Quotes about art
page 16

“The beautiful is and remains beautiful though it arouse no emotion whatever, and though there be no one to look at it. In other words, although the beautiful exists for the gratification of an observer, it is independent of him. In this sense music, too, has no aim (object), and the mere fact that this particular art is so closely bound up with our feelings by no means justifies the assumption that its aesthetic principles depend on this union.”

Eduard Hanslick (1825–1904) austrian musician and musicologist

The Beautiful in Music (1854)

Beauty, Music, Feeling, Sense

“You are called to exercise the Spirit's gifts amidst the ups and downs of your daily life. Let your faith mature through your studies, work, sports, music and art. Let it be sustained by prayer and nurtured by the sacraments.”

Pope Benedict XVI (1927) 265th Pope of the Catholic Church

2008, Youth Day Vigil (19 July 2008)

Life, Faith, Music, Exercises

“My idea of painting was that those yellow squares, being put on the wall as delineating a virtual square or rectangle, were involving the wall itself within the piece and, in this sense, compared to what is usually a work of art, a painting, this piece was somehow reversing the usual terms of the esthetic proposition. Usually, you see the painting and you ignore the wall. Here you had the wall coming through the painting — and the painting itself, the painted pieces, become a standpoint to make the wall appear.”

Robert Barry (1936) American artist

Robert Barry (1980) in: Alexander Alberro (2003). Conceptual Art and the Politics of Publicity. Alberro noted: "Barry has since discussed the way in which this painting accented the structural support..."

Idea, Sense, Appearance, Painting

“On the whole, a man who denies the existence of the effects arranged according to the causes in the question of arts, or whose wisdom cannot understand it, then he has no knowledge of the art of its Maker.”

Averroes book On the Harmony of Religions and Philosophy

On the Harmony of Religions and Philosophy

Wisdom, Understanding, Question, Knowledge

“I've always been kind of obsessed with Frida Kahlo, so I was really into the idea of getting something that belonged to her. And then from Frida Kahlo I found out about Tina Modotti and then I started collecting her stuff and Edward Weston, and one person always leads to another person with me, because for me it started with Diego Rivera, then it went to Frida Kahlo, then it went to Tina, and Edward and… Also, if you're into Picasso, and you want to find out about him and that whole area of art and European culture, then you start reading about Man Ray and the surrealists and Andre Breton, and all of a sudden you're in that whole world and you start having interests in other people. It's like a disease.”

Madonna (1958) American singer, songwriter, and actress

Aperture Magazine 1999 http://allaboutmadonna.com/madonna-interviews-articles/aperture-magazine-summer-1999

People, World, Disease, Idea

“The art of teaching is also to know when to stop. It is good when people want to be better, physically, morally, spiritually, intellectually. But a fashion? No! Yoga is a painful art. It’s not like dance or music, where the person watching gets pleasure. Only the person doing it finds joy. It has nothing to do with externals.”

B.K.S. Iyengar (1918–2014) Indian yoga teacher and scholar

Source: BKS Iyengar – obituary http://www.telegraph.co.uk/news/obituaries/11045993/BKS-Iyengar-obituary.html, The Telegraph, 20 August 2014

Pain, People, Pleasure, Music

“I regard criticism as an art, and if in this country and in this age it is practiced with honesty, it is no more remunerative than the work of an avant-garde film artist. My dear anonymous letter writers, if you think it is so easy to be a critic, so difficult to be a poet or a painter or film experimenter, may I suggest you try both? You may discover why there are so few critics, so many poets.”

Pauline Kael (1919–2001) American film critic

"Replying to Listeners" http://www.paulrossen.com/paulinekael/replylisteners.html, broadcast on KPFA (January 1963).

Age, Thinking, Country

“I'm not religious, but I believe in the ecstasy that art and religion can create in human beings, the ecstatic or the awe — as I like to call it, you know, "a-w-e" — that it makes people feel in a way that isn't their banal, everyday feel. That they go, "My God, it transformed me. My life changed."”

