Quotes about colors
page 6

“For simple light is perhaps still more beautiful than colors.”

Joseph Joubert (1754–1824) French moralist and essayist

“There probably is no more important quest in all science than the attempt to understand those very particular events in evolution by which brains worked out that special trick that has enabled them to add to the cosmic scheme of things: color, sound, pain, pleasure, and all the other facets of mental experience.”

Roger Wolcott Sperry (1913–1994) American neuroscientist

"Evolution of the Human Brain" (1964), p. 3

Pain, Pleasure, Understanding, Science

“Judah Benjamin said, "The nations of Europe continue to abhor our policy, try as we will to convince them that we cannot do otherwise. Mr. Mason has written from London that Her Majesty's government might well have been willing to extend us recognition two years ago, were it not for the continuation of slavery among us: so Lord Russell has assured him, at any rate. Mr. Thouvenel, the French foreign minister, has expressed similar sentiments to Mr. Slidell in Paris." Slavery, Lee thought. In the end, the world's outside view of the Confederate States of America was colored almost exclusively by its response to the South's peculiar institution. Never mind that the U. S. Constitution was a revocable compact between independent states, never mind that the North had consistently used its numerical majority to force through Congress tariffs that worked only to ruin the South. So long as black men were bought and sold, all the high ideals of the Confederacy would be ignored.”

Harry Turtledove book The Guns of the South

Source: The Guns of the South (1992), p. 234

Men, World

“When they show the destruction of society on color TV, I want to be able to look out over Los Angeles and make sure they get it right.”

Phil Ochs (1940–1976) American protest singer and songwriter

Source: The Broadside Tapes 1 (made in the 1960s; published c. 1980), Liner notes

Angels

“I have received the favor of your letter of August 17th, and with it the volume you were so kind as to send me on the Literature of Negroes. Be assured that no person living wishes more sincerely than I do, to see a complete refutation of the doubts I have myself entertained and expressed on the grade of understanding allotted to them by nature, and to find that in this respect they are on a par with ourselves. My doubts were the result of personal observation on the limited sphere of my own State, where the opportunities for the development of their genius were not favorable, and those of exercising it still less so. I expressed them therefore with great hesitation; but whatever be their degree of talent it is no measure of their rights. Because Sir Isaac Newton was superior to others in understanding, he was not therefore lord of the person or property of others. On this subject they are gaining daily in the opinions of nations, and hopeful advances are making towards their reestablishment on an equal footing with the other colors of the human family.”

Thomas Jefferson (1743–1826) 3rd President of the United States of America

I pray you therefore to accept my thanks for the many instances you have enabled me to observe of respectable intelligence in that race of men, which cannot fail to have effect in hastening the day of their relief; [...]. Letter to Henri Grégoire http://memory.loc.gov/cgi-bin/query/r?ammem/mtj:@field(DOCID+@lit(tj110052)) (25 February 1809), as quoted in The Works of Thomas Jefferson in Twelve Volumes. Federal Edition. Collected and Edited by Paul Leicester Ford. Also quoted in The Science and Politics of Racial Research by William H. Tucker (1994), p. 11 1800s, Second Presidential Administration (1805-1809)

Men, Family, Hope, Exercises

“After making careful inquiry I can not find a half a dozen cases of a man or woman who has completed a full course of education in any of our reputable institutions like Hampton, Tuskegee, Fiske, or Atlanta, who are imprisoned. The records of the South show that 90 percent of the colored people imprisoned are without knowledge of trades and 61 percent are illiterate. But it has been said that the negro proves economically valueless in proportion as he is educated. Let us see. All will agree that the negro in Virginia, for example, began life forty years ago in complete poverty, scarcely owning clothing or a day's food. The reports of the State auditor show the negro today owns at least one twenty-sixth of the real estate in that Commonwealth exclusive of his holdings in towns and cities, and that in the counties east of the Blue Ridge Mountains he owns one-sixteenth. In Middlesex County he owns one-sixth: in Hanover, one-fourth. In Georgia the official records show that, largely through the influence of educated men and women from Atlanta schools and others, the negroes added last year $1,526,000 to their taxable property, making the total amount upon which they pay taxes in that State alone $16,700,000. Few people realize under the most difficult and trying circumstances, during the last forty years, it has been the educated negro who counseled patience, self-control, and thus averted a war of races. Every negro going out of our institutions properly educated becomes a link in the chain that shall forever bind the two races together in all essentials of life.”

Booker T. Washington (1856–1915) African-American educator, author, orator, and advisor

Speech in New York (12 February 1904), as quoted in speech by Edward de Veaux Morrell in the House of Representatives https://cdn.loc.gov/service/rbc/lcrbmrp/t2609/t2609.pdf (4 April 1904) 1900s

Life, Women, Men, War

“Why do I paint? In my work as a mathematician, form, structure, and economy of expression are important. In music, add tone quality, balance and harmony. And now in painting, these aesthetic values are enhanced by color, contrast, and composition.”

Robin Hartshorne (1938) American mathematician

Robin Hartshorne Fine Art, fineartstudioonlione.com http://robinfaso.fineartstudioonline.com/about

Music, Painting

“Now color — it is to this remark that I wished to lead — is the flower of fine modelling. These two qualities always accompany each other, and it is these qualities which give to every masterpiece of the sculptor the radiant appearance of living flesh.”

Auguste Rodin (1840–1917) French sculptor

Source: Art, 1912, Ch. III. Modelling, p. 61

Flowers, Appearance

“A man's rights rest in three boxes. The ballot box, jury box and the cartridge box. Let no man be kept from the ballot box because of his color. Let no woman be kept from the ballot box because of her sex.”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

Speech http://books.google.ca/books?id=zFclDyk2LTEC&pg=PA57#v=onepage&q&f=false (15 November 1867). 1860s

Sex, Box

“Titian, Tintoretto, and Paul Veronese absolutely enchanted me, for they took away all sense of subject. … It was the poetry of color which I felt, procreative in its nature, giving birth to a thousand things which the eye cannot see, and distinct from their cause.”

Washington Allston (1779–1843) American artist

Washington Allston, as quoted in The Quotable Artist (2002) by Peggy Hadden, p. 20

Birth, Nature, Sense

“A colored man is precisely as much entitled to submit his candidacy in a party primary, as is any other citizen. The decision must be made by the constituents to whom he offers himself, and by nobody else.”

Calvin Coolidge (1872–1933) American politician, 30th president of the United States (in office from 1923 to 1929)

1920s, Letter to Charles F. Gardner (1924)

Decision

“The book of your revolution sits in the pit of your belly, young Indian. Crap it out, and read.Instead of which, they’re all sitting in front of color TVs and watching cricket and shampoo advertisements.”

Aravind Adiga book The White Tiger

The Seventh Night.
The White Tiger (2008)

Books

“I use the example of the rainbow and of the phenomena connected with it, of which sort are the circle around the sun and the stars, likewise the rod lying at the side of the sun or of a star which appears to the eye in a straight line… called the rod by Seneca, and the circle is called the corona, which often has the colors of the rainbow. But neither Aristotle nor Avicenna, in their Natural Histories, has given us knowledge of things of this sort, nor has Seneca, who composed a special book on them. But Experimental Science makes certain of them. [The experimenter] considers rowers and he finds the same colors in the falling drops dripping from the raised oars when the solar rays penetrate drops of this sort. It is the same with waters falling from the wheels of a mill; and when a man sees the drops of dew in summer of a morning lying on the grass in the meadow or the field, he will see the colors. And in the same way when it rains, if he stands in a shady place and if the rays beyond it pass through dripping moisture, then the colors will appear in the shadow nearby; and very frequently of a night colors appear around the wax candle. Moreover, if a man in summer, when he rises from sleep and while his eyes are yet only partly opened, looks suddenly toward an aperture through which a ray of the sun enters, he will see colors. And if, while seated beyond the sun, he extend his hat before his eyes, he will see colors; and in the same way if he closes his eye, the same thing happens under the shade of the eyebrow; and again, the same phenomenon occurs through a glass vessel filled with water, placed in the rays of the sun. Or similarly if any one holding water in his mouth sprinkles it vigorously into the rays and stands to the side of the rays; and if rays in the proper position pass through an oil lamp hanging in the air, so that the light falls on the surface of the oil, colors will be produced. And so in an infinite number of ways, as well natural as artificial, colors of this sort appear, as the careful experimenter is able to discover.”

