Living Faith (2001), p. 222
Post-Presidency
Context: Except during my childhood, when I was probably influenced by Michelangelo's Sistine Chapel depiction of God with a flowing white beard, I have never tried to project the Creator in any kind of human likeness. The vociferous debates about whether God is male or female seem ridiculous to me. I think of God as an omnipotent and omniscient presence, a spirit that permeates the universe, the essence of truth, nature, being, and life. To me, these are profound and indescribable concepts that seem to be trivialized when expressed in words.
Quotes about childhood
page 7
Source: Flatland: A Romance of Many Dimensions (1884), PART I: THIS WORLD, Chapter 8. Of the Ancient Practice of Painting
Context: When all others had succumbed to the fascinations of corporal decoration, the Priests and the Women alone still remained pure from the pollution of paint.
Immoral, licentious, anarchical, unscientific — call them by what names you will — yet, from an aesthetic point of view, those ancient days of the Colour Revolt were the glorious childhood of Art in Flatland — a childhood, alas, that never ripened into manhood, nor even reached the blossom of youth. To live was then in itself a delight, because living implied seeing.
“So what is today's talk about then? It's about my childhood dreams and how I've achieved them”
I've been very fortunate that way; how I believe I've been able to enable the dreams of others, and to some degree, lessons learned: I'm a professor — there should be some lessons learned — and how you can use the stuff you hear today to enable your dreams or enable the dreams of others. And as you get older you may find that enabling-the-dreams-of-others thing is even more fun.
The Last Lecture (2007)
Travis McGee series, Dress Her in Indigo (1969)
Context: Any man who outgrows the myths of childhood is ninety-nine percent aware and convinced of his own mortality. But then comes the chilly breath on the nape of the neck, a stirring of the air by the wings of the bleak angel. When a man becomes one hundred percent certain of his inevitable death, he gets The Look.
“From my early childhood Lucanus, or Luke, the great Apostle, has obsessed my mind.”
"Why has St. Luke always obsessed me?", Foreword to Dear and Glorious Physician: A Novel About Saint Luke (1959) http://www.ignatiusinsight.com/features2008/tcaldwell_frwddgp_dec08.asp
1950s
Context: From my early childhood Lucanus, or Luke, the great Apostle, has obsessed my mind. He was the only Apostle who was not a Jew. He never saw Christ. All that is written in his eloquent but restrained Gospel he acquired from hearsay, from witnesses, from the Mother of Christ, from disciples, and from the Apostles. His first visit to Israel took place almost a year after the Crucifixion.
Yet he became one of the greatest of the Apostles. Like Saul of Tarsus, later to be known as Paul, the Apostle to the Gentiles, he believed that Our Lord came not only to the Jews but to the Gentiles, also. He had much in common with Paul, because Paul too had never seen the Christ. Each had had an individual revelation. These two men had difficulty with the original Apostles because the latter stubbornly believed for a considerable time that Our Lord was incarnated, and died, only for the salvation of the Jews, even after Pentecost.
Why has St. Luke always obsessed me, and why have I always loved him from childhood? I do not know. I can only quote Friedrich Nietzsche on this matter: "One hears — one does not seek; one does not ask who gives — I have never had any choice about it."
Fragments of Markham's notes
The Nemesis of Faith (1849)
Context: Our instinct has outrun our theory in this matter; for while we still insist upon free will and sin, we make allowance for individuals who have gone wrong, on the very ground of provocation, of temptation, of bad education, of infirm character. By and by philosophy will follow, and so at last we may hope for a true theory of morals. It is curious to watch, in the history of religious beliefs, the gradual elimination of this monster of moral evil. The first state of mankind is the unreflecting state. The nature is undeveloped, looking neither before nor after; it acts on the impulse of the moment, and is troubled with no weary retrospect, nor with any notions of a remote future which present conduct can affect; and knowing neither good nor evil, better or worse, it does simply what it desires, and is happy in it. It is the state analogous to the early childhood of each of us, and is represented in the common theory of Paradise — the state of innocence.
