Quotes about colors
page 5

“Taste of metal on my tongue. Poison the color of envy-
I'm delirious, you're delicious, I'm deluded and delusional.
I'm lost without you. I need you.”

Cecily von Ziegesar (1970) American writer

Source: Would I Lie to You

Envy

“Black for hunting through the night
For death and sorrow, the color’s white
Gold for a bride in her wedding gown,
And red to call enchantment down.”

Cassandra Clare (1973) American author

Death, Wedding, Night

“Today he wore a burnt-orange shirt, black pants, and a tie that looked like a street fight at the south end of the color wheel.”

Kathy Reichs book Monday Mourning

Source: Monday Mourning

Fight

“My mother is convinced that yellow is a happy color and that a happy girl would get a husband.

-Penelope Featherington”

Julia Quinn (1970) American novelist

Source: The Viscount Who Loved Me

Happiness, Girl

“You're not gay, are you?"
Simon's greenish color deepened. "If I were, I would dress better.”

Cassandra Clare book City of Bones

Source: City of Bones

“The first thing the average white Latin American player does when he comes to the States is associate with other whites. He doesn't want to be seen with Latin Negroes, even from his own country, because he's afraid people might think he's colored.”

Roberto Clemente (1934–1972) Puerto Rican baseball player

As quoted in “Roberto Clementeː Pounder from Puerto Rico” by John Devaney, in Baseball Stars of 1964 (1964), edited by Ray Robinson, p. 150
Other, <big><big>1960s</big></big>, <big>1964</big>

People, Thinking, Country

“The century of revolution in the United States after the Civil War was economic, not political, freeing households from an unremitting daily grind of painful manual labor, household drudgery, darkness, isolation, and early death. Only one hundred years later, daily life had changed beyond recognition. Manual outdoor jobs were replaced by work in air-conditioned environments, housework was increasingly performed by electric appliances, darkness was replaced by light, and isolation was replaced not just by travel, but also by color television images bringing the world into the living room. Most important, a newborn infant could expect to live not to age forty-five, but to age seventy-two. The economic revolution of 1870 to 1970 was unique in human history, unrepeatable because so many of its achievements could happen only once.”

Robert J. Gordon (1940) American economist

Source: The Rise and Fall of American Growth, 2016, p. 1 ; Lead paragraph

Life, Death, Pain, War

“Of asphodel, that greeny flower,

::like a buttercup

::::upon its branching stem —

save that's green and wooden —

::I come, my sweet,

::::to sing to you.

We lived long together,

::a life filled,

::::if you will,

with flowers. So that

::I was cheered

::::when I first came to know

that there were flowers also

::in hell.

::::Today

I'm filled with the fading memory of those flowers

::that we both loved,

::::even to this poor

colorless thing —

::I saw it

::::when I was a child —

little prized among the living

::but the dead see,

::::asking among themselves:

What do I remember

::that was shaped

::::as this thing is shaped?
while our eyes fill
::with tears.
::::Of love, abiding love
it will be telling
::though too weak a wash of crimson
::::colors it
to make it wholly credible.
::There is something
::::something urgent
I have to say to you
::and you alone
::::but it must wait
while I drink in
::the joy of your approach,
::::perhaps for the last time.
And so
::with fear in my heart
::::I drag it out
and keep on talking
::for I dare not stop.”

William Carlos Williams book Journey to Love

Journey to Love (1955), Asphodel, That Greeny Flower

Love, Life, Fear, Flowers

“The challenge now presented is more than a challenge to our Constitution — it is a blatant affront to the conscience of this generation of Americans. Discrimination based on race or color is reprehensible and intolerable to the great American majority. In every national forum, where they have chosen to test popular sentiment, defenders of discrimination have met resounding rejection. Americans now are not willing that the acid of the few shall be allowed to corrode the souls of the many.”

Lyndon B. Johnson (1908–1973) American politician, 36th president of the United States (in office from 1963 to 1969)

1960s, Special message to Congress on the right to vote (1965)

Soul

“In my paintings, the question on whether figures are similar or not is not of any importance, the slightest change of figure or color can create a new painting and it doesn't really matter if a subject is revisited by an artist repeatedly. With enough time in between paintings, an artist can always bring to it something new.”

Guity Novin (1944) artist

Source: Ayandegan (1973), p. 4

Question, Change, Time, Painting

“Value differences in painting always cut in; color differences always go side by side. Laterally. Color differences can illustrate three dimensional form, but using color in terms of hue belongs more properly to painting than modelling with dark and light [as in sculpting] does.”

Kenneth Noland (1924–2010) American artist

Kenneth Noland, p. 22
Conversation with Karen Wilkin' (1986-1988)

Light, Painting

“Aspects of visual perception—motion, depth, form, and color—are segregated from one another and conveyed in separate pathways in the brain, where they are brought together and coordinated into a unified perception.”

Eric R. Kandel (1929) American neuropsychiatrist

In Search of Memory (2006)

“This new quantum mechanics promised to explain all of chemistry. And though I felt an exuberance at this, I felt a certain threat, too. “Chemistry,” wrote Crookes, “will be established upon an entirely new basis…. We shall be set free from the need for experiment, knowing a priori what the result of each and every experiment must be.” I was not sure I liked the sound of this. Did this mean that chemists of the future (if they existed) would never actually need to handle a chemical; might never see the colors of vanadium salts, never smell a hydrogen selenide, never admire the form of a crystal; might live in a colorless, scentless, mathematical world? This, for me, seemed and awful prospect, for I, at least, needed to smell and touch and feel, to place myself, my senses, in the middle of the perceptual world.”

Oliver Sacks book Uncle Tungsten

Source: Uncle Tungsten (2001), pp. 312–313

World, Feeling, Mathematics, Sense

“If you refuse to study anatomy, the arts of drawing and perspective, the mathematics of aesthetics, and the science of color, let me tell you that this is more a sign of laziness than of genius.”

Salvador Dalí (1904–1989) Spanish artist

Source: Quotes of Salvador Dali, 1961 - 1970, Diary of a Genius (1964), p. 81

Art, Mathematics, Study, Science

“That is why so many Sorelians, like many people on the Left both before and after the war, slid into fascism. When these leftists of all shapes and colors came to the conclusion that the working class had definitely beaten a retreat, they did not follow it into this attitude. Their socialism remained revolutionary when that of the proletariat had ceased to be so. Having to choose between the proletariat and revolution, they chose revolution; having to choose between a proletarian but moderate socialism and a nonproletarian but revolutionary and national socialism, they opted for the nonproletarian revolution, the national revolution.”

Zeev Sternhell (1935) Israeli historian

Source: The Birth of Fascist Ideology: From Cultural Rebellion to Political Revolution, 1994, p. 27

War, People

“I begin a painting with a series of mistakes. The painting comes out of the correction of mistakes by feeling. I begin with shapes and colors which are not related internally nor to the external world; I work without images. Ultimate unifications come about through modulations of the surface by innumerable trials and efforts. The final picture is the process arrested at the moment when what I was looking for flashes into view.”

