“A reader who quarrels with postulates, who dislikes Hamlet because he does not believe that there are ghosts or that people speak in pentameters, clearly has no business in literature.”

Northrop Frye (1912–1991) Canadian literary critic and literary theorist

Source: "Quotes", Anatomy of Criticism: Four Essays (1957), p. 70

People , Business

“All serious art, music, literature is a critical act. It is so, firstly, in the sense of Matthew Arnold's phrase: "a criticism of life." Be it realistic, fantastic, Utopian or satiric, the construct of the artist is a counter-statement to the world.”

George Steiner (1929–2020) American writer

Source: Real Presences (1989), I: A Secondary City, Ch. 4 (p. 11).

Life , World , Art , Music

“This body of administrative literature can be taught to young men and women; perhaps also to the aged, if they are not hopeless. And it is possible by tests to discover whether or how far the process of communicating and imparting administrative knowledge has been successful, [although] not precisely in all cases. Moreover, and this is highly important, young men and women who have more or less mastered the principles, maxims, and axioms of administrative science can now, by what is called in-training, fortify their formal knowledge by living experiences in and with administration. There is, then, a science of administration, in the sense in which I have used the term, and it can be taught, learned, and used.”

Charles A. Beard (1874–1948) American historian

Source: Philosophy, Science and Art of Public Administration (1939), p. 662

Women , Men , Age , Communication

“Poetry is the greatest literature, and pleasure in poetry is the greatest of literary pleasures. It is also the least easy to attain and there are some people who never do attain it.”

Edward Grey, 1st Viscount Grey of Fallodon (1862–1933) British Liberal statesman

Recreation (1919)

People , Pleasure

“A great piece of literature does not try to coerce you to believe it or agree with it. A great piece of literature simply is.
It is a vehicle of truth, but it is not a blueprint, and we tend to confuse the two.”

Madeleine L'Engle (1918–2007) American writer

Section 4.5 
The Crosswicks Journal, A Circle of Quiet (1972)

Truth

“A knowledge of different literatures is the best way to free one's self from the tyranny of any of them.”

José Martí (1853–1895) Poet, writer, Cuban nationalist leader

On Oscar Wilde (1882)

Way , Knowledge

“Literature is not a subject of study, but an object of study.”

Northrop Frye (1912–1991) Canadian literary critic and literary theorist

"Quotes", Anatomy of Criticism: Four Essays (1957), Polemical Introduction

Study

“It isn't pleasant to surrender to the hegemony of a nation which is still wild and primitive, and to concede the absolute superiority of its customs and institutions, science and technology, literature and art. Must one sacrifice so much in the name of the unity of mankind?”

Czeslaw Milosz book The Captive Mind

"The Pill of Murti-Bing" (1951), trans. Jane Zielonko
The Captive Mind (1953)

Art , Science

“When people cannot write good literature it is perhaps natural that they should lay down rules how good literature should be written.”

George Saintsbury (1845–1933) British literary critic

Source: A Last Vintage, p. 172

People , Nature

“Whatever may have been our final judgment on the strange novel of M. Marcel Proust, 'Du Côté de chez Swann,' which appeared in the year before the war—and the book at least had this obviously in common with a great work of literature, that it lent itself to judgment on many different planes—the persistent element in all our changing opinions was that it marked the arrival of a new sensibility. We were being made aware in new ways, induced to perceive existence in new relations.”

John Middleton Murry (1889–1957) English writer (1889–1957)

[M. Marcel Proust: A New Sensibility, The Quarterly Review, 238, 86–100, https://babel.hathitrust.org/cgi/pt?id=hvd.32044092529312;view=1up;seq=104] July 1922, quote p. 88

War , Books , Way , Appearance

“Previous research addressing market orientation from a cultural perspective typically has used behavioral measures of this construct. Drawing on literature in the fields of organizational theory and marketing, the authors develop a multilayer model of market-oriented organizational culture. They draw an explicit distinction among values that support market orientation, norms for market orientation, artifacts indicating high and low market orientation, and market-oriented behaviors. On the basis Of qualitative research and a subsequent survey, the authors develop scales for measuring the different layers of market-oriented culture and analyze relationships among the different components of market-oriented culture. Findings indicate that artifacts play a crucial role in determining behavior within organizations. Results also indicate that a market-oriented culture influences financial performance indirectly through market performance and that this relationship is stronger in highly dynamic markets.”

Christian Homburg (1962) German academic

Source: "A multiple-layer model of market-oriented organizational culture", 2000, p. 449 ; Abstract

Behavior , Support , Drawing

“The simplest way to make sure that we raise literate children is to teach them to read, and to show them that reading is a pleasurable activity. And that means, at its simplest, finding books that they enjoy, giving them access to those books, and letting them read them. I don't think there is such a thing as a bad book for children.Every now and again it becomes fashionable among some adults to point at a subset of children's books, a genre, perhaps, or an author, and to declare them bad books, books that children should be stopped from reading…It's tosh. It's snobbery and it's foolishness. There are no bad authors for children, that children like and want to read and seek out, because every child is different. They can find the stories they need to, and they bring themselves to stories. A hackneyed, worn-out idea isn't hackneyed and worn out to them. This is the first time the child has encountered it. Do not discourage children from reading because you feel they are reading the wrong thing. Fiction you do not like is a route to other books you may prefer. And not everyone has the same taste as you.Well-meaning adults can easily destroy a child's love of reading: stop them reading what they enjoy, or give them worthy-but-dull books that you like, the 21st-century equivalents of Victorian "improving" literature. You'll wind up with a generation convinced that reading is uncool and worse, unpleasant.”

Neil Gaiman (1960) English fantasy writer

Why our future depends on libraries, reading and daydreaming (2013)

Love , Children , Pleasure , Books

“When they accepted their assignments they were not very confident, especially the assistant head surgeon who simply believed in his own past experience, in the statistics of international medical literature, and in the medical equipment and resources of the hospitals in capitalist countries. Therefore when he first heard the talk of the vice-superintendent, who was the secretary of the general Party branch, he had some inner feeling of resistance. He thought to himself, "This is simply coercing people to try and do the impossible! But since I have accepted the assignment I'll do what I can. At any rate, the patients will die either in the shock stage or later."”

Ba Jin (1904–2005) Chinese novelist

With such downhearted feelings he entered the ward to see his patients.
A Battle For Life (July 1958)

People , Feeling , Confidence , Past

“Included in this “almost nothing,” as a kind of geological afterthought of the last few million years, is the first development of self-conscious intelligence on this planet—an odd and unpredictable invention of a little twig on the mammalian evolutionary bush. Any definition of this uniqueness, embedded as it is in our possession of language, must involve our ability to frame the world as stories and to transmit these tales to others. If our propensity to grasp nature as story has distorted our perceptions, I shall accept this limit of mentality upon knowledge, for we receive in trade both the joys of literature and the core of our being.”

