Quotes about art (5831 quotes, page 27)

“I made the photographs just like I draw... I wanted the photographs [Kelly made circa 1950 in Paris] to be enlightening to my art..”

Ellsworth Kelly (1923–2015) American painter, sculptor, and printmaker

Source: 'Kelly in conversation, summers 1985 and 1986'; ed. Diane Upright, "Ellsworth Kelly: Works on Paper", Harry N. Inc., Publishers, New York, in association with the Fort Worth Art Museum, New York, 1987 p. 21
Source: 1981 - 2008, p. 21 : 'Kelly in conversation, summers 1985 and 1986'

Drawing

“So wrote Pater, calling an art-for-art's sake muezzin to the faithful from the topmost turret of the ivory tower.”

Cyril Connolly book Enemies of Promise

Source: Enemies of Promise (1938), Part 1: Predicament, Ch. 5: Anatomy of Dandyism (p. 37)

Faith

“The portraits of the Viennese modernists, with their conscious and dramatic attempts to depict their subject's inner feelings, represent an ideal example of how psychological and biological insights can enrich our relationship with art.”

Eric R. Kandel (1929) American neuropsychiatrist

The Age of Insight (2012)

Feeling

““You know the answers, but just between ourselves, that sketch smells a bit. It’s sloppy.”
“I never did have any artistic talent,” Art said defensively. “I’d rather take a photograph any day.”
“You’ve taken too many photographs, maybe. As for artistic talent, I haven’t any either, but I learned to sketch. Look, Art—the rest of you guys get this, too—if you can’t sketch, you can’t see. If you really see what you’re looking at, you can put it down on paper, accurately. If you really remember what you have looked at, you can sketch it accurately from memory.”
“But the lines don’t go where I intend them to.”
“A pencil will go where you push it. It hasn’t any life of its own. The answer is practice and more practice and thinking about what you are looking at. All of you lugs want to be scientists. Well, the ability to sketch accurately is as necessary to a scientist as his slipstick. More necessary, you can get along without a slide rule.””

Robert A. Heinlein book Rocket Ship Galileo

Source: Rocket Ship Galileo (1947), Chapter 10, “The Method of Science”, p. 108

Life , Guy , Thinking , Learning

“It's mad isn’t it. I guess I just wanted to make something that people would cherish and hope to hold on to for a while. The goal is to make each book a unique work of art, with an intrinsic quality all their own.”

Lorin Morgan-Richards (1975) American poet, cartoonist, and children's writer

Regarding choosing to bookbind each of his books by hand rather than choosing to have them mass produced; as quoted in "The Caffiene Induced World of Brian A Kenny" https://thecaffieneinducedworldofbrianakenny.wordpress.com/2012/12/06/the-raven-speaks-insight-with-lorin-morgan-richards/ The Raven Speaks: Insight with Lorin Morgan-Richards by Brian A. Kenny (6 December 2012).

People , Books , Hope , Madness

“Only those who have experienced the elation and despair which comes from the attempt to express their feelings about vision in oil paint will know that it is impossible to speak with complete impartiality about art.”

Roger Fry (1866–1934) English artist and art critic

Characteristics of French Art' 1931.
Art Quotes

Feeling , Painting , Despair

“How can you [accept] exploitation?' 'How can you like the complete mechanization of work?' 'How can you like bad art?' I have to answer that I accept it as being there, in the world.”

Roy Lichtenstein (1923–1997) American pop artist

Source: 1960's, What is Pop Art? Interviews with eight painters' (1963), pp. 25-27

World

“It is difficult to say who it is who first recognized the advantage of always equating to zero in the study of the general equation. It may very likely have been Napier, for he wrote his De Arte Logistica before 1594, and in this there is evidence that he understood the advantage of this procedure. Bürgi also recognized the value of making the second member zero, Harriot may have done the same, and the influence of Descartes was such that the usage became fairly general.”

David Eugene Smith (1860–1944) American mathematician

History of Mathematics (1925) Vol.2

Study

“I have a definite feeling for the West, the vast horizontality of the land, for instance... I have always been very impressed with the plastic qualities of American Indian art. The Indians have the true painter's approach in their capacity to get hold of appropriate images, and in their understanding of what constitutes painterly subject-matter. Their colour is essentially Western, their vision has the basic universality of all real art. Some people find references to American Indian art and calligraphy in parts of my pictures. That wasn't intentional; probably [it] was the result of early memories and enthusiasm.”

Jackson Pollock (1912–1956) American artist

Quote of Pollock, from Twentieth-century American painting, Gail Levin, The Thyssen-Bornemisza collection. London, 1987, p. 267
1940's, Art and Architecture (1944)

People , Feeling , Understanding , Universe

“Well, I knew I was an artist the moment I woke up in my mother's belly and, as an artist, I shouldn't have to give interviews.... in some parts of the world, you get scrutinized for saying the wrong thing about art and in other regions, you get scrutinized for saying nothing at all.”

Isa Genzken (1948) German sculptor

after 2010, Isa Genzken, the artist who doesn't do interviews' (2014)

World , Parting

“It comes to me as a desire to have something in the world. And again to quote Blake, 'It is better to murder an infant in the cradle than to nurse an ungratified desire.'... You might say that a creative person is a person who simply has a desire to have something, to add something to the world that's not there yet, and goes about arranging fort that to happen.... when you desire a work of art and make it, you've added to the stock of art in the world. Artists are one of the people who can do that: add to the stock of things.”

Carl Andre (1935) American artist

Source: Artists talks 1969 – 1977, p. 15

People , World , Quotes , Personality

“I haven't really touched machinery except for a few elementary mechanisms like levers and balances. You see nature and then you try to emulate it. But, of course, when I met Mondrian [Paris, 1930] I went home and tried to paint [for a while]. The basis of everything for me is the universe. The simplest forms in the universe are the sphere and the circle. I represent them by disks and then I vary them. My whole theory about art is the disparity that exists between form, masses and movement. Even my triangles are spheres, but they are spheres of a different shape.”

Alexander Calder (1898–1976) American artist

Question, Which has influenced you more, nature or modern machinery?
1950s - 1960s, interview with Alexander Calder', (1962)

Home , Nature , Universe , Painting

“Utopism is the forerunner of all modem conceptions concerning social policy, social organization, and social peace. All the art of social engineering could not place one stone upon another in the social edifice if the broad outlines of the system as an idea had not been projected long before, and if the seeds of the motivating ideals had not early been sowed in the hearts of men.”

