Quotes about childhood
page 6

Winthrop Mackworth Praed photo

“I remember, I remember
How my childhood fleeted by,—
The mirth of its December
And the warmth of its July.”

Winthrop Mackworth Praed (1802–1839) British politician, poet

"I remember, I remember" in The Poetical Works of Winthrop Mackworth Praed (published 1860) p. 248. Compare: " I remember, I remember / The house where I was born", Thomas Hood, I remember, I remember.

Gustavo Gutiérrez photo

“To hope does not mean to know the future, but rather to be open, in an attitude of spiritual childhood, to accepting it as a gift.”

Gustavo Gutiérrez (1928) Peruvian theologian

Source: A Theology of Liberation - 15th Anniversary Edition, Chapter Eleven, Eschatology And Politics, p. 125

Mark Tully photo
Letitia Elizabeth Landon photo

“We step not over the threshold of childhood till led by Love”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Heath's book of Beauty, 1833 (1832)

Thomas Wolfe photo
Margaret Atwood photo
Thomas F. Wilson photo

“A thin and sickly kid, I was pushed around and beaten up by bullies throughout my childhood, until I grew bigger than everybody and it stopped, I knew very well how they operate, and specifically the joy they take in scaring people. I’d stared them in the face so often that it wasn’t particularly challenging to do an impression.”

Thomas F. Wilson (1959) actor, writer, musician, painter, voice-over artist, stand-up comedian, and podcaster

'Back to the Future's' Thomas Wilson: Biff Was a Reflection of the Bullies Who Tormented Me http://www.hollywoodreporter.com/news/back-future-thomas-wilson-biff-833035 (October 19, 2015)

Stefan Molyneux photo

“Five years—if we can just get people to be nice to their babies for five years straight, that would be it for war, drug abuse, addiction, promiscuity, sexually transmitted diseases; almost all would be completely eliminated because they all arise from dysfunctional early childhood experiences, which are all run by women.”

Stefan Molyneux (1966) libertarian philosopher, writer, speaker, and online broadcaster

Speech at International Conference on Men's Issues, St. Clair Shores, Michigan, June 28, 2014, quoted in "What I Learned as a Woman at a Men's-Rights Conference" https://time.com/2949435/what-i-learned-as-a-woman-at-a-mens-rights-conference/, Time (July 2, 2014)

Gustave Nadaud photo
Martin Short photo
Salvador Dalí photo

“Up there!'. Wonderful words! All my life has been dominated by these antagonisms: high and low. In my childhood I tried desperately to be high up.”

Salvador Dalí (1904–1989) Spanish artist

Quotes of Salvador Dali, 1961 - 1970, Diary of a Genius (1964)

Anna Akhmatova photo

“From childhood I have been afraid
of mummers. It always seemed
an extra shadow
without face or name
had slipped among them…”

Anna Akhmatova (1889–1966) Russian modernist poet

Poem without a Hero (1963)

KatieJane Garside photo

“That was such a perfect childhood. Up until recently I thought I saw too much too young. But now I feel truly lucky. It showed me how nice life could be and how it should be better for every person.”

KatieJane Garside (1968) English singer

On spending her adolescent years on a sailboat, The Los Angeles Times http://articles.latimes.com/1992-11-07/entertainment/ca-1268_1_band-daisy-chainsaw (1992)

Felix Adler photo
Stephen L. Carter photo

“A cemetery is an affront to the rational mind. One reason is its eerily wasted space, this tribute to the dead that inevitably degenerates into ancestor worship as, on birthdays and anniversaries, humans of every faith and no faith at all brave whatever weather may that day threaten, in order to stand before these rows of silent stone markers, praying, yes, and remembering, of course, but very often actually speaking to the deceased, an oddly pagan ritual in which we engage, this shared pretense that the rotted corpses in warped wooden boxes are able to hear and understand us if we stand before their graves.The other reason a cemetery appeals to the irrational side is its obtrusive, irresistible habit of sneaking past the civilized veneer with which we cover the primitive planks of our childhood fears. When we are children, we know that what our parents insist is merely a tree branch blowing in the wind is really the gnarled fingertip of some horrific creature of the night, waiting outside the window, tapping, tapping, tapping, to let us know that, as soon as our parents close the door and sentence us to the gloom which they insist builds character, he will lift the sash and dart inside and…And there childhood imagination usually runs out, unable to give shape to the precise fears that have kept us awake and that will, in a few months, be forgotten entirely. Until we next visit a cemetery, that is, when, suddenly, the possibility of some terrifying creature of the night seems remarkably real.”