“NO ONE GETS OUT OF CHILDHOOD ALIVE.”
Context: NO ONE GETS OUT OF CHILDHOOD ALIVE. It's not the first time I've said that. But among the few worthy bon mots I've gotten off in sixty-seven years, that and possibly one other may be the only considerations eligible for carving on my tombstone. (The other one is the one entrepreneurs have misappropriated to emboss on buttons and bumper stickers: The two most common elements in the universe are hydrogen and stupidity.
(I don't so much mind that they pirated it, but what does honk me off is that they never get it right. They render it dull and imbecile by phrasing it thus: "The two most common things in the universe are..."
(Not things, you insensate gobbets of ambulatory giraffe dung, elements! Elements is funny, things is imprecise and semi-guttural. Things! Geezus, when will the goyim learn they don't know how to tell a joke.
Introduction to Blast Off : Rockets, Robots, Ray Guns, and Rarities from the Golden Age of Space Toys (2001) by S. Mark Young, Steve Duin, Mike Richardson, p. 6; the quote on hydrogen and stupidity is said to have originated with an essay of his in the 1960s, and is often misattributed to Frank Zappa, who made similar remarks in The Real Frank Zappa Book (1989): "Some scientists claim that hydrogen, because it is so plentiful, is the basic building block of the universe. I dispute that. I say there is more stupidity than hydrogen, and that is the basic building block of the universe."
Source: A Letter to a Hindu (1908), VI
Context: What is now happening to the people of the East as of the West is like what happens to every individual when he passes from childhood to adolescence and from youth to manhood. He loses what had hitherto guided his life and lives without direction, not having found a new standard suitable to his age, and so he invents all sorts of occupations, cares, distractions, and stupefactions to divert his attention from the misery and senselessness of his life. Such a condition may last a long time.
"The Origins of the Beat Generation" in Playboy (June 1959)
Context: I went one afternoon to the church of my childhood and had a vision of what I must have really meant with "Beat"… the vision of the word Beat as being to mean beatific... People began to call themselves beatniks, beats, jazzniks, bopniks, bugniks and finally I was called the "avatar" of all this.
Nemesis
Context: Petronius once told me that pathological murderers tend to start their killing sprees while they are children. Find a man who takes prostitutes off the streets as a personal vocation, and he'll probably have a set of neat jars with his childhood collection of dissected rats.
"To the Indianapolis Clergy." The Iconoclast (Indianapolis, IN) (1883)
Context: The inventor of paper—and he was not a Christian—did more than all the early fathers for mankind. The inventors of plows, of sickles, of cradles, of reapers; the inventors of wagons, coaches, locomotives; the inventors of skiffs, sail-vessels, steamships; the men who have made looms—in short, the inventors of all useful things—they are the civilizers taken in connection with the great thinkers, the poets, the musicians, the actors, the painters, the sculptors. The men who have invented the useful, and the men who have made the useful beautiful, are the real civilizers of mankind. The priests, in all ages, have been hindrances—stumbling-blocks. They have prevented man from using his reason. They have told ghost stories to courage until courage became fear. They have done all in their power to keep men from growing intellectually, to keep the world in a state of childhood, that they themselves might be deemed great and good and wise. They have always known that their reputation for wisdom depended upon the ignorance of the people.
A passage from the first volume of his Memoirs as quoted in Political Realism in American Thought (1977) by John W. Coffey, p. 26
Context: I lived, particularly in childhood but with lessening intensity right on to middle age, in a world that was peculiarly and intimately my own, scarcely to be shared with others or even made plausible to them. I habitually read special meanings into things, scenes and places — qualities of wonder, beauty, promise, or horror — for which there was no external evidence visible or plausible to others. My world was peopled with mysteries, seductive hints, vague menaces, "intimations of immortality."
“Why should I not love childhood still?”
"Childhood".
Silex Scintillans (1655)
Context: Why should I not love childhood still?