Robert Motherwell (1915–1991) American artist

Cconversation with W.C. Seitz, in Abstract Expressionist Painting in America, W.C, Seitz, Cambridge Massachusetts, 1983, p. 94
after 1970

World, Feeling, Effort, Painting

“She kissed me, author of The Little Dog Laughed. Then she took my wrist with her two hands. She pressed her lips into the palm of my hand. She placed my hand upon her bosom between her breasts. She turned her lips toward my face and waited. And Arturo Bandini, the great author dipped deep into his colorful imagination, romantic Arturo Bandini, just chock-full of clever phrases, and he said, weakly, kittenishly, "Hello."”

John Fante book Ask the Dust

Ask the Dust (1939)

Dogs, Imagination, Kiss, Waiting

“.. to have all colors deeper, more intense; |I| get quite angry at this lightness..”

Paula Modersohn-Becker (1876–1907) German artist

quote from a letter to her husband Otto Modersohn from Paris, 29 February, 1900; as quoted in Expressionism, a German intuition, 1905-1920, Neugroschel, Joachim; Vogt, Paul; Keller, Horst; Urban, Martin; Dube, Wolf Dieter; (transl. Joachim Neugroschel); publisher: Solomon R. Guggenheim Foundation, New York, 1980, p. 31
as early as 1900 Paula Modersohn-Becker had written from Paris that she longed for stronger and deeper colors in her own work
1900 - 1905

Light

“At a given time some concrete forms are simply there in vision, not less than colors and brightnesses.”

Wolfgang Köhler (1887–1967) German-American psychologist and phenomenologist

Source: Gestalt Psychology. 1930, p. 150

Time

“pinkish and bluish draperies on neutral grey grounds and black cypresses…… The red of Jeptha's dress…… some reddish brown, some slightly pinkish…… Graduated blue sky…… the ground at the front a grey violet shadow… Look for some turquoise in the blue.(Degas' working note about choosing colors for his future painting 'The Daughter of Jeptha')”

Edgar Degas (1834–1917) French artist

Quote from Degas' working notes; as quoted in The private lives of the Impressionists, Sue Roe, Harpen Collins Publishers, New York 2006, p. 34
quotes, undated

Future, Painting, Daughters

“I have looked attentively at chickens raised in this [battery] fashion, and to me they seem to be unhappy and in poor health. Their combs are dull and lifeless except for glaring and unnatural patches of color that appear occasionally … The battery chickens I have observed seem to lose their minds about the time they would normally be weaned by their mothers and off in the weeds chasing grasshoppers on their own account. Yes, literally, actually, the battery becomes a gallinaceous madhouse. The eyes of these chickens through the bars gleam like those of maniacs. Let your hand get within reach and it receives a dozen vicious peeks—not the love peck or the tentative peek of idle curiosity bestowed by the normal chicken, but a peck that means business, a peck for flesh and blood, for which in their madness they are thirsting.”

Roy Bedichek (1878–1959) American writer and naturalist

Adventures with a Texas Naturalist (Austin: University of Texas Press, 2010. Orig. pub. 1947), pp. 101 https://books.google.it/books?id=4WuzlD0hkSgC&pg=PA101-102.

Love, Health, Fashion, Business

“For me, I have seen worlds and people begin and end, actually and metaphorically, and it will always be the same. It’s always fire and water.
No matter what your scientific background, emotionally you’re an alchemist. You live in a world of liquids, solids, gases and heat-transfer effects that accompany their changes of state. These are the things you perceive, the things you feel. Whatever you know about their true natures is rafted on top of that. So, when it comes to the day-to-day sensations of living, from mixing a cup of coffee to flying a kite, you treat with the four ideal elements of the old philosophers: earth, air, fire, water.
Let’s face it, air isn’t very glamorous, no matter how you look at it. I mean, I’d hate to be without it, but it’s invisible and so long as it behaves itself it can be taken for granted and pretty much ignored. Earth? The trouble with earth is that it endures. Solid objects tend to persist with a monotonous regularity.
Not so fire and water, however. They’re formless, colorful, and they’re always doing something. While suggesting you repent, prophets very seldom predict the wrath of the gods in terms of landslides and hurricanes. No. Floods and fires are what you get for the rottenness of your ways. Primitive man was really on his way when he learned to kindle the one and had enough of the other nearby to put it out. It is coincidence that we’ve filled hells with fires and oceans with monsters? I don’t think so. Both principles are mobile, which is generally a sign of life. Both are mysterious and possess the power to hurt or kill. It is no wonder that intelligent creatures the universe over have reacted to them in a similar fashion. It is the alchemical response.”

Roger Zelazny Isle of the Dead

Source: Isle of the Dead (1969), Chapter 6 (pp. 137-138)

Life, God, Hate, People

“Color is not so much a visual as a tactile medium.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

1970s, Culture Is Our Business (1970)

“Imprisoned under all our layers of long underwear, thick socks, shirts, vests, jackets, coats and hoods were these tropical bodies; the steam and hot water brought color back into the pallor, found the nacreous hollow in a hip, detected the subtly raised triceps, rinsed a sharp clavicle in a softening flood, swirled dull brown hair into a smooth black cap and pulled evening gloves of light over raw hands and skinny, blue-veined forearms.Just as each shell held to the ears roars with a different ocean timbre, each of these bodies spoke to me with a different music, though all sounded to me unlike my own and only with the greatest effort could I remember I was longing after my own sex. Indeed, each of these beings seemed to possess his very own sex.”

Edmund White book A Boy's Own Story

Source: A Boy's Own Story (1982), Chapter Six (p. 153).

Music, Sex, Effort, Light

“I have tried to be impartial, though I know that a man's past always colors his views, and that nothing else is so irritating as impartiality.”

Will Durant book The Story of Civilization

Preface
The Story of Civilization (1935–1975), VI - The Reformation (1957)

Past

“Did you know that in 1900 I had the bold idea of renewing German art?... First of all I needed to invent a technique of grasping everything while it was in motion, and it was Rembrandts drawings in the Kupferstichkabinett in Munich that showed me how. I practiced seizing things quickly in bold strokes, wherever I was, walking and standing still.... and in this way I learned how to depict movement itself, and I found new forms in the ecstasy and haste of this work.... and to these forms was added pure colour, as pure as the sun generates it.... in line with Goethe's theory [of colours]. It makes pictures much more colorful. Making wood-cuts, which I'd learnt as a fifteen-year-old from my father, helped me to stabler and simpler forms. And armed in this way I returned to Dresden.”

Ernst Ludwig Kirchner (1880–1938) German painter, sculptor, engraver and printmaker

In a letter to Curt Valentin, 1937; as quoted in Expressionism, de:Wolf-Dieter Dube; Praeger Publishers, New York, 1973, p. 38
1930's

Art, Way, Idea, Learning

“I am primarily painting from photographs these days (from illustrated magazines but also from family photos), in a sense this is a stylistic problem, the form is naturalistic, even though the photograph is not nature at all but a prefabricated product (the “second-hand world” in which we live), I do not have to intervene artistically with style, since the stylization (deformation in form and color) contributes only under very particular circumstances toward clarifying and intensifying an object or a subject (generally stylization becomes the central problem which obscures everything else (object, subject), it leads to an unmotivated artificiality, an untouchable formalist taboo.”