Source: The Emperor of Ocean Park (2002), Ch. 50, Again Old Town, I

Nassim Nicholas Taleb photo
Yves Klein photo
Kirk Hammett photo

“As we are so wonderfully done with each other
We can walk into our separate sleep
on floors of music where the milkwhite cloak of childhood
lies”

Kenneth Patchen (1911–1972) American writer and poet

" As We Are So Wonderfully Done With Each Other http://www.poemhunter.com/poem/as-we-are-so-wonderfully-done-with-each-other/"

Thomas Gray photo

“Ah, happy hills! ah, pleasing shade!
Ah, fields beloved in vain!
Where once my careless childhood stray'd,
A stranger yet to pain!
I feel the gales that from ye blow
A momentary bliss bestow.”

Thomas Gray (1716–1771) English poet, historian

St. 2
Ode on a Distant Prospect of Eton College http://www.thomasgray.org/cgi-bin/display.cgi?text=odec (written 1742–1750)

Karel Appel photo

“Through play, we renew contact with childhood - My art is childlike.”

Karel Appel (1921–2006) Dutch painter, sculptor, and poet

Karel Appel – the complete sculptures,' (1990) not-paged

Sam Rayburn photo
Vangelis photo

“Mythology, science, space exploration, these are subjects that have fascinated me since my early childhood. And they were always connected somehow with the music I write.”

Vangelis (1943) Greek composer of electronic, progressive, ambient, jazz, pop rock, and orchestral music

2001

Dmitri Shostakovich photo
John Gray photo
A. E. van Vogt photo

“Childhood was a terrible period for me. I was like a ship without anchor being swept along through darkness in a storm. Again and again I sought shelter, only to be forced out of it by something new.”

A. E. van Vogt (1912–2000) Canadian writer

As quoted in "Man Beyond Man : The Early Stories of A.E. van Vogt" http://www.panshin.com/articles/vanvogt/vanvogt1.html by Alexei Panshin in The Abyss of Wonder

David Cameron photo

“I want to talk about the internet, the impact it is having on the innocence of our children, how online pornography is corroding childhood and how, in the darkest corners of the internet, there are things going on that are a direct danger to our children, and that must be stamped out.”

David Cameron (1966) Former Prime Minister of the United Kingdom

Speech: The internet and pornography: Prime Minister calls for action https://www.gov.uk/government/speeches/the-internet-and-pornography-prime-minister-calls-for-action (22 July 2013).
2010s, 2013

Hakeem Olajuwon photo
Leo Tolstoy photo
Annie Proulx photo
George Eliot photo
Nathan Lane photo
Carole Morin photo
Albert Einstein photo

“How it happened that I in particular discovered the relativity theory, it seemed to lie in the following circumstance. The normal adult never bothers his head about space-time problems. Everything there is to be thought about it, in his opinion, has already been done in early childhood. I, on the contrary, developed so slowly that I only began to wonder about space and time when I was already grown up. In consequence I probed deeper into the problem than an ordinary child would have done.”

Albert Einstein (1879–1955) German-born physicist and founder of the theory of relativity

In Carl Seelig's Albert Einstein: A Documentary Biography (1956), Seelig reports that Einstein said this to James Franck, p. 71 http://books.google.com/books?id=VCbPAAAAMAAJ&q=%22how+it+happened%22#search_anchor.
I sometimes ask myself how did it come that I was the one to develop the theory of relativity. The reason, I think, is that a normal adult never stops to think about problems of space and time. But my intellectual development was retarded, as a result of which I began to wonder about space and time only when I had already grown up. Naturally, I could go deeper into the problem than a child with normal abilities.
Variant translation which appears in Einstein: The Life and Times by Ronald W. Clark (1971), p. 27 http://books.google.com/books?id=6IKVA0lY6MAC&lpg=PP1&pg=PA27#v=onepage&q&f=false
Attributed in posthumous publications

Paul Gauguin photo

“In order to produce something new, you have to return to the original source, to the childhood of mankind.”

