Quotes about art (5831 quotes, page 37)

“The art of concluding from experience and observation consists in evaluating probabilities, in estimating if they are high or numerous enough to constitute proof. This type of calculation is more complicated and more difficult than one might think. It demands a great sagacity generally above the power of common people. The success of charlatans, sorcerors, and alchemists—and all those who abuse public credulity—is founded on errors in this type of calculation.”

Antoine Lavoisier (1743–1794) French chemist

Antoine Lavoisier and Benjamin Franklin, Rapport des commissaires chargés par le roi de l'examen du magnétisme animal (Imprimerie royale, 1784), trans. Stephen Jay Gould, "The Chain of Reason versus the Chain of Thumbs", Bully for Brontosaurus (W.W. Norton, 1991), p. 195

People , Error , Thinking , Success

“Roecker sure is a romantic about certain things, like art and music, though you might not know it from watching Live Freaky! Die Freaky!, his claymation musical retelling of the Helter Skelter Charlie Manson saga.”

John Roecker (1966) American film director

[LA Weekly, http://www.laweekly.com/2006-03-02/news/punk-puppet-apocalypse/, LA Weekly LP, Lina, Lecaro, Punk Puppet Apocalypse: Starring members of Green Day, Rancid, X and more, Live Freaky! Die Freaky! is guaranteed to offend, February 28, 2006]
About

Music

“To tell the truth, peasant subjects suit my nature best, for I must confess, at the risk of your taking me to be a Socialist, that the human side is what touches me most in art... The joyous side never shows itself to me; I know not if it exists, but I have never seen it. The gayest thing I know is the calm, the silence, which are so delicious, both in the forest and in the cultivated fields, whether the soil is good for culture or not. You will confess that it always gives you a very dreamy sensation, and that the dream is a sad one, although often very delicious.”

Jean-François Millet (1814–1875) French painter

In his letter to fr:Alfred_Sensier, Barbizon, February 1850; as quoted in Prints & drawings Europe 1500–1900 - catalogue for the exhibition 'European prints & drawings: 1500 - 1900', ed. Peter Raissis; Art Gallery of New South Wales, Sydney 2014, pp. 136-137
1835 - 1850

Truth , Sadness , Dreams , Nature

“Art and design are not luxuries, nor somehow incompatible with science and engineering.”

Bran Ferren (1953) American technologist

To create for the ages, let's combine art and engineering, Bran, Ferren, January 23, 2018, www.ted.com, March 2014 https://www.ted.com/talks/bran_ferren_to_create_for_the_ages_let_s_combine_art_and_engineering,

Science

“Of what value is the study of management?
The study of management has been omitted from the student's training until comparatively recently, for a very different reason than was psychology. It was never doubted that a knowledge of management would be of great value to anyone and everyone, and many were the queer schemes for obtaining that knowledge after graduation. It was doubted that management could be studied otherwise than by observation and practice. Few teachers, if any, believed in the existence, or possibility, of a teaching science of management. Management was assumed by many to be an art, by even more it was thought to be a divinely bestowed gift or talent, rather than an acquired accomplishment. It was common belief that one could learn to manage only by going out on the work and watching other managers, or by trying to manage, and not by studying about management in a class room or in a text book; that watching a good manager might help one, but no one could hope really to succeed who had not " the knack born in him."”

Lillian Gilbreth (1878–1972) American psychologist and industrial engineer

Source: Psychology of management, 1914, p. 2-3

Books , Hope , Knowledge , Study

“The Mahomedan or Islamic culture hardly gave anything to the world which may be said to be of fundamental importance and typically its own; Islamic culture was mainly borrowed from others. Their mathematics and astronomy and other subjects were derived from India and Greece. It is true they gave some of these things a new turn, but they have not created much. Their philosophy and their religion are very simple and what they call Sufism is largely the result of gnostics who lived in Persia and it is the logical outcome of that school of thought largely touched by Vedanta…. I have, however, mentioned [in The Foundations of Indian Culture] that Islamic culture contributed the Indo-Saracenic architecture to Indian culture. I do not think it has done anything more in India of cultural value. It gave some new forms to art and poetry. Its political institutions were always semi-barbaric.”

Sri Aurobindo (1872–1950) Indian nationalist, freedom fighter, philosopher, yogi, guru and poet

September 12, 1923
India's Rebirth

World , School , Religion , Mathematics

“I like to see art as being a return to the 'senses.”

Richard Long (1945) artist

An interview with Richard Long.Roger Cork in 'Richard Long:walking in Circles'. Exh:cat Soutn Bank Centre, London 1991
1990s

Sense

“Quite possibly this aesthetic contemplation coincides with religious feeling or with the uplift of the religious spirit, since in a work of art it is the deepest inwardness that expresses itself. It is necessary however, to bear in mind the essential distinction that the contemplation or uplift in art – i. e., the experience of pure art – contains nothing dreamy or vague. It is exactly the contrary; true artistic experience is altogether real and conscious”

Theo van Doesburg (1883–1931) Dutch architect, painter, draughtsman and writer

Quote from 'Grundbegriffe der neuen Gestaltenden Kunst', essay by Van Doesburg (published between 1921-23 in De Stijl) - last Chapter; as quoted in 'Fifty Years of Accomplishment, From Kandinsky to Jackson Pollock', by Michel Seuphor, Dell Publishing Co. 1964, p. 86
1920 – 1926

Feeling

“The ‘spirituality’ of this art, in which scholars have tried to find all the essentials of the later medieval conceptions of art, is in reality only the same indefinite sort of spirituality which inspired the last centuries of paganism.”

Arnold Hauser (1892–1978) Hungarian art historian

The Social History of Art, Volume I. From Prehistoric Times to the Middle Ages, 1999, Chapter IV. The Middle Ages

Reality

“Of all the arts poetry is the most intimate and personal.”