Gerhard Richter (1932) German visual artist, born 1932

In Richter's letters from Düsseldorf, 19 July 1963 - to two artist friends, Helmut and Erika Heinze
1960's

World, Family, Photo, Nature

“With this new tendency [of Orphism] the Cubists dubbed Impressionism of forms according to Appolinaire, is entering a final and glorious phase:.. Orphism, pure painting, simultaneity. And there you have it, as many obvious plagiarisms of what has formed, from its earliest appearances, the essence of Futurist painting and sculpture…. But we insist on sorting things out. Orphism [initiated by former Cubist artist Robert Delaunay as an colorful alternative for strict Cubism ], let us say it right away, is just an elegant masquerade of the basic principles of Futurist painting. This new trend simply illustrates the profit that our French colleagues managed to driver from our first Futurist exhibition in Paris.”

Umberto Boccioni (1882–1916) Italian painter and sculptor

Boccioni's critical art quote to Orphism and simultaneity pictures Orphism, as alternative concept for Cubism as a soft version of Futurist painting; in 'Les futurists plagues en France', Boccioni, in 'Lacerba', Florence 1, no. 7, 1 April 1913
1913

Appearance, Painting

“One is tempted to call them works of genius; they are quite Homeric in their internal unity, purity of phrasing, clear, ringing music of language and dramatic coloring.”

James Macpherson (1736–1796) Scottish writer, poet, translator, and politician

Lin Carter, Dragons, Elves, and Heroes (New York: Ballantine, 1971) p. 76.
Criticism

Music

“So, music does not attempt to imitate Nature's sounds, but it does interpet and embody emotions awakened by Nature through a convention of its own, in a way to be aesthetically pleasing. In some such way, we, taking our hint from Nature, construct decoratively pleasing harmonies and symphonies of color expression of our sentiments.”

Jean Metzinger (1883–1956) French painter

Quote of Metzinger in 'The Wild Men of Paris', by Gelett Burgess https://monoskop.org/images/f/f3/Burgess_Gelett_1910_The_Wild_Men_of_Paris.pdf, in 'The Architectural Record, Vol XXVII, May 1910, p. 414

Music, Way, Nature

“A number of people including William Wilberforce, sought to refute these arguments by painting in black colors the horrible customs of the Hindus such as sati, infanticide, throwing the children into the Ganga, religious suicides, and above all idolatry. Vivid descriptions were given of the massacre of the innocent resulting from the car procession of Lord Jagannath at Puri, and the Baptists put down the number of annual victims at not less than 120,000. When challenged they had to admit that they did not actually count the dead bodies but arrived at the figure by an ingenious calculation.”

R. C. Majumdar (1888–1980) Indian historian

R. C. Majumdar, The History and Culture of Indian People. Vol. X, 2nd ed., Bombay, 1981, p. 152-153.

Children, People, Cars, Suicide

“If I were the type of artist that didn't care whether or not my works communicated with viewers then I wouldn't bother exhibiting them, I might as well stock them in a warehouse. But I do exhibit and I do care because I want to communicate back to the viewer what I've viewed. My paintings are inspired by my homeland's traditional spaces. My colors are the colors of monasteries and mosques, the color of ruins of Sassanid and Seljuq era, colors of Bazaars of Isfahan and Shiraz, and colors of northern-Iran's ceramics. I have sensed all these colors, forms and everything within my painting's frame from the viewer's own world.”

Guity Novin (1944) artist

Source: Negin (1971), p. 57

World, Communication, Sense, Painting

Josef Albers (1888–1976) German-American artist and educator

4 quotes from: 'The Color in my Painting'
Homage to the square' (1964)

Painting, Dependency

“It is impossible to explain the latest works of these wild men | that is, the artists of Der Blaue Reiter, and Die Brücke, [working in Munich, and Berlin] in terms of a formal evolution and a reinterpretation of Impressionism. The loveliest prismatic colors and the famous Cubist style have become meaningless in terms of the objectives of the iconoclasts. Their thinking has a different aim: with their labor, they want to create symbols for their era. symbols that belong on the altars of the coming spiritual religions behind which the technical producer will vanish.”

Franz Marc (1880–1916) German painter

Quote of Franz Marc, in his text in the Almanac of the 'Blaue Reiter', 1912; as cited in Expressionism, a German intuition, 1905-1920, Neugroschel, Joachim; Vogt, Paul; Keller, Horst; Urban, Martin; Dube, Wolf Dieter; (transl. Joachim Neugroschel); publisher: Solomon R. Guggenheim Foundation, New York, 1980, p. 95
1911 - 1914

Men, Religion, Thinking

“The development of the human mind has practically extinguished all feelings, except a few sporadic kinds, [like] sound, colors, smells, warmth, etc., which now appear to be disconnected and separate.”

Charles Sanders Peirce (1839–1914) American philosopher, logician, mathematician, and scientist

The Law of Mind (1892)

Feeling, Appearance

“Incorporating in their colorful, slashing, superbly readable pages, the major themes of the "left" opposition under Walpole, these libertarian tracts, emerging first in the form of denunciations of standing armies in the reign of William III, left an indelible imprint on the "country" mind everywhere in the English-speaking world.”

Bernard Bailyn book The Ideological Origins of the American Revolution

Source: The Ideological Origins of the American Revolution (1967), Chapter II, SOURCES AND TRADITIONS, p. 36.

World, Country

“Chicken-neck weakness is like a god now. And being totally passive, and being a huge jellyfish slacker who looks like a fried egg in a chair. That is the culture of this, okay? The worship of being destroyed. Literally, I've now discovered the secrets of it. … And everyone's wearing like pink and little green non-threatening, you know, colors, and this is what we face. This is what men look like now, on average. In fact, I used to bash men who were all into being big and muscular with tattoos and black on and going "raagh", now I get it! You don't wanna be like these people! Okay? I used to get mad at guys trying to act tough—no, no! That's good! Do that! In fact, I think I'm gonna just go all out with cut-off sleeves and drive a big fast car and be like "graagh", 'cause I mean I'm starting to get it! Men are running to that, because they see the armies… literally men in pastels… Now there's men everywhere wearing dresses, I'm telling you! It's like, they're just like "New World Order, slaughter me, please!"”

Alex Jones (1974) American radio host, author, conspiracy theorist and filmmaker

And the New World Order is like "Act like a jellyfish coward and giggle at all reality", and they're like "Yes, yes!" "Alex Jones: I'm So Trendy Rant!" https://www.youtube.com/watch?v=UBA-sa97UYg March 2012. 2012

Men, God, People, Secret

“The effort really to see and really to represent is no idle business in face of the constant force that makes for muddlement. The great thing is indeed that the muddled state too is one of the very sharpest of the realities, that it also has color and form and character, has often in fact a broad and rich comicality.”

