Quotes about heart

page 5

Beware of Pity (1939)

Quoted in: Charlotte Gray. Mother Teresa: Her Mission to Serve God by Caring for the Poor. G. Stevens, (1988), p. 53
1980s

Source: 1790s, The Age of Reason, Part II (1795), Chapter III: Conclusion.

Letter http://dwardmac.pitzer.edu/anarchist_archives/bakunin/letters/toherzenandogareff.html to Aleksandr Ivanovich Herzen and Ogareff from San Francisco (3 October 1861); published in Correspondance de Michel Bakounine (1896) edited by Michel Dragmanov

1 Peter 3:3-4 ( World English Bible http://biblehub.com/web/1_peter/3.htm)
First Epistle of Peter

Baptismal Regeneration (1864) http://www.spurgeon.org/sermons/0573.htm

From Because of You (29 August 1960)

Here's to You
Sacco e Vanzetti (1971)

Canto XIII, lines 58–60 (tr. C. E. Norton).
The Divine Comedy (c. 1308–1321), Inferno

"Roll Over Beethoven" (1956) ·  Live performance https://www.youtube.com/watch?v=kT3kCVFFLNg
Song lyrics

Source: Keep the Aspidistra Flying (1936), Ch. 3

Wanted, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Address to faculty, students and guests at Harvard University's Sanders Theater (August 2004)
2000s

Paracelsus - Doctor of our Time (1992)

Living in Harmony (2000)

My World (2009 Album), One Time

In Festo Omnium Sanctorum, Sermo 5, sect. 5; translation from Scottish Notes and Queries, 1st series, vol. 7, p. 59
Context: It is commonly said: What the eye doesn't see, the heart doesn't grieve.

Reverence for Life (1969)

Cassandra (1860)
Context: The great reformers of the world turn into the great misanthropists, if circumstances or organisation do not permit them to act. Christ, if He had been a woman, might have been nothing but a great complainer. Peace be with the misanthropists! They have made a step in progress; the next will make them great philanthropists; they are divided but by a line.
The next Christ will perhaps be a female Christ. But do we see one woman who looks like a female Christ? or even like "the messenger before" her "face", to go before her and prepare the hearts and minds for her?
To this will be answered that half the inmates of Bedlam begin in this way, by fancying that they are "the Christ."
People talk about imitating Christ, and imitate Him in the little trifling formal things, such as washing the feet, saying His prayer, and so on; but if anyone attempts the real imitation of Him, there are no bounds to the outcry with which the presumption of that person is condemned.

1880s, 1880, Letter to Theo (Cuesmes, July 1880)
Context: What is true is that I have at times earned my own crust of bread, and at other times a friend has given it to me out of the goodness of his heart. I have lived whatever way I could, for better or for worse, taking things just as they came. It is true that I have forfeited the trust of various people, it is true that my financial affairs are in a sorry state, it is true that the future looks rather bleak, it is true that I might have done better, it is true that I have wasted time when it comes to earning a living, it is true that my studies are in a fairly lamentable and appalling state, and that my needs are greater, infinitely greater than my resources. But does that mean going downhill and doing nothing?

85
The Gardener http://www.spiritualbee.com/love-poems-by-tagore/ (1915)
Context: Who are you, reader, reading my poems an hundred years hence?
I cannot send you one single flower from this wealth of the spring, one single streak of gold from yonder clouds.
Open your doors and look abroad.
From your blossoming garden gather fragrant memories of the vanished flowers of an hundred years before.
In the joy of your heart may you feel the living joy that sang one spring morning, sending its glad voice across a hundred years.

I-II, q. 28, art. 5
Summa Theologica (1265–1274)
Context: it is to be observed that four proximate effects may be ascribed to love: viz. melting, enjoyment, languor, and fervor. Of these the first is "melting," which is opposed to freezing. For things that are frozen, are closely bound together, so as to be hard to pierce. But it belongs to love that the appetite is fitted to receive the good which is loved, inasmuch as the object loved is in the lover... Consequently the freezing or hardening of the heart is a disposition incompatible with love: while melting denotes a softening of the heart, whereby the heart shows itself to be ready for the entrance of the beloved.

