Quotes about art
page 38

“Painting is first of all the art of imitation, and not the servant of some imaginary 'purity”

Maurice Denis (1870–1943) French painter

as cited on Wikipedia: Maurice Denis https://en.wikipedia.org/wiki/Maurice_Denis - reference [42] Nouvelles théories sur l'art moderne..., 1922

Painting

“Modernist tasks and liberties have stirred up a canny diffidence among painters of the largest accomplishment when pressed to talk about their art. It appears unseemly, or naive, to have much to say about the pictures or to attach to them any explicit "program." No more theories expounding an ideal way of painting. And, as statements wither and with them counter-statements, hardly anything in the way of provocation either. Decorum suggests that artists sound somewhat trapped when being drawn out, and venturing a few cagey glimpses of intention.”

Susan Sontag (1933–2004) American writer and filmmaker, professor, and activist

"About Hodgkin," from Howard Hodgkin Paintings edited by Michael Auping (1995), p. 105,

Way, Appearance, Painting

“Of passions under complete control, this hero [Pandu], O Madri, had all along been watched by me with care. How did he then forgetting the Rishi's curse, approach thee with enkindled desire? O Madri, this foremost of men should have been protected by thee. Why didst thou tempt him into solitude? Always melancholy at the thought of the Rishi's curse, how came he to be merry with thee in solitude? O princess of Valhika, more fortunate than myself, thou art really to be envied, for thou hast seen the face of our lord suffused with gladness and joy.”

Kunti character from Indian epic Mahabharata

Kunti in grief on seeing her husband dead during an intercourse with Madri
The Mahabharata/Book 1: Adi Parva/Section CXXV

Men, Solitude, Passion, Joy

“Thou art—what? Let the still small voice of God help you to fill it in. Must the answer be, thou art—impure, intemperate, dishonest, untruthful, irreverent, blasphemous, selfish, covetous, careless, unkind, lukewarm, lazy, ungrateful, unforgiving, filled with hypocrisy, defeated, a slave? Thou art—. Be honest. Fill it in.”

Kirby Page (1890–1957) American clergyman

Source: Something More, A Consideration of the Vast, Undeveloped Resources of Life (1920), p. 38

God, Help, Selfishness

“Critics frequently cry 'Dada' after attending one of my concerts or hearing one of my lectures. Others bemoan my interest in w:Zen. One of the liveliest lectures I ever heard was given by Nancy Wilson Ross at the Cornish School in Seattle. It was called Zen Buddhism and Dada. It is possible to make a connection between the two, but neither Dada nor Zen is a fixed tangible. They change; and in quite different ways in different places and times, they invigorate action. What was Dada in the 1920's is now, with the exception of the work of Marcel Duchamp, just art. What I do, I do not wish blamed on Zen, though without my engagement with Zen... I doubt whether I would have done what I have done... I often point out that Dada nowadays has in it a space, an emptiness, that it formerly lacked. What nowadays, America mid-twentieth century, is Zen?”

John Cage (1912–1992) American avant-garde composer

Quote in 'Silence: lectures and writings by Cage, John', Publisher Middletown, Conn. Wesleyan University Press, June 1961, x/SILENCE
1960s

School, Way, Change, Time

“A man possessed of splendid talents, which he often abused, and of a sound judgment, the admonitions of which he often neglected; a man who succeeded only in an inferior department of his art, but who in that department succeeded pre-eminently.”

Thomas Babington Macaulay, 1st Baron Macaulay (1800–1859) British historian and Whig politician

On John Dryden (1828)

“Those who try to combat the production of shoddy pictures are enemies of the best art today. Those woodland lakes in a thousand sitting-rooms with gold-tinted wallpaper belong to the profoundest inspirations of art. It always feels tragic to see people labouring to saw off the branch they are sitting on.”

Asger Jorn (1914–1973) Danish artist

1940 - 1948, Intimate Banalities' (1941)

People, Feeling

“It's not movies and it's not "fine art." The beauty of a comic is that it's clear, direct communication. My work is getting simpler and more cartoony because I'm much more interested in communication now than in any illustrative value.”

Frank Miller (1957) American writer, artist, film director

p 276
Eisner/Miller (2005)

Beauty, Communication

“For the past three years, young Wimfort had enjoyed so ample a competence from his parent, that he’d been able to buy his way deep into the mysteries of the arts of Power. He purchased no real understanding, of course, for that’s bought by the coin of toil and thought.”

Michael Shea book Nifft the Lean

Part 3, “The Fishing of the Demon-Sea,” Chapter 3 (p. 116)
Nifft the Lean (1982)

Way, Understanding, Parent, Past

“[I]magination… is the faculty… the common root from which science and literature… spring and grow and flourish together. …the great ages of science are the great ages of all the arts… [P]owerful minds have taken fire from one another… without asking… to tie their imagination to falling balls or a haunted island. …When Galileo was looking through his telescope at the moon, Shakespeare was writing The Tempest and all Europe was in ferment, from Johannes Kepler to Peter Paul Rubens, and from the first table of logarithms by John Napier to the Authorized version of the Bible.”

Jacob Bronowski (1908–1974) Polish-born British mathematician

"The Reach of Imagination" (1967)

Age, Imagination, Spring, Literature

“I can't do it, I can't do it. I simply can't help turning a deaf ear to it and banging my head against the wall - yes - and all for an art that escapes me and will never know all the trouble I have taken on its behalf.”

Henri de Toulouse-Lautrec (1864–1901) French painter

Source: 1879-1884, T-Lautrec, by Henri Perruchot, p. 80 - c. 1882-1883

Help

“Art is a hideously painful business, you know. Pity me! Or at least buy me a drink.”

Kevin Barry (1902–1920) 18 year old medical student and Irish republican, executed by Britain.

Interview with Kevin Barry (c. 2012)

Pain, Drink, Business

“Today’s smut is tomorrow’s fine art. The profane, with the passage of time becomes sacred. Having suffered under a reactionary ontological hermeneutics for the last fifty years, the extremist movement constitutes an emergent phenomenon which is more than the sum of the processes from which it has emerged. Interpretation theory rewarded by dominant culture would have us believe that history is objective when in fact its subjective nature is based on hierarchical systems of exploitation benefiting a global elite.”