Fred Polak (1907–1985) Dutch futurologist

Source: The Image of the Future, 1973, p. 178

Men , Peace , Motivation , Idea

“No one has ever suggested that tax exemption has converted libraries, art galleries, or hospitals into arms of the state or employees "on the public payroll." There is no genuine nexus between tax exemption and establishment of religion.”

Warren E. Burger (1907–1995) Chief Justice of the United States from 1969 to 1986

Walz v. Tax Commission, 397 U.S. 664, 675 (1970).

Religion

“The toughest thing about performing here is, where do you go from here? Next week, I'm at the Fort Lauderdale Performing Arts Center.”

Lewis Black (1948) American stand-up comedian, author, playwright, social critic and actor

The Carnegie Hall Performance (2006)

“Why hast thou nothing in thy face?
Thou idol of the human race,
Thou tyrant of the human heart,
The flower of lovely youth that art.”

Robert Seymour Bridges (1844–1930) British writer

Eros http://rpo.library.utoronto.ca/poem/2933.html, st. 1 (1899).
Poetry

Love , Youth , Flowers , Heart

“The talkies are the only art that would attract Leonardo da Vinci were he alive to-day. This art is a baby giant, as clumsy as all babies are…we don't know what the baby will be doing and saying when it grows up. But we are sure it will make its mark in the world.”

William Moulton Marston (1893–1947) American psychologist, lawyer, inventor and comic book writer

Martson, Pitkin, The Art of Sound Pictures (1929), p. vi; Jill Lepore, The Secret History of Wonder Woman (2014), p. 140.

World , Baby

“Whether it is Juan Gris taking objects apart, Picasso replacing them with objects of his own invention, or another who replaces conical perspective by a system based on the relations between perpendiculars, all that only goes to show that Cubism was not at all born out of an authoritative theory [mot d'ordre]; that it only marked among a few painters the will to be finished with an art that never ought to have survived the condemnation pronounced upon it by Pascal.”

Jean Metzinger (1883–1956) French painter

Cubism was born

“The ruthless destruction of wild animals and the abuse of domestic animals is contrary to God’s purpose. Our relationship with the animal world is not one of warfare, but one of dominion. Wild and domestic in terms of God’s purpose. Finally we must say in terms of this text that man was created to live in a perfect world, in a good world, very good God commanded. To till and to keep it, man was formed out of the substance of the dust of the ground we are told in Genesis 2:7. Man is therefore earthbound, psychological and physically, dust thou art and unto dust thou returnest.”

Rousas John Rushdoony (1916–2001) American theologian

Audio lectures, Creationism and Psychology (n. d.)

God , World , Animals , Perfection

“Art serves to establish community. It links us with others and with the things around us, in a shared vision and effort.”

Gerhard Richter (1932) German visual artist, born 1932

undated quotes, The Daily Practice of Painting, Writings (1962-1993)

Communication , Effort

“Why then dost thou choose to act in the same way? and why dost thou not leave these agitations which are foreign to nature, to those who cause them and those who are moved by them? And why art thou not altogether intent upon the right way of making use of things which happen to thee? for then thou wilt use them well, and they will be material for thee. Only attend to thyself, and resolve to be a good man in every act which thou doest; and remember…”

Marcus Aurelius book Meditations

VII, 58
Meditations (c. 121–180 AD), Book VII

Way , Nature

“This book does not show of what architecture is composed, but treats of the origin of the building art, how it was fostered, and how it made progress, step by step, until it reached its present perfection.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter I, Sec. 8

Books , Perfection

“We declare pragmatism to be bad, not indeed in its moral consequences (which, as a matter of fact, ought not to count in philosophy), but because it introduces into our fashion of thinking a degrading sophistry. Pragmatism, in its modern systematized form, would scarcely have been possible in earlier times. It has, however, become so since erudite scholars and original thinkers have deemed it fit to cater to a public incapable of taking a genuine interest in their researches and their speculations, a public which in the last resort wishes simply to amuse itself with these as it amuses itself with everything else, — the public of our modern democracies. We feel flattered by the plaudits of the crowd, and to procure these we are satisfied to get down to the level of those whom as thinkers we should disdain. Popular science, popular art, popular theology — only one thing was lacking — popular philosophy.”

Albert Schinz (1870–1943) American writer

Anti-Pragmatism; an Examination into the Respective Rights of Intellectual Aristocracy and Social Democracy (1909), p. xv.

Feeling , Democracy , Fashion , Thinking

“In 1964 I was at school, planning to study economics and sociology, when curiosity took me to the Tate Gallery to see an international survey exhibition of contemporary art. It brought together the painting and sculpture of the previous decade, beginning with the late works of the modern masters, Matisse and Picasso, and concluding with the twenty-seven year olds Allen Jones and David Hockney. I was bowled over. Suddenly, art was not just Turner and Constable, or Leonardo and Michelangelo, but objects of considerable size and brilliant colour, dealing with the sensations, subjects and issues of the Sixties.”

Nicholas Serota (1946) British curator

The Dimbleby Lecture 2000

School , Study , Painting

“The development that produces great art is a moral and not an aesthetic development.”

Patrick Swift (1927–1983) British artist

"Italian Report" (December 1955).

“There is no permanent equilibrium in human affairs. Faith, wisdom, and art allow one to attain it for a time; then outside influences and the souls' passions destroy it, and one must climb the rock again in he same manner. This vacillation round a fixed point is life, and the certainty that such a point exists is happiness. As the most ardent love, of one analyses its separate moments, is made up of innumerable minute conflicts settled invariably by fidelity, so happiness, if one reduces it to its important elements, is made up of struggles and anguish, and always saved by hope.”

André Maurois (1885–1967) French writer

Un Art de Vivre (The Art of Living) (1939), The Art of Happiness

Love , Life , Wisdom , Faith

“The thing I hate the most about advertising is that it attracts all the bright, creative and ambitious young people, leaving us mainly with the slow and self-obsessed to become our artists.. Modern art is a disaster area. Never in the field of human history has so much been used by so many to say so little.”

Banksy pseudonymous England-based graffiti artist, political activist, and painter

taken from Adbusters magazine
Other sources

Hate , People , History

“Robert Motherwell: Would you say that a fair statement of your position is that the 'meaning' of a work of art consists of the relations among the elements, and not the elements themselves?
Hofmann: Yes, that I would definitely say. You make a thin line and a thick line. It is the same with geometrical shapes. It is all relationship. Without all these relationships it is not possible to express higher art.”