Stephen Jay Gould (1941–2002) American evolutionary biologist

"Literary bias on the slippery slope", p. 252
Bully for Brontosaurus (1991)

World , Intelligence , Nature , Knowledge

“From the top of the campanile, or Giotto's bell tower, in Florence, one can look out over the city in all directions, past the stone banking houses where the rich Medici lived, past the art galleries they patronized, past the magnificent cathedral and churches their money helped to build, and on to the Tuscan vineyards where the contadino works the soil as hard and efficiently as he probably ever did. The city below is busy with life. The university halls, the shops, the restaurants are crowded. The sound of Vespas, the "wasps" of the machine age, fills the air, but Florence is not today what it once was, the center in the 15th century of a great civilization, one of the most extraordinary the world has ever known. Why? What produced the Renaissance in Italy, of which Florence was the center? How did it happen that such a small population base could produce, in the short span of a few generations, great historical figures first in commerce and literature, then in architecture, sculpture and painting, and finally in science and music? Why subsequently did Northern Italy decline in importance both commercially and artistically until at the present time it is not particularly distinguished as compared with many other regions of the world? Certainly the people appear to be working as hard and energetically as ever. Was it just luck or a peculiar combination of circumstances? Historians have been fascinated by such questions ever since they began writing history, because the rise and fall of Florence or the whole of Northern Italy is by no means an isolated phenomenon.”

David C. McClelland (1917–1998) American psychological theorist

Source: The Archiving Society, 1961, p. 1; lead paragraph, about the problem

Life , Money , People , Age

“If England has any dignity left in the way of literature, she will forget for ever the pitiful antics of English Literature's performing flea.”

Sean O`Casey (1880–1964) Irish writer

Letter to The Daily Telegraph, July 8, 1941; published in The Letters of Sean O'Casey: 1910-41 (New York: Macmillan, 1975) p. 890.
Of P. G. Wodehouse's wartime broadcasts from Berlin.

Way , Forgetting

“Nothing gives history a greater superiority to many branches of literature, than to see in a manner imprinted, in almost every page of it, the precious footsteps and shining proofs of this great truth, viz. that God disposes all events as supreme Lord and Sovereign; that he alone determines the fate of kings and the duration of empires; and that he transfers the government of kingdoms from one nation to another, because of the unrighteous dealings and wickedness committed therein.”

Charles Rollin (1661–1741) French historian

The Ancient History of the Egyptians, Carthaginians, Assyrians, Babylonians, Medes and Persians, Macedonians, and Grecians, Vol. I, Eleventh Edition (1808), Preface, p. iii

God , Fate , Truth , History

“That was the other thing that drew me to India-the language. In high school my Latin teacher taught me Greek unofficially on Monday nights. I loved Greek; I loved the idea that there was another script. And then my Latin teacher told me there was a language that was even older and more interesting than Greek: Sanskrit. So everything started coming together-the art, the literature, the language.”

Wendy Doniger (1940) American Indologist

On the aspect of her studying Sanskrit.
Q&A with Wendy Doniger, the Mircea Eliade Distinguished Service Professor and author of The Hindus

Love , School , Art , Idea

“No matter what direction we start off in, the signposts of literature always keep pointing the same way, to a world where nothing is outside the imagination. If even time, the enemy of all living things, and to poets, the most hated and feared of all tyrants, can be broken down by the imagination, anything can be.”

Northrop Frye (1912–1991) Canadian literary critic and literary theorist

"Quotes", The Educated Imagination (1963), Talk 3: Giants in Time

Hate , World , Fear , Way

“One does not need to have the authentic Hittite nose to be a Jew; the term Jew rather denotes a special way of thinking and feeling. A man can very soon become a Jew without being an Israelite; often it needs only to have frequent intercourse with Jews, to read Jewish newspapers, to accustom himself to Jewish philosophy, literature and art. On the other hand, it is senseless to call an Israelite a 'Jew', though his descent is beyond question, if he has succeeded in throwing off the fetters of Ezra and Nehemiah, and if the law of Moses has no place in his brain, and contempt of others no place in his heart.”

Houston Stewart Chamberlain book The Foundations of the Nineteenth Century

The Foundations of the Nineteenth Century (Die Grundlagen des neunzehnten Jahrhunderts) (1899)

Law , Art , Way , Feeling

“I think there really is a place for science in literature and I think that may be increasing”

Richard Dawkins (1941) English ethologist, evolutionary biologist and author

Thinking , Science

“Amazing. You're here, but you can't do a simple thing like raising light, or do I mean lazing right? Whichever. You can't. Why not?"
"No one ever showed me how," I said.
He swayed about, looking solemn. "I quote," he said. "I'm very well read in the literature of several worlds, you know, and I quote. What do they teach them in these schools?”

Diana Wynne Jones (1934–2011) English children's fantasy writer

Source: Magids Series, The Merlin Conspiracy (2003), p. 113.

World , School , Quotes , Light

“The Oxford Companion to Children's Literature ed. H. Carpenter & M. Pritchard (1984)”

Charles Hamilton (writer) (1876–1961) English writer of school stories

References

Children

“What people report is not properties of their image but of the objects they are imagining. Such properties as color, shape, size and so on are clearly properties of the objects that are being imagined. This distinction is crucial. The seemingly innocent scope slip that takes image of object X with property Pro mean (image of object X) with property P instead of the correct image of (object X with property P) is probably the most ubiquitous and damaging conclusion in the whole imagery literature.”

Zenon Pylyshyn (1937) Canadian philosopher

Pylyshyn (1981, 18-19), as cited in: Ken Clements, "Visual imagery and school mathematics." For the learning of mathematics 2.2 (1981): 2-9.

People , Color , Imagination

“One is not quite certain that creativeness in the arts, literature, and science functions best in an environment of absolute freedom. Chances are that a relatively mild tyranny stimulates creativeness.”

Eric Hoffer (1898–1983) American philosopher

Entry (1956)
Eric Hoffer and the Art of the Notebook (2005)

Art , Freedom , Science , Chance

“For Muslims the Quran is the Word of God; it is sacred scripture, not a work of "literature," a manual of law, or a text of theology, philosophy or history although it is of incomparable literary quality, contains many injunctions about a Sacred Law, is replete with verses of metaphysical, theological, and philosophical significance, and contains many accounts of sacred history. The unique structure of the Quran and the flow of its content constitute a particular challenge to most modern readers. For traditional Muslims the Quran is not a typical "read" or manual to be studied. For most of them, the most fruitful way of interacting with the Quran is not to sit down and read the Sacred Tex from cover to cover (although there are exceptions, such as completing the whole text during Ramadan). it is, rather, to recite a section with full awareness of it as the Word of God and to meditate upon it as one whose soul is being directly addressed, as the Prophet's soul was addressed during its revelation. … In this context it must be remembered that the Quran itself speaks constantly of the Origin and the Return, of all things coming from God and returning to Him, who himself has no origin or end. As the Word of god, the Quran also seems to have no beginning and no end. Certain turns of phrase and teachings about the Divine Reality, the human condition, the life of this world, and the Hereafter are often repeated, but they are not mere repetitions. Rather each iteration of a particular word, phrase, or verse opens the door of a hidden passage to other parts of the Quran. Each coda is always a prelude to an as yet undiscovered truth.”