Paul Gauguin (1848–1903) French Post-Impressionist artist

Source: 1890s - 1910s, The Writings of a Savage (1996), p. 110: cited by Eugène Tardieu, 'Interview with Paul Gauguin,' in L'Écho de Paris, (13 May 1895)

Ossip Zadkine photo
Martin Luther King, Jr. photo

“She is not concerned about what I think about it or what Mrs. King thinks about it. She wants it. She’s a child and that’s very natural and normal for a child. She is inevitably self-centered because she’s a child. But when one matures, when one rises above the early years of childhood, he begins to love people for their own sake. He turns himself to higher loyalties. He gives himself to something outside of himself. He gives himself to causes that he lives for and sometimes will even die for. He comes to the point that now he can rise above his individualistic concerns”

Martin Luther King, Jr. (1929–1968) American clergyman, activist, and leader in the American Civil Rights Movement

1950s, Conquering Self-centeredness (1957)
Context: I look at my little daughter every day and she wants certain things and when she wants them, she wants them. And she almost cries out, “I want what I want when I want it.” She is not concerned about what I think about it or what Mrs. King thinks about it. She wants it. She’s a child and that’s very natural and normal for a child. She is inevitably self-centered because she’s a child. But when one matures, when one rises above the early years of childhood, he begins to love people for their own sake. He turns himself to higher loyalties. He gives himself to something outside of himself. He gives himself to causes that he lives for and sometimes will even die for. He comes to the point that now he can rise above his individualistic concerns, and he understands then what Jesus meant when he says, “He who finds his life shall lose it; he who loses his life for my sake, shall find it.”’ In other words, he who finds his ego shall lose his ego, but he who loseth his ego for my sake, shall find it. And so you see people who are apparently selfish; it isn’t merely an ethical issue but it is a psychological issue. They are the victims of arrested development, and they are still children. They haven’t grown up. And like a modern novelist says about one of his characters, “Edith is a little country, bounded on the east and the west, on the north and the south, by Edith.” And so many people are little countries, bounded all around by themselves and they never quite get out of themselves. And these are the persons who are victimized with arrested development.

Chris Jericho photo

“Yeah, congratulations. Way to go, Punk, way to go. Congratulations on your big win. You need to enjoy them while you can. You see, you can smirk if you want to, but I see straight through you. When I look at you, I see a fraud. And I'm not talking about the fact that you call yourself the best in the world, I'm talking about you as a person. Because I did a little research this week, Punk, and I found something, a little deep, dirty, dark secret about you. You've been straight edge ever since you came to the WWE, but you've never explained the reasons why. I wanna tell all of these wannabes why you're straight edge. I wanna tell them that you're straight edge because your father is an alcoholic.
Yeah, that's right. Your father was an alcoholic who let you down every step of the way when you were growing up, and it terrifies you. You don't want to end up like him. But it's inevitable that you will, because alcohol is in your blood, it's in your genes, it's part of who you are, and that tortures you. I know you've built this facade, this wall that you're a sarcastic antihero with not a care in the world, but I think I've found something that you care about. I've found something that gives you nightmares, something that terrifies you.
And isn't it ironic that the very alcohol that you crave is the same thing that ruined your childhood? Oh, the nightmares you must have about your father; I almost feel bad for you, Punk. Is that the reason why you have all those tattoos? Was the pain of wanting to drink so bad that you needed the pain of a tattoo needle to take it out of your mind? Was that your only solace?
It doesn't matter if it is, Punk, because you are going to drink eventually, and I'm the one who is going to make you drink. At WrestleMania XXVIII, I'm going to take away your title, I'm gonna take away your claims of being the best in the world, I'm gonna take away your bravado, and I'm gonna leave you a broken man. You're gonna hit bottom, Punk, and when you do, you're going to embrace your destiny, and you're gonna take a drink. And it's gonna taste so good that you're gonna wanna take another one, and another one, and another one. After April 1st, I'm gonna be recognized for who I am—the undisputed best in the world and the new WWE Champion. And you're gonna be recognized for who you are, who your father was—a pathetic damn drunk!”

Chris Jericho (1970) American professional wrestler, musician, television host, podcast host and author

March 12, 2012 - WWE Raw

Edmund White photo
Gertrude Stein photo

“Communists are people who fancied that they had an unhappy childhood.”