Nick Zedd (1958) American film maker

Quoted in: Nick Zedd’s The Extremist Manifesto http://www.undergroundfilmjournal.com/nick-zedds-the-extremist-manifesto/ By Mike Everleth, March 7, 2013 The Extremist Manifesto, 2013

History, Nature, Suffering, Time

“Suppose we a certain Number of things exposed, different each from other, as a, b, c, d, e, &c.; The question is, how many ways the order of these may be varied? as, for instance, how many changes may be Rung upon a certain Number of Bells; or, how many ways (by way of Anagram) a certain Number of (different) Letters may be differently ordered?
Alt.1,21) If the thing exposed be but One, as a, it is certain, that the order can be but one. That is 1.
2) If Two be exposed, as a, b, it is also manifest, that they may be taken in a double order, as ab, ba, and no more. That is 1 x 2 = 2. Alt.3
3) If Three be exposed; as a, b, c: Then, beginning with a, the other two b, c, may (by art. 2,) be disposed according to Two different orders, as bc, cb; whence arise Two Changes (or varieties of order) beginning with a as abc, acb: And, in like manner it may be shewed, that there be as many beginning with b; because the other two, a, c, may be so varied, as bac, bca. And again as many beginning with c as cab, cba. And therefore, in all, Three times Two. That is 1 x 2, x 3 = 6.
Alt.34) If Four be exposed as a, b, c, d; Then, beginning with a, the other Three may (by art. preceeding) be disposed six several ways. And (by the same reason) as many beginning with b, and as many beginning with c, and as many beginning with d. And therefore, in all, Four times six, or 24. That is, the Number answering to the case next foregoing, so many times taken as is the Number of things here exposed. That is 1 x 2 x 3, x 4 = 6 x 4 = 24.
5) And in like manner it may be shewed, that this Number 24 Multiplied by 5, that is 120 = 24 x 5 = 1 x 2 x 3 x 4 x 5, is the number of alternations (or changes of order) of Five things exposed. (Or, the Number of Changes on Five Bells.) For each of these five being put in the first place, the other four will (by art. preceeding) admit of 24 varieties, that is, in all, five times 24. And in like manner, this Number 120 Multiplied by 6, shews the Number of Alternations of 6 things exposed; and so onward, by continual Multiplication by the conse quent Numbers 7, 8, 9, &c.;
6) That is, how many so ever of Numbers, in their natural Consecution, beginning from 1, being continually Multiplied, give us the Number of Alternations (or Change of order) of which so many things are capable as is the last of the Numbers so Multiplied. As for instance, the Number of Changes in Ringing Five Bells, is 1 x 2 x 3 x 4 x 5 = 120. In Six Bells, 1 x 2 x 3 x 4 x 5 x 6 = 120 x 6 = 720. In Seven Bells, 720 x 7 = 5040. In Eight Bells, 5040 x 8 = 40320, And so onward, as far as we please.”

John Wallis (1616–1703) English mathematician

Source: A Discourse of Combinations, Alterations, and Aliquot Parts (1685), Ch.II Of Alternations, or the different Change of Order, in any Number of Things proposed.

Way, Question, Nature, Change

“In his effort toward revivification of this sense [the sense for great art], the modern artist has not infrequently retired into himself; he has accepted isolation or even alienation. … Sometimes the good has to go underground. … The “revolutionary” artist … has had the aim of saving himself from the surrounding forces of sentimentality and vulgarity. … It is impossible to make a deal with these forces, and we should not be surprised if in striking back the artist has done so in ways even intended to be offensive. He has sometimes shown defiance and contempt toward those who would deny his level of seriousness.”

Richard M. Weaver (1910–1963) American scholar

“The Importance of Cultural Freedom,” pp. 30-31.
Life Without Prejudice (1965)

Way, Sense, Effort

“It is a delicate & difficult art fitting rhythm to an idea…communicating momentary phases in a poet's mind.”

T. E. Hulme (1883–1917) English Imagist poet and critic

Speculations (Essays, 1924)

Communication, Idea

“I recollect after the war in '71 [in Paris, where he stayed then and was fighting against the German] there were some debts to pay of course: what had I to do? I said to Wisselingh [Dutch art-dealer] who was with Goupil, 'tell them that I'll take them back later on.' I've never been able to do so, for one Van Gogh [probably Vincent, then art-seller at Goupil], his partner, gave me 200 francs, someone bought it for 350, and sold it in America for 700 pounds. He had asked Wisselingh how long it had taken me to do [make] it; he said a week, so I was the chap for him; no wonder he was always talking making fortune, fancy 100 pounds per day, make some more or this sort: do it only for a year. So I had to commit suicides upon suicides [he means, making salable paintings]: what did it matter to him or anyone else? Someone said once to me: 'You must have somebody fool enough to say, here is money for you, and go your own way': that is the very thing one may not do. There is always someone telling you how to set about, and then come the schools telling you that it is not allowed to be one's self, but that one has to be a Roman or Greek, or imitate what they have performed..”

Matthijs Maris (1839–1917) Dutch painter

in a letter to David Croal Thomson (1907), as cited in: The Brothers Maris (James – Matthew – William), ed. Charles Holme; text: D.C. Thomson https://ia800204.us.archive.org/1/items/cu31924016812756/cu31924016812756.pdf; publishers, Offices of 'The Studio', London - Paris, 1907, p. BMxvii

Money, War, School, Fools

“On a Clear Day: Art work that is completely abstract - free from any expression of the environment is like music and can be responded to in the same way. Our response to line and tone and color is the same as our response to sounds... It holds meaning for us that is beyond expression in words.
These prints [title, 'On a Clear Day'] express innocence of mind. If you can go with them and hold your mind as empty and tranquil as they are and recognize your feelings at the same time you will realize your full response to this work.”