Why, if I see a rock or shelf,
Shall I from thence cast down myself?
Or by complying with the world,
From the same precipice be hurled?
Those observations are but foul,
Which make me wise to lose my soul. And yet the practice worldlings call
Business, and weighty action all,
Checking the poor child for his play,
But gravely cast themselves away.
Marilyn's personal diaries (1958), as quoted in Fragments (2010), by Stanley Buchthal and Bernard Comment
Context: Everyone's childhood plays itself out. No wonder no one knows the other or can completely understand. By this I don't know if I'm just giving up with this conclusion or resigning myself — or maybe for the first time connecting with reality. How do we know the pain or another's earlier years, let alone all that he drags with him since along the way at best a lot of leeway is needed for the other — yet how much is unhealthy for one to bear. I think to love bravely is the best and accept — as much as one can bear.
“Love makes its record in deeper colors as we grow out of childhood into manhood”
Table-Talk (1857)
Context: Love makes its record in deeper colors as we grow out of childhood into manhood; as the Emperors signed their names in green ink when under age, but when of age, in purple.
Letter to Marquis Childs quoted in St. Louis Post Dispatch (15 October 1930) and in the address "American Literature and the American Language" delivered at Washington University (9 June 1953) published in Washington University Studies, New Series: Literature and Language, no. 23 (St. Louis : Washington University Press, 1953), p. 6
Context: It is self-evident that St. Louis affected me more deeply than any other environment has ever done. I feel that there is something in having passed one's childhood beside the big river, which is incommunicable to those people who have not. I consider myself fortunate to have been born here, rather than in Boston, or New York, or London.
"The Son", Ch. 4, p. 49
Report to Greco (1965)
Context: I thank God that this refreshing childhood vision still lives inside me in all its fullness of color and sound. This is what keeps my mind untouched by wastage, keeps it from withering and running dry. It is the sacred drop of immortal water which prevents me from dying. When I wish to speak of the sea, woman, or God in my writing, I gaze down in my breast and listen carefully to what the child within me says. He dictates to me; and if it sometimes happens that I come close to these great forces of the sea, woman, and God, approach them by means of words and depict them, I owe it to the child who still lives within me. I become a child again to enable myself to view the world always for the first time, with virgin eyes.
Torsten Manns interview <!-- pages 80-81 -->
Bergman on Bergman (1970)
Context: One of the strongest feelings I remember from my childhood is, precisely, of being humiliated; of being knocked about by words, acts, or situations.
Isn't it a fact that children are always feeling deeply humiliated in their relations with grown-ups and each other? I have a feeling children spend a good deal of their time humiliating one another. Our whole education is just one long humiliation, and it was even more so when I was a child. One of the wounds I've found hardest to bear in my adult life has been the fear of humiliation, and the sense of being humiliated... Every time I read a review, for instance — whether laudatory or not — this feeling awakes... To humiliate and be humiliated, I think, is a crucial element in our whole social structure. It's not only the artist I'm sorry for. It's just that I know exactly where he feels most humiliated. Our bureaucracy, for instance. I regard it as in high degree built up on humiliation, one of the nastiest and most dangerous of all poisons.
"On Three Ways of Writing for Children" (1952) — in Of Other Worlds: Essays and Stories (1967), p. 25
Context: Critics who treat adult as a term of approval, instead of as a merely descriptive term, cannot be adult themselves. To be concerned about being grown up, to admire the grown up because it is grown up, to blush at the suspicion of being childish; these things are the marks of childhood and adolescence. And in childhood and adolescence they are, in moderation, healthy symptoms. Young things ought to want to grow. But to carry on into middle life or even into early manhood this concern about being adult is a mark of really arrested development. When I was ten, I read fairy tales in secret and would have been ashamed if I had been found doing so. Now that I am fifty I read them openly. When I became a man I put away childish things, including the fear of childishness and the desire to be very grown up.