Gertrude Stein (1874–1946) American art collector and experimental writer of novels, poetry and plays

Quoted by Thornton Wilder, interview (December 14-15, 1956) with Richard Goldstone, The Paris Review: Writers at Work, First Series (1958)

Sergei Prokofiev photo

“The first was the classical line, which could be traced back to my early childhood and the Beethoven sonatas I heard my mother play. This line takes sometimes a neo-classical form (sonatas, concertos), sometimes imitates the 18th century classics (gavottes, the Classical symphony, partly the Sinfonietta). The second line, the modern trend, begins with that meeting with Taneyev when he reproached me for the “crudeness” of my harmonies. At first this took the form of a search for my own harmonic language, developing later into a search for a language in which to express powerful emotions (The Phantom, Despair, Diabolical Suggestion, Sarcasms, Scythian Suite, a few of the songs, op. 23, The Gambler, Seven, They Were Seven, the Quintet and the Second Symphony). Although this line covers harmonic language mainly, it also includes new departures in melody, orchestration and drama. The third line is toccata or the “motor” line traceable perhaps to Schumann’s Toccata which made such a powerful impression on me when I first heard it (Etudes, op. 2, Toccata, op. 11, Scherzo, op. 12, the Scherzo of the Second Concerto, the Toccata in the Fifth Concerto, and also the repetitive intensity of the melodic figures in the Scythian Suite, Pas d’acier[The Age of Steel], or passages in the Third Concerto). This line is perhaps the least important. The fourth line is lyrical; it appears first as a thoughtful and meditative mood, not always associated with the melody, or, at any rate, with the long melody (The Fairy-tale, op. 3, Dreams, Autumnal Sketch[Osenneye], Songs, op. 9, The Legend, op. 12), sometimes partly contained in the long melody (choruses on Balmont texts, beginning of the First Violin Concerto, songs to Akhmatova’s poems, Old Granny’s Tales[Tales of an Old Grandmother]). This line was not noticed until much later. For a long time I was given no credit for any lyrical gift whatsoever, and for want of encouragement it developed slowly. But as time went on I gave more and more attention to this aspect of my work. I should like to limit myself to these four “lines,” and to regard the fifth, “grotesque” line which some wish to ascribe to me, as simply a deviation from the other lines. In any case I strenuously object to the very word “grotesque” which has become hackneyed to the point of nausea. As a matter of fact the use of the French word “grotesque” in this sense is a distortion of the meaning. I would prefer my music to be described as “Scherzo-ish” in quality, or else by three words describing the various degrees of the Scherzo—whimsicality, laughter, mockery.”

Sergei Prokofiev (1891–1953) Ukrainian & Russian Soviet pianist and composer

Page 36-37; from his fragmentary Autobiography.
Sergei Prokofiev: Autobiography, Articles, Reminiscences (1960)

Richard Dawkins photo
Steve Kilbey photo
Theodor Mommsen photo

“.. As Salmanezer and Nebuchadnezzar had formerly carried the Jews to Babylon, so now from all the frontier provinces of the new kingdom (of Armenia) - from Corduene, Adiabene, Assyria, Cilicia, Cappadocia - the inhabitants, especially the Greek or half-Greek citizens of the towns, were compelled to settle with their whole goods and chattels in the new capital, one of those gigantic cities proclaiming rather the nothingness of the people than the greatness of the rulers, which sprang up in the countries of the Euphrates on every change in the supreme sovereignty at the fiat of the new grant Sultan. the new 'city of Tigranes", Tigranocerta, situated in in the most southern province of Armenia, not far from the Mesopotamian frontier, was a city like Nineveh and Babylon, with walls fifty yards high, and the appendages of palace, garden and park that were appropriate to sultanism In other respects, too, the new great king proved faithful to his part. As amidst the perpetual childhood of the East the childlike conceptions of kings with real crowns on their heads have never disappeared, Tigranes, when he showed himself in public, appeared in the state and costume of a successor of Darius and Xerxes, with the purple fagtan, the half white half-purple tunic, the long plaited trousers, the high turban, and the royal diadem - attended moreover and served in slavish fashion, wherever he went or stoood, by four "kings."”