Florence Earle Coates (1850–1927) American writer and poet

On poetry

Personality

“Oh! sweet and sudden fire that springs
With but a look to light its wings;
How false to say thou needest time
The bright ascent of hope to climb;
A star thou art, that may not be
Reckoned by dull astronomy!”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Vow of the Peacock (1835)

Hope , Star , Spring , Light

“Poetry has ceased to be a public art and has become, as Whitehead said of religion, "What man does with his aloneness."”

Kenneth Rexroth (1905–1982) American poet, writer, anarchist, academic and conscientious objector

Tu Fu: Poems (p. 91)
Classics Revisited (1968)

Religion

“Let Divines, and Philosophers, Statesmen and Patriots unite their endeavours to renovate the Age, by impressing the Minds of Men with the importance of educating their little boys, and girls — of inculcating in the Minds of youth the fear, and Love of the Deity, and universal Phylanthropy; and in subordination to these great principles, the Love of their Country — of instructing them in the Art of self government, without which they never can act a wise part in the Government of Societys great, or small — in short of leading them in the Study, and Practice of the exalted Virtues of the Christian system.”

Samuel Adams (1722–1803) American statesman, Massachusetts governor, and political philosopher

Letter to John Adams (4 October 1790) http://www.gutenberg.org/dirs/etext00/4sdms10.txt

Love , Men , Youth , Age

“The sentiment that brings us here today is one of the noblest that can stir and thrill the human heart. It has crowned and made glorious the high places of all civilized nations with the grandest and most enduring works of art, designed to illustrate the characters and perpetuate the memories of great public men. It is the sentiment which from year to year adorns with fragrant and beautiful flowers the graves of our loyal, brave, and patriotic soldiers who fell in defense of the Union and liberty. It is the sentiment of gratitude and appreciation, which often, in the presence of many who hear me, has filled yonder heights of Arlington with the eloquence of eulogy and the sublime enthusiasm of poetry and song; a sentiment which can never die while the republic lives.”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

1870s, Oratory in Memory of Abraham Lincoln (1876)

Men , Beauty , Flowers , Memory

“[The] kind of thinking […] which refuses to make distinctions among artists on the basis of color or nationality or gender, which insists on inclusion rather than exclusion, is hardly fashionable with the current tribalism known as multiculturalism and cultural diversity. But it represents […] the only kind of thinking that can prepare the way for great art, and builds the path to a reconciled society.”

Robert Brustein (1927) American writer

"More Noise Than Funk", The New Republic (3/4/1996) - review of the George C. Wolfe / Savion Glover musical production Bring in Da Noise, Bring in Da Funk at the Public Theatre in New York

Color , Way , Fashion , Thinking

“History repeats itself, but the special call of an art which has passed away is never reproduced. It is as utterly gone out of the world as the song of a destroyed wild bird.”

Joseph Conrad book The Mirror of the Sea

Source: The Mirror of the Sea (1906), Ch. 8

World , History , Bird

“If one wanted to make a work of art devoid of meaning, it would be impossible because we’ve already given meaning to the work by indicating that it’s a work of art.”

Joseph Kosuth (1945) American conceptual artist

Joseph Kosuth, “Introduction” in Art After Philosophy and After: Collected Writings, 1960–1990 (Cambridge: MIT Press, 1991); cited in: Thierry Mortier. " Semiotics as Art: Kosuth http://www.semionaut.net/semiotics-as-art-joseph-kosuth/," Sunday, 1 July 2012.

“Don't start telling me buildings are works of art, because I don't buy it.”

Richard Serra (1939) American sculptor

Charlie Rose interview (2001)

“No respectable Sikh family would buy art merely for its aesthetic qualities.”

Shamini Flint book Inspector Singh Investigates: A Most Peculiar Malaysian Murder

Inspector Singh Investigates: A Most Peculiar Malaysian Murder, Cap 4

Family

“There is little abstract art, today, and what there is is stammering and imperfect. It is an attempt to let the world speak for itself, instead of reporting the speech of mind excited by their picture of the world. The Greek, The Gothic, and the Renaissance artist set forth the world the way he saw it, felt it, and wished to have it; man wished above all to be nourished by art; he achieved his desire but sacrificed everything else to this one aim: to construct homunculus, to substitute knowledge for strength and skill for spirit. The ape aped his creator. He learned to put art itself to the ends of trade..”

Franz Marc (1880–1916) German painter

Source: 1915 - 1916, 100 Aphorisms', Franz Marc (1915), p. 445

World , Way , Knowledge , Learning

“The source of my work is nature. I use it with respect and freedom. I use materials, ideas, movement and time to express a whole view of my art in the world.”

Richard Long (1945) artist

Richard Long (1982), cited in: Description of the exhibition Concentrations IX: Richard Long, March 31–July 8, 1984 at the Dallas Museum of Art http://texashistory.unt.edu/ark:/67531/metapth224905/m1/1/.
1980s

World , Idea , Nature , Freedom

“Drink: the immortal waters quench the spirit's longing.
Art thou not now, bright one, all sorrow past, in elation,
Made young with joy, grown brother-hearted with the vast,
Whither thy spirit wending flits the dim stars past
Unto the Light of Lights in burning adoration.”

George William Russell (1867–1935) Irish writer, editor, critic, poet, and artistic painter

The Nuts of Knowledge (1903)

Star , Drink , Light , Water

“"The meaning of culture" is nothing less than the conduct of life itself, fortified, thickened, made more crafty and subtle, by contact with books and with art.”

John Cowper Powys (1872–1963) British writer, lecturer and philosopher

Source: The Meaning of Culture (1929), p. 134

Life , Books

“Language, intelligence, and humor, along with art, generosity, and musical ability, are often described as human equivalents of the peacock’s tail. However, peacocks afford a poor analogy for the role of courtship displays in humans. Other animal models offer a better fit. In a number of nonhuman species — species as diverse as sea dragons and grebes — males and females engage in a mutual courtship “dance,” in which the two partners mirror one another’s movements. In Clark’s grebes and Western grebes, for instance, the pair bond ritual culminates in the famous courtship rush: The male and female swim side by side along the top of the water, with their wings back and their heads and necks in a stereotyped posture. If we want a nonhuman analogue for the role of creative intelligence or humor in human courtship, we should think not of ornamented peacocks displaying while drab females evaluate them. We should think instead of grebes engaged in their mating rush or sea dragons engaged in their synchronized mirror dance. Once we have one of these alternative images fixed in our minds, we can then add the proviso that there is a slight skew such that, in the early stages of courtship, men tend to display more vigorously and women tend to be choosier. However, this should be seen as a qualification to the primary message that intelligence, humor, and other forms of sexual display are part of the mutual courtship process in our species.”