I. What the disciple should be; and concerning Common Conceptions, as translated by Gilbert Murray
Variant translation:
It is requisite that those who are willing to hear concerning the gods should have been well informed from their childhood, and not nourished with foolish opinions. It is likewise necessary that they should be naturally prudent and good, that they may receive, and properly understand, the discourses which they hear. The knowledge likewise of common conceptions is necessary; but common conceptions are such things as all men, when interrogated, acknowledge to be indubitably certain; such as, that every god is good, without passivity, and free from all mutation; for every thing which is changed, is either changed into something better or into something worse: and if into something worse, it will become depraved, but if into something better, it must have been evil in the beginning.
I. What the Requisites are which an Auditor concerning the Gods ought to possess: and of common Conceptions, as translated by Thomas Taylor
On the Gods and the Cosmos
Context: Those who wish to hear about the Gods should have been well guided from childhood, and not habituated to foolish beliefs. They should also be in disposition good and sensible, that they may properly attend to the teaching.
They ought also to know the common conceptions. Common conceptions are those to which all men agree as soon as they are asked; for instance, that all god [here and elsewhere, = godhood, divine nature] is good, free from passion, free from change. For whatever suffers change does so for the worse or the better; if for the worse, it is made bad; if for the better, it must have been bad at first.
“I thought of her as my childhood sweetheart, the idea being you're never too old to have one.”
“A man's passion for the mountain is, above all, his childhood which refuses to die.”
III. Is the Ideal Desirable?
Why Not Socialism? (2009)
Vikram Sampath - Savarkar, Echoes from a Forgotten Past
Vikram Sampath - Savarkar, Echoes from a Forgotten Past
On her initial struggles to become a novelist in “Ruth Ozeki: Neither here nor there” https://www.writermag.com/writing-inspiration/author-interviews/ruth-ozeki-neither/ in The Writer (2017 Feb 24)
[Christmas, Wikisource, 1911 Encyclopædia Britannica, 1911, https://en.wikisource.org/wiki/1911_Encyclopædia_Britannica/Christmas]
was an all-black community. And people still lived very segregated lives, I think, because that was all they had always known. And there was still this kind of danger to integrating. So people kind of stayed in the places - the safe places that they had always known.
On still experiencing the aftereffects of segregation in “Jacqueline Woodson On Growing Up, Coming Out And Saying Hi To Strangers” https://www.npr.org/2016/10/14/497953254/jacqueline-woodson-on-growing-up-coming-out-and-saying-hi-to-strangers in NPR (2016 Oct 14)
Begum Akhtar the Undisputed Malika of Ghazals
Letter to Hitler. 24 December 1940. Quoted from Koenraad Elst: Return of the Swastika (2007). (Also in https://web.archive.org/web/20100310135408/http://koenraadelst.bharatvani.org/articles/fascism/gandhihitler.html)
1940s
“Tell That to the Families in Flint”: AOC Demolishes GOP Claim That Green New Deal Is “Elitist”, DemocracyNow, https://www.democracynow.org/2019/3/28/tell_that_to_the_families_in<BR> Video only: This is not an elitist issue: AOC on... inaction on climate change –video, Guardian News https://www.youtube.com/watch?v=m5M8vvEhCFI (26 March 2019)
Quotes (2019)
“A lot of my childhood playmates ended up behind bars and I don’t mean as bartenders.”
Source: The Lights in the Sky Are Stars (1953), Chapter 3, “1999” (p. 214)
Source: Henry Rios series of novels, Rag and Bone (2001), p.174
2017
Orest Slipak, the brother of singer. Brother about brother. The Day. Кyiv.ua. - 2017. - 27 April. https://day.kyiv.ua/en/article/topic-day/brother-about-brother
Inner yoga (antaryoga): Anirvan. (1988). New Delhi: Voice of India. From the Introduction by Ram Swarup.
Steadfast and gentle father, in your kindness respond to me, your unworthy servant, who has never, from her earliest childhood, lived one hour free from anxiety. In your piety and wisdom look in your spirit, as you have been taught by the Holy Spirit, and from your heart bring comfort to your handmaiden.