Henry James book What Maisie Knew

What Maisie Knew.
Prefaces (1907-1909)

Business, Reality, Effort

“In 1915 Sophie Taeuber and I carried out our first works in the simplest forms, using painting, embroidery and pasted paper [without using oil colors to avoid any reference with usual painting]. These were probably the first manifestations of their kind, pictures that were their own reality, without meaning or cerebral intention. We rejected everything in the nature of a copy or a description, in order to give free flow to what was elemental and spontaneous.”

Hans Arp (1886–1966) Alsatian, sculptor, painter, poet and abstract artist

on creating art without using oil colors to avoid any reference with usual painting, in The Art of Jean Arp, Herbert Read, Abrams, New York 1968, p. p. 34, 38
1960s

Nature, Reality, Past, Painting

“Right is of no sex, Truth is of no color, God is the Father of us all, and we are all Brethren.”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

Douglass' chosen motto for his weekly publication The North Star. It appeared on the first issue. As quoted in Maurice S. Lee (2009), The Cambridge Companion to Frederick Douglass. Cambridge University Press, p. 50; Thomson, Conyers & Dawson (2009). The Frederick Douglass Encyclopedia. ABC-CLIO. p. 149; & Connie A. Miller. Frederick Douglass American Hero: And International Icon of the Nineteenth Century. Xlibris Corporation. p. 144

God, Truth, Sex

“We all have that heritage, no matter what old land our fathers left. All colors and blends of Americans have somewhat the same tendencies. It's a breed — selected out by accident. And so we're overbrave and overfearful — we're kind and cruel as children. We're overfriendly and at the same time frightened of strangers. We boast and are impressed. We're oversentimental and realistic. We are mundane and materialistic — and do you know of any other nation that acts for ideals? We eat too much. We have no taste, no sense of proportion. We throw our energy about like waste. In the old lands they say of us that we go from barbarism to decadence without an intervening culture. Can it be that our critics have not the key or the language of our culture? That's what we are, Cal — all of us. You aren't very different.”

John Steinbeck book East of Eden

East of Eden (1952)

Children, Sense, Time

“The ultimate test on the way to establishing an ideal civilization encouraging ideal human behavior was to look bravely beyond gender, color, ethnic origin, religious difference, and class distinctions to discover and honor the value of each unique individual.”

Aberjhani (1957) author

(Civilization and Human Nature, p. 4).
Book Sources, The Wisdom of W.E.B. Du Bois (2003)

Way, Behavior

“To apply any other test– to deny a man his hopes because of his color or race, his religion or the place of his birth — is not only to do injustice, it is to deny America and to dishonor the dead who gave their lives for American freedom. Our fathers believed that if this noble view of the rights of man was to flourish, it must be rooted in democracy. The most basic right of all was the right to choose your own leaders. The history of this country, in large measure, is the history of the expansion of that right to all of our people.”

Lyndon B. Johnson (1908–1973) American politician, 36th president of the United States (in office from 1963 to 1969)

1960s, The American Promise (1965)

People, Religion, Hope, Democracy

“They [his own fantasies he made in strange pencil drawings then] hover before me now in drifting color, more beautiful than I can possibly paint them.... I yearn for the day when I will have found my color harmonies, my harmonies.”

Emil Nolde (1867–1956) German artist

Quote of Nolde's letter, 1902, to Hans Fehr; as cited in Expressionism, a German intuition, 1905-1920, Neugroschel, Joachim; Vogt, Paul; Keller, Horst; Urban, Martin; Dube, Wolf Dieter; (transl. Joachim Neugroschel); publisher: Solomon R. Guggenheim Foundation, New York, 1980, p. 35
During the next few years, Nolde virtually commuted between Copenhagen and Berlin; in the fishing village of Lildstand on Jutland's northern coast, he produced strange pencil drawings, as he wrote to Fehr
1900 - 1920

Beauty, Drawing, Painting

“I really enjoy forgetting. When I first come to a place, I notice all the little details. I notice the way the sky looks. The color of white paper. The way people walk. Doorknobs. Everything. Then I get used to the place and I don't notice those things anymore. So only by forgetting can I see the place again as it really is.”

David Byrne (1952) Scottish alternative rock musician and promoter of world music

From his film True Stories

People, Way, Forgetting

“There must be no more pictures covered in brown sauce [c. 1880, when Munch started to paint series of landscapes in fresh colors]”

Edvard Munch (1863–1944) Norwegian painter and printmaker

a written note; as quoted in Edvard Much – behind the scream, Sue Prideaux; Yale University Press, New Haven and London, 2007, p. 41
after 1930

Painting

“To stand out in the crowd I liked the color purple.”

Anna Sui (1964) American fashion designer

CNN Interview (July 31, 2004)

“I don't say that it is a bad or useless profession: but it isn't one of the superlatively fine and striking ones, and the material used is of a strange sort — you don't even see it. But I'd like all the things I used to see to be in it: the ringing hammer-strokes of the smith and the colors of the whisping of the stone-mason, the bustling of the baker, the humility of the poor, and all the lusty strength and skill which men of towering stature put into their work before the astonished and fascinated eyes of a child.”

Karel Čapek (1890–1938) Czech writer

"On Literature" in Toward the Radical Center : A Karel Čapek Reader (1990) http://www.catbirdpress.com/bookpages/reader.htm, edited by Peter Kussi

Men

“I think that for me any picture that works even if it is in the guise of pure color application, if it works, involved drawing. That is falt space on a flat surface. And for me, and I always say this, whether it's a Titian or a [Kenneth] Noland, the ones that come off work in that depth and the color perhaps it is divine and the thing that makes it work, but it is line color. If it doesn't work then it's decorative or dead or just applied colors on a surface. That's what wallpaper is. And that's the difference between the striped wallpaper and a great Noland.”

Helen Frankenthaler (1928–2011) American artist

quote about drawing in a picture
1960s, Interview with Barbara Rose', Archives - American Art, 1968

Thinking, Drawing, Dead

“So much I have learned:
the blossom that fades away,
its color unseen,
is the flower in the heart
of one who lives in this world.”

Ono no Komachi (825–900) Japanese poet

Source: Helen Craig McCullough's translations, Kokin Wakashū: The First Imperial Anthology of Japanese Poetry (1985), p. 174

World, Flowers, Learning, Heart

“When I was a kid I believed everything I was told, everything I read, and every dispatch sent out by my own overheated imagination. This made for more than a few sleepless nights, but it also filled the world I lived in with colors and textures I would not have traded for a lifetime of restful nights.”