Hans Hofmann (1880–1966) American artist

Interview in Modern Artists in America, First Series (1952), ed. R. Motherwell, Ad Reinhardt, and B. Karpel, p. 19, 39
1950s

“When one looks into the window of a store which sells devotional art objects, one can't help wishing the iconoclasts had won.”

W. H. Auden book The Dyer's Hand

"Postscript: Christianity & Art", p. 461
The Dyer's Hand, and Other Essays (1962)

Help

“The intellectual development of man, far from having get men away from war, has, rather, on the contrary, bring them to a refinment always more perfected in the art of killing. They even came to raise the methods of slaughter to the rank of "science"… We would not (On ne saurait", Fr.) imagine a more extraordinary moral blindness!”

African Spir (1837–1890) Russian philosopher

Source: Words of a Sage : Selected thoughts of African Spir (1937), p. 55.

Men , War , Imagination , Science

“[M]ost of the pop music out today I consider to have become a homogenized product. It gets to the point that so much of what is going on is copying everything else that is out, because there is a businessman that knows what he has just sold millions of records with, and so he keeps trying to get every group that comes in to do it, you know. You know, you approach somebody who is well known as a booker or manager, and the first remark will be, "I love what you do, but you would have to change this to this, and that to that, and this to this, in order for me to be able to sell it." Well, by the time you've changed that, of course, it's like everything else that is out there. And when Prince first started sending me songs, I thought maybe that by the time I had done four arrangements that I would have started getting some sort of a repetitive something or other. I have been extremely surprised to find that each one is as different from the last as the next one is going to be different. Some of them are like little art songs. Some of them have dealt with heavy things like friendship and death. I mean, death of a friend. And yet, some of them are as baudy as…”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

Radio interview, circa 1985, by Ben Sidran, as quoted in Talking Jazz With Ben Sidran, Volume 1: The Rhythm Section https://books.google.com/books?id=O3hZDQAAQBAJ&pg=PT456 (1992, 2006, 2014)

Love , Death , Friendship , Music

“In reality opposites are one; art shows this.”

Eli Siegel (1902–1978) Latvian-American poet, philosopher

Everything Has to Do with Hardness and Softness (1969)

Reality

“Art thou angry with him whose arm-pits stink? art thou angry with him whose mouth smells foul? What good will this anger do thee?”

Marcus Aurelius book Meditations

Source: Meditations (c. 121–180 AD), Book V, 28

Anger

“There is some confusion today as to the meaning of scientific management. This concerns itself with the nature of such management itself, with the scope or field to which such management applies, and with the aims that it desires to attain. Scientific management is simply management that is based upon actual measurement. Its skilful application is an art that must be acquired, but its fundamental principles have the exactness of scientific laws which are open to study by everyone. We have here nothing hidden or occult or secret, like the working practices of an old-time craft; we have here a science that is the result of accurately recorded, exact investigation.”

Frank Bunker Gilbreth, Sr. (1868–1924) American industrial engineer

Source: Applied Motion Study (1917), p. 3.

Secret , Law , Nature , Study

“Time which antiquates Antiquities, and hath an art to make dust of all things.”

Thomas Browne book Hydriotaphia, Urn Burial

Source: Hydriotaphia, Urn Burial (1658), Chapter V

Time

“We’ve become a race of engineers. What we never seem to understand is that after it’s time to railroad, there’s time to build a beautiful railroad. The state of the art has advanced enough; we can afford to pay a small penalty in efficiency.”

John Varley book The Ophiuchi Hotline

Source: The Ophiuchi Hotline (1977), Chapter 17 (p. 167)

Penalty , Beauty , Understanding , Time

“To give the monopoly of the home-market to the produce of domestic industry, in any particular art or manufacture, is in some measure to direct private people in what manner they ought to employ their capitals, and must, in almost all cases, be either a useless or a hurtful regulation.”

Adam Smith (1723–1790) Scottish moral philosopher and political economist

Source: (1776), Book IV, Chapter II, p. 489.

People , Home , Hurt

“[modern art is the story of certain peoples'] desire to get rid of what is dead in human experience, to get rid of concepts, whether aesthetic or metaphysical or ethical or social, that, being garbed in the costumes of the past, get in the way of their enjoyment.”

Robert Motherwell (1915–1991) American artist

Lecture at Mount Holyoke College, August 1944; later published as 'A Tour of the Sublime', in 'Tiger's Eye', 15 Dec. 1948; as cited in 'Robert Motherwell, American Painter and Printmaker' https://www.theartstory.org/artist-motherwell-robert-life-and-legacy.htm#writings_and_ideas_header, on 'Artstory'
1940s

People , Way , Past , Dead

“Painting relates to both art and life. Neither can be made. (I try to act in the gap between the two)”

Robert Rauschenberg (1925–2008) American artist

from Selections from the Ileana and Michael Sonnabend Collection, Sam Hunter, exhibition catalogue The Art Museum, Princeton University, 1985 p. 21
1980's

Life , Painting

“Not all the arts of diplomacy are learned solely in its practice. There are other exercise yards.”

Dean Acheson book Present at the Creation: My Years in the State Department

Present at the Creation: My Years in the State Department (1969), State Department Management, Leadership Perspectives

Exercises , Learning

“In war we are all equal, but among a thousand good men, a bullet hit an irreplaceable one... We painters know well that with the loss of his harmony [ of August Macke ], the color in German art will become many shades paler..”

Franz Marc (1880–1916) German painter

Quote of Franz Marc, in exhibition-text 'Die Blaue Reiter', Gemeentemuseum the Hague, Netherlands 2010
c. 1914/15, on the death of his close friend August Macke, who fell in the first months of World War 1.
1915 - 1916

Men , War , Color , Loss

“Art is for all — and the greatest art proves it.”

William Soutar (1898–1943) British poet

Diary, 29 August 1932.
Quotation posted with the permission of the National Scottish Library, Edinburgh, Scotland.

“Decorative and edifying. That is what I want art to be before anything else.”