Seyyed Hossein Nasr book The Study Quran

The Study Quran: A New Translation and Commentary https://books.google.com/books?id=GVSzBgAAQBAJ&printsec=frontcover (2015)

Life , God , Truth , World

“Not to know the Bible is, in some ways, to be illiterate, to neglect the very roots of philosophy, art, architecture, literature, poetry and music.”

Chris Hedges book American Fascists: The Christian Right and the War on America

Source: American Fascists: The Christian Right and the War on America, Chapter One: Faith

Art , Music , Way

“But she [Virginia Woolf] is impotently distant from an understanding of the proper relations between literature and society, because she has no clear sense of the functions of literature. She sees writers as individual 'artists' working in mysterious privacy - which from time to time society rudely invades. Her writer, indeed, has all the characteristics of traditional 'femininity' - with society as the big strong male who should protect and cherish his literary womenfolk, but does not. She might - for all the application of her complaint to the relations between society and literature - be talking of the relations between husbands and wives.”

Laura Riding Jackson (1901–1991) poet, critic, novelist, essayist and short story writer

Laura Riding and Harry Kemp from The Left Heresy in Literature and Life (London: Methuen, 1939)

Understanding , Sense , Strong , Distant

“Such abstruse ideas are totally alien to Chopin. The Romantic interweaving of music and literature that was characteristic of Schumann and Liszt was a negligible source of inspiration. Schumann dedicated Kreisleriana to Chopin, but in fact Chopin’s consciousness for classical strength and form had nothing in common with the exalted, torn, eccentric and confused character of the work.”

Burkard Schliessmann classical pianist

Talkings about Chopin and Schumann

Music , Idea

“Painting, literature, music, are more closely allied than the public usually admit. They are merely different means of expression.”

Auguste Rodin (1840–1917) French sculptor

RODIN, AUGUSTE. L'Art. Entretiens réunis par Paul Gsell, 1911

Music , Painting

“We assert—and on the basis of the most recent socialist literature that you cannot deny—that the real history of capitalism is only now beginning, because capitalism is not just a system of oppression; it also represents a choice of value,…”

Benito Mussolini (1883–1945) Duce and President of the Council of Ministers of Italy. Leader of the National Fascist Party and subsequen…

As quoted in Mediterranean Fascism 1919-1945, edit., Charles F. Delzell, The MacMillian Press (1970) p. 23. Speech given on June 21, 1921 in Italy’s Chamber of Deputies.
1920s

History

“As I was writing about Grace Marks, and about her interlude in the Asylum, I came to see her in context — the context of other people's opinions, both the popular images of madness and the scientific explanations for it available at the time. A lot of what was believed and said on the subject appears like sheer lunacy to us now. But we shouldn't be too arrogant — how many of our own theories will look silly when those who follow us have come up with something better? But whatever the scientists may come up with, writers and artists will continue to portray altered mental states, simply because few aspects of our nature fascinate people so much. The so-called mad person will always represent a possible future for every member of the audience — who knows when such a malady may strike? When "mad," at least in literature, you aren't yourself; you take on another self, a self that is either not you at all, or a truer, more elemental one than the person you're used to seeing in the mirror. You're in danger of becoming, in Shakespeare's works, a mere picture or beast, and in Susanna Moodie's words, a mere machine; or else you may become an inspired prophet, a truth-sayer, a shaman, one who oversteps the boundaries of the ordinarily visible and audible, and also, and especially, the ordinarily sayable. Portraying this process is deep power for the artist, partly because it's a little too close to the process of artistic creation itself, and partly because the prospect of losing our self and being taken over by another, unfamiliar self is one of our deepest human fears.”

Margaret Atwood (1939) Canadian writer

Ophelia Has a Lot to Answer For (1997)

People , Truth , Fear , Nature

“A people’s literature is the great textbook for real knowledge of them. The writings of the day show the quality of the people, as no historical reconstruction can.”

Edith Hamilton (1867–1963) American teacher and writer

Preface
The Roman Way (1932)

People , Knowledge

“I can't believe that people really prefer to go to the concert hall under intellectually trying, socially trying, physically trying conditions, unable to repeat something they have missed, when they can sit at home under the most comfortable and stimulating circumstances and hear it as they want to hear it. I can't imagine what would happen to literature today if one were obliged to congregate in an unpleasant hall and read novels projected on a screen.”

Milton Babbitt (1916–2011) American composer

See: recording Quoted in Classic Essays on Twentieth-Century Music, ISBN 0028645812.

People , Music , Quotes , Home

“Someone worked really hard to make the language just right, just the way they wanted it. They were so sure of it that they printed it in ink, on paper. A screen always feels like we could delete that, change that, move it around. So for a literature-crazed person like me, it's just not permanent enough. …it's going to be very hard to make the world work if there's no permanence like that. That kind of radical contingency is not compatible with a system of justice or responsible self-government.”

Jonathan Franzen (1959) novelist

"Jonathan Franzen Warns Ebooks are Corroding Values," The Guardian (Jan 30, 2012).

World , Justice , Way , Feeling

“All hail, Macpherson! hail to thee, Sire of Ossian! The Phantom was begotten by the suing embrace of all impudent Highlander upon a cloud of tradition—it travelled southward, where it was greeted with acclamation, and the thin Consistence took its course through Europe, upon the breath of popular applause. […] Having had the good fortune to be born and reared in a mountainous country, from my very childhood I have felt the falsehood that pervades the volumes imposed upon the world under the name of Ossian. From what I saw with my own eyes, I knew that the imagery was spurious. In Nature everything is distinct, yet nothing defined into absolute independent singleness. In Macpherson's work, it is exactly the reverse; every thing (that is not stolen) is in this manner defined, insulated, dislocated, deadened,—yet nothing distinct. It will always be so when words are substituted for things. […] Yet, much as those pretended treasures of antiquity have been admired, they have been wholly uninfluential upon the literature of the Country. No succeeding writer appears to have taught from them a ray of inspiration; no author, in the least distinguished, has ventured formally to imitate them—except the boy, Chatterton, on their first appearance. […] This incapacity to amalgamate with the literature of the Island, is, in my estimation, a decisive proof that the book is essentially unnatural; nor should I require any other to demonstrate it to be a forgery, audacious as worthless.”

James Macpherson (1736–1796) Scottish writer, poet, translator, and politician

William Wordsworth, "Essay Supplementary to the Preface" http://spenserians.cath.vt.edu/TextRecord.php?textsid=35963 in Poems by William Wordsworth, Vol. I (1815), pp. 363–365.
Criticism

Books , World , Travel , Mountain

“It is much more meaningful and enjoyable to read the scientific literature about experiments you are involved in yourself than to read about science in the abstract.”

Eric R. Kandel (1929) American neuropsychiatrist

In Search of Memory (2006)

Science , Reading

“Just as mainstream literature shows us how our contemporaries view the present, and historical fiction shows us how they view the past (not, of course, what the present or the past were actually like), so speculative fiction shows us how they view the future. I happen to believe that my contemporaries' view of the past is not very important; but their view of the present is quite definitely important, and their view of the future is vital.”

Gene Wolfe (1931–2019) American science fiction and fantasy writer

"The Right of Things to Come", presentation for the Science Fiction Research Association (1978), as published in Castle of Days (1992)
Nonfiction

Past , Future

“One of the impressive things about paranoid literature is the contrast between its fantasied conclusions and the almost touching concern with factuality it invariably shows. It produces heroic strivings for evidence to prove that the unbelievable is the only thing that can be believed.”