Roger Bacon book Opus Majus

6th part Experimental Science, Ch.2 Tr. Richard McKeon, Selections from Medieval Philosophers Vol.2 Roger Bacon to William of Ockham
Opus Majus, c. 1267

Books, Way, History, Star

“Tony Cairo [English abstract sculptor] and I tried to collaborate at several points and it hasn't been successful. As a matter of fact, recently Tony has made sculpture that I have painted. He has to make the sculpture before I can paint it. That means that the form is taking precedence – that the material takes precedence as a form, rather than color establishing the form. It's not going to well but I'm working on it. There's something about color that is so abstract that it is difficult for it to function in conjunction with solid form... Color has properties of weight, density, transparency, and so forth. And when it also has to be compatible with things that have an actual density, a given form, it's very difficult.”

Kenneth Noland (1924–2010) American artist

Source: Color, Format and Abstract Art' (1977), pp. 99 – 105

Success, Painting

“Christian America, religious America I should say — the same thing is true of Orthodox Jews and conservative Jews, although that is a very small percentage of the population — religious America is reproducing well above replacement rate, it’s liberals who are aborting and going gay and anyone with a flair for color, so I think we will have a leg-up in the demographic war, that’s what the left was facing, that they weren’t reproducing enough so they had to bring in the ringers from the Third World to vote for them.”

Ann Coulter (1961) author, political commentator

2015-06-09
Ann Coulter: Liberals Are ‘Going Gay’ So They Need Immigrants To Outbreed ‘Christian America’
http://www.rightwingwatch.org/post/ann-coulter-liberals-are-going-gay-so-they-need-immigrants-to-outbreed-christian-america/
2015

War, World, Thinking

“You’ve been a father to me.
Your 1960’s speak.
Gives me comatose joy like re-run TV.
While the mountainside was shining.
Wild colors of my destiny”

Conor Oberst (1980) American musician

Cape Cañaveral
Conor Oberst (2008)

Joy

“My dear pastor, in my tent last night, after a fatiguing day's service, I remembered that I failed to send a contribution for our colored Sunday school. Enclosed you will find a check for that object, which please acknowledge at your earliest convenience and oblige yours faithfully.”

Thomas Jackson (1824–1863) Confederate general

Letter to his pastor after the First Battle of Bull Run (22 July 1861); as quoted in The Religious Development of the Negro in Virginia (1914) by Joseph Brummell Earnest, p. 84

School, Night

“I find it increasingly necessary to express my ideas first in engraving or lithography so that they may develop before I start to paint. Every year my form and expression become more sensitive, and my ideas frequently have to pass through three graphic stages before I can start on the canvas... I can hear you say no, that is impossible because the value of the colors demands quite different treatment from black and white, but it is the inner idea that I try to establish firmly through graphic preparation.”

Ernst Ludwig Kirchner (1880–1938) German painter, sculptor, engraver and printmaker

In a letter to de:Gustav Schiefler, 1924, in Annemarie Dube-Heynig, Kirchner: His Graphic Art, Greenwich, Conn.: New York Graphic Society, 1961, p. 96 - note 46
1920's

Idea, Painting

“There were two problems which had to be faced. One was spatial and the other methodological. In the first case I had to do something about relational painting, i. e. the balancing of the various parts of the painting with and against each other. The obvious answer was symmetry – make it the same all over. The question still remained, though, of how to do this in depth. A symmetrical image or configuration symmetrically placed on a open ground is not balanced out in the illusionistic space. The solution I arrived at, and there are probably quite a few, although I only know of one other, color density, forces illusionistic space out of the painting at constant intervals by using a regulated pattern. The remaining problem was simply to find a method of paint application which followed and complemented the design solution. This was done by using the house painters technique and tools.”

Frank Stella (1936) American artist

Source: Quotes, 1960 - 1970, The Pratt lecture (1960), p. 114

Question, Problem, Parting, Painting

“Inspiration, move me brightly, light the song with sense and color, hold away despair”

Robert Hunter (1941–2019) American musician

"Terrapin Station"
Song lyrics, (1977)

Sense, Light, Despair

“You carry the weapon. That's how they don't see it coming. You're the one. They talk about 'color blind or blind to your color.' You said it yourself. You don't send the Black Liberation Army into Wall Street to conduct an action. You don't send the American Indian Movement into downtown Seattle to conduct an action. Who do you send? You. With your beard shaved, your hair cut close and wearing a banker's suit. There's probably a whole lot more to it, you know that, but there is where you start. Who carries the front-end? Why is it always people of color carrying the weight on this, when people who are much more proximate in terms of acceptability to the centers of power, professing solidarity and principled nonviolence on the one hand, and critiquing the practice of those who are carrying the weight on the other. Why is that?”

Ward Churchill (1947) Political activist

Discussion at the Seattle Independent Media Center http://www.radio4all.net/index.php?op=program-info&program_id=7592&nav=&, August 10, 2003

People

“First I will make different color tests: I will study the dark – deep blue, deep violet, deep dirty green, etc. Often I see the colors before my eyes. Sometimes I imitate with my lips the deep sounds of the trumpet – then I see various deep mixtures which the word is uncapable od conceiving and which the palette can only feebly reproduce.”

Wassily Kandinsky (1866–1944) Russian painter

Quote in Kandinsky's letter to Gabriele Münter, 1915; as cited in Schönberg and Kandinsky: An Historic Encounter, by Klaus Kropfinger; edited by Konrad Boehmer; published by Routledge (imprint of Taylor & Francis, an informal company), 2003, p. 16 note 54
1910 - 1915

Study

“Along with a dozen other students I had dissected a human cadaver and sorted its contents by size, color, function, and weight. There was nothing pleasant about the experience. Its only consolation was its truth and its only virtue was its utility.”

Robert Charles Wilson book Spin

Source: Spin (2005), p. 59

Truth

“I earnestly invoke the attention of Congress to the consideration of such measures within its well-defined constitutional powers as will secure to all our people a free exercise of the right of suffrage and every other civil right under the Constitution and laws of the United States. No evil, however deplorable, can justify the assumption either on the part of the Executive or of Congress of powers not granted, but both will be highly blamable if all the powers granted are not wisely but firmly used to correct these evils. The power to take the whole direction and control of the election of members of the House of Representatives is clearly given to the General Government. A partial and qualified supervision of these elections is now provided for by law, and in my opinion this law may be so strengthened and extended as to secure on the whole better results than can be attained by a law taking all the processes of such election into Federal control. The colored man should be protected in all of his relations to the Federal Government, whether as litigant, juror, or witness in our courts, as an elector for members of Congress, or as a peaceful traveler upon our interstate railways.”

Benjamin Harrison (1833–1901) American politician, 23rd President of the United States (in office from 1889 to 1893)

First State of the Union Address (1889)

People, Peace, Law, Travel

“Faith can no more be described to a thoroughly rational mind than the idea of colors can be conveyed to a blind man.”

William Barrett (philosopher) book Irrational Man: A Study in Existential Philosophy

Source: Irrational Man: A Study in Existential Philosophy (1958), Chapter Five, Christian sources, p. 82

Faith, Idea

“Every wolf in sheep's clothing, who pretends to preach the gospel, but proclaims the righteousness of man-selling and slavery—everyone who shoots down negroes in the streets, burns negro school-houses and meeting-houses, and murders women and children by the light of their own flaming dwellings, calls himself a Democrat. Every New York rioter in 1863, who burned up little children in colored asylums—who robbed, ravished and murdered indiscriminately in the midst of a blazing city for three days and nights, called himself a Democrat. In short, the Democratic Party may be described as a common sewer and loathsome receptacle into which is emptied every element of treason, North and South, every element of inhumanity and barbarism which has dishonored the age.”