Stephen King book Nightmares & Dreamscapes

Nightmares & Dreamscapes (1993), Introduction

World, Imagination, Reading, Night

“There are buildings which will hold a few, but which will break down under the weight of a crowd. The ice of the river may be strong enough to bear a man, but would break through under the weight of an elephant. The ice under us in this country is very thin, and is made very weak by the warm fogs of prejudice… Our policy should be to unite with the great mass of the American people in all their activities, and resolve to fall or flourish with our common country. We cannot afford to draw the color-line in politics, trade, education, manners, religion, fashion, or civilization. Especially we cannot afford to draw the color-line in politics. No folly could be greater. A party acting on that basis would be not merely a misfortune, but a dire calamity to our people.”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

Speech http://teachingamericanhistory.org/library/document/the-nations-problem/

People, Education, Religion, Fashion

“The crowd of ragged Confederates on the White House lawn had doubled and more since he went in to confer with Lincoln. The trees were full of men who had climbed up so they could see over their comrades. Off in the distance, cannon occasionally still thundered; rifles popped like firecrackers. Lee quietly said to Lincoln, "Will you send out your sentries under flag of truce to bring word of the armistice to those Federal positions still firing upon my men?" "I'll see to it," Lincoln promised. He pointed to the soldiers in gray, who had quieted expectantly when Lee came out. "Looks like you've given me sentries enough, even if their coats are the wrong color." Few men could have joked so with their cause in ruins around them. Respecting the Federal President for his composure, Lee raised his voice: "Soldiers of the Army of Northern Virginia, after three years of arduous service, we have achieved that for which we took up arms-" He got no further. With one voice, the men before him screamed out their joy and relief. The unending waves of noise beat at him like a surf from a stormy sea. Battered forage caps and slouch hats flew through the air. Soldiers jumped up and down, pounded on one another's shoulders, danced in clumsy rings, kissed each other's bearded, filthy faces. Lee felt his own eyes grow moist. At last the magnitude of what he had won began to sink in.”

Harry Turtledove book The Guns of the South

Source: The Guns of the South (1992), p. 180

Men, Kiss, Tree, Joy

“The attempt to place the white population under the domination of persons of color in the South has impaired, if not destroyed, the kindly relations that had previously existed between them: and mutual distrust has engendered a feeling of animosity which leading in some instances to collision and bloodshed, has prevented that cooperation between the two races so essential to the success of industrial enterprise in the Southern States.”

Andrew Johnson (1808–1875) American politician, 17th president of the United States (in office from 1865 to 1869)

Quote, Fourth State of the Union Address (1868)

Feeling, Success, Personality

“The truth is, the people here know nothing of the republican Negro hate prevalent in our glorious land. They measure and esteem men according to their moral and intellectual worth, and not according to the color of their skin. Whatever may be said of the aristocracies here, there is none based on the color of a man's skin.”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

1840s, Letter to William Lloyd Garrison (1846)

Men, Hate, People, Truth

“Colored people are like human weeds and are to be exterminated.”

Margaret Sanger (1879–1966) American birth control activist, educator and nurse

Unknown source, attributed by Life Education and Resource Network (LEARN) http://www.blackgenocide.org/planned.html and by Roger L. Roberson, Jr, The Bible & the Black Man: Breaking the Chains of Prejudice (2007), p. 18. Seems to take "human weeds" from "a garden of children instead of a disorderly back lot overrun with human weeds" or from "the gradual suppression, elimination and eventual extirpation of defective stocks– those human weeds which threaten the blooming of the finest flowers of American civilization" and "exterminated" from "we do not want word to go out that we want to exterminate the Negro population, and the minister is the man who can straighten out that idea" (see above). Misattributed

People

“Today, Psycho still holds up extraordinarily well (another reason why a remake seems pointless). With the exception of Halloween, no latter-day horror/thriller has been capable of generating as many goosebumps. The black-and-white photography is perfect for the film's tone and mood — the starkness of color would have blurred the nightmarish quality. The painstaking care with which [director Alfred] Hitchcock composed every scene is evident in the quality of the final product.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/php_review_template.php?identifier=669 of Psycho (1960). Three-and-a-half star reviews

Mood, Perfection

“We bring roses, beautiful fresh roses,
Dewy as the morning and colored like the dawn.”

Thomas Buchanan Read (1822–1872) American artist

The new pastoral Book.

Beauty

“I thought you could write something about me that men can't – What I want written – I do not know – I have no definite idea of what it should be. – but a woman who has lived many things and who sees lines and colors as an expression of living – might say something that a man can't – I feel there is something unexplored about woman that only a woman can explore – Men have done all they can do about it. Does that mean anything to you – or doesn't it?”

Georgia O'Keeffe (1887–1986) American artist

In a letter to Mabel Dodge Luhan, New York 1925; as quoted in Voicing our visions, – Writings by women artists, ed. Mara R. Witzling, Universe New York, 1991, p. 224
1920s

Men, Feeling, Idea

“Visual forms are not perceived differently from colors or brightness. They are sense qualities, and the visual character of geometry consists in these sense qualities.”

Hans Reichenbach (1891–1953) American philosopher

The Philosophy of Space and Time (1928, tr. 1957)

Sense

“I want to work. It is an obsession. I am gnawed at the heart by an excruciating desire to manipulate color... I see figures, with an incredible intensity, pass before my eyes. Let us analyze this – if it is possible to toss it. Why do you no longer work? Why work again? Faith has left me – the habit of putting myself into the background, has done the rest. Am I a true artist? Yes, yes, yes. Am I a woman? Alas. Yes, yes, yes. Are the two [very probably Jawlensky & Marinanne] able to work as a pair? No, no, no. Who will take up the desires -?... The work of my life, this talent [Jawlensky] that I protect with all my interest, with all my affection, it must be alone in the dwelling. Reason says, calm yourself. But the great passion in me, and my call to work, destroys all the calm acquisitions of my life.”

Marianne von Werefkin (1860–1938) expressionist painter

Vol. 1: 'My beautiful One, My Unique!', pp. 130-140
1895 - 1905, Lettres à un Inconnu, 1901 – 1905; Museo Communale, Ascona

Life, Faith, Passion, Heart

“Paris [1933 - 1944] with its wonderful (intense soft) light had relaxed my palette — there were other colors, other entirely new forms, and some that I had used years earlier. Naturally I did all this unconsciously.”

Wassily Kandinsky (1866–1944) Russian painter

Quote from his letter to Alfred Barr, Jr., 16 July, 1944; as cited in Vivian Endicott Barnett, et al., 'Kandinsky', exh. cat. [New York: Solomon R. Guggenheim Museum, 2009], p. 70
1930 - 1944

Nature, Light

“When you can see the colors of the feathers, you'll also understand how you can expand your borders to infinity.”

Lois McMaster Bujold Vorkosigan Saga

Vorkosigan Saga, Borders of Infinity (1989)

Understanding

“I think it's true, as many say, I have dealt for many years with the problems that w:Op art so-called, is dealing with. For many years I have studied the logic and magic of color. And so I know what's involved when it comes to the interaction of colors, more than many who refuse to study it. But I found a way to study it, I think, that's all. And besides I refuse to be the father of a new bandwagon.”

Josef Albers (1888–1976) German-American artist and educator

Homage to the square' (1964), Oral history interview with Josef Albers' (1968)

Art, Way, Problem, Thinking

“A multi-colored crowd streaked about,
and suddenly all was totally changed.
It wasn't the usual city racket.
It came from a strange land.”