Maurice Denis (1870–1943) French painter

as cited on Wikipedia: Maurice Denis https://en.wikipedia.org/wiki/Maurice_Denis - reference [41]
Nouvelles théories sur l'art moderne..., 1922

“.. isn't it stupid that what you were writing in your article is still understood by so few people. Among others there was somebody - I believe in the [magazine] 'Nieuws van de Dag' -, who thought the 'Old woman in front of the hearth' [painting of Israels]….- how beautifully painted - was as sickening subject. - Furthermore, Alberd. Thijm [Dutch art-critic and very critical of Israel's' often applied 'dejection'] was also raving strongly about my pulling down of the togs of the poor people. Well-roared, lion, I thought - well understood [ironic! ] for what reason I painted it.. (translation from the original Dutch: Fons Heijnsbroek)”

Jozef Israëls (1824–1911) Dutch painter

version in original Dutch (citaat van Jozef Israëls in Nederlands): ..is het niet gek dat wat gij zegt in uw stuk nog door zo weinig mensen begrepen wordt. Onder anderen was er iemand ik geloof in het 'Nieuws van den Dag', die de 'oude vrouw bij den haard' [in een schilderij van Israels].. ..hoe mooi ook geschilderd walgelijk zegge walgelijk van onderwerp vond. – Voorts is [kunst-criticus, erg kritisch op Israëls' vaak toegepaste 'neerslachtigheid'] ook erg aan 't malen geweest over mijn omhalen van de plunje van de arme lui. Goed gebruld leeuw dacht ik – goed begrepen [ironisch!] waarvoor het geschilderd is..
In a letter, 10 May 1885, to A.S. Kok in The Hague; in R.K.D. The Hague: Archive of A.S. Kok
Quotes of Jozef Israels, 1871 - 1900

People , Stupidity , Painting

“Vertically striped sheets of paper, the bands of which are 8.7 cms wide, alternate white and colored, are stuck over internal and external surfaces: walls, fences, display windows, etc.; and/or cloth/canvas support, vertical stripes, white and colored bands each 8.7 cms, the two ends covered with dull white paint.
I record that this is my work for the last four years, without any evolution or way out. This is the past: it does not imply either that it will be the same for another ten or fifteen years or that it will change tomorrow.
The perspective we are beginning to have, thanks to these past four years, allows a few considerations of the direct and indirect implications for the very conception of art. This apparent break (no research, or any formal evolution for four years) offers a platform that we shall situate at zero level, when the observations both internal (conceptual transformation as regards the action/praxis of a similar form) and external (work/production presented by others) are numerous and rendered all the easier as they are not invested in the various surrounding movements, but are rather derived from their absence.”

Daniel Buren (1938) sculptor from France

" Beware!" ("Mise en garde!") http://web.mit.edu/allanmc/www/buren1.pdf, in Konzeption/Conception, translated by Charles Harrison and Peter Townsend (Leverkusen: Stadtischer Museum, 1969.
1960s

Color , Way , Support , Change

“And lest I offend art lovers, it should be pointed out that even an old master, bought from the the artist for $100 and sold 350 years later for $10,000,000, has returned only 3.34% per year.”

William J. Bernstein (1948) economist

Source: The Four Pillars of Investing (2002), Chapter 2, Measuring The Beast, p. 45

Lovers

“In the elder days of Art,
Builders wrought with greatest care
Each minute and unseen part;
For the gods see everywhere.”

Henry Wadsworth Longfellow The Builders

The Builders (1849).

God , Parting

“Letters are above all useful as a means of expressing the ideal self; and no other method of communication is quite so good for this purpose. In conversation, those uneasy eyes upon you, those lips ready with an emendation before you have begun to speak, are a powerful deterrent to unreality, even to hope. In art it is not often possible to make direct use of your dreams of tomorrow and your excuses for yesterday.In letters we can reform without practice, beg without humiliation, snip and shape embarrassing experiences to the measure of our own desires — this is a benevolent form. The ideal self expressed in letters is not a crudely sugary affair except in dreary personalities; in any case the ideal is very much a part of the character, having its twenty-four hours a day to get through, and being no less unique in its combinations than one's fingerprints.”

Elizabeth Hardwick (1916–2007) Novelist, short story writer, literary critic

"Anderson, Millay and Crane in Their Letters" (p. 133)
American Fictions (1999)

Dreams , Hope , Communication , Parting

“Just as other information should be available to those who want to learn and understand, program source code is the only means for programmers to learn the art from their predecessors. It would be unthinkable for playwrights not to allow other playwrights to read their plays, but only be present at theater performances where they would be barred even from taking notes. Likewise, any good author is well read, as every child who learns to write will read hundreds of times more than it writes. Programmers, however, are expected to invent the alphabet and learn to write long novels all on their own. Programming cannot grow and learn unless the next generation of programmers have access to the knowledge and information gathered by other programmers before them.”

Erik Naggum (1965–2009) Norwegian computer programmer

" Programming http://naggum.no/erik/programming.html", cited in the preface of Physically Based Rendering (2004) by Matt Pharr and Greg Humphreys.

Understanding , Knowledge , Learning , Time

“.. I therefore got around to painting [in Amsterdam, 1883] and that's why teaching started to become a burden for me. So then it HAD to happen now: Make or break! And I asked my dismissal at the school, threw away my 2500 florin a year, sacrificed everything, although I never made any painting yet, and certainly sold nothing at all. And my acquaintances, my family, they found me reckless and shamefully frivolous with my sacrifice to art, for which they did not felt any sympathy or understand anything of it after all.”

Suze Robertson (1855–1922) Dutch painter

(version in original Dutch / origineel citaat van Suze Robertson:) ..ik kwam zodoende meer aan 't schilderen [inmiddels in Amsterdam, 1883], waardoor 't lesgeven me begon te bezwaren. Dus dan MOEST het ook maar: erop of eronder! En ik vroeg mijn ontslag aan de school, gooide mijn f 2500,- per jaar weg, offerde àlles op, hoewel ik nog nooit 'n schilderij gemaakt, laat staan iets verkocht had. En m'n kennissen, m'n familie, ze vonden me roekeloos en schandelijk lichtzinnig met mijn offer aan de kunst, waarvoor ze immers niets voelden of van begrepen..
Source: 1900 - 1922, Onder de Menschen: Suze Robertson' (1912), p. 31

School , Family , Understanding , Painting

“Memory, prophecy and fantasy
the past, the future and
the dreaming moment between
are all one country,
living one immortal day.

To know that is Wisdom.

To use it is the Art.”

Clive Barker book The Great and Secret Show

The Great and Secret Show

Wisdom , Dreams , Memory , Past

“Art is the illusion of disorientation, the illusion of liberty, the illusion of presence, the illusion of the sacred, the illusion of Nature. … Not the painting of Buren, Mosset, Parmentier or Toroni…. Art is a distraction, art is false. Painting begins with Buren, Mosset, Parmentier, Toroni.”