Oliver P. Morton (1823–1877) American politician

As contained in Treason Exposed: Record of the Disloyal Democracy https://books.google.com/books?id=1-d9AAAAMAAJ&printsec=frontcover&dq=%22Treason+Exposed:+Record+of+the+Disloyal+Democracy%22&hl=en&sa=X&ved=0ahUKEwisi5WmtMrLAhUCOz4KHUcHCEcQ6AEIHDAA#v=onepage&q=%22Treason%20Exposed%3A%20Record%20of%20the%20Disloyal%20Democracy%22&f=false (1866), Republican Party (Ind.) State Central Committee, p. 3 Arraignment of the Democratic Party (June 1866)

Women, Children, Age, School

“O Love, divine Love, why do You lay siege to me?
In a frenzy of love for me, You find no rest.
From five sides You move against me:
Hearing, sight, taste, touch, and scent.
To come out is to be caught; I cannot hide from You.
If I come out through sight I see Love
Painted in every form and color,
Inviting me to come to You, to dwell in You.
If I leave through the door of hearing,
What I hear points only to You, Lord;
I cannot escape Love through this gage.
If I come out through taste, every flavor proclaims:
"Love, divine Love, hungering Love!
You have caught me on Your hook, for you want to reign in me."
If I leave through the door of scent
I sense You in all creation; You have caught me
And wounded me through that fragrance.
If I come out through the sense of touch
I find Your lineaments in every creature;
To try to flee from You is madness.”

Jacopone da Todi (1236–1306) Italian Franciscan mystic

The Lauds

Love, Hunger, Sense, Painting

“Serious color studies of nudes and heads. Only as practice and first training. Very strict determination of color values through water color. On top of it, some oils, simply for blending. The results are quite unattractive, little of importance to be hoped for here. This month of February is devoted to color. I painted many nudes from nature and even the portrait of a head, my syster's!”

Paul Klee (1879–1940) German Swiss painter

Quote (1903), # 485, in The Diaries of Paul Klee, translation: Pierre B. Schneider, R. Y. Zachary and Max Knight; publisher, University of California Press, 1964
1903 - 1910

Hope, Nature, Study, Water

“Be strong, believe in freedom and in God, love yourself, understand your sexuality, have a sense of humor, masturbate, don't judge people by their religion, color or sexual habits, love life and your family.”

Madonna (1958) American singer, songwriter, and actress

From The Great Rock 'N' Roll Quote Book http://womenshistory.about.com/od/quotes/a/madonna_2.htm.

Love, Life, God, People

“These collages were static symmetrical constructions, portico's with pathetic vegetation, the gateway to the realm of dreams. They were done with colored paper in black, orange or blue dye plates. Although cubist painting interested me very much, not a trace of their influence was to be found in my collages.”

Hans Arp (1886–1966) Alsatian, sculptor, painter, poet and abstract artist

Source: 1960s, Jours effeuillés: Poèmes, essaies, souvenirs (1966), p. 420 - quote on his early collages, Hans Arp made ca. 1914.

Dreams, Painting

“One thing which they ought to do, in order to hold their own against this enemy, is to give up cultivating what they call 'race pride', a sentiment too much like that which is 'the lion in the way' of our progress… Do we not know that every argument we make, and every pretension we set up in favor of race pride, is giving the enemy a stick to break our own heads? … You will, perhaps, think this criticism uncalled for. My answer is that truth is never uncalled for… In some of our colored public journals I have seen myself charged with a lack of race pride. I am not ashamed of that charge. I have no apology or vindication to offer. If fifty years of uncompromising devotion to the cause of the colored man in this country does not vindicate me, I am content to live without vindication. While I have no more reason to be proud of one race than another, I dare to say, and I fear no contradiction, that there is no other man in the United States prouder than myself of any great achievement, mental or mechanical, of which any colored man or woman is the author. This not because I am a colored man, but because I am a man; and because color is a misfortune, and is treated as a crime by the American people.”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

Speech http://teachingamericanhistory.org/library/document/the-nations-problem/

People, Truth, Fear, Way

“None of them knew the color of the sky. Their eyes glanced level, and were fastened upon the waves that swept toward them. These waves were of the hue of slate, save for the tops, which were of foaming white, and all of the men knew the colors of the sea. The horizon narrowed and widened, and dipped and rose, and at all times its edge was jagged with waves that seemed thrust up in points like rocks.”

Stephen Crane book The Open Boat

Pt. I
The Open Boat (1894)

Men, Time, Sea

“All art that is expressive has to be illusionistic. The raw material out of which art is built is not necessarily in itself potent; you must transform it. Contours, tactility, touch, color, intervals, that's all part of the concreteness of art. You have to make the concreteness expressive. That way you don't cater to taste. You resist sentimentality. Things in a picture can't remind you too much of anything else. You have to resist all that.”

Kenneth Noland (1924–2010) American artist

Kenneth Noland, p. 24
Conversation with Karen Wilkin' (1986-1988)

Art, Way, Parting

“An artist who sees that the imitation of natural appearances, however artistic, is not for him – the kind of creative artist who wants to, and has to express his own inner world – sees with envy how naturally and easily such goals can be attained in music, the least material of the arts today. Understandably, he may turn toward it and try to find the same means in his own art. Hence the current search for rhythm in painting, for mathematical abstract construction.... the way colors are set in motion, etc.”

Wassily Kandinsky (1866–1944) Russian painter

1910 - 1915
Source: On the Spiritual in Art, 1911; as quoted in Schönberg and Kandinsky: An Historic Encounter, by Klaus Kropfinger; edited by Konrad Boehmer; published by Routledge (imprint of Taylor & Francis, an informal company), 2003, p. 15

World, Art, Music, Way

“I hoped I might become a debonair, hard-drinking, poetic Irishman like him. I'd be a New York character. I'd set the table on a roar and dominate the bars of Greenwich Village with song and story. At the Lion’s Head Bar I drank whiskey after whiskey to give myself the courage to be colorful. Bartenders suggested I slow down. Friends said they didn't understand a word coming out of my mouth. They lifted me out of the bar and into a taxi, paid the driver and told him to drive nonstop till I reached my door.”

Frank McCourt book Teacher Man

Teacher Man (2005)

Hope, Courage, Drink, Understanding

“Light, with its handmaiden color, was everywhere.”

Tad Williams (1957) novelist

Source: Memory, Sorrow, and Thorn, The Dragonbone Chair (1988), Chapter 37, “Jiriki’s Hunt” (p. 629).

Light

“What happens when our eye sees a rose? What do we do when that happens? Our mind does something, to be sure, in the mere fact of taking in the object, grasping its color, its shape, and so on. We have to be awake and active. But all the same, it is a "relaxed" looking, so long as we are merely looking at it and not observing or studying it, counting or measuring its various features. Such observation would not be a "relaxed" action; it would be what Ernst Jünger termed an "act of aggression." But simply looking at something, gazing at it, "taking it in," is merely to open our eyes to receive the things that present themselves to us, that come to us without any need for "effort" on our part to "possess" them.”

Josef Pieper (1904–1997) German philosopher

Source: Leisure, the Basis of Culture (1948), Leisure, the Basis of Culture, p. 9
The Ernst Jünger quote is from Blätter und Steine (Hamburg, 1934), p. 202.

Effort, Study, Parting

“The word science of administration has been used. There are many who object to the term. Now if by science is meant a conceptual scheme of things in which every particularity coveted may be assigned a mathematical value, then administration is not a science. In this sense only astro-physics may be called a science and it is well to remember that mechanical laws of the heavens tell us nothing about the color and composition of the stars and as yet cannot account for some of the disturbances and explosions which seem accidental. If, on the other hand, we may rightly use the term science in connection with a body of exact knowledge derived from experience and observation, and a body of rules or axioms which experience has demonstrated to be applicable in concrete practice, and to work out in practice approximately as forecast, then we may, if we please, appropriately and for convenience, speak of a science of administration. Once, when the great French mathematician, Poincaré, was asked whether Euclidean geometry is true, he replied that the question had no sense but that Euclidean geometry is and still remains the most convenient. The Oxford English Dictionary tells us that a science is, among other things, a particular branch of knowledge or study; a recognized department of learning.”