Agnes Martin (1912–2004) American artist

a passage Martin wrote in 1975 'On a Clear Day', 15 Oct. 1975. Printed in Agnes Martin, eds. Morris and Bell, p. 124
1970's

Music, Color, Way, Feeling

“As an artistic style, mannerism conformed to a divided outlook on life which was, nevertheless, spread uniformly all over Western Europe; the baroque is the expression of an intrinsically more homogeneous worldview, but one which assumes a variety of shapes in the different European countries. Mannerism, like Gothic, was a universal European phenomenon, even if it was restricted to much narrower circles than the Christian art of the Middle Ages; the baroque, on the other hand, embraces so many ramifications of artistic endeavour, appears in so many different forms in the individual countries and spheres of cultures, that it seems doubtful at first sight whether it is possible to reduce them all to a common denominator.”

Arnold Hauser (1892–1978) Hungarian art historian

'Chapter 8. The Concept of Baroque
The Social History of Art', Volume II. Renaissance, Mannerism, Baroque, 1999

Life, Age, Universe, Appearance

“Fortunately, the less you have to rely on art materials – what are considered classic art materials which are all overpriced anyway – the more you can rely on materials at large in the culture and the more you should rely on them. The more free you are because you're not tied down to a higher-priced set of materials. That's the advantage of getting out in to the streets. I find that work I'm interested in now is made out of things which have been discarded by people – metals and things which I find in vacant lots. I don't want all of it. I want only certain kinds for certain purposes. But this is of interest to me now, just so I won't get into a trap where I have to work and continue with more and more expensive materials.”

Carl Andre (1935) American artist

Source: Artists talks 1969 – 1977, p. 25

People

“The manuscript lay like a dust-rag on his desk, and Eitel found, as he had found before, that the difficulty of art was that it forced a man back on his life, and each time the task was more difficult and distasteful.”

Norman Mailer book Barbary Shore

Source: Barbary Shore (1951), Ch. 14

Life, Time

“Art is limitation…. The most beautiful part of every picture is the frame.”

G. K. Chesterton book Tremendous Trifles

Tremendous Trifles (1909)

Beauty, Parting

“A few weeks ago I read, in Sacheverell Sitwell, two impressives sentences: “It is my belief that I have informed myself of nearly all works of art in the known world…. I have heard most of the music of the world, and seen nearly all the paintings.” It was hard for me to believe these sentences, but I wanted Sitwell to be able to say them, liked him for having said them—I believed.”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

“The Collected Poems of Wallace Stevens”, p. 71
The Third Book of Criticism (1969)

World, Music, Reading, Painting

“[children's art] is completely opposed to what interests me, because it's an effort to assimilate culture..”

Jean Dubuffet (1901–1985) sculptor from France

In an interview with John M. MacGregor, later published in 'Raw Vision 7' (Summer 1993)
posthumous

Children, Effort

“A general definition of civilization: a civilized society is exhibiting the five qualities of truth, beauty, adventure, art, peace.”

Alfred North Whitehead (1861–1947) English mathematician and philosopher

Source: 1930s, Adventures of Ideas (1933), p. 353.

Truth, Peace, Beauty

“Politeness is the art of bearing boredom without being bored.”

Joseph Joubert (1754–1824) French moralist and essayist

“How loved, how honored once, avails thee not,
To whom related, or by whom begot;
A heap of dust alone remains of thee;
'Tis all thou art, and all the proud shall be!”

Alexander Pope (1688–1744) eighteenth century English poet

Source: The Works of Mr. Alexander Pope (1717), Elegy to the Memory of an Unfortunate Lady, Line 71.

Love

“Abandoned by philosophy, politics, and sociology, historical determinism continues to hold out in formalist art criticism.”

Harold Rosenberg (1906–1978) American writer and art critic

Source: Art on the Edge, (1975), p. 62, "Olitski, Kelly, Hamilton: Dogma and Talent" : On Jules Olitski, Ellsworth Kelly and Richard Hamilton

“Without the background of a remembered faith modernism loses its conviction: it becomes routinised. For a long time now it has been assumed that there can be no authentic creation in the sphere of high art which is not is some way a 'challenge' to the ordinary public. Art must give offence, stepping out of the future fully armed against the bourgeois taste for kitsch and cliché. But the result of this is that offence becomes a cliché.”

Roger Scruton (1944–2020) English philosopher

"Avant-garde and Kitsch" (p. 86)
Modern Culture (2000)

Faith, Way, Time, Future

“The Nefertiti bust is one of the most popular art works in the world. It is printed on scarves and molded in necklace pendants and coffee-table miniatures. But never in my experience is the bust exactly reproduced. The copyist softens it, feminizes it and humanizes it. The actual bust is intolerably severe. It is too uncanny an object for domestic display. Even art books lie. The bust is usually posed in profile or at an angle, so that the missing left pupil is hidden or shadowed. What happened to the eye?”

Camille Paglia (1947) American writer

Source: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 67

Lie, Books, World, Coffee

“Well sure, my sculptures are floor pieces. Each one, like any area on the surface of the earth, supports a column of air that weighs – what is it? – 14.7 pounds per square inch. So in a sense, that might represent a column. It's not an idea, it's a sense of something you know, a demarked place. Somehow I think I always thought of it going that way, rather than an idea of a narrowing triangle going to the center of the earth… I have nothing to do with Conceptual art [in contrast to his Physical Art, as Carl Andre called his sculpture art already in 1969]]. I'm not interested in ideas. If I were interested in ideas, I'd be in a field where what we think in is ideas… I don't really know what an idea is. One thing for me is that if I can frame something in language, I would never make art out of it. I make art out of things which cannot be framed in any other way. [quote from a talk with the audience, December 1969]”

Carl Andre (1935) American artist

Source: Artists talks 1969 – 1977, p. 12

Way, Quotes, Idea, Support

“Art doesn't always mirror life and life's hard sometimes.”

Ben Kowalewicz (1975) musician

From "The Diary of Billy Talent":

Life

“That Shakespeare wanted Art.”