Theodor Mommsen (1817–1903) German classical scholar, historian, jurist, journalist, politician, archaeologist and writer

Vol. 4, Part: 1. Chapter 2 Pg. 47 - "Rule of the Sullan Restoration" Translated by W.P. Dickson.
The History of Rome - Volume 4: Part 1

Ann Druyan photo
Charles Lamb photo
Swami Vivekananda photo
Dylan Moran photo
Charles Baudelaire photo

“Genius is only childhood recovered at will, childhood now gifted to express itself with the faculties of manhood and with the analytic mind that allows him to give order to the heap of unwittingly hoarded material.”

Le génie n'est que l'enfance retrouvée à volonté, l'enfance douée maintenant, pour s'exprimer, d'organes virils et de l'esprit analytique qui lui permet d'ordonner la somme de matériaux involontairement amassée.
III: "L'artiste, homme du monde, homme des foules et enfant" http://fr.wikisource.org/wiki/L%E2%80%99Artiste%2C_homme_du_monde%2C_homme_des_foules_et_enfant
Le peintre de la vie moderne (1863)

Edmund Sears photo

“Death is a stage in human progress, to be passed as we would pass from childhood to youth, or from youth to manhood, and with the same consciousness of an everlasting nature.”

Edmund Sears (1810–1876) American minister

Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 177.

Marek Edelman photo

“Man is evil, by nature man is a beast. People have to be educated from childhood, from kindergarten, that there should be no hatred.”

Marek Edelman (1922–2009) Jewish resistance member

"Warsaw Ghetto uprising leader Marek Edelman dies at 90" http://www.telegraph.co.uk/news/worldnews/europe/poland/6256830/Warsaw-Ghetto-uprising-leader-Marek-Edelman-dies-at-90.html. The Daily Telegraph. 2009-10-03. Retrieved 2009-10-04.

Aron Ra photo

“When I read the gospels, I don’t see a wise and benevolent sage imparting truth. I see a religious extremist and faith-healer, who is just as much of a scam artist as any of the exorcists still practicing today. Remember that Jesus taught his disciples how to do faith healing too, just like tele-evangelists still do. Jesus didn’t believe in washing your hands because he didn’t know about pathogens. He believed in demons instead. And he cursed a fig tree because he didn’t know they were out-of-season. Likewise he didn’t know that the farmers of his day already knew about other seeds that were smaller than mustard seeds. My best evidence was Jesus’ complaint that the people who knew him since childhood wouldn’t buy any of his bullshit. So the only indications I had to believe in a historic Jesus were the very points that implied that he could not be a god nor have any real connection to God. So there are only two possibilities: Jesus was either an ignorant 1st century charlatan and cult leader heavily exaggerated like Robin Hood, or he’s a completely imaginary legendary figure like Hercules. Remember how Jesus said that he came not to bring peace but a sword; that he would divide husbands from their wives and children from their parents all on behalf of beliefs based on faith? Remember also that faith, (an unreasonable assertion of complete conviction which is not based on reason and is defended against all reason) —is the most dishonest position it is possible to have. Any belief which requires faith should be rejected for that reason.”

Aron Ra (1962) Aron Ra is an atheist activist and the host of the Ra-Men Podcast

"Jesus never existed" http://www.patheos.com/blogs/reasonadvocates/2015/11/03/jesus-never-existed/, Patheos (November 3, 2015)
Patheos

Carly Fiorina photo

“Childhood is precious… Hardest part of growing up? Is growing up, I think.”

Carly Fiorina (1954) American corporate executive and politician

David Webb Show http://www.breitbart.com/big-government/2015/08/05/ohio-male-rnc-member-calls-carly-fiorina-hot-babe/ (5 August 2015).
2010s, 2015, David Webb Show (August 2015)