Charles A. Beard (1874–1948) American historian

Source: Philosophy, Science and Art of Public Administration (1939), p. 660-1

Law, Star, Mathematics, Question

“A little while ago, not much more than a few days ago, I was a child who went about in a world of colors, of hard and tangible forms. Everything was mysterious and something was hidden, guessing what it was was a game for me. If you knew how terrible it is to know suddenly, as if a bolt of lightning elucidated the earth. Now I live in a painful planet, transparent as ice; but it is as if I had learned everything at once in seconds.”

Frida Kahlo (1907–1954) Mexican painter

Quote of Frida Kahlo, in her letter to Alejandro Gómez Arias, 29 September 1926
1925 - 1945

Pain, World, Game, Learning

“I reduced painting to its logical conclusion and exhibited three canvases: red, blue and yellow. I affirmed: it's all over. Basic colors. Every plane is a plane and there is to be no representation.”

Alexander Rodchenko (1891–1956) Russian artist and photographer

Quote in: 'The Death of Painting'; from the MoMA-website: Interactives: texts https://www.moma.org/interactives/exhibitions/1998/rodchenko/texts/death_of_painting.html Rodchenko is looking back: in 1921 he executed what were arguably some of the first true monochromes (artworks of one color; source, Wikipedia:Rodchenko)

Painting

“You may be quite sure that if little light comes from a Christian character, little light comes into it. We must have the glory sink into us before it can be reflected from us. But let the love of Jesus become the master-principle of our hearts, and there will be no halting or irresolution; no parleying with temptation; no seeking to explain away our duty under color of deliberating to discover what it is; no looking one way and walking another; but with undivided souls, and with enthusiastic devotion, we shall do only and always the will of Him who loved us, and gave Himself for us.”

William Mackergo Taylor (1829–1895) American theologian

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 116.

Love, Way, Soul, Light

“Slave food, even if monotonous, was plentiful. Corn bread and bacon were the mainstays, with plenty of fruit and vegetables in season. In hog-killing time, countenances were unusually greasy. Clothing also was on the par with that of the poorer white people and no less adequate in proportion to the climate than that of Northern laborers. If [negro children] ran naked it was generally from choice, and when the white boys had to put on shoes and go away to school they were likely to envy the freedom of their colored playmates. The color line began to appear at about that time.”

W. Cleon Skousen (1913–2006) ex FBI agent, conservative United States author and faith-based political theorist

The Making of America (1986)

Children, People, School, Food

“The clouds, never expect it,
When it rains
But the sea changes color,
But the sea does not change”

Stevie Nicks (1948) American singer and songwriter, member of Fleetwood Mac

Edge of Seventeen
Bella Donna (album) (1981)

Change, Sea

“Grammar little by little is not a thing. Which may gain.
There. Make twenty-five be a woman. The meaning of that does not interest me. It is a complexion that interests that makes ridiculous because that does not make it something else. But it does make them which is again me.
Make twenty-five be a woman. I do not lose it. The color is there. Do you see. Dependent entirely upon how one word follows another. Who knows how Howard likes hearing. I can do it so easily it always makes grammar but is it grammar. Forget grammar and think about potatoes. Grammar after all has to do with why they were presented.”

Gertrude Stein (1874–1946) American art collector and experimental writer of novels, poetry and plays

How to Write (1931), Ch. 4: A Grammarian [Dover, 1975, ISBN 0-486-23144-5] p. 109

Thinking, Dependency, Forgetting

“The trends that produced Schumann’s early piano works started out not so much from Weber’s refined brilliance as from Schubert’s more intimate and deeply soul-searching idiom. His creative imagination took him well beyond the harmonic sequences known until his time. He looked at the fugues and canons of earlier composers and discovered in them a Romantic principle. In the interweaving of the voices, the essence of counterpoint found its parallel in the mysterious relationships between the human psyche and exterior phenomena, which Schumann felt impelled to express. Schubert’s broad melodic lyricism has often been contrasted with Schumann’s terse, often quickly repeated motifs, and by comparison Schumann is often erroneously seen as short-winded. Yet it is precisely with these short melodic formulae that he shone his searchlight into the previously unplumbed depths of the human psyche. With them, in a complex canonic web, he wove a dense tissue of sound capable of taking in and reflecting back all the poetical character present. His actual melodies rarely have an arioso form; his harmonic system combines subtle chromatic progressions, suspensions, a rapid alternation of minor and major, and point d’orgue. The shape of Schumann’s scores is characterized by contrapuntal lines, and can at first seem opaque or confused. His music is frequently marked by martial dotted rhythms or dance-like triple time signatures. He loves to veil accented beats of the bar by teasingly intertwining two simultaneous voices in independent motion. This highly inde-pendent instrumental style is perfectly attuned to his own particular compositional idiom. After a period in which the piano had indulged in sensuous beauty of sound and brilliant coloration, in Schumann it again became a tool for conveying poetic monologues in musical terms.”

Burkard Schliessmann classical pianist

Talkings about Chopin and Schumann

Love, Beauty, Music, Soul

“The true antidote to racism is liberty. Liberty means having a limited, constitutional government devoted to the protection of individual rights rather than group claims. Liberty means free-market capitalism, which rewards individual achievement and competence, not skin color, gender, or ethnicity.”

Ron Paul (1935) American politician and physician

As quoted in "Government and Racism" http://archive.lewrockwell.com/paul/paul381.html (18 April 2007). 2000s, 2006-2009

“First, technical perfection as something natural. Second, an insight into the development of the piano sound, as perfected by the pianist-composers of the late 19th and early 20th centuries, composers who understood the piano both as a human voice … and as an orchestra with which they could produce a variety of colors. Third, the need to learn how to use every aspect of our new instruments, which are richer in sound. Fourth, the importance of differentiation.”

Ivo Pogorelić (1958) Croatian pianist

Ivo Pogorelić about the most important things Aliza Kezeradze taught him, Die Zeit, Ich möchte gern mein Publikum sein, Hans Josef, Herbort, May 15, 1981, June 30, 2015 http://www.zeit.de/1981/21/ich-moechte-gern-mein-publikum-sein, (in German language)

Nature, Learning, Perfection

“I did not teach painting but seeing. I concentrated on the basic courses for beginners. I taught drawing (purposely without nudes), color (without any painting as such) and design (as 'structural organization'). And so the graduate students came 'down' to the basic courses for beginners.”

Josef Albers (1888–1976) German-American artist and educator

Source: Homage to the square' (1964), A conversation with Josef Albers' (1970), p. 459

Drawing, Painting

“I want to give colors intoxication, fullness, excitement, power. By trying to forget Impressionism, I wanted to conquer it. In the process I was conquered. We must work with assimilated, digested Impressionism.”

Paula Modersohn-Becker (1876–1907) German artist

As quoted in: Ingo F. Walther (2000) Art of the 20th Century. Part 1, p. 49
undated quotes

Forgetting

“In the world, America stands for — and works for — the right of all men to govern themselves through free, uninhibited elections. An ink bottle broken against an American Embassy, a fire set in an American library, an insult committed against our American flag, anywhere in the world, does far less injury to our country and our cause than the discriminatory denial of the right of any American citizen at home to vote on the basis of race or color.”

Lyndon B. Johnson (1908–1973) American politician, 36th president of the United States (in office from 1963 to 1969)

1960s, Special message to Congress on the right to vote (1965)

Men, World, Home, Country

“Of the three primary colors, the three binary ones are formed. If you add to one of these the primary tone that is its opposite, it cancels it out. This means that you produce the required half-tone. Therefore, adding black is not adding a half-tone, it is soiling the tone whose true half-tone resides in this opposite me have just described. Hence the green shadows found in red. The heads of the two little peasants. The yellow one had purple shadows; the redder and more sanguine one had green ones.”