Ben Jonson (1572–1637) English writer

Conversations with William Drummond of Hawthornden (1711)

“Professor Bell, in his tortured efforts to sound fair and impersonal, arrives at an aesthetic principle too edifying for Art to bear. He says in effect that you can explore evil, drawing "on the tap roots of the demonic," but you may not approve it. But when you draw on those tap roots, who knows what you will find? Writers just back from their season in hell are likely to be covered in goat blood and tend to rave. The moralists can sort out the evidence later. But the writer with the correct attitude could not have entered hell in the first place.”

Wilfrid Sheed (1930–2011) English-American novelist and essayist

"Honoring Ezra Pound" (1972), p. 59
The Good Word & Other Words (1978)

Hell, Effort, Evil, Drawing

“Every truthful work of art must express a definite feeling, must move the spirit of the spectator either to joy or to sadness.... rather than try to unite all sensations, as thought mixed together with a twirling stick.”

Caspar David Friedrich (1774–1840) Swedish painter

Quote in: 'Caspar David Friedrich's Medieval Burials', Karl Whittington - http://www.19thc-artworldwide.org/spring12/whittington-on-caspar-david-friedrichs-medieval-burials undated

Truth, Sadness, Feeling, Joy

“The Universe is the greatest piece of art”

Jacek Tylicki (1951) American artist

Catalogue to exhibition in Gallery 38 - Copenhagen, 1976, as cited in: Leszek Brogowski & Dorota Czerner (transl.). Jacek Tylicki: Art and Artworks. 2014

Universe

“Don't let your flaws define you. Become who you are. Be the best version of yourself. If you're a nice person, just be nice. If you make art to please people or to make people like you—well, it's never going to happen. Before I was an actor, I was a human and a citizen. As an actor, your job is to inhabit different people's lives and honor their feelings and be empathetic to other people's struggles. Just because you are an actor, you are not immediately an activist. But if you do have the platform and the opportunity to speak out, then I think it is your civic duty—especially right now—to be on the right side of history. We only have so long on this planet.”

Zoey Deutch (1994) American actress

Marie Claire Fresh Faces 2017 https://www.marieclaire.com/celebrity/a26335/fresh-faces-2017/

People, Feeling, History, Thinking

“The unhappiness of our life; patch up our false way of life as we will, propping it up by the aid of the sciences and arts - that life becomes feebler, sicklier, and more tormenting every year; every year the number of suicides and the avoidance of motherhood increases; every year the people of that class become feebler; every year we feel the increasing gloom of our lives. Evidently salvation is not to be found by increasing the comforts and pleasures of life, medical treatments, artificial teeth and hair, breathing exercises, massage, and so forth;…It is impossible to remedy this by any amusements, comforts, or powders - it can only be remedied by a change of life.”

Leo Tolstoy (1828–1910) Russian writer

What then must we do? (1886)

Life, People, Pleasure, Way

“The beginning of the sixteenth century, the Cinquecento, is the most famous period of Italian art, one of the greatest periods of all time. This was the time of Leonardo da Vinci and Michelangelo, of Raphael and Titian, of Correggio and Giorgione, of Dürer and Holbein in the north, and of many other famous masters. One may well ask why it was that all these great masters were born in the same period, but such questions are more easily asked than answered. One cannot explain the existence of genius. It is better to enjoy it.”

Ernst Gombrich book The Story of Art

Source: The Story of Art (1978), p. 217-218, as cited in: Molyneux, John. " Michelangelo and human emancipation http://www.isj.org.uk/index.php4?id=685&issue=128." Issue: 128, Posted: 14 October 2010.

Question, Time

“There is only one art of writing, and that is the art of poetry.. whether it is in the form of prose or in rhyme and meter or in rhymed cadence.”

F. S. Flint (1885–1960) English Imagist poet

Otherworld Cadences (1920)

“At a time when politics deals in distortions and half truths, truth is to be found in the liberal arts. There's something afoot in this country and you are very much a part of it.”

Joyce Carol Oates (1938) American author

Address at Mount Holyoke College (2006)

Truth, Time, Parting, Country

“The world of visual perspective is one of unified and homogeneous space. Such a world is alien to the resonating diversity of spoken words. So language was the last art to accept the visual logic of Gutenberg technology, and the first to rebound in the electric age.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1960s, The Gutenberg Galaxy (1962), p. 136

Age, World

“Cybernetics was defined by Wiener as “the science of control and communication, in the animal and the machine” — in a word, as the art of steermanship, and it is to this aspect that the book will be addressed. Co-ordination, regulation and control will be its themes, for these are of the greatest biological and practical interest.
We must, therefore, make a study of mechanism; but some introduction is advisable, for cybernetics treats the subject from a new, and therefore unusual, angle… The new point of view should be clearly understood, for any unconscious vacillation between the old and the new is apt to lead to confusion.”

W. Ross Ashby (1903–1972) British psychiatrist

Source: An Introduction to Cybernetics (1956), Part I: Mechanism, p. 1: Lead paragraph

Books, Communication, Study, Science

“The imagination of teenagers is often -- I'm tempted to say always -- the only sure capital they possess apart from the love of their parents, which is a force far beyond their capacity to comprehend or control.During my own adolescence, my imagination, the kingdom inside my own skull, was my sole source of refuge, my fortress of solitude, at times my prison. Like all teenagers, I provisioned my garrison with art: books, movies, music, comic books, television, role-playing games. Given their nature as human creations, as artifacts and devices of human nature, some of the provisions I consumed were bound to be of a dark, violent, even bloody and horrifying nature; otherwise I would not have cared for them.”

Michael Chabon (1963) Novelist, short story writer, essayist

Nanny Nation http://www.sfgate.com/cgi-bin/article.cgi?file=/chronicle/archive/2004/04/15/EDG8D64JFR1.DTL, San Francisco Chronicle (April 15, 2004)

Love, Books, Music, Imagination

“I had on Friday a long visit from Mr. --- alone; but my pictures do not come into his rules of whims of the art, and he said I had "lost my way." I told him that I had, perhaps other notions of art than picture admirers have in general. I looked on pictures as 'things to be avoided,' connoisseurs looked on them as things to be 'mitated'; and that, too, with such a defence and humbleness of submission, amounting to a total prostration of mind and original feeling, as must serve only to fill the world with abortions… But he was very agreeable, and endured the visit, I trust, without the usual courtesies of life being violated. What a sad thing it is that his lovely art is 'so wrested to its own destruction!' Used only to blind our eyes, and to prevent us from seeing the sub shine — the fields bloom — the tree blossom — and from hearing the foliage rustle; while old — black — rubbed out and dirty canvases take the place of God's own works.”