Book VI, chapter 3: "Conversations and Exhortations of Father Zossima; Of Prayer, of Love, and of Contact with other Worlds" (translated by Constance Garnett)
The Brothers Karamazov (1879–1880)
Context: Brothers, have no fear of men's sin. Love a man even in his sin, for that is the semblance of Divine Love and is the highest love on earth. Love all God's creation, the whole of it and every grain of sand in it. Love every leaf, every ray of God's light. Love the animals, love the plants, love everything. If you love everything, you will perceive the divine mystery in things. Once you have perceived it, you will begin to comprehend it better every day, and you will come at last to love the world with an all-embracing love. Love the animals: God has given them the rudiments of thought and untroubled joy. So do not trouble it, do not harass them, do not deprive them of their joy, do not go against God's intent. Man, do not exhale yourself above the animals: they are without sin, while you in your majesty defile the earth by your appearance on it, and you leave the traces of your defilement behind you — alas, this is true of almost every one of us! Love children especially, for like the angels they too are sinless, and they live to soften and purify our hearts, and, as it were, to guide us. Woe to him who offends a child.
My young brother asked even the birds to forgive him. It may sound absurd, but it is right none the less, for everything, like the ocean, flows and enters into contact with everything else: touch one place, and you set up a movement at the other end of the world. It may be senseless to beg forgiveness of the birds, but, then, it would be easier for the birds, and for the child, and for every animal if you were yourself more pleasant than you are now. Everything is like an ocean, I tell you. Then you would pray to the birds, too, consumed by a universal love, as though in ecstasy, and ask that they, too, should forgive your sin. Treasure this ecstasy, however absurd people may think it.

Preface
Sādhanā : The Realisation of Life http://www.spiritualbee.com/spiritual-book-by-tagore/ (1916)
Context: The meaning of the living words that come out of the experiences of great hearts can never be exhausted by any one system of logical interpretation. They have to be endlessly explained by the commentaries of individual lives, and they gain an added mystery in each new revelation. To me the verses of the Upanishads and the teachings of Buddha have ever been things of the spirit, and therefore endowed with boundless vital growth; and I have used them, both in my own life and in my preaching, as being instinct with individual meaning for me, as for others, and awaiting for their confirmation, my own special testimony, which must have its value because of its individuality.

Quote in 'Culture: Caspar D. Friedrich and the Wasteland', by Gjermund E. Jansen in Bits of News (3 March 2005) http://www.bitsofnews.com/content/view/154/42/
Variant translation: The heart is the only true source of art, the language of a pure, child-like soul. Any creation not sprung from this origin can only be artifice. Every true work of art is conceived in a hallowed hour and born in a happy one, from an impulse in the artist's heart, often without his knowledge. (as quoted in the article 'Caspar David Friedrich's Medieval Burials', Karl Whittington - http://www.19thc-artworldwide.org/spring12/whittington-on-caspar-david-friedrichs-medieval-burials)
undated
Context: The pure, frank sentiments we hold in our hearts are the only truthful sources of art. A painting which does not take its inspiration from the heart is nothing more than futile juggling. All authentic art is conceived at a sacred moment and nourished in a blessed hour; an inner impulse creates it, often without the artist being aware of it.

Source: On War (1832), Book 1, Chapter 1, Section 3, Paragraph 1.
Context: Kind-hearted people might of course think there was some ingenious way to disarm or defeat the enemy without too much bloodshed, and might imagine this is the true goal of the art of war. Pleasant as it sounds, it is a fallacy that must be exposed: War is such a dangerous business that mistakes that come from kindness are the very worst.

Part I.
Le Père Goriot (1835)
Context: Our heart is a treasury; if you pour out all its wealth at once, you are bankrupt. We show no more mercy to the affection that reveals its utmost extent than we do to another kind of prodigal who has not a penny left.

What Use Is It To Slumber Here?
Context: What use is it to slumber here:
Though the heart be sad and weary?
What use is it to slumber here
Though the day rise dark and dreary?

"The Work of Christmas" in The Mood of Christmas & Other Celebrations (1985)
Context: When the song of the angels is stilled,
When the star in the sky is gone,
When the kings and princes are home,
When the shepherds are back with their flock,
The work of Christmas begins:
To find the lost,
To heal the broken,
To feed the hungry,
To release the prisoner,
To rebuild the nations,
To bring peace among people,
To make music in the heart.

