“Black and white are the colors of photography. To me, they symbolize the alternatives of hope and despair to which mankind is forever subjected. Most of my photographs are of people; they are seen simply, as through the eyes of the man in the street. There is one thing the photograph must contain, the humanity of the moment. This kind of photography is realism. But realism is not enough—there has to be vision and the two together can make a good photograph. It is difficult to describe this thin line where matter ends and mind begins.”

Robert Frank, in: Nathan Lyons, Photographers on photography: a critical anthology, (1966), p. 66

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Robert Frank5

American photographer and filmmaker 1924–2019

Тед Грант (1913–2006) South African activist

“The purpose of photography is the transmission of a visualized sector of life through the medium of the camera into a mental process that starts with the photographer's thinking about the subject he photographs and is continued in the mind of the spectator.”

Roman Vishniac (1897–1990) American photographer

Deschin, Jacob. "Nature as it is". New York Times (1857-Current file); Feb 3, 1952; Proquest Historical Newspapers The New York Times (1851 - 2002) pg. X14

“to show that [the success of my portray-] photographs was not due to subject matter – not to special trees or faces, or interiors, to special privileges – clouds were there for everyone... I wanted to photograph clouds to find out what I had learned in forty years about photography. Through clouds to put down my philosophy of life... My aim is increasingly to make my photographs look so much like photographs that unless one has eyes and sees, they won't be seen – and still everyone will never forget them having once looked at them.”

Alfred Stieglitz (1864–1946) American photographer

'How I came to Photograph Clouds', Alfred Stieglitz, in 'Amateur Photographer and Photography', (19 September 1923): 255.
about his new subject: 'clouds' in his long series 'Equivalents' he started in 1922

“Landscape photography is the supreme test of the photographer - and often the supreme disappointment.”

Ansel Adams (1902–1984) American photographer and environmentalist

“With chemical film, it was possible to alter photographs, but you had to be an expert. That's not true any more. The LA Times fired a photographer at the beginning of the Iraq War for editing two shots together. Photography is crumbling. Certainly it is for the newspapers a bit now, isn't it? There will be painting again, absolutely!”

David Hockney (1937) British artist

Interview with Martin Gayford, " 'Photography is crumbling,' " http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2004/05/18/bahock18.xml The Telegraph, (18 May 2004) <br class="br">2000s