John Constable (1776–1837) English Romantic painter

Letter to Rev. John Fisher (2 April 1833), as quoted in Richard Friedenthal, Letters of the great artists – from Blake to Pollock (Thames and Hudson, London, 1963), p. 45
1830s

Love, Life, God, World

“Politics is the art of human happiness.”

H. A. L. Fisher (1865–1940) British politician

Source: A History of Europe (1934), Ch. 31.

Happiness

“Oh, my soul! why art thou so often disquieted within thee? How is it that thou hast so little faith? Wilt thou never learn that Jesus has even the least of His little boats always under His watchful eye, and all the winds and the waves obey Him?”

Theodore L. Cuyler (1822–1909) American minister

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 236.

Faith, Soul, Learning

“Dadaism has launched an attack on the fine arts. It has declared art to be a magic opening of the bowels, administered an enema to the Venus of Milo, and finally enabled 'Laocoon and Sons' to ease themselves after a thousand-year struggle with the rattlesnake. Dadaism has reduced positive and negative to utter nonsense. It has been destructive in order to achieve indifference.”

Hans Arp (1886–1966) Alsatian, sculptor, painter, poet and abstract artist

1910-20s
Source: Isms in Art, (Hans Arp and El Lissitzky, The isms of art, 1924), published in 1925

Indifference

“When the impulses which stir us to profound emotion are integrated with the medium of expression, every interview of the soul may become art. This is contingent upon mastery of the medium.”

Hans Hofmann (1880–1966) American artist

'Painting and Culture' p. 58
Search for the Real and Other Essays (1948)

Soul

“Men fall, roughly speaking, into two flocks: Those whose intelligence is uninquiring in the face of Art, and does not demand to be appeased before their emotions can be stirred; and those who, having a speculative bent of mind, must first be satisfied by an enlightening quality in a work of Art, before that work of Art can awaken in them feeling. The audience of the realist is drawn from this latter type of man; the much larger audience of the romantic artist from the former; together with, in both cases, those fastidious few for whom all Art is style and only style, and who welcome either kind, so long as it is good enough.”

John Galsworthy (1867–1933) English novelist and playwright

Vague Thoughts On Art (1911)

Men, Feeling, Intelligence

“I’ve noticed, the wealthy part of my audience is unable to take in classical Romance for more than 40 minutes, one hour for them is maximum. The Art is to be apportioned for them in small doses. Like vitamins which are good for you in tiny portions but could be poisonous when taken in a bulk. Intelligentsia is prepared for such vitamins, while nouve riches are not. They have to begin with homeopathic doses.”

Nina Shatskaya (1966) Russian singer

Ogonyok interview. Нина Шацкая, Огонек, 2011-01-01 http://www.ogoniok.com/4977/25/,

Parting

“One of the most striking signs of the decay of art is the intermixing of different genres.”

Johann Wolfgang von Goethe (1749–1832) German writer, artist, and politician

Propylaea (1798) Introduction

“I love to see, when leaves depart,
The clear anatomy arrive,
Winter, the paragon of art,
That kills all forms of life and feeling
Save what is pure and will survive.”

Roy Campbell (poet) (1901–1957) South African poet

"Autumn," lines 1-5
Sons of the Mistral (1926)

Love, Life, Feeling, Winter

“Earth, thou grain of sand on the shore of the Universe of God; thou Bethlehem, amongst the princely cities of the heavens; thou art, and remainest, the Loved One amongst ten thousand suns and worlds, the Chosen of God! Thee will He again visit, and then thou wilt prepare a throne for Him, as thou gavest Him a manger cradle; in His radiant glory wilt thou rejoice, as thou didst once drink His blood and tears, and mourn His death! On thee has the Lord a great work to complete.”

Wilhelm von Pressel (1821–1902) German official and railway engineer

Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 102.

Love, Death, God, World

“In Hanover I built, before Hitler's time, a studio called Merzbau. This has been reproduced very much, also in the book 'Dada, Surrealism, Fantastic Art' of the Museum of Modern Art N. Y. I would like to go to Germany for restoring the Merzbau... Could I come with you to an agreement that you give me for this purpose some money? For example that I give you some pictures for the money and use it for restoring the studio... Or would you prefer that you own with me half and half?..”

Kurt Schwitters (1887–1948) German artist

Source: 1940s, I is Style (2000), p. 48 : in a letter (30 April 1946) to Oliver Kaufmann, (department of Painting and Sculpture of the MOMA, New York).

Money, Books, Time

“Art alone makes life possible – this is how radically I should like to formulate it. I would say that without art man is inconceivable in physiological terms.”

Joseph Beuys (1921–1986) German visual artist

1960's

Life

“That charm of genius, triumph of high art;
Poetry's divination, which reveals
All nature's secrets, such as influence
The heart of man.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Translations, From the French

Secret, Nature, Heart

“I did exhibitions with the Surrealists [in Paris, c. 1929] because their attitude revolted against 'art' and their attitude toward life itself was wise, as was Dada's.”

Hans Arp (1886–1966) Alsatian, sculptor, painter, poet and abstract artist

Source: 1960s, Jours effeuillés: Poèmes, essaies, souvenirs (1966), p. 406

Life

“But racial bias isn’t epidemic in law enforcement any more than it is epidemic in academia or the arts. In fact, I believe law enforcement overwhelmingly attracts people who want to do good for a living—people who risk their lives because they want to help other people. They don’t sign up to be cops in New York or Chicago or L. A. to help white people or black people or Hispanic people or Asian people. They sign up because they want to help all people. And they do some of the hardest, most dangerous policing to protect people of color.”