"Light" (popularly known as "The Night has a Thousand Eyes"), published in The Spectator (October 1873).
Context: p>The Night has a thousand eyes,
And the Day but one;
Yet the light of the bright world dies
With the dying sun.The mind has a thousand eyes,
And the heart but one;
Yet the light of a whole life dies
When love is done.</p

Woe to that nation whose literature is cut short by the intrusion of force. This is not merely interference with freedom of the press but the sealing up of a nation’s heart, the excision of its memory.
Variant translation, as quoted in TIME (25 February 1974).
Nobel lecture (1970)
Context: Woe to that nation whose literature is disturbed by the intervention of power. Because that is not just a violation against "freedom of print", it is the closing down of the heart of the nation, a slashing to pieces of its memory. The nation ceases to be mindful of itself, it is deprived of its spiritual unity, and despite a supposedly common language, compatriots suddenly cease to understand one another

The Mouse's Petition (1773)

Narrated in Bukhari by Abu Huraira, Vol. 9, Book 87, Hadith 141 http://sunnah.com/bukhari/91/31
Sunni Hadith

Have we not a perpetual inclination, in the teeth of our best judgement, to violate that which is Law, merely because we understand it to be such?
The Black Cat (1843)

Source: Presidents of India, 1950-2003, P.108

In the novel Bhoot quoted in page=92.
Portrayal of Women in Premchands Stories A Critique

Bernard, section IX
The Waves (1931)

1980

Quoted in The Life of St. Gemma Galgani by her spiritual director Ven. Germanus, trans. A. M. O'Sullivan, 1999, p. 258.

A Divine Image, st. 1
1790s, Songs of Experience (1794)

2018

1984

1984

2005

"Alchemy"
Rivers to the Sea (1915)

Debby Ryan's Winter Fashion And Beauty Tips https://www.seventeen.com/celebrity/a19701/debby-ryan-fashion-interview/ (November 8, 2012)

Original: Tutto si riduce all'ultima persona a cui pensi la notte, è lì che si trova il cuore.
Source: In Una sorcia bianca – nella raccolta Storie di ordinaria follia

Source: Philosophie der Erlösung, Erster Band (2014), Ethik, § 11 ISBN 978-1494963262

"Beautiful Pain"
2010s, The Marshall Mathers LP 2 (2013)

1979

Source: J.R.R. Tolkien, The Silmarillion

Source: Radiorama de Occidente. "La Otra Historia". Rock & Pop 1480 AM. Guadalajara, Mexico.

Variant: The greatest test of courage is to bear defeat without losing heart.

Source: Hunted

At the dedication of the Ronald Reagan Presidential Library in Simi Valley, California http://www.planbproductions.com/postnobills/reagan1.html (4 November 1991), the inscription on Reagan's tomb
Post-presidency (1989&ndash;2004)

St. 4
Michael Robartes and the Dancer (1921), Easter, 1916 http://poetry.poetryx.com/poems/1477/
Variant: Too long a sacrifice
Can make a stone of the heart.
Source: Easter 1916 and Other Poems

Source: I know I am but summer to your heart (Sonnet XXVII)

Source: The Museum of Innocence

Source: Heart of Darkness

Source: Follow Your Heart

Variant: Someone will come for you, but first you must open your heart...
Source: The Miraculous Journey of Edward Tulane

Source: The Taming of the Shrew

Source: Morrigan's Cross

Source: Requiem for a Dream

Source: On Writing: A Memoir of the Craft

Source: Dreams from My Father: A Story of Race and Inheritance

Source: A Room of One's Own (1929), Ch. 1, p. 17

Variant: It is with the soul that we grasp the essence of another human being, not with the mind, nor even with the heart.

Variant: But break, my heart, for I must hold my tongue.
Source: Hamlet

Source: The Legend of Sleepy Hollow

Source: All I Really Need to Know I Learned in Kindergarten (1986)
Context: Yelling at living things does tend to kill the spirit in them. Sticks and stones may break our bones, but words will break our hearts.

Source: The Burning Secret and other stories

Variant: The heart has its reasons which reason knows not.
Source: The Mind on Fire: A Faith for the Skeptical and Indifferent

Source: The Canterville Ghost