Richard Hofstadter The Paranoid Style in American Politics

The Paranoid Style in American Politics (1964)

“Articulating the key Holocaust dogmas, much of the literature on Hitler's Final solution is worthless as scholarship. Indeed, the field of Holocaust studies is replete with nonsense, if not sheer fraud.”

Norman G. Finkelstein book The Holocaust Industry

"The Holocaust Industry" p. 55
Other sourced statements

Fraud , Study

“Muhammadan law in its relation to women, is a pattern to European law. Look back to the history of Islam, and you will find that women have often taken leading places - on the throne, in the battle-field, in politics, in literature, poetry, etc.”

Annie Besant (1847–1933) British socialist, theosophist, women's rights activist, writer and orator

Annie Besant Facts http://www.varanasi.org.in/annie-besant

Women , Law , History

“As far as I'm concerned, some of the best literature of the last hundred years has come out of the genre tradition and of course the best of it challenges expectations just as the best of literary fiction challenges those expectations. But it's not that genre fiction is any more a constraint than mimetic fiction. So I see myself very much as a genre writer. I love the fantastic genres. I see what I'm doing as a development of them but very much a part of them. I never feel that I'm leaving them behind. I try and be as experimental and avant-garde and stretching as I can be but I don't see that as turning my back on the genre at all. Genre has always been able to encompass that.”

China Miéville (1972) English writer

interview with 3am http://www.3ammagazine.com/litarchives/2003/feb/interview_china_mieville.html

Love , Feeling , Parting

“To view an object in the proper light we must stand away from it. The study of the classical literatures gives the aloofness which cultivates insight. In learning to live with peoples and civilizations that have long ceased to be alive, we gain a vantage point, acquire an enlargement and elevation of thought, which enable us to study with a more impartial and liberal mind the condition of the society around us.”

John Lancaster Spalding (1840–1916) Catholic bishop

Source: Aphorisms and Reflections (1901), p. 106

People , Study , Light , Learning

“For my part, I spent three years reading the history and literature of the Civil War, with special attention to that of the losing side. The people who emerged were human, all-too-human, but there was still the mystery of the encompassing passion which held them together, and this I have not yet penetrated. But in a dozen various ways I came to recognize myself in the past, which is at least an important piece of self-knowledge.”

Richard M. Weaver (1910–1963) American scholar

"Up from Liberalism” Modern Age Vol. 3, No. 1 (Winter 1958-1959), p. 25, col. 2.

War , People , Way , History

“I am a novelist, not an activist… But I think that no one who reads what I write or who listens to my lectures can doubt that I am enlisted in the freedom movement. As an individual, I am primarily responsible for the health of American literature and culture. When I write, I am trying to make sense out of chaos. To think that a writer must think about his Negroness is to fall into a trap.”

Ralph Ellison (1914–1994) American novelist, literary critic, scholar and writer

As quoted in "An American Novelist Who Sometimes Teaches" by John Corry http://www.nytimes.com/books/99/06/20/specials/ellison-teaches.html in The New York Times (20 November 1966).

Health , Thinking , Sense , Freedom

“If books were sold as software and online recordings are, they would have this legalese up front:
The content of this book is distributed on an 'as is' basis, without warranty as to accuracy of content, quality of writing, punctuation, usefulness of the ideas presented, merchantability, correctness or readability of formulae, charts, and figures, or correspondence of (a) the table of contents with the actual contents, (2) page references in the index (if any) with the actual page numbering (if present), and (iii) any illustration with its adjacent caption. Illustrations may have been printed reversed or inverted, the publisher accepts no responsibility for orientation or chirality. Any resemblance of the author or his or her likeness or name to any person, living or dead, or their heirs or assigns, is coincidental; all references to people, places, or events have been or should have been fictionalized and may or may not have any factual basis, even if reported as factual. Similarities to existing works of art, literature, song, or television or movie scripts is pure happenstance. References have been chosen at random from our own catalog. Neither the author(s) nor the publisher shall have any liability whatever to any person, corporation, animal whether feral or domesticated, or other corporeal or incorporeal entity with respect to any loss, damage, misunderstanding, or death from choking with laughter or apoplexy at or due to, respectively, the contents; that is caused or is alleged to be caused by any party, whether directly or indirectly due to the information or lack of information that may or may not be found in this alleged work. No representation is made as to the correctness of the ISBN or date of publication as our typist isn't good with numbers and errors of spelling and usage are attributable solely to bugs in the spelling and grammar checker in Microsoft Word. If sold without a cover, this book will be thinner than those sold with a cover. You do not own this book, but have acquired only a revocable non-exclusive license to read the material contained herein. You may not read it aloud to any third party. This disclaimer is a copyrighted work of Jef Raskin, first published in 2004, and is distributed 'as is', without warranty as to quality of humor, incisiveness of commentary, sharpness of taunt, or aptness of jibe.”

Jef Raskin (1943–2005) American computer scientist

"If Books Were Sold as Software" http://www.newsscan.com/cgi-bin/findit_view?table=newsletter&dateissued=20040818#11200, NewsScan.com (18 August 2004)
If Books Were Sold as Software (2004)

Death , People , Books , Art

“Augustine's description of Ambrose's silent reading (including the remark that he never read aloud) is the first definite instance recorded in Western literature.”

Alberto Manguel (1948) writer

The Silent Readers, p. 43.
A History of Reading (1996)

Reading

“The design of my philosophical life is based on an examination of the following question: is it possible to secure improvement in the human condition by means of the human intellect? The verb 'to secure' is (for me) terribly important, because problem solving often appears to produce improvement, but the so-called 'solution' often makes matters worse in the larger system (e. g., the many food programs of the last quarter century may well have made world-wide starvation even worse than no food programs would have done.) The verb ‘to secure' means that in the larger system over time the improvement persists.
I have to admit that the philosophical question is much more difficult than my very limited intellect can handle. I don't know what 'human condition' and 'human intellect' mean, though I've done my best to tap the wisdom of such diverse fields as depth psychology, economics, sociology, anthropology, public health, management science, education, literature, and history. But to me the essence of philosophy is to pose serious and meaningful questions that are too difficult for any of us to answer in our lifetimes. Wisdom, or the love of wisdom, is just that: thought likes solutions, wisdom abhors them.”

C. West Churchman (1913–2004) American philosopher and systems scientist

Source: 1980s and later, Thought and Wisdom (1982), p. 19; cited in Werner Ulrich (1998) '" C. West Churchman-75 years". in: Systems practice. December 1988, Volume 1, Issue 4, pp 341-350

Love , Life , Wisdom , Health

“For the development of nationhood from one or more ethnicities, by far the most important and widely present factor is that of an extensively used vernacular literature. A long struggle against an external threat may also have a significant effect as, in some circumstances, does state formation, though the latter may well have no national effect whatever elsewhere. A nation may precede or follow a state of its own but it is certainly assisted by it to a greater self-consciousness. Most such developments are stimulated by the ideal of a nation-state and of the world as a society of nations originally 'imagined', if you like the word, through the mirror of the Bible, Europe's primary textbook, but turned into a formal political philosophy no earlier than the nineteenth century and then next to canonised by President Woodrow Wilson and the Versailles peace settlement of 1920.”