Daniel Buren (1938) sculptor from France

Daniel Buren, Olivier Mosset, Michel Parmentier and Niele Toroni, at the Paris Biennale in October 1967. Translated and cited in: Lucy R. Lippard, Six Years: The Dematerialization of the Art Object from 1966 to 1972, New York: Praeger, (1973), p. 30.
1960s

Nature , Painting , Falseness

“Art today is an absolutely secondary matter. Anyone who is able to look further than the walls of his own studio can see this... All the same, art is a business that demands a very clear decision from anyone who undertakes it. It is not immaterial where you stand in this business... Are you on the side of the exploiters or on that of the masses, who want to wring the exploiters' necks?”

George Grosz (1893–1959) German artist

Grosz, Nov. 1920 in: 'Zu meinen neuen Bildern', Das Kunstblatt 5., no. 1 (1921): as cited in 'Portfolios', Alexander Dückers; in German Expressionist Prints and Drawings - Essays Vol 1.; published by Museum Associates, Los Angeles County Museum of Art, California & Prestel-Verlag, Germany, 1986, pp. 91-92

Business , Decision

“The recurrence of certain themes in movies suggests that each generation wants romance restated in slightly new terms, and of course it’s one of the pleasures of movies as a popular art that they can answer this need. And yet, and yet — one doesn’t expect an educated generation to be so soft on itself, much softer than the factory workers of the past who didn’t go back over and over to the same movies, mooning away in fixation on themselves and thinking this fixation meant movies had suddenly become an art, and their art.”

Pauline Kael book Going Steady

Going Steady (1969), Trash, Art and the Movies (February 1969)

Pleasure , Education , Thinking , Past

“Anyone who attempts to gain a unified understanding of modern art as a whole is bound to suffer the uncomfortable sensation of having fallen into a thicket of brambles.”

William Barrett (philosopher) book Irrational Man: A Study in Existential Philosophy

Source: Irrational Man: A Study in Existential Philosophy (1958), Chapter Three, The Testimony Of Modern Art, p. 37

Understanding , Suffering

“Every genuine work of art has as much reason for being as the earth and the sun.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

1870s, Society and Solitude (1870), Art

Sun

“In paper, many a poet now survives
Or else their lines had perish'd with their lives.
Old Chaucer, Gower, and Sir Thomas More,
Sir Philip Sidney, who the laurel wore,
Spenser, and Shakespeare did in art excell,
Sir Edward Dyer, Greene, Nash, Daniel.
Sylvester, Beaumont, Sir John Harrington,
Forgetfulness their works would over run
But that in paper they immortally
Do live in spite of death, and cannot die.”

John Taylor (1578–1653) English poet of the 16th and 17th centuries

From "The Praise of Hemp-seed" http://ebooks.gutenberg.us/Renascence_Editions/taylor1.html, published 1620. This is the earliest surviving printed reference to the death of William Shakespeare and Francis Beaumont, who had both died in 1616.

Death , Forgetting

“This book undertakes the study of management by utilizing analysis of the basic managerial functions as a framework for organizing knowledge and techniques in the field. Managing is defined here as the creation and maintenance of an internal environment in an enterprise where individuals, working together in groups, can perform efficiently and effectively towards the attainment of group goals. Managing could, then, be called ""performance environment design."" Essentially, managing is the art of doing, and management is the body of organized knowledge which underlies the art.
Each of the managerial functions is analyzed and described in a systematic way. As this is done, both the distilled experience of practicing managers and the findings of scholars are presented., This is approached in such a way that the reader may grasp the relationships between each of the functions, obtain a clear view of the major principles underlying them, and be given the means of organizing existing knowledge in the field.
Part 1 is an introduction to the basis of management through a study of the nature and operation of management principles (Chapter 1), a description of the various schools and approaches of management theory (Chapter 2), the functions of the manager (Chapter 3), an analytical inquiry into the total environment in which a manager must work (Chapter 4), and an introduction to comparative management in which approaches are presented for separating external environmental forces and nonmanagerial enterprise functions from purely managerial knowledge (Chapter 5)…”

Harold Koontz (1909–1984)

Source: Principles of management, 1968, p. 1 (1972 edition)

Books , School , Way , Nature

“The art of motion has always intrigued me. How a body - when it throws its weight from side to side and sits down - actually sits down. What muscles interact to bring that simple movement to its conclusion. Movement is a fascinating process and each creature I have made and animated has had its own character according to its physiognomy.”

Ray Harryhausen (1920–2013) American animator

Source: An Animated Life (2003), p. 7

Animals

“All important things in art since Ur of the Chaldea's, since Tel Halaf and Crete, have always originated from the deepest feeling about the mystery of Being. Self-realization is the urge of all objective spirits. It is this Ego for which I am searching in my life and in my art. Art is creative for the sake of realization, not for amusement, for transfiguration, not for the sake of play. It is the quest of our Ego that drives us along the eternal and never-ending journey we must all make.”

Max Beckmann (1884–1950) German painter, draftsman, printmaker, sculptor and writer

1930s, On my Painting (1938)

Life , Feeling , Search

“.. at least I have the conviction of being honest and I do despise most of all those…. alienating works of art [eg. of Seurat ], the disease of our time. (translation from original Dutch: Fons Heijnsbroek)”

Willem Roelofs (1822–1897) Dutch painter and entomologist (1822-1897)

(original Dutch: citaat van Willem Roelofs, in het Nederlands:) ..ik heb tenminste de overtuiging van opregt te zijn en heb geen grooter afschuw dan van alle.. ..vreemdsoortige kunstuitingen [oa. van ] de ziekte van onzen tijd.
In a letter, 19 Nov. 1889; as cited in Willem Roelofs 1822-1897 De Adem der natuur, ed. Marjan van Heteren & Robert-Jan te Rijdt; Thoth, Bussum, 2006, p. 18 - ISBN13 * 978 90 6868 432 2
1880's

Disease , Time

“Every artist works within a tradition. I am a native of Russia. My Russian soul has always been close to the art of old Russia, the Russian icons, Byzantine art, the mosaics in Ravenna, Venice, Rome, and to Romanesque art. All these artworks produced a religious vibration in my soul, as I sensed in them a deep spiritual language. This art was my tradition.”

Alexej von Jawlensky (1864–1941) Russian painter

quote from his letter to the National Socialist State Cultural administration, 1939; Jawlensky asked permission to exhibit his painting art, which was turned down by the Nazi regime
Source: 1936 - 1941, Life Memories' (1938), p. 24

Soul , Sense

“Perhaps woman's art is of woman's life a thing apart, 'tis man's whole existence; just as love is said to be the reverse — though it isn't.”