Steve Stewart-Williams (1971)

Source: The Ape that Thought It Was a Peacock: Does Evolutionary Psychology Exaggerate Human Sex Differences? (2013), p. 160

Women , Men , Music , Intelligence

“It's almost as if art, in painting and music and stuff, is the leftover of some activity. The activity is the thing that I'm most interested in. Nearly everything that I've done was to see what would happen if I did this instead of that.”

Robert Rauschenberg (1925–2008) American artist

1960's, I never thought of it as much of an ability,' (1968)

Music , Painting

“A finished or even a competent reasoner is not the work of nature alone… education develops faculties which would otherwise never have manifested their existence. It is, therefore, as necessary to learn to reason before we can expect to be able to reason, as it is to learn to swim or fence, in order to attain either of those arts. Now, something must be reasoned upon, it matters not much what it is, provided that it can be reasoned upon with certainty. The properties of mind or matter, or the study of languages, mathematics, or natural history may be chosen for this purpose. Now, of all these, it is desirable to choose the one… in which we can find out by other means, such as measurement and ocular demonstration of all sorts, whether the results are true or not.
.. Now the mathematics are peculiarly well adapted for this purpose, on the following grounds:—
1. Every term is distinctly explained, and has but one meaning, and it is rarely that two words are employed to mean the same thing.
2. The first principles are self-evident, and, though derived from observation, do not require more of it than has been made by children in general.
3. The demonstration is strictly logical, taking nothing for granted except the self-evident first principles, resting nothing upon probability, and entirely independent of authority and opinion.
4. When the conclusion is attained by reasoning, its truth or falsehood can be ascertained, in geometry by actual measurement, in algebra by common arithmetical calculation. This gives confidence, and is absolutely necessary, if… reason is not to be the instructor, but the pupil.
5. There are no words whose meanings are so much alike that the ideas which they stand for may be confounded.
…These are the principal grounds on which… the utility of mathematical studies may be shewn to rest, as a discipline for the reasoning powers. But the habits of mind which these studies have a tendency to form are valuable in the highest degree. The most important of all is the power of concentrating the ideas which a successful study of them increases where it did exist, and creates where it did not. A difficult position or a new method of passing from one proposition to another, arrests all the attention, and forces the united faculties to use their utmost exertions. The habit of mind thus formed soon extends itself to other pursuits, and is beneficially felt in all the business of life.”

Augustus De Morgan (1806–1871) British mathematician, philosopher and university teacher (1806-1871)

Source: On the Study and Difficulties of Mathematics (1831), Ch. I.

Life , Children , Truth , Education

“… "folk art" signifies the poetical, musical, and pictorial activities of those strata of the population which are uneducated and not urbanized or industrialized. It is of the essence of this art that those who keep it in being are not only passively receptive, but normally are creative participants in the artistic activities, and yet do not stand out as individuals or claim any personal authorship of the productions. "Popular art" on the other hand is to be understood as artistic or quasi-artistic production for the demand of a half-educated public, generally urban and inclined to mass-behavior. In folk art, producers and consumers are hardly distinguished, and the boundary between them is always fluid; in the case of popular art, we find on the contrary an artistically uncreative, completely passive public, and professional production of artistic goods strictly in response to the demand for them. It is indeed a striking fact that folk art, especially folk-poetry, emerges from the ranks of those who enjoy it, whereas popular songs—the street-ballads and popular "hits"—derive from professionals belonging to and spiritually dependent upon the upper classes.”

Arnold Hauser (1892–1978) Hungarian art historian

Arnold Hauser (1985). The philosophy of art history. p. 279

Education , Music , Behavior , Dependency

“The end of the philosophical dialogue lies in itself; it can never serve a purpose outside of itself. Just as a sculptor does not cease to be a work of art even if it lies at the bottom of the sea, so indeed every work of philosophy endures, even if uncomprehended in its own time. One would be grateful if it were merely a matter of incomprehension. Instead, the work is usually refitted and appropriated by various entities-some playing the part of the opponent; others, that of the proponent. P.3-4”

Friedrich Wilhelm Joseph Schelling (1775–1854) German philosopher (idealism)

Philosophy and Religion 1804)

Time , Parting , Sea

“The Art of Seeing. It is essential to an architect to know how to see: I mean, to see in such a way that the vision is not overpowered by rational analysis.”

Luis Barragán (1902–1988) Mexican architect

In his acceptance of the Pritzker Architecture Prize, 1980

Way

“They say any artist paying six dollars may exhibit
Mr. Richard Mutt [= Duchamp himself; an inscription written by Duchamp] sent in a fountain. Without discussion this article disappeared and never was exhibited.
What were the grounds for refusing Mr. Mutt fountain:
1. Some contented it was immoral, vulgar.
2. Others, it was plagiarism, a plain piece of plumbing.
Now, Mr. Mutt fountain is not immoral, that is absurd, no more than a bit tube is immoral. It is a fixture that you see every day in plumber’s show windows.
Whether Mr. Mutt with his own hands made this fountain or not has no importance. He CHOSE it. He took an ordinary article of life, placed it so that's its useful significance disappeared under the new title ['The Richard Mutt Case'] and point of view – created a new thought for that object.
As for plumbing, that is absurd. The only works of art America has given are her plumbing and her bridges.”