James Comey (1960) American lawyer and the seventh director of the Federal Bureau of Investigation (FBI)

2010s, Hard Truths: Law Enforcement (2015)

People, Law, Color, Help

“Do you remember when you were young, and you’d stare at someone on-stage and think ‘Oh my God—he looked right at me?’ I do, so I have this kind of rescue-fantasy thing. When I see kids in the audience I think, ‘Okay, that’s me, and it would be kind of cool if the person on-stage would come down and save me.’ I’m not going to be able to save every one of them, but I’ll do my best, because I genuinely like kids. If I didn’t have my lust for my art, I probably would have ended up working with them.”

Courtney Love (1964) American punk singer-songwriter, musician, actress, and artist

On her teenaged fans, interview with The Georgia Straight (1999)
1996–2005

God, Thinking, Personality

“[C]opyright assures authors the right to their original expression, but encourages others to build freely upon the ideas and information conveyed by a work. […] This result is neither unfair nor unfortunate. It is the means by which copyright advances the progress of science and art.”

Sandra Day O'Connor (1930) Former Associate Justice of the Supreme Court of the United States

Feist Publications, Inc. v. Rural Telephone Service Co., 499 U.S. 340 (1991).

Idea, Science

“By and large the literature of a democracy will never exhibit the order, regularity, skill, and art characteristic of aristocratic literature; formal qualities will be neglected or actually despised. The style will often be strange, incorrect, overburdened, and loose, and almost always strong and bold. Writers will be more anxious to work quickly than to perfect details. Short works will be commoner than long books, wit than erudition, imagination than depth. There will be a rude and untutored vigor of thought with great variety and singular fecundity. Authors will strive to astonish more than to please, and to stir passions rather than to charm taste.”

Alexis De Tocqueville book Democracy in America

Book One, Chapter XIII.
Democracy in America, Volume II (1840), Book One

Books, Democracy, Imagination, Literature

“To a degree which is difficult to determine, the esoteric impulse in twentieth-century music, literature and the arts reflects calculation. It looks to the flattery of academic and hermeneutic notice. Reciprocally, the academy turns towards that which appears to require its exegetic, cryptographic skills.”

George Steiner (1929–2020) American writer

Source: Real Presences (1989), I: A Secondary City, Ch. 6 (p. 38).

Music, Literature, Appearance

“The Cubists want to cover Dada with snow; that may surprise you, but it is so, they want to empty the snow from their pipe to bury DaDa.
Are you sure?
Positively sure, the facts are revealed by grotesque mouths. They think that Dada can prevent them from practicing this odious trade: Selling art expensively.
Art costs more than sausages, more than women, more than everything.
Art is visible like God (see Saint-Sulpice).
Art is a pharmaceutical product for imbeciles.
The table turns thanks to spirit; the paintings and other works of arts are like strong-box tables, the spirit is inside and becomes more and more
inspired according to the auction prices.
Farce, farce, farce, farce, farce, my dear friends.”

Francis Picabia (1879–1953) French painter and writer

In 'DADA manifesto 1920'; as quoted in Manifesto: A Century of Isms, ed. Mary Ann Caws, Lincoln: University of Nebraska Press, 2001, nr. 9.16 Francis Picabia, p 318
1920's

Women, God, Thinking, Strong

“Hypnotized by their rear-view mirrors, philosophers and scientists alike tried to focus the figure of man in the old ground of nineteenth-century industrial mechanism and congestion. They failed to bridge from the old figure to the new. It is man who has become both figure and ground via the electrotechnical extension of his awareness. With the extension of his nervous system as a total information environment, man bridges art and nature.</i”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1970s, Take Today : The Executive as Dropout (1972), p. 11

Nature

“Poetry is the art of using words charged with their utmost meaning. A society whose intellectual leaders lose the skill to shape, appreciate, and understand the power of language will become the slaves of those who retain it — be they politicians, preachers, copywriters, or newscasters.”

Dana Gioia (1950) American writer

Essays, Can Poetry Matter? (1991)

Understanding

“I don't like a lot of the stuff that goes on in the art world, but it's hard to be old and like what goes on around you. Anyway, the real point is that the things that don't seem to me to be pictorially informed are not so interesting to me.”

Frank Stella (1936) American artist

Source: Quotes, 1971 - 2000, Bomb: X Motion Picture and Center for New Art Activities, 2000, p. 30.

World

“Just as the development of earth art and installation art stemmed from the idea of taking art out of the galleries, the basis of my involvement with public art is a continuation of wall drawings. As soon as one does work on walls, the idea of using the whole wall follows. It means that the art is intimately involved with the architecture. It is available to be seen by everyone. It avoids the preciousness of gallery or museum installations. Also, since art is a vehicle for the transmission of ideas through form, the reproduction of the form only reinforces the concept. It is the idea that is being reproduced. Anyone who understands the work of art owns it. We all own the Mona Lisa.”

Sol LeWitt (1928–2007) American artist

Quotes of Sol Lewitt, "Sol LeWitt by Saul Ostrow," 2003

Idea, Understanding, Drawing

“Any idealism is a proper subject for art.”

Lafcadio Hearn (1850–1904) writer

Source: Out of the East, Books and Habits, p. 22.

“Art is something absolute, something positive, which gives power just as food gives power.
While creative science is a mental food, art is the satisfaction of the soul.”

Hans Hofmann (1880–1966) American artist

'Painting and Culture' p. 56
Search for the Real and Other Essays (1948)

Food, Soul, Science

“Art may make a suit of clothes; but nature must produce a man.”

David Hume book Essays, Moral, Political, and Literary

Part I, Essay 15: The Epicurean
Essays, Moral, Political, and Literary (1741-2; 1748)

Nature, Clothes

“To look at the symbolic dimensions of social action — art, religion, ideology, science, law, morality, common sense — is not to turn away from the existential dilemmas of life for some empyrean realm of de-emotionalized forms; it is to plunge into the midst of them. The essential vocation of interpretive anthropology is not to answer our deepest questions, but to make available to us answers that others, guarding other sheep in other valleys, have given, and thus to include them in the consultable record of what man has said.”