George Bernard Shaw (1856–1950) Irish playwright

1900s, Love Among the Artists (1900)

Love , Life

“I propose to create an heroic, monumental style of composition simple enough to inspire all people, completely free from fads, artificial mannerisms and false sophistications, direct, forceful, sincere, always original but never unnatural. Music must be freed from decadence and stagnation. There has been too much emphasis on small things while the great truths have been overlooked. The superficial must be dispensed with. Music must become virile to express big things. It is not my purpose to supply a few pseudo intellectual musicians and critics with more food for brilliant argumentation, but rather to inspire all mankind with new heroism and spiritual nobility. This may appear to be sentimental and impossible to some, but it must be remembered that Palestrina, Handel, and Beethoven would not consider it either sentimental or impossible. In fact, the worthiest creative art has been motivated consciously or unconsciously by the desire for the regeneration of mankind.”

Alan Hovhaness (1911–2000) Armenian-American composer

Alan Hovhaness, 1940 Guggenheim Application http://www.hovhaness.com/hovhaness-biography.html

People , Truth , Food , Music

“To many it is incomprehensible that art has to emerge from a person's inner being, 'that it has to do with one's morality, one's religion..'. But so it does. You should trade only in what you recognize to be true and beautiful, noble and good in your soul.”

Caspar David Friedrich (1774–1840) Swedish painter

Quote from: Caspar David Friedrich, Wieland Schmied; Harry N. Abrams, Inc. New York, 1995, p. 45
undated

Religion , Beauty , Soul , Personality

“If art is to survive it must describe and express people, their lives and times.”

Raphael Soyer (1899–1987) American artist

As quoted in Barry N. Schwartz, The new humanism: art in a time of change, Praeger 1974, p. 179.

People , Time

“World views, as related to the sciences, ethics, arts, politics and religions, are integral parts of all cultures. They have a strongly motivating and inspiring function. A socially shared view of the whole gives a culture a sense of direction, confidence and self-esteem. Moreover, interactions between cultures change constantly.”

Diederik Aerts (1953) Belgian theoretical physicist

Source: World views. From Fragmentation to Integration (1994), p. 8

World , Religion , Confidence , Motivation

“Often it seems the more ‘scholarship’ one has, the less innovative one becomes. One can increasingly rest upon their knowledge of prior art to solve what looks like a new problem.”

Stephen F Bush

Bush, Stephen F., Keynote Speech, First IEEE International Conference on Communications 2012 Workshop on Telecommunications: From Research to Standards July 18, 2012.

Knowledge , Problem

“The dematerialization of the art object from 1966 to 1972: a cross-reference book of information on some esthetic boundaries: consisting of a bibliography into which are inserted a fragmented text, art works, documents, interviews, and symposia, arranged chronologically and focused on so-called conceptual or information or idea art with mentions of such vaguely designated areas as minimal, anti-form, systems, earth, or process art, occurring now in the Americas, Europe, England, Australia, and Asia (with occasional political overtones) edited and annotated by Lucy R. Lippard. Six Years.”

Lucy R. Lippard (1937) American art curator

Subtitle of the book.
Six Years: The Dematerialization of the Art Object from 1966 to 1972 (1973)

Books , Idea

“[question: How do you interpret your role as a painter in our society? ] As a role that everyone has. I would like to try to understand what is. We know very little, and I am trying to do it by creating analogies. Almost every work of art is an analogy. When I make a representation of something, this too is an analogy to what exists; I make an effort to get a grip on the thing by depicting it. I prefer to steer clear of anything aesthetic, so as not to set obstacles in my own way and not to have the problem of people saying: 'Ah, yes, that's how he sees the world, that's his interpretation.”

Gerhard Richter (1932) German visual artist, born 1932

Quote from the interview with Rolf-Gunter Dienst, 1970; as cited on collected quotes on the website of Gerhard Richter: 'on Art' https://www.gerhard-richter.com/en/quotes/art-1
1970's

People , World , Way , Understanding

“I used my self, my body [in his art] as an instrument.... not only my body but also my spirit.... as an instrument to research something.”

Anselm Kiefer (1945) German painter and sculptor

n.p.
Tim Marlow joins Anselm Kiefer to discuss his work' - 2005

“When asked why she thought there was deterioration in standards and expectations of art, she suggested it was the result of the fuss generated around young dancers, the pressures to perform at an early debut, and the indiscriminate acclaim given to young dancers before they had found their feet.”

Balasaraswati (1918–1984) Indian dancer

On her abhinaya (the art of expression'). Dance readings and musings Balasaraswati: Her Art and Life, 1 December 2013, Narthaki.com http://www.narthaki.com/info/bookrev/bkrev1a.html,
Quote

“Chicago is my favorite American city. … I like all the museums. I love the Art Institute. I love all the theatre and the blues clubs and bars, and the people are so great. I think Chicago is the perfect blend of a big city with a Midwestern finish on it. Everybody is really nice but it is a sophisticated city. I love the park. I love the zoo. I love the lake. The whole thing.”

Megan Mullally (1958) American actress

Attributed

Love , People , Thinking , Perfection

“As my poor father used to say
In 1863,
Once people start on all this Art
Goodbye, moralitee!
And what my father used to say
Is good enough for me.”

A. P. Herbert (1890–1971) British politician

"Lines for a Worthy Person", Ballads for Broadbrows (1930).

People

“In the 1960s the works of Takis and Tinguely were experiments with different forces, both magnetic and kinetic. My work differed from theirs, for although my kinetic art works used machines, the works themselves moved in random organic ways and avoided the monotonous repetitive movements of most machines. My land art projects and all the rest of my cosmic propulsions were born out of the organic and my relation with the dynamics of nature. When I first exhibited with Liliane Lijn at the Indica Gallery in London in 1967 I called my artworks bio-kinetic sculptures. Some of my artworks in that show are featured in the film I’ll Never Forget What’s’isname by the English director Michael Winner.”

David Medalla (1942) Filipino artist

Source: Adam Nankervis, " A Stitch in time http://moussemagazine.it/articolo.mm?id=707," in: Mousse Magazine.it, Issue 29, 2015

Way , Nature , Forgetting

“The art of music above all the other arts is the expression of the soul of a nation.”

Ralph Vaughan Williams (1872–1958) English composer

National Music (1934) p. 123.