Letter to Bernard, Abbot of Clairvaux, 1146-47
In p. 13
Christian Dior: The Man who Made the World Look New
“Since his childhood he was of a gentle and peaceful nature.”
Meena Agrawal, in "Rajiv Gandhi", p. 17
Anne Keleny, in Uthradom Thirunal Marthanda Varma: The Maharajah of Travancore 4 March 2014 http://www.independent.co.uk/news/obituaries/uthradom-thirunal-marthanda-varma-the-maharajah-of-travancore-9169048.html
Laterna Magica (1987); The Magic Lantern : An Autobiography as translated by Joan Tate (1988).
Variant translation: Film as dream, film as music. No art passes our conscience in the way film does, and goes directly to our feelings, deep down into the dark rooms of our souls.
As quoted in "Ev'ry Time We Say Goodbye" by John Berger, Sight and Sound (June 1991).
No Rich Child Left Behind, 2013
No Rich Child Left Behind, 2013
Source: Fallen Leaves (2014), Ch. 1 : Our life begins
But it is amazing how childishly gullible humans are. There are, for example, so many different religions — each of them claiming to have the truth, each saying that their truths are clearly superior to the truths of others — how can someone possibly take any of them seriously? I mean, that's insane. ...Though I sometimes call myself a crypto-Buddhist, Buddhism is not a religion. Of those around at the moment, Islam is the only one that has any appeal to me. But, of course, Islam has been tainted by other influences. The Muslims are behaving like Christians, I'm afraid.
"God, Science, and Delusion: A Chat With Arthur C. Clarke" Free Inquiry magazine, Volume 19, Number 2 (Spring 1999) http://www.secularhumanism.org/index.php?section=library&page=clarke_19_2
2000s and attributed from posthumous publications
“Unconditional love: childhood’s greatest magic.”
Source: The Kingdom of Gods (2011), Chapter 1 (p. 35)
Source: The Dialectic of Sex (1970), Chapter Four
Noam Chomsky: Coronavirus - What is at stake? https://www.youtube.com/watch?v=t-N3In2rLI4 | Democracy in Europe Movement 2025 (DiEM25) Mar 28, 2020
Quotes 2010s, 2020, Coronavirus - What is at stake?
"The Origins of the Beat Generation" in Playboy (June 1959)
From the autobiography
Innkeeper's wife
Source: A Child is Born (1942)
The Artist's Iron Man: a Life in Sculpture and Film http://www.iitaly.org/magazine/focus/art-culture/article/artists-iron-man-life-in-sculpture-and-film (June 30, 2008)
In Joy Still Felt (1980), p. 217
General sources
Source: "Exclusive: How Squid Game’s Hoyeon Jung Went from Model to Star of Netflix’s Biggest Hit" in Vogue https://www.vogue.com/article/squid-game-star-hoyeon-jung-interview (7 October 2021)
Source: Arnaldo Tamayo Méndez (2021) cited in " Cuba’s Only Cosmonaut: Arnaldo Tamayo Méndez https://aldianews.com/articles/leaders/cubas-only-cosmonaut-arnaldo-tamayo-mendez/68439" on Al Día News, 7 December 2021.
Source: Exploration of Space (1952)
Source: Humanity Comes of Age, A study of Individual and World Fulfillment (1950), Chapter XV The Essential Science of Breathing
Source: "I Quit, I Think" (1991)
“We look at the world once, in childhood.
The rest is memory.”
Source: Meadowlands (1996), "Nostos"
“From the beginning of time,
in childhood, I thought
that pain meant
I was not loved.
It meant I loved.”
Source: "First Memory", Ararat (1990)
Nemesis (2010)
2008
Source: [Виталий Кличко ответил на вопросы читателей Корреспондент.net, https://korrespondent.net/ukraine/politics/386098-vitalij-klichko-otvetil-na-voprosy-chitatelej-korrespondent-net, 2022-06-13, korrespondent.net, ru]