Clifford Geertz book The Interpretation of Cultures

Source: The Interpretation of Cultures (1973), p. 30

Life, Religion, Law, Question

“Let the picture imitate nothing; let it nakedly present its raison d'être. We should indeed be ungrateful were we to deplore the absence of all those things flowers, or landscape, or faces whose mere reflection it might have been. Nevertheless, let us admit that the reminiscence of natural forms cannot be absolutely banished; not yet, at all events. An art cannot be raised to the level of a pure effusion at the first step.”

Jean Metzinger (1883–1956) French painter

Du Cubisme (1912)

Flowers, Nature

“The great artist may be, outside the confines of his art, cruel, weak, arrogant and foolish, but within them he can transcend his own condition and become noble, passionate and truthful beyond the range of ordinary men.”

Vernon Scannell (1922–2007) British boxer and poet

Tiger and the Rose, 1971

Men, Truth, Passion

“I have two thoughts [on the question of interviewer Joseph S. Trovato: 'Were the projects a good thing for American art?']. That practically all of the best painters of my generation developed on the projects such as Pollock, de Kooning, Brooks, Hague (sculptor), B. Greene, and Baziotes. I could go on and on. My second thought is that the reason it was good is that it had a broad base due to the economic situation we were in - the depression - and all kinds of art and styles, plus all degrees of talent were employed. Everybody was given an opportunity to prove himself. The many painters I mentioned above who have come such a long way is proof of this.”

Phillip Guston (1913–1980) American artist

n.p.
1961 - 1980, Oral history interview with Philip Guston, 1965 January 29

Way, Question

“I have therefore thought that it would be a worthy and very useful thing to reduce the whole of this great art to a complete and orderly form of presentation, and then in different books to lay down and explain the required characteristics of different departments.”

Vitruvius book De architectura

Introduction, Sec. 1
De architectura (The Ten Books On Architecture) (~ 15BC), Book IV

Books

“The art of leadership is saying no, not yes. It is very easy to say yes.”

Tony Blair (1953) former Prime Minister of the United Kingdom

Mail on Sunday, 2 October 1994.
1990s

Leadership

“Science fiction is, after all, the art of extrapolation.”

Michael Dirda (1948) American literary critic

Introduction to the Everyman's Library edition of The Foundation Trilogy by Isaac Asimov, p. viii.

Science

“You need intelligence, and you need to look. You need a gaze, a wide gaze, penetrating and roving — thats what's useful for art.”

Toni Morrison (1931–2019) American writer

Interview with Don Swaim (1987)

Intelligence

“I am sure you will like it, it is such a fine business [art-dealer].... I am so glad that we shall both be in the same profession [art dealing] and in the same firm”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

Goupil and Co. Quote in his letter to brother Theo from The Hague, The Netherlands (13 December 1872); as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, p. 17 (letter 2) Vincent's profession then was picture dealer at Goupil and Co., with branches a. o. in The Hague, London and Paris 1870s

Business

“The one object of fifty years of abstract art is to present art-as-art and as nothing else, to make it into the one thing it is only, separating and defining it more and more, making it purer and emptier, more absolute and exclusive – non-objective, non-representational, non-figurative, non-imagist, non-expressionist, non-subjective. The only and one way to say what abstract art or art-as-art is, is to say what it is not.”

Ad Reinhardt (1913–1967) American painter

Source: 1956 - 1967, Art-as-Art Dogma' part II, (1964), p. 154

Way

“It is in the localities where there is least artistic appreciation or intellectual curiosity or cosmopolitan spirit, the places where people have nothing with which to occupy their minds, that we find strongholds of "morality." Where education prevails, people learn to behave themselves as a matter of wisdom and good taste. Those who are sufficiently practiced in the art of living to be able to observe the common decencies without always "watching their step," may sometimes look up from the ground and take a broader view.”

Everett Dean Martin (1880–1941)

Source: The Meaning of a Liberal Education (1926), p. 181

Wisdom, People, Education, Learning

“Pois eisai? She wanted to know. Pou pas? The old Homeric questions of the Greek peasant. Who art thou? Where goest thou?”

John Fowles book Daniel Martin

Daniel Martin (1977)

Question

“Our hope is less to last through Art than deeper searching of the heart, than broader range of uttered truth.”

Francis Turner Palgrave (1824–1897) English poet and critic

The Ancient And Modern Muses

Truth, Hope, Search, Heart

“The imaginative artist willy-nilly influences his time. If he understands his responsibility and acts on it—taking the art seriously always, himself never quite—he can make a contribution equal to, if different from, that of the scientist, the politician, and the jurist. The anarchic artist so much in vogue now—asserting with vehemence and violence that he writes only for himself, grubbing in the worst seams of life—can do damage. But he can also be so useful in breaking up obsolete molds, exposing shams, and crying out the truth, that the broadest freedom of art seems to me necessary to a country worth living in.”

Herman Wouk (1915–2019) Pulitzer Prize-winning American author whose novels include The Caine Mutiny, The Winds of War and War and …

“An Exclusive Interview with Herman Wouk,” Kirk Polking, Writer’s Digest (September 1966).

Life, Truth, Imagination, Understanding

““Myth, Symbol, and Tradition” was the phrase I originally wrote at the top of the page, for editors like large, cloudy titles. Then I looked at what I had written and, wordlessly, the words reproached me. I hope I had the grace to blush at my own presumption and their portentousness. How could I, if I lived for a thousand years, attempt to cover more than a hectare of that enormous landscape?
So, I let out the air, in a manner of speaking, dwindled to my appropriate size, and gave myself over to that process which, for lack of a more erudite term, I have coined the phrase “Thinking is linking.” I thought of Kerenyi — “Mythology occupies a higher position in the bios, the Existence, of a people in which it is still alive than poetry, storytelling or any other art.” And of Malinowski — “Myth is not merely a story told, but a reality lived.” And, along with those, the word “Pollen,” the most pervasive substance in the world, kept knocking at my ear. Or rather, not knocking, but humming. What hums? What buzzes? What travels the world? Suddenly I found what I sought. “What the bee knows,” I told myself. “That is what I’m after.”
But even as I patted my back, I found myself cursing, and not for the first time, the artful trickiness of words, their capriciousness, their lack of conscience. Betray them and they will betray you. Be true to them and, without compunction, they will also betray you, foxily turning all the tables, thumbing syntactical noses. For — note bene! — if you speak or write about What The Bee Knows, what the listener, or the reader, will get — indeed, cannot help but get — is Myth, Symbol, and Tradition! You see the paradox? The words, by their very perfidy — which is also their honorable intention — have brought us to where we need to be. For, to stand in the presence of paradox, to be spiked on the horns of dilemma, between what is small and what is great, microcosm and macrocosm, or, if you like, the two ends of the stick, is the only posture we can assume in front of this ancient knowledge — one could even say everlasting knowledge.”