Julie Taymor (1952) American film and theatre director

Academy of Achievement interview (2006)

Life, God, People, Religion

“True Genius, like Armida’s wand,
Can raise the spring from barren land.
While all the art of Imitation,
Is pilf’ring from the first creation.”

Robert Lloyd (poet) (1733–1764) English poet and satirist

‘Shakespeare’ (1762)

Spring

“Every year in art is equivalent to 10 normal years, in my opinion; Art is very tiresome and tiresome.”

Layal Abboud (1982) Lebanese pop singer

2012

“I see Legros less often sometimes at Andler's as little as possible it means I get to bed late and I am short of funds, it is very pleasant nonetheless Courbet is so charming, Legros often goes there they get on very well he has some superb articles in the figaro. in the gazette des Beaux Arts.... then he will have one in the courrier du Commerce those are the ones I know about. success, women, good food, wine, beer, new acquaintances as a result of these articles, in short an accolade!!!!!!!!.... success can be harmful, it makes you relax, you sit on it and are distracted.... you alone should correct the faults, you know what I think of advice, correction. the gifted man should walk alone, straight to his goal, what happens is nothing, rejection, success, selling pleasing, all that is nonsense.”

Henri Fantin-Latour (1836–1904) painter from France

quote from a letter of Fantin-Latour, Paris, 26 June 1859, to James Whistler in London; from The Correspondence of James McNeill Whistler - Repository: Glasgow University Library http://www.whistler.arts.gla.ac.uk/correspondence/people/display/?cid=1073&nameid=Fantin_Latour_IH&sr=0&rs=1&surname=Fantin-latour&firstname= - System Number: 01073; Call Number: MS Whistler F 4.

Women, Food, Beer, Thinking

“The clerical work is par for the course. "Keep on file in numerical order" means throw in wastebasket. You'll soon learn the language. "Let it be a challenge to you" means you're stuck with it; "interpersonal relationships" is a fight between kids; "ancillary civic agencies for supportive discipline" means call the cops; "Language Arts Dept." is the English office; "literature based on child's reading level and experiential background" means that's all they've got in the Book Room; "non-academic-minded" is a delinquent; and "It has come to my attention" means you're in trouble.”

Bel Kaufmanová book Up the Down Staircase

Part I, ch. 2 (Bea Schachter)
Up the Down Staircase (1965)

Books, Literature, Support, Learning

“One of our core beliefs was that significant art could be made by anyone, anywhere and anytime. You didn’t have to live and work in New York City to be an artist. It was in line with the philosophy of Outsider art and movements for artistic "localism."”

Joe Lewis (artist) (1953) American photographer

Walter Robinson. " Joe Lewis: Clairvoynace http://www.artnet.com/magazineus/features/robinson/robinson8-16-07.asp" at artnet.com, 2015.

“One of the beauties of art is that it reflects an artist's entire life. What I've learned over the past 30 years is really beginning to inform what I make. I hope that process continues until I die.”

Andy Goldsworthy (1956) British sculptor and photographer

He's got the whole world in his hands, The Telegraph (24 March 2007)

Life, Beauty, Hope, Learning

“The naked body is an altogether suitable object. In art classes I have gradually learned something of it from every angle. But now I will no more project some plan of it: I will proceed so that all its essentials, even those hidden by optical perspective, will appear upon the paper. And thus a little uncontested personal property has already been discovered, a style has been created.”

Paul Klee (1879–1940) German Swiss painter

Quote (June 1902), as cited in Artists on Art, from the 14th – 20th centuries, ed. Robert Goldwater and Marco Treves; Pantheon Books, 1972, London, p. 443
1895 - 1902

Learning, Appearance, Personality

“The art of dancing stands at the source of all the arts that express themselves first in the human person. The art of building, or architecture, is the beginning of all the arts that lie outside the person; and in the end they unite.”