Paul Signac (1863–1935) French painter

Quoted by Maria Buszek, online - note 19 http://mariabuszek.com/mariabuszek/kcai/Expressionism/Readings/SignacDelaNeo.pdf The notebook where this sentence appears was only published, in facsimile, in 1913 by J. Guiffrey. Signac therefore must have consulted it at the Conde Museum, in Chantilly. This Moroccan travel document was bought at the Delacroix sale by the painter Dauzats for the Duc of Aumale. From Delacroix to Neo-Impressionism, 1899

“!-- Setting forth once more, embarking upon the search once again: the narrow path that snakes among livid rocks and desolate, camel-colored hills; white houses hanging suspended from cliffs, looking as though they were about to let go and fall on the wayfarer’s head; the smell of sweating hides and cow dung; the buzz of afternoon; the screams of monkeys leaping about amid the branches of the trees or scampering along the flat rooftops or swinging from the railings of a balcony; overhead, birds circling and the bluish spirals of smoke rising from kitchen fires; the almost pink light on the stones; the taste of salt on parched lips; the sound of loose earth slithering away beneath one’s feet; the dust that clings to one’s sweat-drenched skin, makes one’s eyes red, and chokes one’s lungs; i --> Images, memories, fragmentary shapes and forms — all those sensations, visions, half-thoughts that appear and disappear in the wink of an eye, as one sets forth to meet…. The path also disappears as I think of it, as I say it.”

Octavio Paz (1914–1998) Mexican writer laureated with the 1990 Nobel Prize for Literature

Source: The Monkey Grammarian (1974), Ch. 1

Search, Bird, Thinking, Tree

“Conversation once colored by esteem
Became dialogue as a diagram of a play for blood.
Took a vacation, my palate got clean.
Now I could taste your agenda
While you're spitting your cud.”

Fiona Apple (1977) singer-songwriter, musician

Not About Love
Song lyrics, Extraordinary Machine (2005)

“Recently I have felt just what the mood of colors means to me: it means that everything in this picture changes its local color according to the same principle and that thereby all muted tones blend in a unified relationship, one to the other.”

Paula Modersohn-Becker (1876–1907) German artist

excerpt of her Journal, Worpswede, 24 July 1898; as quoted in Voicing our visions, – Writings by women artists; ed. Mara R. Witzling, Universe New York, 1991, p. 197
1898

Mood, Change

“We are strong and powerful now, able to drive into the ocean any power on earth that should step, with ostile foot, upon the fsoil of the republic. But it was not always so. In our days of weakness, the men of this wronged race gave their blood freely for the defense and liberties of the country. The first victim of the Boston Massacre, on the 5th of March 1770, which made the fires of resistance burn more intensely, was a colored man. Hundreds of colored men entered the ranks and fought bravely on all the fields of the Revolution.”

Henry Wilson (1812–1875) Union Army officer, Vice president, politician, historian

Source: Speech (June 1853), p. 80

Men, Strong, Country

“But there still must be a way to have our children say…
"There are so many colors in the rainbow
So many colors in the morning sun
So many colors in the flower and I see every one."”

Harry Chapin (1942–1981) American musician

Live version
Flowers are Red
Song lyrics, Living Room Suite (1978)

Children, Way, Flowers, Sun

“During those years color seemed too sweet a medium to express the anger, disgust and fear that apartheid inspired, …”

David Goldblatt (1930–2018) South African photographer

In an interview, c. 2005, with photo historian Mark Haworth-Booth, as quoted in "The Camera Is Not a Machine Gun" http://designobserver.com/article.php?id=10557, Fred Ritchin, 1998

Fear, Anger

“The supermarket shelves have been rearranged. It happened one day without warning. There is agitation and panic in the aisles, dismay in the faces of older shoppers. […]They scrutinize the small print on packages, wary of a second level of betrayal. The men scan for stamped dates, the women for ingredients. Many have trouble making out the words. Smeared print, ghost images. In the altered shelves, the ambient roar, in the plain and heartless fact of their decline, they try to work their way through confusion. But in the end it doesn’t matter what they see or think they see. The terminals are equipped with holographic scanners, which decode the binary secret of every item, infallibly. This is the language of waves and radiation, or how the dead speak to the living. And this is where we wait together, regardless of our age, our carts stocked with brightly colored goods. A slowly moving line, satisfying, giving us time to glance at the tabloids in the racks. Everything we need that is not food or love is here in the tabloid racks. The tales of the supernatural and the extraterrestrial. The miracle vitamins, the cures for cancer, the remedies for obesity. The cults of the famous and the dead.”

Don DeLillo book White Noise

White Noise (1984)

Love, Women, Men, Secret

“Until justice is blind to color, until education is unaware of race, until opportunity is unconcerned with the color of men's skins, emancipation will be a proclamation but not a fact. To the extent that the proclamation of emancipation is not fulfilled in fact, to that extent we shall have fallen short of assuring freedom to the free.”

Lyndon B. Johnson (1908–1973) American politician, 36th president of the United States (in office from 1963 to 1969)

1960s, Memorial Day speech (1963)

Men, Education, Justice, Freedom

“Arranging props in a scene such as this is a joy. With gravity on my side, everything at arms length and no arduous physical conditions constricting me, I can go for hours at a clip, sculpting piles of stuff into a landscape of intersecting shape, form and color until my eye wanders endlessly among the details. In such conditions, how the image is captured has little bearing on the success of the arrangement – though the time-saving work flow enabled by digital preview, capture and post processing, certainly helps.”

Walter Wick (1953) American photographer and creator of children's books

Photo-Illusions In The Digital Age http://www.walterwick.com/blog/2015/11/16/photo-illusions-in-the-digital-age (November 16, 2015)

Time, Success, Help, Joy

“I will be satisfied if my epitaph shall be written thus: "Here lies one who never rose to any eminence, who only courted the low ambition to have it said that he striven to ameliorate the condition of the poor, the lowly, the downtrodden of every race and language and color."”

Thaddeus Stevens (1792–1868) American politician

Speech (13 January 1865), as quoted in History of the Antislavery Measures of the Thirty-seventh and Thirty-eighth Congress (1865) by Henry Wilson, p. 388
1860s

“I stamp my feet and claim ignorance like a child, because its the color of my skin that says I'm supposed to know. I become the "one who refuses to see the self."”

Margaret Cho (1968) American stand-up comedian

From Her Books, I Have Chosen To Stay And Fight, PIGEONHOLING PEOPLE

“I see in painters prose writers and poets. Rhyme, measure, and the turning of verses, which is indispensable and which gives them so much vigor, are analogous to the hidden symmetry, to the equilibrium at once wise and inspired, which governs the meeting or separation of lines and spaces, the echoes of color, etc….. but the beauty of verse does not consist of exactitude in obeying rules... It resides in a thousand secret harmonies and conventions which make up the power of poetry and which go straight to the imagination; in just the same way the happy choice of forms and the right understanding of their relationship act on the imagination in the art of painting.”

Eugène Delacroix (1798–1863) French painter

Quote in Delacroix's Journal of 19 September 1847; as cited in Artists on Art – from the 14th – 20th centuries, ed. by Robert Goldwater and Marco Treves; Pantheon Books, 1972, London, p. 229
1831 - 1863

Happiness, Secret, Beauty, Art

“He especially liked ads for shampoos and hair coloring. The women in them seemed to regard their hair as independent, capricious entities, whom they must placate and provide with food.”

Thomas M. Disch (1940–2008) Novelist, short story writer, poet

"The Black Cat".
The Man Who Had No Idea (and other stories) (1982)

Women, Food

“If you'd asked me as a kid how rich people became poor, I'd have said by spending all their money. That's how it happens in books and movies, because that's the colorful way to do it. But in fact the way most fortunes are lost is not through excessive expenditure, but through bad investments.”