Charlotte Brontë photo
James Macpherson photo

“All hail, Macpherson! hail to thee, Sire of Ossian! The Phantom was begotten by the suing embrace of all impudent Highlander upon a cloud of tradition—it travelled southward, where it was greeted with acclamation, and the thin Consistence took its course through Europe, upon the breath of popular applause. […] Having had the good fortune to be born and reared in a mountainous country, from my very childhood I have felt the falsehood that pervades the volumes imposed upon the world under the name of Ossian. From what I saw with my own eyes, I knew that the imagery was spurious. In Nature everything is distinct, yet nothing defined into absolute independent singleness. In Macpherson's work, it is exactly the reverse; every thing (that is not stolen) is in this manner defined, insulated, dislocated, deadened,—yet nothing distinct. It will always be so when words are substituted for things. […] Yet, much as those pretended treasures of antiquity have been admired, they have been wholly uninfluential upon the literature of the Country. No succeeding writer appears to have taught from them a ray of inspiration; no author, in the least distinguished, has ventured formally to imitate them—except the boy, Chatterton, on their first appearance. […] This incapacity to amalgamate with the literature of the Island, is, in my estimation, a decisive proof that the book is essentially unnatural; nor should I require any other to demonstrate it to be a forgery, audacious as worthless.”

James Macpherson (1736–1796) Scottish writer, poet, translator, and politician

William Wordsworth, "Essay Supplementary to the Preface" http://spenserians.cath.vt.edu/TextRecord.php?textsid=35963 in Poems by William Wordsworth, Vol. I (1815), pp. 363–365.
Criticism

Randy Pausch photo
Graham Greene photo
Lloyd deMause photo
Włodzimierz Ptak photo
Corey Feldman photo
Georges St. Pierre photo
Isaac Asimov photo
Charles Lamb photo
Alexis De Tocqueville photo

“The 19th and first half of the 20th century conceived of the world as chaos. Chaos was the oft-quoted blind play of atoms, which, in mechanistic and positivistic philosophy, appeared to represent ultimate reality, with life as an accidental product of physical processes, and mind as an epi-phenomenon. It was chaos when, in the current theory of evolution, the living world appeared as a product of chance, the outcome of random mutations and survival in the mill of natural selection. In the same sense, human personality, in the theories of behaviorism as well as of psychoanalysis, was considered a chance product of nature and nurture, of a mixture of genes and an accidental sequence of events from early childhood to maturity.
Now we are looking for another basic outlook on the world -- the world as organization. Such a conception -- if it can be substantiated -- would indeed change the basic categories upon which scientific thought rests, and profoundly influence practical attitudes.
This trend is marked by the emergence of a bundle of new disciplines such as cybernetics, information theory, general system theory, theories of games, of decisions, of queuing and others; in practical applications, systems analysis, systems engineering, operations research, etc. They are different in basic assumptions, mathematical techniques and aims, and they are often unsatisfactory and sometimes contradictory. They agree, however, in being concerned, in one way or another, with "systems," "wholes" or "organizations"; and in their totality, they herald a new approach.”

Ludwig von Bertalanffy (1901–1972) austrian biologist and philosopher

Source: General System Theory (1968), 7. Some Aspects of System Theory in Biology, p. 166-167 as quoted in Lilienfeld (1978, pp. 7-8) and Alexander Laszlo and Stanley Krippner (1992) " Systems Theories: Their Origins, Foundations, and Development http://archive.syntonyquest.org/elcTree/resourcesPDFs/SystemsTheory.pdf" In: J.S. Jordan (Ed.), Systems Theories and A Priori Aspects of Perception. Amsterdam: Elsevier Science, 1998. Ch. 3, pp. 47-74.

Letitia Elizabeth Landon photo
André Maurois photo
Yukio Mishima photo
Susie Bright photo
Oliver Sacks photo
Ken Wilber photo
Chris Stedman photo
Gene Wolfe photo
Joan Miró photo

“Childhood and magic are married in this poem inscribed in infinity, like traces on walls or cracks in venerable walls, superimposed posters lacerated by wind, rain and poetry; calligraphy and ideograph intermerge in this equation.... in this sign.”

Joan Miró (1893–1983) Catalan painter, sculptor, and ceramicist

1915 - 1940
Source: a letter to art-seller in New York Pierre Matisse, [son of Henri Matisse, 19 February 1936]; the Pierre Matisse Gallery Archives, The Pierpont Morgan Library, New York MA 5020

Aron Brand Auraban photo
Iris DeMent photo
Richard Wright photo
Halldór Laxness photo

“We are a race evolving in this Creation to serve the Maker of it. We act as temporary deities during the childhood of individual peoples and planets.”