Anna Akhmatova (1889–1966) Russian modernist poet

"The First Long Range Artillery Fire On Leningrad," translation by Daniela Gioseffi (1993) http://users.tellurian.net/wisewomensweb/OnPrgudc.html

Change

“The ground which a colored man occupies in this country is, every inch of it, sternly disputed.”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

Speech at the American and Foreign Anti-Slavery Society annual meeting, New York City (May 1853)
1850s

Country

“And the color, the overcast blue
Of the air, in which the blue guitar
Is a form, described but difficult,
And I am merely a shadow hunched
Above the arrowy, still string,
The maker of a thing yet to be made;
The color like a thought that grows
Out of a mood, the tragic robe
Of the actor, half his gesture, half
His speech, the dress of his meaning, silk
Sodden with his melancholy words,
The weather of his stage, himself.”

Wallace Stevens (1879–1955) American poet

The Man With the Blue Guitar (1937)

Mood, Weather

“Rood was in my possession the day after the appearance of Philippe Gille's book review, published by 'Le Figaro', 1881 (change of palette). I abandon earth colors from [18]82 to 1884. On Pissarro's advice I stop using emerald green”

Georges Seurat (1859–1891) French painter

1885
Rood etait en ma possession le lendemain du jour oil paru la revue biblio graphique de Philippe Gille, collection du Figaro 1881 [changement de palette]. J'abandonne les terres en 82 a 1884. Sur le conseil de Pissarro je lache le verr emeraud (1885
Quotes, 1881 - 1890, Letter to Félix Fénéon', June 1890

Books, Appearance, Change

“You can blend in in the country;
You can stand out in the fashion world
Being invisible to a white tail and irresistible to a redneck girl.
Camouflage, Camouflage
Oh you're my favorite color Camouflage.”

Brad Paisley (1972) American country music singer

Camouflage, written by Chris DuBois, Kelley Lovelace, and Brad Paisley.
Song lyrics, This Is Country Music (2011)

World, Girl, Fashion, Country

“I believe that one should not think so much about nature when painting, at least not during the conception of the picture. Make the color sketch exactly as one has felt something in nature. But my personal feeling is the main thing. Once I have established it, lucid in tone and color, I must bring in from nature the things that make my painting seem natural, so that a layman will only think that 1 have painted it from nature.”

Paula Modersohn-Becker (1876–1907) German artist

quote from her Diaries, 1 October, 1902; as cited in Expressionism, a German intuition, 1905-1920, Neugroschel, Joachim; Vogt, Paul; Keller, Horst; Urban, Martin; Dube, Wolf Dieter; (transl. Joachim Neugroschel); publisher: Solomon R. Guggenheim Foundation, New York, 1980, p. 31
1900 - 1905

Feeling, Nature, Thinking, Painting

“At the base of the plane, Styles freelance photographer is down on one knee, going handheld, still in the same Hawaiian shirt. The famously reclusive R. Vaughn Corliss is nowhere in view. Doug Llewellyn’s wardrobe furnished by Hugo Boss. The Malina blanket for the artist’s lap and thighs, however, is the last minute fix of a production oversight, retrieved from the car of an apprentice gaffer whose child is still nursing, and is not what anyone would call an appropriate color or design, and appears unbilled. There’s also some eleventh hour complication involving the ground level camera and the problem of keeping the commode’s special monitor out of its upward shot, since video capture of a camera’s own monitor causes what is known in the industry as feedback glare — the artist in such a case would see, not his own emergent Victory, but a searing and amorphous light.”

David Foster Wallace (1962–2008) American fiction writer and essayist

"The Suffering Channel", Oblivion: Stories
Short stories

Cars, Problem, Light, Appearance

“I stared down at the object in my lap. A skin-colored sphere the size of a giant beach ball, with breasts on top and a mouth between the breasts. At the bottom were the generous buttocks, a crinkly anus and a vaginal passage containing my rapidly limpening penis. Was this safe?”

Rudy Rucker (1946) American mathematician, computer scientist, science fiction author and philosopher

Source: The Sex Sphere (1983), p. 65

“Do you see all those beautiful trees there? I sketched them all thirty years ago; I have had all their portraits. Look at that beech there, the sun lights it up and makes of it a marble column, a column that has muscles, limbs, hands and a fair skin, white and pallid... See the modest green of the heath and its plants, rosy, amaranthine, which distil honey for the bees and fragrance for the butterflies. The sun lights them up and gives them a diapason of extraordinary color. Ah, the sun..”

Théodore Rousseau (1812–1867) French painter (1812-1867)

Quote of Th. Rousseau, Sept. 1867; recorded by fr:Alfred Sensier; as cited by Charles Sprague Smith, in Barbizon days, Millet-Corot-Rousseau-Barye; publisher, A. Wessels Company, New York, July 1902, p. 164
In September 1867 (two months before Rousseau’s death, when already half paralyzed), Th. Rouseau took a ride with Sensier to look once more at the heather. He was pointing to the Sully, a giant of the wood
1851 - 1867

Beauty, Tree, Light, Bee

“Prehistoric images speak to us more evocatively than any other element of the archeological record: colorful, vibrant paintings of horses, of bison, of a panoply of animals and humans that often seem alive and in motion. And yet there is a dimension of unreality about them… The images seem plucked from life… often arranged chaotically to our eye, frequently superimposed… sometimes apparently incomplete. …There is an enigma in these images, a profound challenge to our understanding of the past.”

Richard Leakey (1944) Kenyan paleoanthropologist, conservationist, and politician

Origins Reconsidered: In Search of What Makes Us Human (1992)

Life, Understanding, Past, Animals

“Black and white are the colors of photography. To me, they symbolize the alternatives of hope and despair to which mankind is forever subjected. Most of my photographs are of people; they are seen simply, as through the eyes of the man in the street. There is one thing the photograph must contain, the humanity of the moment. This kind of photography is realism. But realism is not enough—there has to be vision and the two together can make a good photograph. It is difficult to describe this thin line where matter ends and mind begins.”

Robert Frank (1924–2019) American photographer and filmmaker

Robert Frank, in: Nathan Lyons, Photographers on photography: a critical anthology, (1966), p. 66

People, Hope, Despair

“The problem of the twenty-first century, then, is the problem of the color-blind. This problem is simple: it believes that to redress racism, we need to not consider race in social practice, notably in the sphere of governmental action. The state, we are told, must be above race. … We are led to believe that racism is prejudicial behavior of one party against another rather than the coagulation of socioeconomic injustice against groups. If the state acts without prejudice (this is, if it acts equally), then that is proof of the end of racism. Unequal socioeconomic conditions of today, based as they are on racisms of the past and of the present, are thereby rendered untouchable by the state. Color-blind justice privatizes inequality and racism, and it removes itself from the project of redistributive and anti-racist justice. This is the genteel racism of our new millennium.”