H. Havelock Ellis (1859–1939) British physician, writer, and social reformer

Source: The Dance of Life http://www.gutenberg.net.au/ebooks03/0300671.txt (1923), Ch. 2

Lie, Dance, Personality

“In conceptual art the idea or the concept is the most important aspect of the work. When an artist uses a conceptual form of art, it means that all of the planning and decisions are made beforehand and the execution is a perfunctory affair. The idea becomes a machine that makes the art. This kind of art is not theoretical or illustrative of theories; it is intuitive; it is involved with all types of mental processes and it is purposeless. It is usually free from the dependence on the skill of the artist as a craftsman.”

Sol LeWitt (1928–2007) American artist

Source: Quotes of Sol Lewitt, "Paragraphs on Conceptual Art," 1967, p. 80. Cited in: Diane Waldman. Carl Andre https://archive.org/stream/carlandre00wald#page/7/mode/1up. Published 1970 by Solomon R. Guggenheim Museum in New York. p. 7

Idea, Decision, Dependency

“Slavery discourages arts and manufactures.”

George Mason (1725–1792) American delegate from Virginia to the U.S. Constitutional Convention

August 22
Debates in the Federal Convention (1787)

“In the morning, when thou art sluggish at rousing thee, let this thought be present; “I am rising to a man’s work.””

Marcus Aurelius book Meditations

Meditations. v. 1.
Bartlett's Familiar Quotations, 10th ed. (1919)

“On 11 October 1908, having worked for six years at my international magazine Poesia, in an attempt to free the Italian lyrical genius that was under sentence of death from its traditional and commercial fetters, I suddenly felt that articles, poetry and controversies were no longer enough. It was absolutely crucial to switch methods, get out into the streets, lay siege to theaters, and introduce the fisticuffs into the artistic struggle... My Italian blood raced faster when my lips coined out loud the word FUTURISM.
It was the new formula of Action-Art and a code of mental health. It was a youthful and innovative banner, anti-traditional, optimistic, heroic and dynamic, that had to be hoisted over the ruins of all attachment to the past.”

Filippo Tommaso Marinetti (1876–1944) Italian poet and editor, founder of the Futurist movement

quote from 'Guerra sola igiene del mundo', in Edizione Futuriste di Poesia', Milan 1915; as quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 21
1910's

Death, Health, Youth, Past

“The imagination of these conquered peoples was dazzled by the introduction of Greek art, literature, philosophy, and public works. Though the successors of Alexander were unable to maintain the political control of the lands he conquered, and though successive waves of Roman, Arabian, and Tartar conquests swept over these lands in succeeding centuries, none of the later conquerors has been able wholly to eradicate the influence of Greek culture, nor to exterminate that element of population which was of Greek blood.”

Henry Morgenthau, Sr. (1856–1946) American diplomat

I was sent to Athens http://www.hri.org/docs/Morgenthau/

People, Imagination, Literature, Success

“The qualities called personal… and the ability to impart them, in greater or less degree, is the gage of genius in art.”

Ernest Flagg (1857–1947) American architect

Small Houses: Their Economic Design and Construction (1922)

Personality

“The art of war is simple enough. Find out where your enemy is. Get at him as soon as you can. Strike him as hard as you can, and keep moving on.”

Ulysses S. Grant (1822–1885) 18th President of the United States

Statement to John Hill Brinton, at the start of his Tennessee River Campaign, early 1862, as quoted in Personal Memoirs of John H. Brinton, Major and Surgeon U.S.V., 1861-1865 (1914) by John Hill Brinton, p. 239.
1860s

War, Moving On

“A good face, they say, is a letter of recommendation. O Nature, Nature, why art thou so dishonest, as ever to send men with these false recommendations into the World?”

Henry Fielding book Amelia

Book IX, ch. 5
Amelia (1751)

Men, World, Nature, Falseness

“Art is not a study of positive reality, it is the seeking for ideal truth.”