Sheri S. Tepper (1929–2016) American fiction writer

Source: The Visitor (2002), Ch. 44 : the visitor
Context: "This place is a godland, you may call me god. Small g, for I am not proud. We are a race evolving in this Creation to serve the Maker of it. We act as temporary deities during the childhood of individual peoples and planets. I was the midwife who brought forth this world, who stirred the primordial ooze, and noted the life that crawled up from the sea. Our race is not unlike yours, but I am very old, and you are still very young."
"We come and go. I came to teach your people language. I raised up oracles, whispered to soothsayers, wove bright visions for sorcerers, and spoke marvels to your alchemists. I came again to raise up prophets in the the Real One's name: Bruno, Galileo, Newton, Fermi..."
The doctor interrupted, "The Real One? Who?"
"The Being whom I worship. The Ultimate who stands apart from time. The Deity some men think they are addressing when they pray with words. The Real One doesn't even perceive words. If IT did, imagine what IT would have to listen to! The Real One sees only the pattern of what is, where it begins and where it comes to rest. The only prayer IT perceives is action. … Only actions enter the pattern the Real One sees. What is. What was done. IT perceives neither intentions nor remorse."

Francis Pharcellus Church photo

“No Santa Claus! Thank , nay, ten times ten thousand years from now, he will continue to make glad the heart of childhood.”

Yes, Virginia, there is a Santa Claus (1897)
Context: Not believe in Santa Claus! You might as well not believe in fairies! You might get your papa to hire men to watch in all the chimneys on Christmas Eve to catch Santa Claus, but even if they did not see Santa Claus coming down, what would that prove? Nobody sees Santa Claus, but that is no sign that there is no Santa Claus. The most real things in the world are those that neither children nor men can see. Did you ever see fairies dancing on the lawn? Of course not, but that's no proof that they are not there. Nobody can conceive or imagine all the wonders there are unseen and unseeable in the world.
You may tear apart the baby's rattle and see what makes the noise inside, but there is a veil covering the unseen world which not the strongest man, nor even the united strength of all the strongest men that ever lived, could tear apart. Only faith, fancy, poetry, love, romance, can push aside that curtain and view and picture the supernal beauty and glory beyond. Is it all real? Ah,, in all this world there is nothing else real and abiding.
No Santa Claus! Thank, nay, ten times ten thousand years from now, he will continue to make glad the heart of childhood.

Gustave Moreau photo

“I have designed a decorative and monumental work as a group of subjects representing the three ages of sacred and profane mythology: the Golden Age, the Silver Age and the Iron Age. I have symbolised these different ages by dividing each one into compositions representing the three phases of the day: morning, noon and evening.
The Golden Age comprises three compositions (Adam and childhood):
:1. Prayer at sunrise.
:2. A walk in Paradise or the ecstasy before nature.
:3. All nature asleep.
The Silver Age. The second phase is taken from pagan mythology (Orpheus and youth):
:1. The dream nature is revealed to the senses of the inspired poet.
:2. The song.
: 3. Orpheus in the forest, his lyre broken and he longs for unknown countries and immortality.
The Iron Age (Cain and the maturity of man):
:1. The Sower making the earth productive (production).
:2. The Ploughman (work).
:3. Death (Cain and Abel).
Fourth panel:
The Triumph of Christ.
These three periods of humanity also correspond to the three periods in the life of a man:
The purity of childhood: Adam –
The poetic and unhappy aspirations of youth: Orpheus –
The grievous sufferings and death of mature age: Cain with the redemption of Christ.
D— thought it was an extremely ingenious and intelligent device to have used a figure from pagan antiquity for the cycle of youth and poetry instead of a Biblical figure, because intelligence and poetry are far better personified in these periods which were devoted to art and the imagination than in the Bible which is all sentiment and religiosity.
The Golden Age: the beginning of the world, naïveté, candour, purity. The morning: prayer. Noon: ecstasy and evening: sleep. No passion, nothing but elementary feelings. —
The Silver Age, corresponding to the civilization of humanity, already begins to feel emotion; it is the age of poets. I can only find this cycle in Greece. The morning: inspiration. Noon: song. Evening: tears. —
The Iron Age. Decadence and fall of humanity. I shall represent Cain ploughing and Abel sowing. Noon: Cain rests while Abel tends the altar of the Lord from which smoke, a symbol of purity, rises straight to the heavens. The evening: death at the hands of Cain.
The first death corresponds to the other deaths in the two other paintings: sleep and death of the senses; tears and the death of the heart. Do you understand the progression?
Sleep, though sad, is gentler than tears which, though painful, are gentler than death. Ecstasy is more delightful than song, which is gentler than work. Prayer is superior to dreaming which is more elevated than manual work.”