Marcel Duchamp (1887–1968) French painter and sculptor

quote, 1917
Quote in: Theories and Documents of Contemporary Art, – a source-book of Artist's writings, ed. Kristine Stiles / Peter Selz, University of California Press, London, England, 1996, p. 817
Duchamp's core quote / his own written comment on his artwork 'Fountain (Duchamp)': The Richard Mutt Case, Marcel Duchamp, ‘Blind Man’, New York, 1917: 5
1915 - 1925

Life , Quotes

“Miss Rasmussen made a welded sculpture. Her statues were—as she would say, smiling—untouched by human hands; and they looked it. You could tell one from another, if you wanted to, but it was hard to want to. You felt, yawning: It’s ugly, but is it Art?
Miss Rasmussen also designed furniture, but people persisted in sitting down in her sculpture, and in asking “What is that named?” of her chairs. This showed how advanced her work was, and pleased her; yet when she laughed to show her pleasure, her laugh sounded thin and strained.”

Randall Jarrell book Pictures from an Institution

Source: Pictures from an Institution (1954) [novel], Chapter 6: “Art Night”, p. 228

People , Pleasure , Smile

“The initial thesis of my enterprise - on the basis of which this entanglement of periodizations is organized by extracting the sense of each - is this following: the science of being qua being has existed since the Greeks - such is the sense and status of mathematics. However, it is only today that we have the means to know this. It follows from this thesis that philosophy is not centered on on ontology - which exists as a separate and exact discipline- rather it circulates between this ontology (this, mathematics), the modern theories of he subject and its own history. The contemporary complex of the conditions of philosophy includes everything referred to in my first three statements: the history of 'Western'thought, post-Cantorian mathematics, psychoanalysis, contemporary art and politics. Philosophy does not coincide with any of these conditions; nor does it map out the totality to which they belong. What philosophy must do is purpose a conceptual framework in which the contemporary compossibilty of these conditions can be grasped. Philosophy can only do this - and this is what frees it from any foundational ambition, in which it would lose itself- by designating amongst its own conditions, as a singular discursive situation, ontology itself in the form of pure mathematics. This is precisely what delivers philosophy and ordains it to the care of truths.”

Alain Badiou (1937) French writer and philosopher

Introduction
Being and Event (1988)

Truth , History , Mathematics , Sense

“Painting responded to the plague-darkened vision of the human condition provoked by repeated exposure to sudden, inexplicable death. Tuscan painters reacted against Giotto's serenity, preferring sterner, hieratic portrayals of religious scenes and figures. The "Dance of Death" became a common theme for art; and several other macabre motifs entered the European repertory.”

William H. McNeill (1917–2016) Canadian historian

Source: Plagues and Peoples (1976), Ch.4 "The Impact of the Mongol Empire on Shifting Disease Balances, 1200-1500".

Death , Dance , Painting

“Art today is moving in directions of which our forebears had no inkling; the Horsemen of the Apocalypse are heard galloping through the air; artistic excitement can be felt all over Europe – new artists are signalling to one another from all sides; a glance, a touch of the hand, is enough to convey understanding.”

Franz Marc (1880–1916) German painter

co-authored with Wassily Kandinsky
1911 - 1914
Source: Franz Marc's Manifesto for 'the Blaue Reiter' group, (1912); as quoted in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, p. 207

Understanding

“One thing that cannot be denied to the realists: a constant and intense desire to write well, to write artistically. When I think of what they have done in the matter of the use of words, of the myriad verbal effects they have discovered, of the thousand forms of composition they have created, how they have remodelled and refashioned the language in their untiring striving for intensity of expression for the very osmazome of art, I am lost in ultimate wonder and admiration.”

George Moore (novelist) (1852–1933) Irish novelist, short-story writer, poet, art critic, memoirist and dramatist

Source: Confessions of a Young Man http://www.gutenberg.org/files/12278/12278-h/12278-h.htm (1886), Ch. 13.

Thinking

“[commenting French Cubist art].. Trees are violated, humans become incapable of life; there is a coercion that leads to the un-recognazibility of the object, to a picture-puzzle. For here what counts is not a profane law, but a law of art.”

Paul Klee (1879–1940) German Swiss painter

Quote (April 1912); as cited in Kandinsky and Klee in Tunisia, Roger Benjamin & Cristina Ashjian; Univ of California Press, 2015, p. 106
In April 1912 Paul Klee spent 16 days with his wife Lily in Paris. They visited the exhibtion of the 'Salon des Independants' of 1912, where works were shown of Delaunay, Seurat and many Cubist works
1911 - 1914

Life , Law , Tree

“John Cage said that music is the moral evaluation of sound. We might generalize his remark: when we speak of art, we make a moral evaluation of the relative worth of the various contributions to a work. It is no surprise that many of the participants differ with more conventional evaluations and rank their own contributions as more important than that of the artist as conventionally defined.”

Howard S. Becker (1928) American sociologist

Art Worlds (1982)

Music

“For me sculpture is divinity. This is the only answer that I could find for myself. Art is man's distinctly human way of fighting death. Through art, man achieves immortality and in this immortality we find God.”

Jacques Lipchitz (1891–1973) American and French sculptor

Source: Jacques Lipchitz: The Artist at Work, 1966, p. 189

Death , God , Way , Fight

“When you clean them up, when you make movies respectable, you kill them. The wellspring of their art, their greatness, is in not being respectable.”

Pauline Kael book Going Steady

Going Steady (1969), Trash, Art and the Movies (February 1969)

“The Ego is the great veiled mystery of the world... I believe in it and in its eternal, immutable form. Its path is, in some strange and peculiar manner, our path. And for this reason I am immersed in the phenomenon of the Individual, the so-called whole Individual, and I try in every way to explain and present it. What are you? What am I? Those are the questions that constantly persecute and torment me and perhaps also play some part in my art.”

Max Beckmann (1884–1950) German painter, draftsman, printmaker, sculptor and writer

1930s, On my Painting (1938)

World , Way , Question , Parting

“Our universe cannot even be stated symbolically. And this touches us all more directly than one might suppose. For example, artists, who have been very little influenced by social systems, have always responded instinctively to latent assumptions about the shape of the universe. The incomprehensibility of our new cosmos seems to me, ultimately, to be the reason for the chaos of modern art.”