Adrian Hastings (1929–2001) Roman Catholic priest, historian and author

Source: The construction of nationhood: ethnicity, religion, and nationalism (1997), p. 2; As cited in: nationalismproject.org http://www.nationalismproject.org/what/hastings.htm by Eric G.E. Zuelow, 1999-2007.

World , Peace , Imagination

“The sudden change [Wotruba and his wife returned to Vienna in December 1945, at the end of the war; there he started to direct a class for advanced students on the Akademie der Bildenden Künste of Vienna] has had a shock effect on me and on my work. The almost sensual excitement caused by the destruction around me wears off rather quickly. It is not my duty to give this past [of Nazism and the war-years, fh] more significance than it has already been given in literature, on the stage and in the cinema. I am concerned with the figure, with the statuary, i. e., with statics, measurement, equilibrium, and with unity.”

Fritz Wotruba (1907–1975) Austrian sculptor (23 April 1907, Vienna – 28 August 1975, Vienna)

Source: The Human Form: Sculpture, Prints, and Drawings, 1977, p. 22.

War , Change , Past

“So, I was to talk about "Opera as Related to Literature", was I not? And because the subject is so vast, I have wandered here and there, trying to illuminate, as if with a candle, a vast chamber full of fascinating corners, mysterious with mirrors, and echoing with some of the loveliest music ever written. I have not succeeded on any high level, but then, I never expected to do so. But perhaps I have thrown out an idea or two which you would like to consider for yourselves.”

Robertson Davies (1913–1995) Canadian journalist, playwright, professor, critic, and novelist

Opera for the Man Who Reads Hamlet (1989).

Music , Idea

“Paradoxically, the simpler poetry is, the more difficult it becomes for a critic to discuss intelligently. Trained to explicate, the critic often loses the ability to evaluate literature outside the critical act. A work is good only in proportion to the richness and complexity of interpretations it provokes.”

Dana Gioia (1950) American writer

"The Anonymity of the Regional Poet: Ted Kooser," from Can Poetry Matter? Essays on Poetry and American Culture (1992)
Essays

Intelligence , Training

“Maslow's psychology, firmly based upon Freud and Watson, simply points out that the optimistic side of the picture has been overlooked; the deterministic laws of our 'lower nature' hold sway in their won field; but there are other laws. Man's freedom is a reality -- a reality that makes a difference to his physical, as well as his mental health. When Frankl's prisoners ceased to believe in the possibility of freedom, they grew sick and died. On the other hand, when they saw that Dachau had no chimney, standing out all night in the rain seemed no great hardship; they laughed and joked. The conclusion needs to be stated in letters ten feet high. In order to realise his possibilities, man must believe in an open future; he must have a vision of something worth doing. And this will not be possible until all the determinism and pessimism that we have inherited from the 19th century -- and which has infected every department of our culture, from poetry to atomic physics -- has been dismissed as fallacious and illogical. Twentieth century science, philosophy, politics, literature -- even music -- has been constructed upon a weltanschauung that leaves half of human nature out of account.”

Colin Wilson (1931–2013) author

p 219-220
New Pathways In Psychology: Maslow and the Post-Freudian Revolution (1972)

Health , Law , Music , Nature

“If you are looking at fine buildings or the literature of the period, you have to be aware that you are only dealing with the mindset of the elite.”

Richard Miles (historian) (1969) British historian and archaeologist

My bright idea: Civilisation is still worth striving for

“This history of walking is an amateur history, just as walking is an amateur act. To use a walking metaphor, it trespasses through everybody else’s field—through anatomy, anthropology, architecture, gardening, geography, political and cultural history, literature, sexuality, religious studies—and doesn’t stop in any of them on its long route.”

Rebecca Solnit (1961) Author and essayist from United States

Wanderlust: A History of Walking (2001)

History , Study

“There is a clear acknowledgement all over the world that we should not teach people to read and then to leave them without literature. For they would then relapse into a dreary and ultimately dangerous state of half-education, in which they would be easily satisfied by crude semi-pictorial approximations of the strip cartoon and by the abundant supply of degenerate literature which destroys, rather than promotes, a capacity to face the problems of the world with skill and courage”

A.D. Patel (1905–1969) Fijian politician

His argument for the introduction of a colony-wide library system in 1955.

People , World , Education , Courage

“In the Clunie Public Library in Sacramento, in those last years of a legally segregated America, there was no segregated shelf for Negro writers. Frederick Douglass on the same casement with Alexis de Tocqueville, Benjamin Franklin. Today, when our habit is willfully to confuse literature with sociology, with sorting, with trading in skins, we imagine the point of a "life" is to address some sort of numerical average, common obstacle or persecution. Here is a book "about" teenaged Chinese-American girls. So it is shelved.”

Richard Rodríguez (1944) American journalist and essayist

Brown : The Last Discovery of America (2003)

Life , Books , Imagination , Girl

“We must never lose sight of the deep and indestructible connections between translation/literature and life. If what we write is to have a chance of living on the page, then we must also live, we must observe life, we must experience and learn to transmute that experience. Translators no less than creative writers.”

John Minford (1946) New Zealand sinologist

Public Lecture (2018)

Life , Learning , Chance

“Literature, the strange entity so called,—that indeed is here. If Literature continue to be the haven of expatriated spiritualisms, and have its Johnsons, Goethes and true Archbishops of the World, to show for itself as heretofore, there may be hope in Literature. If Literature dwindle, as is probable, into mere merry-andrewism, windy twaddle, and feats of spiritual legerdemain, analogous to rope-dancing, opera-dancing, and street-fiddling with a hat carried round for halfpence, or for guineas, there will be no hope in Literature.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1850s, Latter-Day Pamphlets (1850), The New Downing Street (April 15, 1850)

World , Hope , Dance

“[Footnote] The Phoenicians employed an alphabet of twenty-one consonants. They left no literature. You can't be literary without a few vowels.”

Will Cuppy (1884–1949) American writer

The Decline and Fall of Practically Everybody (1950), Part II: Ancient Greeks and Worse, Hannibal

“When the “environmental revolution” arrived in the 1960s, economists were ready and waiting. The economic literature contained an apparently coherent view of the nature of the pollution problem together with a compelling set of implications for public policy. In short, economists saw the problem of environmental degradation as one in which economic agents imposed external costs upon society at large in the form of pollution. With no “prices” to provide the proper incentives for reduction of polluting activities, the inevitable result was excessive demands on the assimilative capacity of the environment. The obvious solution to the problem was to place an appropriate “price,” in this case a tax, on polluting activities so as to internalize the social costs. Marshall and Pigou had suggested such measures many decades earlier. Moreover, pollution and its control through so-called Pigouvian taxes had become a standard textbook case of the application of the principles of microeconomic theory. Economists were thus ready to provide counsel to policy makers on the design of environmental policy.”