George Sand book La Mare au diable

L'art n'est pas une étude de la réalité positive; c'est une recherche de la vérité idéale.
La Mare au Diable, ch. 1 (1851); Frank Hunter Potter (trans.) The Haunted Pool (New York: Dodd, Mead, 1895) p. 15

Truth, Reality, Study

“I was taken to see the World Exhibition in Moscow [in 1880]. I found it all very boring. But when I came to a section devoted to art – there were only paintings, and this was the first time of my life [Jawlensky was 16 years old] I had seen paintings – I was so deeply affected that it was a case of Saul becoming Paul. It was the turning point of my life. Even since then art has been my ideal, my holy of holiest, that for which my entire soul and my entire self yearn.”

Alexej von Jawlensky (1864–1941) Russian painter

from: 'Lebenserinnerungen', 1938
Source: 1936 - 1941, Life Memories' (1938), p. 20

Life, World, Soul, Time

“Art is the pure realization of religious feeling, capacity for faith, longing for God... The ability to believe is our outstanding quality, and only art adequately translates it into reality. But when we assuage our need for faith with an ideology we court disaster.”

Gerhard Richter (1932) German visual artist, born 1932

Notes, 1988; as cited on collected quotes on the website of Gerhard Richter: 'on Art' https://www.gerhard-richter.com/en/quotes/art-1 <br class="br">1980's

God, Faith, Feeling, Reality

“Art has a double face, of expression and illusion, just like science has a double face: the reality of error and the phantom of truth.”

René Daumal (1908–1944) French poet and writer

Vol. 2, Essais et Notes
The Lie of the Truth (1938)

Truth, Error, Reality, Science

“The art most significantly affected by radio was music, since it was abolished the acoustic or mechanical limitations on the range of sounds. Music, the last of the arts to break out of the bodily prison that confines oral communication, had already entered the era of mechanical production before 1914 with the gramophone, although this was hardly yet within reach of the masses”

Eric Hobsbawm book The Age of Extremes

The Arts 1914-1945
The Age of Extremes (1992)

Music, Communication

“The power of art is that it can connect us to one another, and to larger truths about what it means to be alive and what it means to be human.”

Daniel Levitin (1957) American psychologist

This is Your Brain on Music (2006)

Truth

“In trying to be perfect, he perfected the art of anonymity.”

Dejan Stojanovic (1959) poet, writer, and businessman

Nowhere http://www.poemhunter.com/poem/nowhere-2/ <br class="br">From the poems written in English

Perfection

“Love divine, all loves excelling,
Joy of heaven to earth come down,
Fix in us thy humble dwelling,
All thy faithful mercies crown;
Jesu, thou art all compassion,
Pure unbounded love thou art,
Visit us with thy salvation,
Enter every trembling heart.”

Charles Wesley (1707–1788) English Methodist and hymn writer

Osborn G (1868), "The poetical works of John and Charles Wesley. Vol 4.", London: Wesleyan-Methodist Conference Office. Page 219, at archive.org. https://archive.org/details/poeticalworksofj04wesl

Love, Faith, Heart, Joy

“Art is the only power to free humankind from all repression.”

Joseph Beuys (1921–1986) German visual artist

Source: 1970's, Joseph Beuys... Public Dialogue' 1974, p. 5

“I helped my father who was a house painter and decorative painter. He made stage sets, he made glass paintings, he made everything. I was in the workshop and watched him. So as a child so-called art was not my view. That was, in my opinion, my father's job. But I liked to watch him; he comes, as my mother also, from a very craftsman's background. My father's parents were carpenters. They were also builders partly. They were painters. And several of them were very, active in the theater and all such nonsense, you know. On my mother's side there was much more heavy craft. They were blacksmiths. They made a specialty horse shoes and nails for them... So, as a child, my main fun was to watch others working. I loved to walk to the neighboring carpenter's place and up to the neighboring shoemaker in my home town.”

Josef Albers (1888–1976) German-American artist and educator

Homage to the square' (1964), Oral history interview with Josef Albers' (1968)

Love, Shoe, Home, Parent

“In the middle of the work of art, an artist often feels that he is failing. And he starts interfering with his inspiration. That is a mistake. The mistake. It is best to push on through. Such works frequently turn out to be the best. To fail is a very ordinary experience for an artist. To fail and fail and still go on, marks his character. Most people cannot bear to fail, even once. They think of security.”