Music , Soul

“.. the art of futurism…. achieved great momentum in the first quarter of the Twentieth Century and remains a basic stimulus in the following forms of new art: Suprematism, Simultaneism, Purism, Odorism, Pankinetism, Tactilism, Haptism, Expressionism and Légerísm [referring to Fernand Léger in the last… ism, mentioned]”

Kazimir Malevich (1879–1935) Russian and Soviet artist of polish descent

1910 - 1920
Source: 'Cubofuturism', Malevich, in Essays on Art, op. cit., vol 2; as quoted in Futurism, ed. By Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 59

Future

“One wonders how the literary revisionists and canon cleansers can bear to take the money. Imagine a school of sixteenth century art criticism that spent its time contently jeering at the past for not knowing about perspective.”

Martin Amis (1949) Welsh novelist

"Political Correctness: Robert Bly and Philip Larkin" (1997)

Money , School , Imagination , Time

“I reacted to Cézanne almost the same way as you [= Rosalyn Drexler ], the first time I saw him when I was 14... Then I saw my first Cezanne and it jolted me. It was a 'Bathers' [Cézanne painted several of them]. I didn't think he drew well at all. I thought the figures looked stiff and wooden, but I was enthralled by it. I knew there was something there that was going to take me a lifetime to understand. What I took to be the crudity of his technique — that opened a door for me. I began to look at everything differently. That was the year [1932] I discovered Matisse, Picasso, Degas, Soutine — I began to go to the Museum of Modern Art every week. At the same time, I loved New Yorker covers — and El Greco. I didn't mind mixing things up. Nobody was going to tell me what to like or what not to like. Until I was 17 I thought all real artists (I didn't count commercial artists) were dead or foreign with the exceptions of Georgia O'Keeffe and John Marin, whose work I had seen at 'An American Place.”

Elaine de Kooning (1918–1989) American painter

n.p.
1950 - 1971, Why Have There Been No Great Women Artists' - Rosalyn Drexler with Elaine de Kooning (1971)

Love , Way , Understanding , Thinking

“.. wherever you are, you find the sun, a blade of grass, the spirals of the dragonfly. Courage consists of staying at home, close to nature, which could not care less about our disasters. Each grain of dust contains the soul of something marvellous.”

Joan Miró (1893–1983) Catalan painter, sculptor, and ceramicist

Miró admonished art-critic w:Georges Duthuit
1915 - 1940
Source: 'Où allez-vous Miró?' (Where do you go, Miró), Georges Duthuit in Cahiers d'Art 11, nos. 8-10, 1936

Home , Soul , Courage , Nature

“I'm trying to change the world or at least to make the horrors of the global capitalism visible. I don't care much about art. I used to be a total artist but now I'm more a human being.”

Riiko Sakkinen (1976) Finnish visual artist

"More a Human Being than an Artist" (6 February 2013) http://www.riikosakkinen.com/blog/?show=archive&m=02-2013

World , Change

“Art, at least, teaches us that man cannot be explained by history alone and that he also finds a reason for his existence in the order of nature.”

Albert Camus book The Rebel

Part 4: Rebellion and Art
The Rebel (1951)

History , Nature

“He came, they tell us, to make a revelation, and what did he reveal? “Love thy neighbor as thyself”? That was in the Old Testament. “Love God with all thy heart”? That was in the Old Testament. “Return good for evil”? That was said by Buddha, seven hundred years before Christ was born. “Do unto others as ye would that they should do unto you”? That was the doctrine of Lao-tsze. Did he come to give a rule of action? Zoroaster had done this long before: “Whenever thou art in doubt as to whether an action is good or bad, abstain from it.””

Robert G. Ingersoll (1833–1899) Union United States Army officer

Some Reasons Why (1881)

Love , God , Evil , Heart

“V has come to be my last Metal Gear.
It has been an honor and a joy to have been given the opportunity to work on Metal Gear for nearly twenty amazing years.
Tоday's computer graphics, technology, and hardware—compared to those of twenty years ago—have evolved so significantly. As a result, the art that can be created has dramatically changed.
However, the process of conceptualizing and creating a character by understanding their personality, their habits, their backstory, and the role they play—this has fundamentally remained the same. Refining ideas and doing countless sketches over and over are tasks that at times feel formidable and complex. At the same time, they are very fun and gratifying.”

Yoji Shinkawa (1971) Japanese illustrator

Foreword to The Art of Metal Gear Solid V, Dark Horse Comics, 2016, p. 7 https://books.google.it/books?id=BerxDAAAQBAJ&pg=PA7.

Feeling , Idea , Understanding , Change

“Poetry may be written on paper, but it’s an oral art. A good poem satisfies the ear. It creates a story or picture that grabs you.”

John Hollander (1929–2013) American poet

Quoted in 'Venerable Poets :Words to Pop Music beat 'by Cynthia Wolfe Boyton.

“The aim of art, the aim of a life can only be to increase the sum of freedom and responsibility to be found in every man and in the world. It cannot, under any circumstances, be to reduce or suppress that freedom, even temporarily.”

Albert Camus book Resistance, Rebellion, and Death

"The Artist and His Time"
Resistance, Rebellion, and Death (1960)

Life , World , Freedom

“Perhaps what I would like is a truly democratic culture. Not a polemic nor a moralistic culture in the arts but a culture which permits one man to speak to another honestly and modestly and in freedom and to say what he thinks and what he feels, to express his doubts and his fears, his immoral as well as his moral impulses, to say what he thinks is true and what he thinks is false, and what he likes and what he does not like. What I am against is that we should all engage in the most vigorous and most polemic lying to each other for each other's benefit.”

George Oppen (1908–1984) American poet

Who could have the conceit, the self-confidence to believe that that is what we should do throughout all the rest of human history?
Letter to Charles Humboldt (mid-1962), p. 64
The Selected Letters of George Oppen (1990)

Fear , Feeling , Confidence , History

“Actually Rogers Fry's Vision and Design [1920] was the most lucky discovery for me. I came on it by chance while looking for another book in the Leeds Reference Library. Fry in his essay on 'Negro Sculpture' stressed the 'three-dimensional realization' that characterized African art and its 'truth to material'. More, Fry opened the way to other books and to the realization of the British museum. That was really the beginning.”

Henry Moore (1898–1986) English artist

Quote of Moore in 'Partisan Review', New York, March-April 1947
1940 - 1955

Truth , Books , Way , Chance

“A few years ago, a motion picture version appeared of Sophocles' immortal tragedy "Oedipus Rex". This picture played only in the so-called art theaters, and it was not a financial success. And I maintain that the reason it was not a financial success… you're way ahead of me… was that it did not have a title tune which the people could hum, and which would make them actually eager to attend this particular… flick. So, I've attempted to supply this, and here then is the prospective title song from "Oedipus Rex".”