P. L. Travers (1899–1996) Australian-British novelist, actress and journalist

"What the Bee Knows" in Parabola : The Magazine of Myth and Tradition, Vol. VI, No. 1 (February 1981); later published in What the Bee Knows : Reflections on Myth, Symbol, and Story (1989)

People, World, Hope, Travel

“Suggesting evil is human doesn't mean we can always understand it, or doesn't mean there's only one way of understanding it. It's sort of like a great work of art. You can never fully absorb it. It's got many dimensions. It lives on through time, in different ways.”

Kanan Makiya (1949) American orientalist

"Faith and Doubt at Ground Zero" http://www.pbs.org/wgbh/pages/frontline/shows/faith/interviews/makiya.html, PBS Frontline (2002)

Way, Understanding, Evil, Time

“Men seek retreats for themselves, houses in the country, sea-shores, and mountains; and thou too art wont to desire such things very much. But this is altogether a mark of the most common sort of men, for it is in thy power whenever thou shalt choose to retire into thyself. For nowhere either with more quiet or more freedom from trouble does a man retire than into his own soul.”

Marcus Aurelius book Meditations

Variant translation: Nowhere can man find a quieter or more untroubled retreat than in his own soul.
IV, 3.
Meditations (c. 121–180 AD), Book IV

Men, Soul, Mountain, Freedom

“Happenings are a fusion of visual art, music and theatre.”

Dick Higgins (1938–1998) English composer and poet

The Origin of Happenings (1976)

Music

“That is what we are against [the ancient-Greek ideas about art], because that is the key to the classic and tragic finality from which we must free ourselves.”

Piet Mondrian (1872–1944) Peintre Néerlandais

Quote of Mondrian c. 1944, in 'Mondrian in New York: a Memoir', by Carl Holty; 'Arts', Sept. 1957, p. 11; as cited in 'The Aesthetics of Piet Mondrian, by Arthur Chandler https://static1.squarespace.com/static/53b9abe9e4b0366641161844/t/577168f69de4bb1f780e3724/1467050265255/The+Aesthetics+of+Piet+Modrian+by+Arthur+Chandler.pdf; California State University, San Francisco; MSS Information Corporation, New York, 1972 1940's

Idea

“Everything that is good in the arts is done by some sort of diversion.”

John Roecker (1966) American film director

An Epic Interview with John Roecker, FilmJerk, www.filmjerk.com, Kristopher, Terrell, August 23, 2003 http://www.filmjerk.com/interviews/article.php?id_int=12,

“I can not get used to the idea of staying here [in Belgium] always. One stays always a 'stranger' here and I miss the support from each other one has in his own country. I sometimes wonder what will be more my advantage, to be here [Belgium] or with us in The Hague... It always seemed to me that it doesn't look very brilliant with us [in The Hague] and I believe to be here [in Brussels] more in the heart of the movements in art, but sometimes I dislike Belgium.”

Willem Roelofs (1822–1897) Dutch painter and entomologist (1822-1897)

translation from original Dutch: Fons Heijnsbroek
(original Dutch: citaat van Willem Roelofs, in het Nederlands:) Ik kan mij niet aan het denkbeeld wennen van hier [in België] altijd te blijven. Men blijft hier altijd 'vreemd' en ik mis de steun die men in zijn land aan elkander heeft. Ik vraag mij soms af wat meer in mijn voordeel is om hier te zijn of bij ons bv in Den Haag.. .Het heeft mij steeds toegeschenen dat het er bij ons [in Den Haag] niet briljant uitziet en ik geloof hier [in Brussel] meer in het centrum van kunstbeweging te zijn, maar ik heb soms het land aan België.
In a letter to P. Verloren van Themaat, 1 Oct. 1865; as cited in Willem Roelofs 1822-1897 De Adem der natuur, ed. Marjan van Heteren & Robert-Jan te Rijdt; Thoth, Bussum, 2006, p. 13 - ISBN13 * 978 90 6868 432 2
1860's

Idea, Support, Heart, Country

“The final purpose of art is to intensify, even, if necessary, to exacerbate, the moral consciousness of people.”

Norman Mailer (1923–2007) American novelist, journalist, essayist, playwright, film maker, actor and political candidate

"Hip, Hell, and the Navigator" in Western Review No. 23 (Winter 1959); republished in Conversations with Norman Mailer (1988) edited by J. Michael Lennon.

People

“Europe owes its greatness to the fact that the primary loyalties of the European people have been detached from religion and re-attached to the land. Those who believe that the division of Europe into nations has been the primary cause of European wars should remember the devastating wars of religion that national loyalties finally brought to an end. And they should study our art and literature for its inner meaning. In almost every case, they will discover, it is an art and literature not of war but of peace, an invocation of home and the routines of home, of gentleness, everydayness and enduring settlement.”

Roger Scruton (1944–2020) English philosopher

England and the Need for Nations (2006)

War, People, Peace, Religion

“It was as if I suddenly went to a foreign country but didn't know the language, but had read enough and had a passionate interest, and was eager to live there, I wanted to live in this land; I had to live there, and master the language. [reacting on Pollock's 'Black and White' paintings show in 1951; Frankenthaler saw his painting art then for the first time in her life]”

Helen Frankenthaler (1928–2011) American artist

Quote from Abstract Expressionism, Barbara Hess, New York, Abrams, 1971, p. 29
1970s - 1980s

Life, Passion, Time, Reading