William J. Baumol (1922–2017) American economist

Source: The theory of environmental policy, 1988, p. 1

Nature , Problem , Waiting

“In literature, science, art, philosophy, religion, in individual and above all in social and political life, we can observe how the line of the development of forces deviates from its original direction and goes, after a certain time, in a diametrically opposite direction, still preserving its former name.”

G. I. Gurdjieff (1866–1949) influential spiritual teacher, Armenian philosopher, composer and writer

In Search of the Miraculous (1949)

Life , Religion , Art , Science

“Our chapter on East Timor was far and away the most important in the two volumes, precisely because the huge ongoing crimes could have so readily been ended. It passed without mention in the doctrinal system - as, indeed, did our detailed review of many other U. S. crimes. In dramatic contrast, a sizable literature has been devoted to our chapter on Cambodia, desperately seeking to discover some error, and with unsupported and unjustifiable claims about our alleged apologetics for Pol Pot. We reviewed those that were even mildly serious in Manufacturing Consent, and there should be no need to do so again.”

Edward S. Herman (1925–2017) American journalist

Preface to the 2014 Edition
After the Cataclysm: Postwar Indochina and the Reconstruction of Imperial Ideology, with Noam Chomsky, 1979

Error

“Professor Halbfass follows a scholar's methodology in determining the extent of Indo-Greek contact. He is determined to find a document, some written mention, some journey relating to this contact before he would admit it, but by their very nature such evidences can only be very rare considering the time that has lapsed and the changes that have been wrought. But if Professor Halbfass had followed a more inward method or criterion of looking at Greek literature, he would have easily found plentiful evidence of a living Indo-Greek contact, particularly at the deeper level of the spirit. Both shared a common spiritual approach; both intuited man and his world in the same way; both expressed their spiritual intuition in the language of Gods; both taught âtma-vâda, and the theory of Two Selves and Two Ways; both taught the theory of karma, rebirth and moksha. In fact, the Greece of Pythagoras, Plato and Plotinus has more in common with Hindu India than with Christian Europe.”

Ram Swarup (1920–1998) Indian historian

On Hinduism (2000)

God , World , Way , Nature

“"The Sanskrit shall be our " Deva Bhasha)" our sacred language and the "Sanskrit Nishtha" Hindi, the Hindi which is derived from Sanskrit and draws its nourishment from the latter, is our ' 'mr' ' (Rashtra Bhasha) 12 [f.12] our current national language—-besides being the richest and the most cultured of the ancient languages of the world, to us Hindus the Sanskrit is the holiest tongue of tongues. Our scriptures, history, philosophy and culture have their roots so deeply imbedded in the Sanskrit literature that it forms veritably the brain of our Race. Mother of the majority of our mother tongues, she has suckled the rest of them at her breast. All Hindu languages current today whether derived from Sanskrit or grafted on to it can only grow and flourish on the sap of life they imbibe from Sanskrit. The Sanskrit language therefore must ever be an indispensable constituent of the classical course for Hindu youths.”

Vinayak Damodar Savarkar (1883–1966) Indian pro-independence activist,lawyer, politician, poet, writer and playwright

V.D. Savarkar quoted from B.R. Ambedkar, Pakistan or The Partition of India (1946)

Life , Youth , World , History

“It is my considered opinion that the sweetest relief from suffering and the best comfort in affliction that this world affords are to be found almost entirely in the study of literature, and so I believe that the splendour of historical writing is to be cherished with the greatest delight and given the pre-eminent and most glorious position.”
Cum in omni fere litterarum studio dulce laboris lenimen et summum doloris solamen dum uiuitur insitum considerem, tum delectabilius et maioris praerogatiua claritatis historiarum splendorem amplectendum crediderim.

Henry of Huntingdon book Historia Anglorum

Prologue, pp. 2-3.
Historia Anglorum (The History of the English People)

World , Study , Affliction , Suffering

“Our job is to reclaim America for Christ, whatever the cost. As the vice regents of God, we are to exercise godly dominion and influence over our neighborhoods, our schools, our government, our literature and arts, our sports arenas, our entertainment media, our news media, our scientific endeavors -- in short, over every aspect and institution of human society.”

James Kennedy (televangelist) (1930–2007) American evangelist

"Reclaiming America for Christ" conference February, 2005

God , School , Art , Exercises

“Quite distinct from the theoretical question of the manner in which mathematics will rescue itself from the perils to which it is exposed by its own prolific nature is the practical problem of finding means of rendering available for the student the results which have been already accumulated, and making it possible for the learner to obtain some idea of the present state of the various departments of mathematics…. The great mass of mathematical literature will be always contained in Journals and Transactions, but there is no reason why it should not be rendered far more useful and accessible than at present by means of treatises or higher text-books. The whole science suffers from want of avenues of approach, and many beautiful branches of mathematics are regarded as difficult and technical merely because they are not easily accessible…. I feel very strongly that any introduction to a new subject written by a competent person confers a real benefit on the whole science. The number of excellent text-books of an elementary kind that are published in this country makes it all the more to be regretted that we have so few that are intended for the advanced student. As an example of the higher kind of text-book, the want of which is so badly felt in many subjects, I may mention the second part of Prof. Chrystal’s “Algebra” published last year, which in a small compass gives a great mass of valuable and fundamental knowledge that has hitherto been beyond the reach of an ordinary student, though in reality lying so close at hand. I may add that in any treatise or higher text-book it is always desirable that references to the original memoirs should be given, and, if possible, short historic notices also. I am sure that no subject loses more than mathematics by any attempt to dissociate it from its history.”

James Whitbread Lee Glaisher (1848–1928) English mathematician and astronomer

Source: "Presidential Address British Association for the Advancement of Science," 1890, p. 466 : On the need of text-books on higher mathematics

Books , Beauty , Feeling , History

“I am a great enemy of critical writing as all I see in these interpretations and comparisons with Kafka and others is just an opportunity to open up the floodgates of words which, overall, amounts to Carrouges or at times a translation of Carrouges – very free to makes his ideas look good. Obviously any work of art or literature, in the public domain, is automatically the subject of the victim of such transformations – and this is not just confined to the case of Carrouges. Every fifty years, El Greco is revised and adapted to the taste of the day, either overrated or underrated. The same goes for all surviving works of art. And this leads me to say that a work of art is made entirely by those who look at it or read it and make it survive by their acclaim or even their condemnation.”

Marcel Duchamp (1887–1968) French painter and sculptor

Quote from Duchamp's letter to Jean Mayoux (a Surrealist artist), New York, 8 March 1956; as cited in The Duchamp Book, ed. Gavin Parkinson, Tate Publishing, London 2008 p. 169
1951 - 1968

Art , Idea , Time , Reading

“The distinction between micro- and macro inventions matters because they appeared to be governed by different laws. Microinventions generally result from an intentional search for improvements, and are understandable -if not predictable- by economic forces. They are guided, at least to some extent, by the laws of supply and demand and by the intensity of search and the resources committed to them, and thus by signals emitted by the price mechanism. Furthermore, in so far as micro inventions are the by-products of experience through learning by doing or learning by using they are correlated with output or investment. Macroinventions are more difficult to understand, and seem to be governed by individual genius and luck as much as by economic forces. Often they are based on some fortunate event, in which an inventor stumbles on one thing while looking for another, arrives at the right conclusion for the wrong reason, or brings to bear a seemingly unrelated body of knowledge that just happen to hold the clue to the right solution. The timing of these inventions is consequently often hard to explain. Much of the economic literature dealing with the generation of technological progress through market mechanisms and incentive devices thus explain only part of the story. This does not mean that we have to give up the attempt to try to understand macroinventions. We must, however, look for explanations largely outside the trusted and familiar market mechanisms relied upon by economists.”