Kenneth Clark (1903–1983) Art historian, broadcaster and museum director

Source: Civilisation (1969), Ch. 13: Heroic Materialism

Universe

“I don't know what they call mysticism, it is in truth perhaps the interest of the spirit; that the work expresses the spirit, and not the formal aspect. While in the United States a lot of art production runs along the line of formalist art; what one could call the post-modernism, a kind of formalist intention like Don Judd, Carl Andre, Robert Morris, and these.”

Joseph Beuys (1921–1986) German visual artist

Source: 1970's, Interview with Louwrien Wijers, 1979, p. 243; Also cited in: Louwrien Wijers (1996). Writing as Sculpture: 1978 - 1987. p. 38

Truth

“l don't know what Nordic art is worth in other people's minds.... but in today's cosmopolitan art world it doesn't figure at all... Nordic art is dangerous. It compresses all its power inside ourselves. It is not a hedonistic or sensuous art. It neither claims to be objectively intelligible, nor does it deal in clear and conscious symbols. The Danish author Jakob Knudsen hit on something important when he said that Nordic art has mood and works on the mood more than on the senses or the understanding..”

Asger Jorn (1914–1973) Danish artist

as quoted on the website of the Jorn Museum 'Articles' by Jorn http://www.museumjorn.dk/en/article_presentation.asp?AjrDcmntId=255,
1959 - 1973, Alpha and Omega', (1963–64)

People , World , Intelligence , Mood

“The ultimate impact of the liberal arts on the art of management, then, is a major contribution to the evolution of an ethical and humanistic capitalism -- a system that stimulates innovation, fosters excellence, enriches society, and dignifies work.”

Roger Smith (executive) (1925–2007) CEO

As cited in: G. Page West, Elizabeth J. Gatewood, Kelly G. Shaver (2009) Handbook of University-wide Entrepreneurship Education. p. 225.
The liberal arts and the art of management (1987)

“The low-born, who have been enrolled for practising the baser arts and the meaner professions, are capable only of vices…”

Ziauddin Barani (1285–1357) Indian Muslim historian and political thinker (1285–1357)

Quoted from Lal, K. S. (1990). Indian muslims: Who are they. Chapter 2.
Fatawa-i-Jahandari

“The simultaneousness of states of mind in the work of art: that is the intoxicating aim of our art... In the pictorial description of the various states of mind of a leave-taking, perpendicular lines, undulating lines and as it were worn out, clinging here and there to silhouettes of empty bodies, may well express languidness and discouragement. Confused and trepidating lines, either straight or curved, mingled with the outlined hurried gestures of people calling to one another will express a sensation of chaotic excitement. On the other hand, horizontal lines, fleeting, rapid and jerky, brutally cutting in half lost profiles of faces or crumbling and rebounding fragments of landscape, will give the tumultuous feelings of the person going away.”

Umberto Boccioni (1882–1916) Italian painter and sculptor

Source: 1912, Les exposants au public', 1912, pp. 47, 49

People , Feeling , Personality

“The motto of his [Robinson Jeffers’s] work is “More! More!”—but as Tolstoy says, “A wee bit omitted, overemphasized, or exaggerated in poetry, and there is no contagion”; and Frost, bearing him out, says magnificently: “A very little of anything goes a long way in a work of art.””

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

“Fifty Years of American Poetry”, pp. 322–323
The Third Book of Criticism (1969)

Way

“Click. The spare camera was now focussed and working. The lead mare—Barb Nose's—saw the drop. She cut her stride and wheeled and ran along the dangerous edge. Barb Nose ran in the vanguard, protecting the rear, driving the foals ahead of him. Blaze Face had long since cut and run, taking his beaten stallion flesh off to be nursed, to wait for another day, another elder to challenge. The other mares expertly and instinctively followed the leader as she rimmed the mesa, heading for the foothills of the El Gatos. One foal, too, made the cut, on stick-like legs, frightened but blindly following. The second foal had truly been blinded by panic. He strode to the drop-off and never stopped. He was a wild horse, and he had to run, and now he would run free forever. Plunging headlong over the drop, body whirling, his legs still flailing, as he fell through the desert air and past the serrated rock walls of the mesa, he knew nothing of time. He knew nothing of the eons that had gone before him, building this mesa of bluff and sandstone and archean rock. He fell through layers of time, to timelessness, a living thing for so little time. Once a living work of art, now a broken artifact. One foal. Dead. Murdered by man. Murdered by time. The drumbeat of the earth was lessened by one horse's tiny hooves. And all of us were lessened by this new silence. Click.”

Arnold Hano (1922) American writer

From Running Wild, pp. 14-15
Other Topics

Silence , Time , Waiting , Past

“Now as before it is the vulgar and the vital and the possibility of its transformation into the beautiful which continues to challenge and fascinate me… Or perhaps the subject of my art is like the definition of humor — emotional pain remembered in tranquillity.”

Grace Hartigan (1922–2008) American artist

Statement to World Artists : 1950-1980 as quoted n "Grace Hartigan, 86, Abstract Painter, Dies" in The New York Times (18 November 2008)
Unsourced variant: I have found "my subject", it concerns that which is vital and vulgar in American life and the possibility of its transcendence into the beautiful.

Pain , Beauty

“The contrivances of nature surpass the contrivances of art, in the complexity, subtlety, and curiosity of the mechanism; and still more, if possible, do they go beyond them in number and variety; yet in a multitude of cases, are not less evidently mechanical, not less evidently contrivances, not less evidently accommodated to their end, or suited to their office than are the most perfect production of human ingenuity.”