Vijay Prashad (1967) Indian historian and journalist

Everybody Was Kung Fu Fighting: Afro-Asian Connections and the Myth of Cultural Purity (2002), p. 38

Justice, Behavior, Problem, Past

“So let us listen to the light—what music do we hear? For one thing, we can elicit from each chemical element its own, unique chord. You may sometimes have noticed that a bright yellow flash is produced if ordinary table salt is sprinkled on a flame…a first bare hint of the subject of flame spectra… The fact that different elements emit light with different color characteristics is exploited by the makers of fireworks.”

Frank Wilczek (1951) physicist

Longing for the Harmonies: Themes and Variations from Modern Physics (1987)

Music, Light

“Although I can look a bit grumpy myself, I love it when the sun shines in the water, but besides that I think my country is colored and what I particularly noticed when I came from abroad: our country is colored sappy fat, that's why our beautiful- colored and built cattle, their flesh, milk and butter, nowhere you can find this, but they [the cows] are also fed by that sappy, greasy and colored land - I have often heard strangers say, those Dutch painters all paint gray and their land is green.... the more I observe the more colored and transparent nature becomes and then the air seen altogether, something very different and yet so [strong] in harmony, it is delightful when one has learned to see, because that too must be learned, I repeat, our country is not gray, even not in gray weather, the dunes aren't gray either.”

Paul Gabriël (1828–1903) painter (1828-1903)

translation from the Dutch original: Fons Heijnsbroek
version in original Dutch / citaat van Paul Gabriël, in Nederlands: Alhoewel ik er zelf wat knorrig uit kan zien houd ik er veel van dat het zonnetje in het water schijnt, maar buiten dat ik vind mijn land gekleurd en wat mij bijzonder opviel wanneer ik uit den vreemde kwam: ons land is gekleurd sappig vet, vandaar onze schoone gekleurde en gebouwde runderen, hun vleesch melk en boter, nergens vind men dat zoo maar ze worden ook door dat sappige vette en gekleurde land gevoed - ik heb vreemdelingen dikwijls horen zeggen, die Hollandsche schilders schilderen allemaal grijs en hun land is groen.. ..hoe meer ik opserveer hoe gekleurder en transparanter de natuur word en dan de lucht erbij gezien een heel ander iets en toch zoo in harmonie, het is verrukkelijk wanneer men heeft leeren zien, want ook dat moet geleerd worden, ik herhaal het ons land is niet grijs, zelfs niet bij grijs weer, de duinen zijn ook niet grijs.
written note of Paul Gabriël, 1901; as cited in De Haagse School. Hollandse meesters van de 19de eeuw, ed. R. de Leeuw, J. Sillevis en C. Dumas); exhibition. cat. - Parijs, Grand Palais / Londen, Royal Academy of Arts / Den Haag, Haags Gemeentemuseum, Parijs, Londen, Den Haag 1983, p.183 - 23
after 1900

Love, Beauty, Nature, Thinking

“I love dressing up. I’m from a huge African family and grew up in a really colorful place. The way I dress reflects my environment and wanting to take people into a fantasy world for half an hour.”

Shingai Shoniwa (1981) British musician

http://venuszine.com/stories/music/4102.php

Love, People, World, Family

“A lot of the people who live here [Miami] are island people -- from Cuba, Haiti. People are very vibrant, and color is important living here. You're inspired every day by the sun, the sky, the landscape, the lushness. [Artist Romero Britto's] painting and artwork reflect that.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

www.nytimes.com (February 2, 2007)
2007, 2008

People, Sun, Painting

“When learning's triumph o'er her barb'rous foes
First reared the stage, immortal Shakespeare rose;
Each change of many-colored life he drew,
Exhausted worlds, and then imagined new:
Existence saw him spurn her bounded reign,
And panting Time toiled after him in vain.”

Samuel Johnson (1709–1784) English writer

Prologue at the Opening of Drury Lane Theatre (1747)

Life, World, Imagination, Learning

“Side by side with the production of metals, the Egyptians and the inhabitants of Mesopotamia perfected the arts of making glazed pottery… and the production of glass. …vessels were baked in tall closed furnaces. "Egyptian blue" was made in Egypt by heating silica with malachite and lime… applied with soda as a blue glaze on faience, and the blue glass is also colored with copper. Some early… Egyptian and Babylonian blue glass are coloured with cobalt.”

J. R. Partington (1886–1965) British chemist

A Short History of Chemistry (1937)

Art, Perfection

“It (the fetus) is strongly aware of your feelings toward it. At times the personality traits that it had earlier color this perception. It pushes these aside impatiently. It has mental images of its own probable future, and parts of it do become frightened at times, to relinquish old adult powers for an infant's helplessness.”

Jane Roberts (1929–1984) American Writer

Session 499, Page 380
The Early Sessions: Sessions 1-42, 1997, The Early Sessions: Book 9

Feeling, Time, Future, Parting

“People are very shortsighted when they argue that way, when they say: Beuys makes everything with felt, so he's trying to say something about the concentration camps [of the German Nazi regime]. Nobody bothers to ask whether I might not be more interested in evoking a very colorful world as an anti-image inside people with the help of this element, felt. So it's a matter of evoking a lucid world, a clear, lucid, perhaps transcendentally spiritual world through something which looks quite different, through an anti-image.”

Joseph Beuys (1921–1986) German visual artist

Beuys, 1997, p. 11, xix); as quoted in Joseph Beuys and the Celtic Wor(l)d: A Language of Healing, by Victoria Walters, LIT Verlag Münster, 2012, p. 192
Quotes after 1984, posthumous published

People, World, Way, Help

“I usually let them [his drawings] lies around for a long time. I have to get to really like it. And then when I do the painting I have to get to like that too. Sometimes I stay with the sketch, sometimes I follow the original idea exactly if the idea is solved. But most of the time there have to be adjustments during the painting. Through the painting of it I find the color and I work the form and play with it and it adjusts itself.”

Ellsworth Kelly (1923–2015) American painter, sculptor, and printmaker

In an interview by Henry Geldzahler, 'Art International 1.', February 1964, p. 48
1950 - 1968

Idea, Time, Drawing, Painting

“I'm gonna tell all you fascists, you may be surprised
People all over this world are getting organized
You're bound to lose
You fascists are bound to lose

Race hatred cannot stop us, this one thing I know
Poll tax and Jim Crow and greed have got to go
You're bound to lose
You fascists are bound to lose

...

People of every color marching side by side
Marching across these fields where a million fascists died
You're bound to lose
You fascists are bound to lose

...

I'm going into this battle, take my union gun
Gonna end this world of slavery before this war is won
You're bound to lose
You fascists are bound to lose”

Woody Guthrie (1912–1967) American singer-songwriter and folk musician

All You Fascists (1944) https://www.woodyguthrie.org/Lyrics/All_You_Fascists.htm

War, People, World

“Numbered among our population are some 12,000,000 colored people. Under our Constitution their rights are just as sacred as those of any other citizen. It is both a public and a private duty to protect those rights. The Congress ought to exercise all its powers of prevention and punishment against the hideous crime of lynching, of which the negroes are by no means the sole sufferers, but for which they furnish a majority of the victims.”