Joel Mokyr (1946) Israeli American economic historian

Source: The lever of riches: Technological creativity and economic progress, 1992, p. 295; as cited by Pol, Eduardo, and Peter Carroll.

Law , Search , Understanding , Knowledge

“In today's anti-drug climate, people don't want to hear about the commercial potential of marijuana. The reason is that the flowering top of a female hemp plant contains a drug. But from 1842 through the 1890s a powerful concentrated extract of marijuana was the second most prescribed drug in the United States. In all that time the medical literature didn't list any of the ill effects claimed by today's drug warriors.”

Hugh Downs (1921) American broadcaster

"Hugh Downs commentary on hemp, for ABC News, NY, 11/90"

People , Flowers , Time , Marijuana

“Literature offers not only myths but counter-myths, just as life offers counter-experiences — experiences that confound what you thought you thought, or felt, or believed.”

Susan Sontag (1933–2004) American writer and filmmaker, professor, and activist

Frankfurt Book Fair speech (2003)
Context: Literature is dialogue; responsiveness. Literature might be described as the history of human responsiveness to what is alive and what is moribund as cultures evolve and interact with one another.
Writers can do something to combat these clichés of our separateness, our difference — for writers are makers, not just transmitters, of myths. Literature offers not only myths but counter-myths, just as life offers counter-experiences — experiences that confound what you thought you thought, or felt, or believed.

Life

“The most outstanding intellect of this generation, the greatest poet that the Hellenistic age produced, and historically one of the most important figures in the development of Graeco-Roman (and hence European) literature.”

Callimachus (-310–-240 BC) ancient poet and librarian

A. W. Bulloch, in The Cambridge History of Classical Literature (1989), edited by P. E. Easterling and B. M. W. Knox, vol. 1, part 4, p. 9
Criticism

Age

“To me, literature is a calling, even a kind of salvation. It connects me with an enterprise that is over 2,000 years old. What do we have from the past? Art and thought. That's what lasts. That's what continues to feed people and give them an idea of something better.”

Susan Sontag (1933–2004) American writer and filmmaker, professor, and activist

"Susan Sontag Finds Romance," interview by Leslie Garis, The New York Times (2 August 1992)
Context: To me, literature is a calling, even a kind of salvation. It connects me with an enterprise that is over 2,000 years old. What do we have from the past? Art and thought. That's what lasts. That's what continues to feed people and give them an idea of something better. A better state of one's feelings or simply the idea of a silence in one's self that allows one to think or to feel. Which to me is the same.

People , Art , Idea , Past

“God knows, people who are paid to have attitudes toward things, professional critics, make me sick; camp-following eunuchs of literature.”

Ernest Hemingway (1899–1961) American author and journalist

Letter to Sherwood Anderson (23 May 1925); published in Ernest Hemingway: Selected Letters 1917–1961 (1981) edited by Carlos Baker
Context: God knows, people who are paid to have attitudes toward things, professional critics, make me sick; camp-following eunuchs of literature. They won't even whore. They're all virtuous and sterile. And how well meaning and high minded. But they're all camp-followers.

God , People

“Literature is as old as speech. It grew out of human need for it, and it has not changed except to become more needed.”

John Steinbeck (1902–1968) American writer

Nobel Prize acceptance speech (1962)
Context: Literature was not promulgated by a pale and emasculated critical priesthood singing their litanies in empty churches — nor is it a game for the cloistered elect, the tinhorn mendicants of low calorie despair.
Literature is as old as speech. It grew out of human need for it, and it has not changed except to become more needed.
The skalds, the bards, the writers are not separate and exclusive. From the beginning, their functions, their duties, their responsibilities have been decreed by our species.

Change

“What we need in literature today are vast philosophic horizons — horizons seen from mastheads, from airplanes; we need the most ultimate, the most fearsome, the most fearless "Why?" and "What next?"
This is what children ask. But then children are the boldest philosophers.”

Yevgeny Zamyatin (1884–1937) Russian author

On Literature, Revolution, Entropy and Other Matters (1923)
Context: What we need in literature today are vast philosophic horizons — horizons seen from mastheads, from airplanes; we need the most ultimate, the most fearsome, the most fearless "Why?" and "What next?"
This is what children ask. But then children are the boldest philosophers. They enter life naked, not covered by the smallest fig leaf of dogma, absolutes, creeds. This is why every question they ask is so absurdly naive and so frighteningly complex. The new men entering life today are as naked and fearless as children; and they, too, like children, like Schopenhauer, Dostoevsky, Nietzsche, ask "Why?" and "What next?" Philosophers of genius, children, and the people are equally wise — because they ask equally foolish questions. Foolish to a civilized man who has a well-furnished European apartment with an excellent toilet and a well-furnished dogma.

Children

“I happened to be impressed by his knowledge of natural history and literature and to have had first-hand evidence of both, but I gather from others that there were other fields of knowledge in which he was also remarkable.”

Edward Grey, 1st Viscount Grey of Fallodon (1862–1933) British Liberal statesman

Recreation (1919)
Context: I am not attempting here a full appreciation of Colonel Roosevelt. He will be known for all time as one of the great men of America. I am only giving you this personal recollection as a little contribution to his memory, as one that I can make from personal knowledge and which is now known only to myself. His conversation about birds was made interesting by quotations from poets. He talked also about politics, and in the whole of his conversation about them there was nothing but the motive of public spirit and patriotism. I saw enough of him to know that to be with him was to be stimulated in the best sense of the word for the work of life. Perhaps it is not yet realised how great he was in the matter of knowledge as well as in action. Everybody knows that he was a great man of action in the fullest sense of the word. The Press has always proclaimed that. It is less often that a tribute is paid to him as a man of knowledge as well as a man of action. Two of your greatest experts in natural history told me the other day that Colonel Roosevelt could, in that department of knowledge, hold his own with experts. His knowledge of literature was also very great, and it was knowledge of the best. It is seldom that you find so great a man of action who was also a man of such wide and accurate knowledge. I happened to be impressed by his knowledge of natural history and literature and to have had first-hand evidence of both, but I gather from others that there were other fields of knowledge in which he was also remarkable.

History , Nature , Knowledge

“We are now dealing with the imaginative, not the existential, with the "let this be," not with "this is," and no work of literature is better by virtue of what it says than any other work”

Northrop Frye book The Well-Tempered Critic

The Well-Tempered Critic, p. 140
"Quotes"
Context: The fundamental act of criticism is a disinterested response to a work of literature in which all one's beliefs, engagements, commitments, prejudices, stampedings of pity and terror, are ordered to be quiet. We are now dealing with the imaginative, not the existential, with the "let this be," not with "this is," and no work of literature is better by virtue of what it says than any other work.