William Paley (1743–1805) Christian apologist, natural theologian, utilitarian

Natural Theology (1802)

Nature , Perfection

“Magic and art tend to share a lot of the same language. They both talk about evocation, invocation, and conjuring. If you’re trying to conjure a character, then maybe you should treat that with the respect that you would if you were trying to conjure a demon. Because if an image of a god is a god, then in some sense the image of a demon is a demon. I’m thinking of people like Malcolm Lowry, the exquisite author of Under the Volcano. There are kabbalistic demons that are lurking all the way through Under the Volcano, and I assume they were probably similar forces to the ones that eventually overwhelmed Lowry’s life, such as the drinking and the madness. When I hear alcoholics talk about having their demons, I think that they’re probably absolutely literally correct.”

Alan Moore (1953) English writer primarily known for his work in comic books

The Believer interview (2013)

Life , God , People , Alcohol

“The rectangular picture-plane indicates the starting point of Suprematism; a new realism of color conceived as non-objective creation. The forms of Suprematist art live like all the living forms of nature. This is a new plastic realism, plastic precisely because the realism of hills, sky and water is missing. Every real form is a world. And any plastic surface is more alive than a (drawn or painted) face from which stares a pair of eyes and a smile. [1914]”

Kazimir Malevich (1879–1935) Russian and Soviet artist of polish descent

Quote of Malevich, cited in Artists on Art; from the 14th – 20th centuries, ed. Robert Goldwater and Marco Treves; Pantheon Books, 1972, London, p. 452
1910 - 1920

World , Smile , Color , Nature

“Realistic, naturalistic art had dissembled the medium, using art to conceal art; Modernism used art to call attention to art.”

Clement Greenberg (1909–1994) American writer and artist

1960s, Modernist Painting (1960)

“In an empirical sense, extremist art is a unified confirmation of one’s resistance to and transcendence of status quo thinking.”

Nick Zedd (1958) American film maker

The Extremist Manifesto, 2013

Thinking , Sense

“Service of the people by sciences and arts will only exist when men live with the people and as the people live, and without presenting any claims will offer their scientific and artistic services, which the people will be free to accept or decline as they please.”

Leo Tolstoy (1828–1910) Russian writer

What then must we do? (1886)

Men , People , Science

“In players, vanity cripples art at every step.”

Charles Reade book Peg Woffington

Source: Peg Woffington (1853), CHAPTER I

“Not only were the minds of artists formed by the university; in the same mold were formed those of the art historians, the critics, the curators, and the collectors by whom their work was evaluated. With the rise of Conceptual art, the classroom announced its final triumph over the studio.”

Harold Rosenberg (1906–1978) American writer and art critic

Source: Art & Other Serious Matters, (1985), pp. 247-248, "American Drawing"

Universe

“Art does not lie down on the bed that is made for it; it runs away as soon as one says its name; it loves to go incognito. Its best moments are when it forgets what it is called.”

Jean Dubuffet (1901–1985) sculptor from France

Quoted by Alan Magee, in Paintings, Sculpture, Graphics., Forum Gallery, New York, 2004
posthumous

Love , Lie , Forgetting

“My objects are to be seen as stimulants for the transformation of the idea of sculpture.... or of art in general. They should provoke thoughts about what sculpture can be and how the concept of sculpting can be extended to the invisible materials used by everyone.
THINKING FORMS – how we mold our thoughts or
SPOKEN FORMS – how we shape our thoughts into words or
SOCIAL SCULPTURE – how we mold and shape the world in which we live:
Sculpture as an evolutionary process; everyone an artist.
That is why nature of my sculpture is not fixes and finished. Processes continue in most of them: chemical reactions, fermentations, color changes, delays, drying up. Everything is in a STATE of CHANGE.”

Joseph Beuys (1921–1986) German visual artist

Beuys' quote from Theory of Social Sculpture, 1979, as cited in: Chris Thompson. Felt: Fluxus, Joseph Beuys, and the Dalai Lama. 2011. p. 88-89
1970's

World , Color , Idea , Nature

“Style… the very hall-mark of great art… there is little use in trying to define style.”

Ernest Flagg (1857–1947) American architect

Small Houses: Their Economic Design and Construction (1922)

“In the twentieth century, one encounters artworks that seek to cancel the difference between a real and an imagined reality by presenting themselves in ways that make them indistinguishable from real objects. Should we take this trend as an internal reaction of art against itself?”

Niklas Luhmann (1927–1998) German sociologist, administration expert, and social systems theorist

Source: Art As a Social System (2000), p. 145.

Way , Imagination , Reality

“Woody Allen says at the end of Annie Hall that we’re always trying to get things to come out perfect in art because it’s so difficult in real life […] if we can accept Allen’s as a definition of art, then sabermetrics is absolutely an art. And, just as Kalkman notes, it’s an art whose practitioners are bent on seeing justice done — in baseball, if nowhere else.”

Carson Cistulli (1979) American poet and writer

The Long Hello: Some Notes on Luck (2009)

Life , Justice , Perfection

“The most economical way of obtaining good results is to apply the great, fundamental principles of art; and depend on them for beauty, rather than upon the use of either applied ornament or more expensive materials… much better results are likely to accrue from truth than falsehood, and from architectural [rather] than archaeological methods.”

Ernest Flagg (1857–1947) American architect

Introduction
Small Houses: Their Economic Design and Construction (1922)

Truth , Beauty , Way , Dependency

“Well, I looked at Picasso [at the Picasso exhibition, Museum of Modern Art, in 1939] until I could smell his armpits and the cigarette smoke on his breast. Finally, in front of one picture – a bone figure on a beach – I got it. I saw that the figure was not his real subject. The plasticity wasn't either – although the plasticity was great. No. Picasso had uncovered a feverishness in himself and is painting it – a feverishness of death and beauty.”

William Baziotes (1912–1963) American painter

Modern Art U.S.A., R. Blesh, New York, Alfred A. Knopf, 1956, pp. 268-69
1950s

Death , Beauty , Painting

“.. one must agree with Rilke when he says that with 'nothing can one touch a work of art so little as with critical words..'. It was Marcel Duchamps who was critical, when he drew a moustache on the 'Mona Lisa'. And so was Mondrian when he dreamed of the dissolution of painting, sculpture, and architecture into a transcendent ensemble.”