Agnes Martin (1912–2004) American artist

1980 - 2000, The Skowhegan Lecture', 1987

People, Feeling, Thinking

“Man's need for art is absolutely primordial, as strong as, and perhaps stronger than, our need for bread. Without bread, we die of hunger, but without art we die of boredom.”

Jean Dubuffet book Prospectus et tous écrits suivants

As quoted in Jean Dubuffet, Works, writings Interviews, ed. Valerie da Costa and Fabrice Hergott; Ediciones Polígrafa, Barcelona 2006, p. 14
1960-70's, Prospectus et tous écrits suivants, 1967

Hunger, Strong

“I am now convinced that the Reformation of the church will come from the east. In the west there is no spiritual life. (I'm speaking of the Protestant church and not the Roman Catholic church.) We have civilisation and we try to keep up culture, but we have no spiritual life. The east has a spiritual life. They know that colour influences the spirit more than black lines. In Russia there is still the notion that art is nearer religion than thinking in lines and logic. All abstract rationalising needs to be filled out with sensual thinking and feelings. In Russia there is still a strong impression of colour.”

Martin Niemöller (1892–1984) German anti-Nazi theologian and Lutheran pastor

Statement on his admiration of the Eastern Orthodox traditions (1982), as quoted in Martin Niemöller, 1892-1984 (1984) by James Bentley, p. 207

Life, Religion, Feeling, Thinking

“For to pass by those Ancients, the wonderful Pythagoras, the sagacious Democritus, the divine Plato, the most subtle and very learned Aristotle, Men whom every Age has hitherto acknowledged as deservedly honored, as the greatest Philosophers, the Ring-leaders of Arts; in whose Judgments how much these Studies [mathematics] were esteemed, is abundantly proclaimed in History and confirmed by their famous Monuments, which are everywhere interspersed and bespangled with Mathematical Reasonings and Examples, as with so many Stars; and consequently anyone not in some Degree conversant in these Studies will in vain expect to understand, or unlock their hidden Meanings, without the Help of a Mathematical Key: For who can play well on Aristotle’s Instrument but with a Mathematical Quill; or not be altogether deaf to the Lessons of natural Philosophy, while ignorant of Geometry? Who void of (Geometry shall I say, or) Arithmetic can comprehend Plato’s 218 Socrates lisping with Children concerning Square Numbers; or can conceive Plato himself treating not only of the Universe, but the Polity of Commonwealths regulated by the Laws of Geometry, and formed according to a Mathematical Plan?”

Isaac Barrow (1630–1677) English Christian theologian, and mathematician

Source: Mathematical Lectures (1734), pp. 26-27

Men, Children, Age, Law

“Since my childhood I have enjoyed reading Martial Arts fiction. I write it myself first and foremost for my own pleasure, and then for the pleasure of my readers (there is also, of course, the financial reward…). I am just a storyteller, like the professional storytellers of the Song dynasty. I believe Martial Arts fiction is like Peking Opera, or ballad-singing, or dancing, or music—its main function is to give pleasure.”

Jin Yong

As quoted in the "Translator's Introduction" to The Deer and the Cauldron: A Martial Arts Novel, Book 1, trans. John Minford (Hong Kong: Oxford University Press, 1997), p. xi

Pleasure, Music, Singing, Reading

“As music is the poetry of sound, so is painting the poetry of sight, and the subject-matter has nothing to do with harmony of sound or of colour. The great musicians knew this. w:Beethoven and the rest wrote music — simply music; symphony in this key, concerto or sonata in that... Art should be independent of all claptrap — should stand alone, and appeal to the artistic sense of eye or ear, without confounding this with emotions entirely foreign to it, as devotion, pity, love, patriotism, and the like. All these have no kind of concern with it; and that is why I insist on calling my works 'arrangements' and 'harmonies.”