Paul Graham (1964) English programmer, venture capitalist, and essayist

"How To Lose Time And Money", July 2010

Money, People, Books, Way

“I am searching for a tone, which we call 'colored grey'. I mean that all colors, even the strongest, can be brought together in such a way as to give the impression of a warm, vital grey. (translation from the Dutch original: Fons Heijnsbroek)”

Gerard Bilders (1838–1865) painter from the Netherlands

version in original Dutch / citaat van Bilders' brief, in het Nederlands: Ik zoek naar een toon, die wij gekleurd-grijs noemen; dat is alle kleuren, hoé sterk ook, zoodanig tot één geheel gebragt, dat ze de indruk geven van een geurig, warm grijs.
Quote from Gerard Bilders' letter (July 1860) to his maecenas , as cited by Victorine Hefting, in Jongkinds's Universe; Henri Scrépel, Paris, 1976, p. 18-19
1860's

Way, Search

“She [Lucrezia] also had bright yellow hair, which she washed once a week with a mixture of saffron, box shavings, wood ash, barley straw, madder, cumin seed, and one thing and another to bring out the hidden glints and restore its natural color. You left it on your head for twenty-four hours and washed it off with lye made from cabbage stalks, the only hazard of which was the second-degree burn. If your hair remained on the scalp, you were a blonde.”

Will Cuppy (1884–1949) American writer

The Decline and Fall of Practically Everybody (1950), Part III: Strange Bedfellows, Lucrezia Borgia

Nature, Box

“I will defend my title as heavyweight champion of the world against all comers, none barred. By this I mean black, Mexican, Indian or any other nationality without regard to color, size or nativity. I propose to be the champion of the world, not the white or the Canadian or the American or any other limited degree of champion.”

Tommy Burns (boxer)

Statement of (3 February 1906) after his win against Marvin Hart, as quoted in a profile of Jack Johnson, at Unforgivable Blackness at PBS (2005) http://www.pbs.org/unforgivableblackness/sparring/rise.html.

World

“We teach them that there are so many words like colors and that there are so many thoughts because within them is the world where words are born. That there are different thoughts and we should respect them. That there are those who pretend their way of thinking should be the only way and they persecute, jail, and kill (always hidden behind the reasons of the State, illegitimate laws, or "just causes") thoughts that are different then their own. And we teach them to speak the truth, that is to say, to speak with their hearts. Because the lie is another form of killing words.”

Subcomandante Marcos (1957) Mexican activist

"I shit on all the revolutionary vanguards of this planet" http://www.csuchico.edu/zapatist/HTML/Archive/Communiques/etaJAN.html January, 2003

Truth, Lie, World, Law

“It ought to be possible for American consumers of any color to receive equal service in places of public accommodation, such as hotels and restaurants and theaters and retail stores, without being forced to resort to demonstrations in the street, and it ought to be possible for American citizens of any color to register and to vote in a free election without interference or fear of reprisal. It ought to be possible, in short, for every American to enjoy the privileges of being American without regard to his race or his color. In short, every American ought to have the right to be treated as he would wish to be treated, as one would wish his children to be treated. But this is not the case.”

John F. Kennedy (1917–1963) 35th president of the United States of America

1963, Civil Rights Address

Children, Fear

“So why has that officer, like his colleagues, locked up so many young men of color? Why does he have that life-shaping experience? Is it because he is a racist? Why are so many black men in jail? Is it because cops, prosecutors, judges, and juries are racist? Because they are turning a blind eye to white robbers and drug dealers? The answer is a fourth hard truth, I don't think so. If it were so, that would be easier to address. We would just need to change the way we hire, train, and measure law enforcement and that would substantially fix it. We would then go get those white criminals we have been ignoring. But the truth is significantly harder than that.”

James Comey (1960) American lawyer and the seventh director of the Federal Bureau of Investigation (FBI)

2010s, Hard Truths: Law Enforcement (2015)

Life, Men, Truth, Law

“In the Mahabharata, the ceremony for the oath of a new king includes the admonition: 'Be like a garland-maker, O king, and not like a charcoal burner.' The garland symbolizes social coherence; it is a metaphor for dharmic diversity in which flowers of many colors and forms are strung harmoniously for the most pleasing effect. In contrast, the charcoal burner is a metaphor for the brute-force reduction of diversity into homogeneity, where diverse living substances are transformed into uniformly lifeless ashes.”

Rajiv Malhotra book Indra's Net

Indra's Net (2014)

Flowers

“I started those [the 'Elisabeth Taylor' pictures, Warhol made from a publicity photo of her 1960 film 'BUtterfield 8 a long time ago when she was so sick and everybody said she was going to die [but she recovered]. Now I'm doing them all over, putting bright colors on her lips and eyes. My next series will be pornographic pictures, they will look blank; when you turn on the black lights, then you will see them - big breast and... If a cop came in, then you could just flick out the lights or turn to the regular lights. How could you say that was pornography?... Segal did a sculpture of two people making love, but he cut it all up, I guess because he thought it was too pornographic to be art... The thing I like about it is that it makes you forget about style and that sort of things; style isn't really important.”

Andy Warhol (1928–1987) American artist

Source: 1963 - 1967, What Is Pop Art? Interviews with Eight Painters, Part 1 (1963), pp. 116-19

Love, People, Making love, Art

“I have focused on your desire to bring in more effect [in the watercolor].... with more light in the drawing, [what] was not the least difficult.... [this operation] has passed tricky moments; but I believe I have remained master of the area and have made a drawing [watercolor] of aspect [? ] and color.”

Willem Roelofs (1822–1897) Dutch painter and entomologist (1822-1897)

translation from original Dutch: Fons Heijnsbroek
(original Dutch: citaat van Willem Roelofs, in het Nederlands:) Ik heb mij op uw verlangen toegelegd er meer effect in te brengen.. ..met méér licht in een teekening [= aquarel] te brengen, [wat] niet van de minst moeijelijke was.. ..[deze bewerking] heeft kwade oogenblikken doorstaan; maar ik geloof meester gebleven te zijn van het terrein en er eene Teekening [aquarel] van aspect [?] en kleur gemaakt te hebben.
In a letter to Pieter verLoren van Themaat, 17 Feb. 1864; in Haagsch Gemeentearchief / Municipal Archive of The Hague
Mr. verLoren van Themaat had asked for some changes in an already purchased watercolor, made by Roelofs: a landscape with duck decoys, near the village Meerkerk
1860's

Light, Drawing

“Every set is a man's world. Even on 'The L Word,' the crew was primarily men. The whole world is a man's world, unless you're in a nunnery. And even that is colored by what you're allowed, what doctrine you're allowed to practice.”

Jennifer Beals (1963) American actress and a former teen model

Interview at Reading Eagle (13 February 2011) http://readingeagle.com/article.aspx?id=286772.

Men, World

“The average person, when they see a black man, they would say "Man, he got soul cos' his color." But I disagree with that. I think that God would be a very selfish God if He gave all the soul to one race. He lets his rain fall on the red flowers, the green flowers, the blue flowers; the good, the bad, no races, so He lets His blessings fall on all races. So I think that there are types of souls, like there are different types of cars. But they're all cars. You know, I think that, when a white guy sing[s], if he have soul, that don't mean that he had to copy no negro to get it. I believe if he feels, when one sings from the heart and it reaches another heart, that's soul.”

Little Richard (1932) American pianist, singer and songwriter

Remarks on the question: can a white man sing soul music?. Pop Chronicles: Show 15 - The Soul Reformation I: A symposium on soul http://digital.library.unt.edu/ark:/67531/metadc19764/m1/, interview recorded 1.2.1968 http://web.archive.org/web/20110615153027/http://www.library.unt.edu/music/special-collections/john-gilliland/o-s.

God, Cars, Guy, Feeling

“The color of the prisoner’s skin, and the form of his features, are not impressed upon the spiritual immortal mind which works beneath. In spite of human pride, he is still your brother, and mine, in form and color accepted and approved by his Father, and yours, and mine, and bears equally with us the proudest inheritance of our race — the image of our Maker. Hold him then to be a Man.”

William H. Seward (1801–1872) American lawyer and politician

Argument as defense attorney during the trial of an African-American criminal defendant, Auburn, New York (July 1846), published in Works of William H. Seward, vol. I (New York: Redfield, 1853), p. 417.