Mark Rothko (1903–1970) American painter

Source: 1940's, Beyond the Aesthetics (1946), pp. 39-40

Dreams , Painting

“No, the parallels are between modernism, late modernism, and socialist realism, of course. That's two sides of one coin. Both came of this idea of aristocrats, of people in power, imposing the culture on the people. A totally inhuman art. Modern art, and Pollock is the best example, is totally inhuman. Huge pictures for museums--now we call them museums; in Stalin times they were called palaces, but basically the same thing--which we rarely see and rarely visit. The sheer size of this painting, it's a totally inhuman scale. And there it can be typified…”

Alexander Melamid (1945) Russian artist

The search for a people's art: painting by the numbers, 1994

People , Idea , Time , Painting

“October 14, 1972: that date should become a landmark in movie history comparable to May 29, 1913 — the night Le Sacre du Printemps was first performed — in music history. There was no riot, and no one threw anything at the screen, but I think it’s fair to say that the audience was in a state of shock, because Last Tango in Paris has the same kind of hypnotic excitement as the Sacre, the same primitive force, and the same thrusting, jabbing eroticism. […] Bertolucci and Brando have altered the face of an art form. Who was prepared for that?”

Pauline Kael (1919–2001) American film critic

From "The Current Cinema" http://www.criterion.com/current/posts/834-last-tango-in-paris. The New Yorker. October 28, 1972.

Music , History , Thinking , Night

“My desire to work is not stimulated by the classical proportions of Greek architecture, but by functional silos and hangars... The confusion of places, cluttered with art and culture chokes my inspiration. What stimulates and interests me is the natural noise of a busy city, and the practical lay-out of a harbor or factory which has come into being without consideration of any aesthetic principles.”

Fritz Wotruba (1907–1975) Austrian sculptor (23 April 1907, Vienna – 28 August 1975, Vienna)

Quote from 'Private Notebooks of Fritz Wotruba'; transl. Peter Foges & Haakon Chevalier – Neuchatel, Editions du Griffion, 1961.

Business , Nature

“Art’s true purpose is to be human as opposed to some rarefied activity set away from real life. I think art should help you to navigate the real challenges of being a human being.”

Martin Firrell (1963) British artist and activist

Quoted in the documentary The Question Mark Inside broadcast in the UK by Sky Arts (30 October 2009).

Life , Thinking , Help

“Symmetry is a vast subject, significant in art and nature. Mathematics lies at its root, and it would be hard to find a better one on which to demonstrate the working of the mathematical intellect.”

Hermann Weyl (1885–1955) German mathematician

Symmetry (1952)

Mathematics , Nature

“O life! thou art a galling load,
Along a rough, a weary road,
To wretches such as I!”

Robert Burns (1759–1796) Scottish poet and lyricist

Despondency.
Bartlett's Familiar Quotations, 10th ed. (1919)

Life

“My interest is in experience that is wordless and silent, and in the fact that this experience can be expressed for me in art work which is also wordless and silent.”

Agnes Martin (1912–2004) American artist

In 'On a Clear Day', 1973; as quoted by Julie Warchol on website Smith College Museum of Art https://www.smith.edu/artmuseum/Collections/Cunningham-Center/Blog-paper-people/Agnes-Martin-On-a-Clear-Day,
1970's

“Science, like art, religion, commerce, warfare, and even sleep, is based on presuppositions. It differs, however, from most other branches of human activity in that not only are the pathways of scientific thought determined by the presuppositions of the scientists but their goals are the testing and revision of old presuppositions and the creation of new.”

Gregory Bateson (1904–1980) English anthropologist, social scientist, linguist, visual anthropologist, semiotician and cyberneticist

Source: Mind and Nature, a necessary unity, 1988, p. 25

Religion , Sleep , Science

“O world, thou choosest not the better part!
It is not wisdom to be only wise,
And on the inward vision close the eyes,
But it is wisdom to believe the heart.
Columbus found a world, and had no chart,
Save one that faith deciphered in the skies;
To trust the soul’s invincible surmise
Was all his science and his only art.”

George Santayana (1863–1952) 20th-century Spanish-American philosopher associated with Pragmatism

O World, Thou Choosest Not http://www.bartleby.com/236/270.html (1894)
Other works

Wisdom , World , Faith , Soul

“What is video art? How does it differ from commercial television? Is video art linked to such traditional art forms as painting and sculpture? Is it a totally new phenomenon?”

Gregory Battcock (1937–1980)

Gregory Battcock. New Artists’ Video, an anthology, (1978) p. xiii. Introduction:
Listing of the several general questions to which video art gave rise to in those days.

Painting

“Happiness: The art of living happily is to forget the past which no longer exists, not to be worried about the future which has not come yet, and to live the present movement mindfully and wisely. All we have is here and now.”

Thich Nhat Tu (1969) Vietnamese philosopher

Buddhist Socteriological Ethics: A Study of the Buddha’s Central Teachings (1999)

Past , Future , Forgetting , Happiness

“The effect of music is so very much more powerful and penetrating than is that of the other arts, for these others speak only of the shadow, but music of the essence.”

Arthur Schopenhauer book The World as Will and Representation

Vol. I, Ch. II
The World as Will and Representation (1819; 1844; 1859)

Music

“Blest is that government where no art thrives.”

Thomas Nashe (1567–1601) English Elizabethan pamphleteer and poet

Source: Summer's Last Will and Testament http://www.elizabethanauthors.com/summ1.htm (1600), line 1425.

“The dominant tradition in the sociology of art… defines art as something more special, in which creativity comes to the surface and the essential character if the society expresses itself, especially in the great work of the genius.”

Howard S. Becker (1928) American sociologist

Source: Art Worlds (1982), p.xi.

“Balla [his former art teacher in Italy] flabbergasted us because, not content with being involved in a Futurist campaign, as you can well imagine him doing, he launched himself into a complete transformation. He rejected all his works and all his working methods. He started work on four pictures of movement (one painting was his 'Girl running on a balcony'), which were still realist but incredible ahead of their time.... He confided this to w:Aldo Pallazzeschi: 'They (Balla's former - so much younger pupils Boccioni and Severini] did not want anything to do with me in Paris and they were right: they have gone much further than I, but I will work and I too will progress.”