Tom Lehrer (1928) American singer-songwriter and mathematician

Intro to "Oedipus Rex"
An Evening (Wasted) With Tom Lehrer (1959)

People , Way , Appearance , Success

“From all eternity I have indeed recognized Thee and unto all eternity will ever do so through Thine Own Self and not through any one else besides Thee. Verily Thou art the Source of all knowledge, the Omniscient. From everlasting I have besought and unto everlasting will beseech forgiveness for my limited understanding of Thee, aware as I am that there is no God but Thee, the All-Glorious, the Almighty.”

Báb (1819–1850) Iranian prophet; founder of the religion Bábism; venerated in the Bahá'í Faith

Tablet to ‘Him Who Will Be Made Manifest’

God , Forgiveness , Understanding , Knowledge

“About Van Gogh.. a man who is on fire, a torch. His sincerity is absolute. His best painting is the grain field where he kills himself. There we find ourselves at the border of the art of painting. We cannot go further.”

Bram van Velde (1895–1981) Dutch painter

1980's
Source: Je peins l'Impossibilité de peindre, by M. Nuridsany, newspaper Le Figaro, 24-10-1989, p. 35, as quoted in Bram van Velde, A Tribute, Municipal Museum De Lakenhal Leiden, Municipal Museum Schiedam, Museum de Wieger, Deurne 1994, p. 40 (English translation: Charlotte Burgmans)

Painting , Sincerity

“Something new has been added, a new art of sound. Am I wrong in calling it music?”

Pierre Schaeffer (1910–1995) French musicologist

The Liberation of Sound: An Introduction to Electronic Music (Prentice-Hall edition, 1972)

Music

“I developed The Great Teacher theory late in my freshman year. It was a cornerstone of the theory that great teachers had great personalities and that the greatest teachers had outrageous personalities. I did not like decorum or rectitude in a classroom; I preferred a highly oxygenated atmosphere, a climate of intemperance, rhetoric, and feverish melodrama. And I wanted my teachers to make me smart. A great teacher is my adversary, my conqueror, commissioned to chastise me. He leaves me tame and grateful for the new language he has purloined from other kings whose granaries are filled and whose libraries are famous. He tells me that teaching is the art of theft; knowing what to steal and from whom. Bad teachers do not touch me; the great ones never leave me. They ride with me during all my days, and I pass on to others what they have imparted to me. I exchange their handy gifts with strangers on trains, and I pretend the gifts are mine. I steal from the great teachers. And the truly wonderful thing about them is that they would applaud my theft, laugh at the thought of it, realizing that they had taught me their larcenous skills well.”

Pat Conroy The Lords of Discipline

Source: The Lords of Discipline (1980), p. 271

Teachers , Personality , Training

“I write fantasy. The only science fiction I have written is Fahrenheit 451. It's the art of the possible. Science fiction is the art of the possible. It could happen. It has happened.”

Ray Bradbury (1920–2012) American writer

Science

“I hope that with the help of van Van Gogh and Durand we will be able to emerge from this situation [selling nothing]. It seems to me that I deserve no less, since I have worked conscientiously. I do not believe that anyone could devote - if not more talent - more care and good will to the service of his art; it takes me hours of reflection to decide on the slightest detail. Is this impatience?... I think not! For I do not wish to make a brush stroke when I do not feel complete mastery of my subject, there's the rub - that is the great difficulty; without sensation, nothing, absolutely nothing valid... I believe I have hit my stride. I have begun a series of things which will really be in my style.”

Camille Pissarro (1830–1903) French painter

Quote of Camille Pissarro, Eragny, 26 April 1888, in a letter to his son Lucien; from Camille Pissarro - Letters to His Son Lucien ed. John Rewald, with assistance of Lucien Pissarro; from the unpublished French letters; transl. Lionel Abel; Pantheon Books Inc. New York, second edition, 1943, p. 124
Theo van Gogh was working in the Paris' art-gallery Goupil & Cie and selling Impressionist artists
1880's

Hope , Feeling , Thinking , Help

“Oh, If I had been able to realize you with my hand. If the painted canvas was able to give me your dear image. The labor was you ['The Unknown'] the work of art was me – I have kissed your head, I have looked elsewhere… You are neither good, nor charitable. You do not know how to love. – You are only great and beautiful. I sacrificed to tenderness and still, my self, you do not know how to love.”

Marianne von Werefkin (1860–1938) expressionist painter

Vol. 1: 'My beautiful One, My Unique!', pp. 130-140
1895 - 1905, Lettres à un Inconnu, 1901 – 1905; Museo Communale, Ascona

Love , Beauty , Kiss , Painting

“History knew a midnight, which we may estimate at about the year 1000 A. D., when the human race lost the arts and sciences even to the memory. The last twilight of paganism was gone, and yet the new day had not begun. Whatever was left of culture in the world was found only in the Saracens, and a Pope eager to learn studied in disguise in their unversities, and so became the wonder of the West. At last Christendom, tired of praying to the dead bones of the martyrs, flocked to the tomb of the Saviour Himself, only to find for a second time that the grave was empty and that Christ was risen from the dead. Then mankind too rose from the dead. It returned to the activities and the business of life; there was a feverish revival in the arts and in the crafts. The cities flourished, a new citizenry was founded. Cimabue rediscovered the extinct art of painting; Dante, that of poetry. Then it was, also, that great courageous spirits like Abelard and Saint Thomas Aquinas dared to introduce into Catholicism the concepts of Aristotelian logic, and thus founded scholastic philosophy. But when the Church took the sciences under her wing, she demanded that the forms in which they moved be subjected to the same unconditioned faith in authority as were her own laws. And so it happened that scholasticism, far from freeing the human spirit, enchained it for many centuries to come, until the very possibility of free scientific research came to be doubted. At last, however, here too daylight broke, and mankind, reassured, determined to take advantage of its gifts and to create a knowledge of nature based on independent thought. The dawn of the day in history is know as the Renaissance or the Revival of Learning.”

Carl Gustav Jacob Jacobi (1804–1851) German mathematician

"Über Descartes Leben und seine Methode die Vernunft Richtig zu Leiten und die Wahrheit in den Wissenschaften zu Suchen," "About Descartes' Life and Method of Reason.." (Jan 3, 1846) C. G. J. Jacobi's Gesammelte werke Vol. 7 https://books.google.com/books?id=_09tAAAAMAAJ&pg=PA309 p.309, as quoted by Tobias Dantzig, Number: The Language of Science (1930).

Life , World , Faith , Law