“[Bertin's 'color' refers to] the repertoire of colored sensations which can be produced at equal value.”

Jacques Bertin (1918–2010) French geographer and cartographer

Source: Semiology of graphics (1967/83), p. 61, as cited in: Jörg von Engelhardt (2002). The Language of Graphics: : A Framework for the Analysis of Syntax and Meaning in Maps, Charts and Diagrams. p. 27

“Yes, there is some truth to the accusation that I resented being bypassed for Groat in 1960. He had a good season but the records will show I contributed a lot more to winning the pennant. I think, too, that a lot of the writers were moved by their racial feelings. An MVP endorsement looks good in the record of a potential manager, and it'll be a long time before we have a colored manager; longer still before there will be a colored Puerto Rican manager. Anyway, it wasn't my 'imagination' hurting me when I complained, it really was my neck. […] And the doctor says the wrenching of my neck was caused by some unconscious adjustment I had been trying to make because of my back.”

Roberto Clemente (1934–1972) Puerto Rican baseball player

As quoted in "All-Star Case of Roberto Clemente"
Baseball-related, <big><big>1970s</big></big>, <big>1970</big>

Truth, Feeling, Imagination, Thinking

“The shape and texture of fruit is sensuous and fascinating, but the true delight blossoms when you experience the flavor of these colorful gifts of nature.”

DeBarra Mayo (1953) American martial artist

Bikini Body Fitness by DeBarra Mayo, Juicy, Sensuous, Tasty...and Healthy http://www.ujena.com/book.php?h=Ujena+News, December 22, 2006

Nature

“You cannot treat badly to your classmate just because his color is different or he is somehow different.”

Lee Hong-yuan (1956) Taiwanese politician

Lee hong-yuan (2012) cited in " Interview with Lee Hong-yuan (李鴻源), Interior Minister (2012.4.20) http://www.youtube.com/watch?v=BTyhRNy4y5M" on TRI, 20 April 2012

“Archetypes, color, and components will forever change how you build Java models. We build Java models with teams of developers. In our day-to-day mentoring, we develop and try out new ideas and innovations that will help those developers excel at modeling.”

Peter Coad (1953) American software entrepreneur

Peter Coad, Jeff de Luca, and Eric Lefebvre. (1999) Java Modeling Color with Uml: Enterprise Components and Process with Cdrom. Prentice Hall PTR.

Idea, Change, Help

“For decades, Saddam Hussein has tortured, imprisoned, raped and murdered the Iraqi people; invaded neighboring countries without provocation; and threatened the world with weapons of mass destruction. The time has come to end his reign of terror. On your young shoulders rest the hopes of mankind. When I give you the word, together we will cross the Line of Departure, close with those forces that choose to fight, and destroy them. Our fight is not with the Iraqi people, nor is it with members of the Iraqi army who choose to surrender. While we will move swiftly and aggressively against those who resist, we will treat all others with decency, demonstrating chivalry and soldierly compassion for people who have endured a lifetime under Saddam’s oppression. Chemical attack, treachery, and use of the innocent as human shields can be expected, as can other unethical tactics. Take it all in stride. Be the hunter, not the hunted: never allow your unit to be caught with its guard down. Use good judgment and act in best interests of our Nation. You are part of the world’s most feared and trusted force. Engage your brain before you engage your weapon. Share your courage with each other as we enter the uncertain terrain north of the Line of Departure. Keep faith in your comrades on your left and right and Marine Air overhead. Fight with a happy heart and strong spirit. For the mission’s sake, our country’s sake, and the sake of the men who carried the Division’s colors in the past battles-who fought for life and never lost their nerve-carry out your mission and keep your honor clean.”

James Mattis (1950) 26th and current United States Secretary of Defense; United States Marine Corps general

Demonstrate to the world there is "No Better Friend, No Worse Enemy" than a U.S. Marine.
Mattis' words in a message to the 1st Marine Division in March 2003, on the eve of the Iraq War, as quoted in "Eve of Battle Speech" in The Weekly Standard (1 March 2003); also quoted in War Stories: Operation Iraqi Freedom (2003) by Oliver North, p. 53

Life, Men, Happiness, People

“Right wrongs no man. If respect is had to majorities, the fact that only one-fifth of the population of the globe is white and the other four-fifths are colored, ought to have some weight and influence in disposing of this and similar questions. It would be a sad reflection upon the laws of nature and upon the idea of justice, to say nothing of a common Creator, if four-fifths of mankind were deprived of the rights of migration to make room for the one-fifth. If the white race may exclude all other races from this continent, it may rightfully do the same in respect to all other lands, islands, capes and continents, and thus have all the world to itself, and thus what would seem to belong to the whole would become the property of only a part. So much for what is right, now let us see what is wise.”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

1860s, Our Composite Nationality (1869)

World, Sadness, Justice, Law

“Shoes. I like shoes a lot. My favorite are these Tory Burch boots that I have on. But my favorite shoes to buy are Converse shoes. I have probably every color of Converse shoes known to man.”

Miley Cyrus (1992) American actor and singer-songwriter

Inquirer.net http://showbizandstyle.inquirer.net/entertainment/entertainment/view/20081120-173424/Miley-Cyrus-lends-voice-to-animated-film (November 20, 2008)

Shoe

“What is the real issue at stake? Why this determination on the part of the South to maintain the color line and to fight back with all her strength against the combined efforts of certain groups in our Nation, white and black, to break down segregation and to destroy Southern ideals and customs? The answer is simple. The South stands for blood, for the preservation of the blood of the white race. To preserve her blood, the white South must absolutely deny social equality to the Negro regardless of what his individual accomplishments might be. This is the premise - openly and frankly stated - upon which Southern policy is based. This position is so thoroughly justified in the minds of white Southerners that it is sometimes difficult for them to comprehend the reasoning of those who seriously dispute it.”

Theodore G. Bilbo (1877–1947) American politician

Source: Take Your Choice, Separation or Mongrelization (1946), Chapter Four: Southern Segregation and the Color Line.

Effort, Fight, Parting

“Each painting has its own way of evolving. One may start with a few color areas on the canvas; another with a myriad of lines, another with a profusion of colors... Once I sense the suggestion I begin to paint intuitively. The suggestion then becomes a phantom that must be caught and made real. As I work, or when the painting is finished, the subject reveals itself.”

William Baziotes (1912–1963) American painter

I Cannot Evolve Any Concrete Theory, William Baziotes, in Possibilities, Vol. I, no. 1, New York, winter 1947-48, p. 2
William Baziotes is referring in this quote to Surrealist automatism originally a surrealist art concept
1940s

Way, Sense, Painting

“Character is the product of daily, hourly actions, and words, and thoughts; daily forgivenesses, unselfishness, kindnesses, sympathies, charities, sacrifices for the good of others, struggles against temptation, submissiveness under trial. Oh, it is these, like the blending colors in a picture, or the blending notes of music, which constitute the man.”

John Ross Macduff (1818–1895) Scottish religious writer

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 46.

Music, Forgiveness

“The country [ Brittany ] is very beautiful and painterly one see stimulating color tones; but the more abstract one works, the more one transforms the sketch into combinations.”

Jacoba van Heemskerck (1876–1923) Dutch painter

(translation from German, Fons Heijnsbroek, 2018, original version, written by Jacoba in German:) Das land [Bretagne]] is sehr schön und farbig gibt es reizige Töne; je mehr abstract man aber arbeitet, je mehr man die Skizze zu Combinationen umarbeitet.
note on a postcard to Herwarth Walden [initiator of Der 'Sturm' in Germany], 14 May 1914; as cited by Arend H. Huussen Jr. in Jacoba van Heemskerck, kunstenares van het Expressionisme, Haags Gemeentemuseum The Hague, 1982, p. 18
1910's

Beauty, Country

“It appears from this inquiry that color and other physiological characters are of a more superficial and accidental nature than was at one time supposed.”