Umberto Boccioni (1882–1916) Italian painter and sculptor

In a letter to Gino Severini, Jan. 1913; as quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008
Boccioni is referring in this quote to their common former teacher Balla who lived and worked that time in Paris
1913

Confidence , Imagination , Girl , Teachers

“I knew I was going into one of the arts: I was drawing, acting, and writing.”

Ray Bradbury (1920–2012) American writer

The Paris Review interview (2010)

Drawing

“aAs a creative artiste dedicated to a spiritual art form I was deeply pained by the communal violence in Gujarat.”

Vyjayanthimala (1936) Indian actress, politician & dancer

Vyjayanthimala still cuts a striking figure tall

Pain , Communication

“Medicine is a science of uncertainty and an art of probability.”

William Osler (1849–1919) Canadian pathologist, physician, educator, bibliophile, historian, author, cofounder of Johns Hopkins Hospi…

As quoted in Computers in biomedical research (1965) by Ralph W. Stacy, p. 320.

Science

“The first 'Colour charts' were unsystematic. They were based directly on commercial colour samples. They were still related to Pop Art. In the canvases that followed, the colours were chosen arbitrarily and drawn by chance. Then, 180 tones were mixed according to a given system and drawn by chance to make four variations of 180 tones. But after that the number 180 seemed too arbitrary to me, so I developed a system based on a number of rigorously defined tones and proportions... Based on mixtures of the three primary colours, along with black and white, I come up with a certain number of possible colours and, by multiplying these by two or four, I obtain a definite number of colour fields that I multiply yet again by two, etc. But the complete realization of this project demands a great deal of time and work.”

Gerhard Richter (1932) German visual artist, born 1932

Quote on Richter's 'Colour Charts', in an interview with Irmeline Lebeer, 1973; as cited on collected quotes on the website of Gerhard Richter: on 'Colour-charts' https://www.gerhard-richter.com/en/quotes/subjects-2/colour-charts-8
1970's

Chance , Time

“The point of art is to emphasize some elements at the expense of others.”

Daniel Levitin book The World in Six Songs

The World in Six Songs (2008)

“We must finish once and for all with the neutrality of chess. We must condemn once and for all the formula "chess for the sake of chess", like the formula "art for art's sake". We must organize shockbrigades of chess-players, and begin immediate realization of a Five-Year Plan for chess.”

Nikolai Krylenko (1885–1938) Russian revolutionary, politician and chess organiser

Krylenko on promoting chess in the Soviet Union. Quoted in Robert Conquest, The Great Terror: A Reassessment

“You can calculate the worth of a man by the number of his enemies, and the importance of a work of art by the harm that is spoken of it.”

Gustave Flaubert (1821–1880) French writer (1821–1880)

14 June 1853
Correspondence, Letters to Madame Louise Colet

“I think Joseph Beuys is the most missunderstood artist of the 20th century. He opened a door into art for any idiot and now they traipse around believing that they have to bestow their favour on this rubbish, although it has absolutely nothing to say.”

Ralf Metzenmacher (1964) German artist, designer and painter

Ralf Metzenmacher's Homepage: FAQ

Thinking

“I never feel quite complete unless I'm doing all the arts-visual, musical, literary.”

Dick Higgins (1938–1998) English composer and poet

The Ruud Jansson Mail Interview 1995

Music , Feeling

“Literature, outside of the masters, has given us but one idea of the mistress, the subtle, calculating siren who delights to prey on the souls of men. The journalism and the moral pamphleteering of the time seem to foster it with almost partisan zeal. It would seem that a censorship of life had been established by divinity, and the care of its execution given into the hands of the utterly conservative. Yet there is that other form of liaison which has nothing to do with conscious calculation. In the vast majority of cases it is without design or guile. The average woman, controlled by her affections and deeply in love, is no more capable than a child of anything save sacrificial thought—the desire to give; and so long as this state endures, she can only do this. She may change—Hell hath no fury, etc.—but the sacrificial, yielding, solicitous attitude is more often the outstanding characteristic of the mistress; and it is this very attitude in contradistinction to the grasping legality of established matrimony that has caused so many wounds in the defenses of the latter. The temperament of man, either male or female, cannot help falling down before and worshiping this nonseeking, sacrificial note. It approaches vast distinction in life. It appears to be related to that last word in art, that largeness of spirit which is the first characteristic of the great picture, the great building, the great sculpture, the great decoration—namely, a giving, freely and without stint, of itself, of beauty.”

Theodore Dreiser book The Financier

Source: The Financier (1912), Ch. XXIII

Love , Life , Men , Beauty

“See, I went to an all-gay high school. Art and Design. Now the truth is it wasn’t really all gay, but they bused them in, it was the law. […] So I went to this high school, I had friends like Pablo. Pablo used to breast-feed a porcelain doll during math. You know. My friend Lauren used to roll cigarettes on her boots.”

Harvey Fierstein (1954) actor from the United States

This Is Not Going to Be Pretty, Live at the Bottom Line (1995)

Truth , School , Law

“Ancient philosophy proposed to mankind an art of living. By contrast, modern philosophy appears above all as the construction of a technical jargon reserved for specialists.”

Pierre Hadot (1922–2010) French historian and philosopher

trans. Michael Chase, p. 272
La Philosophie comme manière de vivre (2001)

Appearance

“Any art is a concentrated feeling of love elevated to a world view and translated into an artistic language of symbols.”

Marianne von Werefkin (1860–1938) expressionist painter

Quote from Werefkin's lecture in 1914; as quoted in M. K. ČIURLIONIS AND MARIANNE VON WEREFKIN: THEIR PATHS AND WATERSHEDS, by Laima Lauckaité; Institute of Culture, Philosophy and Art, Vilnius
Werefkin gave her lecture during a regular Art Society meeting, 22 March 1914
after 1911

Love , World , Feeling