Calvin Coolidge (1872–1933) American politician, 30th president of the United States (in office from 1923 to 1929)

1920s, First State of the Union Address (1923)

People, Exercises, Suffering

“This, then, is the gain of the Good Fight in this war, first, that the nation has attained a living consciousness of its inevitable unity, second, that it has proved its enormous power, and third, that in the terrible struggle it has used that united power for, and not against, equal rights. And the spirit of caste which it has disabled it will now utterly destroy. For the Good Fight is not a crusade against a section or a State, but against caste everywhere in the country. This is now entrenched in the bitter prejudice against the colored race, which is as inhuman and unmanly as the old hatred and contempt of Christendom for the Jews. Lifting their heads from bloody defeat in the field, the wan and wasted States of the South say in terms caste must be maintained, and by every kind of vagrant law and hostile legislation they will try to maintain it.”

George William Curtis (1824–1892) American writer

1860s, The Good Fight (1865)

Hostility, War, Law, Fight

“Some students at BYU perceive general education as an unfortunate burden that does little for them professionally. I was rudely awakened to this perception the first time that I taught Biology 100. Having loved biology my entire life, I assumed that all 250 students in my class would be as enthusiastic as I was to study biology. I quickly learned that most of my students dreaded having to take the course and had little interest in the sciences. My challenge was to help them learn to reverently admire the intricate wonders of God's creation that are evident when we study life. General education is especially important at BYU, for here a thoughtful study of the arts and sciences can be, in President Kimball's words, "bathed in the light and color of the restored gospel."”

Daniel J. Fairbanks (1956) American artist

Let me share with you a few of my own experiences.
The quoted line is taken from "Education for Eternity" (12 Septemebr 1967), by Spencer W. Kimball, p. 11, preschool address to BYU faculty and staff.
The Arts, the Sciences, and the Light of the Gospel (2000)

Love, Life, God, Education

“We have a right to expect that the Negro community will be responsible, will uphold the law, but they have a right to expect that the law will be fair, that the Constitution will be color blind, as Justice Harlan said at the turn of the century.”

John F. Kennedy (1917–1963) 35th president of the United States of America

1963, Civil Rights Address

Justice, Law, Communication

“I dreamed a place where I have come to dwell
Cold Mountain says it all
Monkeys scream, the valley fog is cold
My door blends with the color of the peaks
I gather leaves and thatch a hut among the pines
Dig a pond and lead a trickle from the brook
Long ago I left the world behind
Eating ferns I pass the years in peace”

Han-shan Chinese monk and poet

Cold Mountain Transcendental Poetry

World, Peace, Dreams, Mountain

“[W]e do live in a conceptual trough that encourages such yearning for unknown and romanticized greener pastures of other times. The future doesn't seem promising, if only because we can extrapolate some disquieting present trends into further deterioration: pollution, nationalism, environmental destruction, and aluminum bats. Therefore, we tend to take refuge in a rose-colored past […]. I do not doubt the salutary, even the essential, properties of this curiously adaptive human trait, but we must also record the down side. Legends of past golden ages become impediments when we try to negotiate our current dilemma.”

Stephen Jay Gould book Eight Little Piggies

"Shoemaker and Morning Star", pp. 206–207
Eight Little Piggies (1993)

Age, Time, Past, Future

“Our first Salon des Independants, where I think we [Matisse and Marquet] were the only two painters to express ourselves in pure colors, was in 1901.”

Albert Marquet (1875–1947) French artist

Gordon Brown, 'Albert Marquet', Arts Magazine Vol. 46, November 1971, p. 49.

Thinking

“We deny, without regard to color, that 'all men are created equal'; it is not true now, and was not true when Jefferson wrote it.”

Benjamin Tillman (1847–1918) American politician

As quoted in Pitchfork Ben Tillman, South Carolinian (1967), by Francis Butler Simkins. Louisiana State University Press. OCLC 1877696, p. 144.

Men

“.. of what use is a painting which does not realize its aesthetical problem? Underlying all sensible works of art, there must be somewhere in evidence the particular problems understood. It was so with those artists of the great past who had the intellectual knowledge of structure upon which to place their emotions. It is this structural beauty that makes the old [clssical] painting valuable. And so it becomes to me a problem. I would rather be sure that I had placed two colors in true relationship to each other than to have exposed a wealth of emotionalism gone wrong in the name of richness of personal expression... The real artists have always been interested in this problem, and you feel it strongly in the work of [Leonardo] Da Vinci, Piero della Francesca, Courbet, Pissarro, Seurat, and Cezanne.”

Marsden Hartley (1877–1943) American artist

n.p.
1921 - 1930, Art and the Personal Life', Marsden Hartley, 1928

Beauty, Art, Feeling, Knowledge

“Disillusioned words like bullets bark
As human gods aim for their mark
Make everything from toy guns that spark
To flesh-colored Christs that glow in the dark
It's easy to see without looking too far
That not much is really sacred”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

Song lyrics, Bringing It All Back Home (1965), It's Alright, Ma (I'm Only Bleeding)

God, Christ

“That question is so big that there is no end [Albers refers here to the relationship between colors and the source of light]. You see, they have just you cannot participate with it if you have not lubricated your eyes very thoroughly to see the little changes produced in our eye that has another action than any optical apparatus like photography. We must know that we have two ways of seeing. For instance, when we are indoors another part of the retina is engaged compared with when we are outdoors. If we are in warm light or cool light, in higher light or lower light.”

Josef Albers (1888–1976) German-American artist and educator

Homage to the square' (1964), Oral history interview with Josef Albers' (1968)

Way, Question, Light, Change

“I'd like them to see that those things that set us apart or make us different can be wonderful contributions to the world around us. I'd like them to see that size and color are irrelevant to the dreams we envision for ourselves. And I'd also love for them to see that life is a journey, and every step of the way, we can learn something and become stronger and wiser.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

answer to what she would like young readers to take away after reading her first children's book -- quote from Latina Magazine (October 2005)
2007, 2008

Love, Life, World, Dreams

“A celebrity has just as much right to speak out as people who hold real jobs. This is America, after all, and you should not be precluded from voicing your opinions just because you sing songs, mouth other peoples' words on a sitcom or, for that matter, spin a giant multi-colored wheel on a game show.”

Pat Sajak (1946) American television host

2005 column about celebrities and politics, cited in: " Sajak says... http://ex-donkey.new.mu.nu/?page=111," at ;;ex-donkey.new. posted by: Gary at 04:33 PM. 2000s

People, Game, Singing

“Look, the bad guy is the bad guy, I don't care what color he is, when you go to war, if you know the enemy and the enemy dresses in red and you dress in blue, then you shoot at red. … You shoot at the enemy. You try to identify the enemy and the enemy right now, the overwhelming majority of people coming in, are people of color or people of Hispanic origin.”

Paul LePage (1948) American businessman, Republican Party politician, and the 74th Governor of Maine

In a State House press conference. http://www.pressherald.com/2016/08/26/house-democrats-condemn-lepage-attack-on-westbrook-legislator/ (August 26, 2016)

War, People, Guy

Quotes about colors page 5

Quotes about colors
page 5