Imagination

“Books should confuse. Literature abhors the typical. Literature flows to the particular, the mundane, the greasiness of paper, the taste of warm beer, the smell of onion or quince.”

Richard Rodríguez (1944) American journalist and essayist

Brown : The Last Discovery of America (2003)
Context: Books should confuse. Literature abhors the typical. Literature flows to the particular, the mundane, the greasiness of paper, the taste of warm beer, the smell of onion or quince. Auden has a line: "Ports have names they call the sea." Just so will literature describe life familiarly, regionally, in terms life is accustomed to use — high or low matters not. Literature cannot by this impulse betray the grandeur of its subject — there is only one subject: What it feels like to be alive. Nothing is irrelevant. Nothing is typical.

Books , Beer

“The reaction against Larkin has been unprecedentedly violent as well as unprecedentedly hypocritical, tendentious and smug. Its energy does not, could not derive from literature — it derives from ideology, or from the vaguer promptings of a new ethos.”

Martin Amis (1949) Welsh novelist

"Political Correctness: Robert Bly and Philip Larkin" (1997)
Context: The reaction against Larkin has been unprecedentedly violent as well as unprecedentedly hypocritical, tendentious and smug. Its energy does not, could not derive from literature — it derives from ideology, or from the vaguer promptings of a new ethos. … This is critical revisionism in an eye-catching new outfit. The reaction, like most reactions, is just an overreaction, and to get an overreaction you need plenty of overreactors — somebody has to do it. … I remember thinking when I saw the fiery Tom Paulin's opening shot, We're not really going to do this, are we? But the new ethos was already in place, and yes, we really were going to do this — on Paulin's terms, too. His language set the tone for the final assault and mop-up, which came with the publication of Andrew Motion's, Philip Larkin: A Writer's Life. Revolting. Sewer. Such language is essentially unstable. It calls for a contest of the passions and hopes that the fight will get dirty.

“The individualistic conception of religion is so strongly fortified in theological literature and ecclesiastical institutions that its monopoly cannot be broken in a hurry. It will take a generation or two for the new social comprehension of religion to become common property.”

Walter Rauschenbusch (1861–1918) United States Baptist theologian

Source: Christianity and the Social Crisis (1907), Ch.2 The Social Aims of Jesus, p. 46
Context: Eminent theologians, like other eminent thinkers, live in the social environment of wealth and to that extent are slow to see. The individualistic conception of religion is so strongly fortified in theological literature and ecclesiastical institutions that its monopoly cannot be broken in a hurry. It will take a generation or two for the new social comprehension of religion to become common property.

Religion

“My country is at present spoiled by prosperity, stupid with the lust of gain, soiled by crime in its willing perpetuation of slavery, shamed by an unjust war, noble sentiment much forgotten even by individuals, the aims of politicians selfish or petty, the literature frivolous and venal.”

Margaret Fuller (1810–1850) American feminist, poet, author, and activist

Letter XXIV (19 April 1848), ** Part II, Things and Thoughts of Europe, p. 326.
At Home And Abroad (1856)
Context: My friends write to urge my return the talk of our country as the land of the future. It is so, but that spirit which made it all it is of value in my eyes, which gave me all hope with which I can sympathize for that future, is more alive here at present than in America. My country is at present spoiled by prosperity, stupid with the lust of gain, soiled by crime in its willing perpetuation of slavery, shamed by an unjust war, noble sentiment much forgotten even by individuals, the aims of politicians selfish or petty, the literature frivolous and venal. In Europe, amid the teachings of adversity, a nobler spirit is struggling — a spirit which cheers and animates mine. I hear earnest words of pure faith and love. I see deeds of brotherhood. This is what makes my America. I do not deeply distrust my country. She is not dead, but in my time she sleepeth, and the spirits of our fathers flame no more, but lies hid beneath the ashes. It will not be so long; bodies cannot live when the soul gets too overgrown with gluttony and falsehood.

War , Stupidity , Selfishness , Country

“Literature was a vast minefield occupied by enemies, except for a few classic authors (just a few), and every day I had to walk through that minefield, where any false move could be fatal, with only the poems of Archilochus to guide me.”

Roberto Bolaño (1953–2003) Chilean author

"Meeting with Enrique Lihn" (The New Yorker,December 22, 2008)
Context: Literature was a vast minefield occupied by enemies, except for a few classic authors (just a few), and every day I had to walk through that minefield, where any false move could be fatal, with only the poems of Archilochus to guide me. It’s like that for all young writers. There comes a time when you have no support, not even from friends, forget about mentors, and there’s no one to give you a hand; publication, prizes, and grants are reserved for the others, the ones who said “Yes, sir,” over and over, or those who praised the literary mandarins, a never-ending horde distinguished only by their aptitude for discipline and punishment — nothing escapes them and they forgive nothing.

Falseness

“Language gradually varies, and with it fade away the writings of authors who have flourished their allotted time; otherwise, the creative powers of genius would overstock the world, and the mind would be completely bewildered in the endless mazes of literature.”

Washington Irving book The Sketch Book of Geoffrey Crayon, Gent.

"The Mutabilities of Literature".
The Sketch Book of Geoffrey Crayon (1819–1820)
Context: Language gradually varies, and with it fade away the writings of authors who have flourished their allotted time; otherwise, the creative powers of genius would overstock the world, and the mind would be completely bewildered in the endless mazes of literature. Formerly there were some restraints on this excessive multiplication. Works had to be transcribed by hand, which was a slow and laborious operation; they were written either on parchment, which was expensive, so that one work was often erased to make way for another; or on papyrus, which was fragile and extremely perishable. Authorship was a limited and unprofitable craft, pursued chiefly by monks in the leisure and solitude of their cloisters. The accumulation of manuscripts was slow and costly, and confined almost entirely to monasteries. To these circumstances it may, in some measure, be owing that we have not been inundated by the intellect of antiquity; that the fountains of thought have not been broken up, and modern genius drowned in the deluge. But the inventions of paper and the press have put an end to all these restraints. They have made everyone a writer, and enabled every mind to pour itself into print, and diffuse itself over the whole intellectual world. The consequences are alarming. The stream of literature has swollen into a torrent — augmented into a river — expanded into a sea.

World , Time

“For centuries scholars have been forced to grapple with the problem of accounting for the parallels between Greek literature and the Bible.”

Cyrus H. Gordon (1908–2001) American linguist

Did Greece borrow from Israel? Or did Israel borrow from Greece? Can the parallels be accidental, do they obliterate the uniqueness of both Israel and Greece?
Introduction
The Common Background of Greek and Hebrew Civilizations (1965 [1962])

Problem

“The history of the Bible text is a romance of literature,”

Frederic G. Kenyon (1863–1952) British palaeographer and biblical and classical scholar

Source: The Story Of The Bible, Chapter I, The Bible And Recent Discoveries, p. 4
Context: The history of the Bible text is a romance of literature, though it is a romance of which the consequences are of vital import; and thanks to the succession of discoveries which have been made of late years, we know more about it than of the history of any other ancient book in the world.

History

Quotes about literature page 10

Quotes about literature
page 10