Robert Chambers (publisher, born 1802) book Vestiges of the Natural History of Creation

Source: Vestiges of the Natural History of Creation (1844), p. 278

Nature, Appearance, Time

“I had a letter from the Marquis, day before yester day. He writes me he is endeavouring to represent every thing in the most favorable colors to the Court of France, in order to wipe away the prejudices that the letters of some of the more indiscreet may make upon that Court, All the French officers are extravagantly fond of your Excellency; but the Admiral more so than any of the rest. They all speak of you with the highest reverence and respect. General Hancock made the Admiral a present of your picture. He was going to receive it on board the fleet by the firing a royal salute. But General Hancock thought it might furnish a handle for some of the speculative politicians to remark the danger of characters becoming too important. He therefore dissuaded the Admiral from carrying the matter into execution.”

Nathanael Greene (1742–1786) American general in the American Revolutionary War

Letter to George Washington (September 1778)

“The better artists are original and obdurate; they're the gravel in the pea soup. ln Jackson Pollock's painting the particularity, the immediacy, is the dripped paint, which remains dripped paint as a phenomenon, for all the beauty of the small shapes it makes it makes. The generality is in the scale or proportion and in the large shapes. It’s in the appearance of chaos. The gesture or the motion shown in the application of the paint varies from painting to painting from the particular to a middling generality. The size and the color generally occur in the middle between particularity and generality. At the same time as Pollock and since, almost all first-rate art has been based on an immediate phenomenon, for example the work of Dan Flavin and Larry Bell.”

Donald Judd (1928–1994) artist

Donald Judd (1987) Complete writings, 1975-1986. p. 35 : Cited in: Marjanovic, Marianne Berger. "To build new ways of talking about the work": Hovedbegreper i Donald Judds kunstteori." (2005).
1980

Beauty, Art, Appearance, Time

“Probably every portrait photographer resorts to some such "dodge" for making a face lighter or other similar purpose, and he finds that the application of water-color paint in ever so thin a wash makes so much difference to the printing density that blue is commonly used as being a quick printing color, the effect of which is therefore not so great; an equally dense layer of blue and of red to any portion of a negative would print very differently, the red shutting off the light action much more powerfully than the blue.”

Alfred Horsley Hinton (1863–1908) British photographer

Source: Part II : Practical Pictorial Photography, Fidelity to nature and justifiable untruth, p. 20

Light, Water, Painting

“I well remember, as a young teenager, seeing signs printed in large black letters at the fronts of buses: "White seat from front, colored seat from rear." One day when I was thirteen, my friends and I were riding home from school in a half-empty bus — this was at the time that the civil rights movement was just getting off the ground and some police officers were just looking for a reason to shoot a black person who "got out of line." So, counter to our real feelings, we decided to avoid trouble by moving to the back of the bus when the driver told us to.
By that time, the sit-ins and the Freedom Rides had kind of broken the ice, even though things hadn't fully changed. So we saw it every day on TV and read about it in the news. Dad always said, "Stay out of trouble," and we did.”

Herman Cain (1945) American writer, businessman and activist

p. 25 http://books.google.com/books?id=hdhWF9bVqXwC&pg=PA25 2010s, This is Herman Cain!: My Journey to the White House (2011)

School, Feeling, Home, Freedom

“The first thing to change in my painting was the color [c. 1908-09]. I forsook natural color for pure color. I had come to feel that the colors of nature cannot be reproduced on canvas. Instinctively I felt that painting had to find a new way to express the beauty of nature.”

Piet Mondrian (1872–1944) Peintre Néerlandais

Quote of Mondrian about 1905-1910; in 'Mondrian, Essays' ('Plastic art and pure plastic art', 1937 and his other essays, (1941-1943) by Piet Mondrian; Wittenborn-Schultz Inc., New York, 1945, p. 10; as cited in De Stijl 1917-1931 - The Dutch Contribution to Modern Art, by H.L.C. Jaffé http://www.dbnl.org/tekst/jaff001stij01_01/jaff001stij01_01.pdf; J.M. Meulenhoff, Amsterdam 1956, p. 40

Beauty, Way, Feeling, Nature

“While the viewpoints offered by Johnson are rooted in a long-held and consistent philosophy that can be evaluated by those who agree with him, and those who do not, the viewpoints offered by Trump seem to change like the leaves that change their colors when summer gives way to fall. We know what Johnson believes today, and will believe tomorrow. Can anyone suggest we know what Trump will believe tomorrow, or the day after tomorrow?”

Brent Budowsky (1952) American journalist

In shock poll, Libertarian Johnson beats Trump among economists (August 23, 2016)

Way, Change, Summer

“Let's just ruin all the movies about pterosaurs: they could soar like airplanes, but they couldn't hover like hummingbirds. They couldn't carry things in their feet either, they couldn't perch on tree branches like birds, they didn't look like "bird-monsters", and they didn't look like "lizard-bats". They didn't have four-fingered wings like bats; their wings were based on an elongated pinky finger. The only thing bat-like about them was the way they walked; on all fours. So what are the possibilities for fluffy pterosaurs? We know they were a very diverse and almost certainly colorful group. They looked like a wide range of things, from fluttering bats to darting falcons. Some had powerful shell-crushing jaws and some had ridiculous crests, and some were quite huge. For decades, we were told that Pteranodon was the biggest animal that ever flew, then they discovered Ornithocheirus, then Quetzalcoatlus, then Hatzegopteryx (an apex predator)… These were capable killers of even human-sized prey, with a skull larger than that of even the biggest carnosaurs.”

Aron Ra (1962) Aron Ra is an atheist activist and the host of the Ra-Men Podcast

Youtube, Other, Pterosaurs are Terrible Lizards https://www.youtube.com/watch?v=3_htQ8HJ1cA (December 3, 2013)

Way, Bird, Tree, Animals

“Each colored voter of the state should say in scripture phrase, 'may my hand forget its cunning and my tongue cleave to the roof of my mouth' if ever I raise my voice or give my vote to the nominee of the Democratic Party.”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

"The Lesson of Emancipation to the New York Generation: An Address Delivered in Elmira, New York" (3 August 1880), as quoted in The Frederick Douglass Papers http://tfdf.org/blog/2012/05/15/why-i-am-a-republican-by-dr-james-taylor/, Volume 4, p. 581. Douglass is referring to Psalm 137:5-6. 1880s, The Lesson of Emancipation to the New York Generation (1880)

Forgetting

“My entrance into the field of abstract art came about as the result of a visit to the studio of Piet Mondrian in Paris in 1930.
I was particularly impressed by some rectangles of color he had tacked on his wall in a pattern after his nature.
I told him I would like to make them [Mondrian's flat painting] oscillate, he objected. I went home and tried to paint abstractly - but in two weeks I was back again among plastic materials.
I think that at that time and practically ever since, the underlying sense of form in my work has been the system of the Universe, or part thereof. For that is a rather large model to work from.”

Alexander Calder (1898–1976) American artist

Quote (1951), in 'What Abstract Art Means to Me' http://www.jstor.org/stable/4058250, George L. K. Morris, Willem De Kooning, Alexander Calder, Fritz Glarner, Robert Motherwell, Stuart Davis; as cited in the The Bulletin of the Museum of Modern Art, Vol. 18, No. 3, (Spring, 1951), pp. 2-15 1950s - 1960s

Art, Home, Nature, Thinking

“Modern man … when he looks at his daily newspaper … sees the events of the day refracted through a medium which colors them as effectively as the cosmology of the medieval scientist determined his view of the starry heavens. The newspaper is a man-made cosmos of the world of events around us at the time. For the average reader it is a construct with a set of significances which he no more thinks of examining than did his pious forbear of the thirteenth century—whom he pities for sitting in medieval darkness—think of questioning the cosmology. This modern man, too, lives under a dome, whose theoretical aspect has been made to harmonize with a materialistic conception of the world. And he employs its conjunctions and oppositions to explain the occurrences of his time with all the confidence of the now supplanted discipline of astrology.”

Richard M. Weaver (1910–1963) American scholar

Source: Ideas have Consequences (1948), pp. 93-94.

World, Confidence, Question, Thinking

Quotes about colors page 6

Quotes about colors
page 6