Gustave Moreau (1826–1898) French painter

Notes to his mother, on The Life of Humanity (1884-6) http://www.wikiart.org/en/gustave-moreau/humanity-the-golden-age-depicting-three-scenes-from-the-lives-of-adam-and-eve-the-silver-age-1886, his composition of a ten image polyptych, p. 48 ·  Photo of its exhibition on the 3rd Floor of Musée National Gustave Moreau http://en.musee-moreau.fr/house-museum/studios/third-floor
Gustave Moreau (1972)

Arthur C. Clarke photo

“There is the possibility that humankind can outgrow its infantile tendencies, as I suggested in Childhood's End. But it is amazing how childishly gullible humans are.”

Arthur C. Clarke (1917–2008) British science fiction writer, science writer, inventor, undersea explorer, and television series host

"God, Science, and Delusion: A Chat With Arthur C. Clarke" Free Inquiry magazine, Volume 19, Number 2 (Spring 1999) http://www.secularhumanism.org/index.php?section=library&page=clarke_19_2
2000s and attributed from posthumous publications
Context: There is the possibility that humankind can outgrow its infantile tendencies, as I suggested in Childhood's End. But it is amazing how childishly gullible humans are. There are, for example, so many different religions — each of them claiming to have the truth, each saying that their truths are clearly superior to the truths of others — how can someone possibly take any of them seriously? I mean, that's insane.... Though I sometimes call myself a crypto-Buddhist, Buddhism is not a religion. Of those around at the moment, Islam is the only one that has any appeal to me. But, of course, Islam has been tainted by other influences. The Muslims are behaving like Christians, I'm afraid.

Camille Paglia photo

“I am saying that many of the problems between the sexes are coming from something prior to socialization, a turbulence that has to do with every boy’s origin in a woman’s body, and the way he is overwhelmed by this huge, matriarchal shadow of a goddess figure from his childhood.”

Camille Paglia (1947) American writer

Source: Sex, Art and American Culture : New Essays (1992), Rape and Modern Sex War, p. 68
Context: I am saying that many of the problems between the sexes are coming from something prior to socialization, a turbulence that has to do with every boy’s origin in a woman’s body, and the way he is overwhelmed by this huge, matriarchal shadow of a goddess figure from his childhood. And I feel, after so many decades of studying this, that men are suffering from a sense of dependence on women, their sense that at any moment they could be returned to that slavery and servitude they experienced under a woman’s thumb, when they were a boy in the shadow of the mother. I got this from studying all world culture, and comparing and noticing how often there were these similar patterns in many different cultures. Many things that erupt in rape or violence, or battery and so on, are happening when a woman is pushing that button of fear and dependency.

Richard Wright photo
Stephen Colbert photo

“I have tender feelings for Nixon, because everybody has warm feelings about their childhood.”

Stephen Colbert (1964) American political satirist, writer, comedian, television host, and actor

Rolling Stone interview http://www.rollingstone.com/movies/news/americas-anchors-20061116?page=3 (31 October 2006)
Context: I have tender feelings for Nixon, because everybody has warm feelings about their childhood. Actually, I didn't like the Watergate trials 'cause they interrupted The Munsters... Nixon was the last liberal president. He supported women's rights, the environment, ending the draft, youth involvement, and now he's the boogeyman? Kerry couldn't even run on that today.

Elizabeth Hand photo

“I had from earliest childhood a sense that there was no skin between me and the world. I saw things other people didn't see.”

Source: Generation Loss (2007), Ch. 1
Context: I had from earliest childhood a sense that there was no skin between me and the world. I saw things other people didn't see. Hands that slipped through the gaps in the air like falling leaves; a jagged outline like a branch but there was no branch and no tree. In bed at night I heard a voice repeating my name in a soft, insistent monotone. Cass. Cass. Cass. My father took me to a doctor, who said I'd grow out of it. I never did, really.