James McNeill Whistler (1834–1903) American-born, British-based artist

Propositions, 2
also in a letter to 'The World', London 22 Mai, 1878; as quoted in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, p. 186
1870 - 1903, The Gentle Art of Making Enemies' (1890)

Love, Music, Sense, Painting

“By now it has become a formula to attach new ideas on the grounds of extremism and unintelligibility. Every phase of modern art has in turn been attacked on these grounds, until the new phase became acceptable. Although the present attacks are focused on those who emphasize the subjective side of abstract painting, the threat to other sections of the modern painting is implicit. The attacks are always focused on those who are considered the black sheep, for reasons of non-conformity. They are conspicuous, because they are different, and therefore may be easy targets.”

Adolph Gottlieb (1903–1974) American artist

Gottlieb's comment on the attacks on artistic freedom in the United States, 1948
Quote from Gottlieb's lecture at Forum: the Artist Speaks, museum of Modern Art, New York, May 5, 1948.
1940s

Idea, Freedom, Painting

“The extraordinary stylistic changes of late eighteenth-century music may have provided much of the inspiration for the literature of the turn of the century, but the literary forms that resulted were deeply eccentric. It was these works—paradoxical, anticlassical, often with startlingly unbalanced proportions—which in turn influenced the music of the generation of composers that followed. The most clearly affected by literature and art were Schumann, Berlioz, and Liszt, but neither Mendelssohn nor Chopin remained untouched by literary developments, like the revival of Celtic and medieval poetry, as the overtures of Mendelssohn and the Ballades of Chopin explicitly demonstrate.”

Charles Rosen (1927–2012) American pianist and writer on music

Source: The Romantic Generation (1995), Ch. 2 : Fragments

Music, Literature, Change

“I too was filled with a sort of shyness and fear, as I was called to leave 'the world of will and idea' in which I had lived and created, and in whose reality I had believed. But the happy liberating touch of non-objectivity drew me out into the 'desert' where only feeling is real.... and so feeling became the content of my life. It was no 'empty square' I had exhibited but the feeling of non-objectivity. I perceived that the 'thing' and the 'idea' were taken to be equivalents of feeling, and understood the lie of the world of will and idea. Is the milk bottle the symbol of milk? Suprematism is the rediscovery of that pure art which in the course of time, and by an accretion of 'things', had been lost to sight.”

Kazimir Malevich (1879–1935) Russian and Soviet artist of polish descent

As quoted in Artists on Art; from the 14th – 20th centuries, ed. by Robert Goldwater and Marco Treves; Pantheon Books, 1972, London, p. 453
1921 - 1930

Life, Happiness, Lie, World

“A standard line, promoted by people like Clement Greenberg,… is that politics contaminates art, and Manet is often cited as an example of art for art's sake.”

Hans Haacke (1936) conceptual political artist

1990s, Portraits: Talking with Artists at the Met, the Modern, the Louvre, and Elsewhere, 1998

People

“Ikenobo Sen'o, a master of flower arranging, once said (the remark is to be found in his Sayings): "With a spray of flowers, a bit of water, one evokes the vastness of rivers and mountains." The Japanese garden too, of course symbolizes the vastness of nature. The Western garden tends to be symmetrical, the Japanese garden asymmetrical, and this is because the asymmetrical has the greater power to symbolize multiplicity and vastness. The asymmetry, of course, rests upon a balance imposed by delicate sensibilities. Nothing is more complicated, varied, attentive to detail, than the Japanese art of landscape gardening. Thus there is the form called the dry landscape, composed entirely of rocks, in which the arrangement of stones gives expression to mountains and rivers that are not present, and even suggests the waves of the great ocean breaking in upon cliffs.”

Yasunari Kawabata (1899–1972) Japanese author, Nobel Prize winner

Japan, the Beautiful and Myself (1969)

Mountain, Flowers, Nature, Water

“Why should our garments, made to hide
Our parents' shame, provoke our pride?
The art of dress did ne'er begin,
Till Eve our mother learn'd to sin.

When first she put the covering on,
Her robe of innocence was gone;
And yet her children vainly boast
In the sad marks of glory lost.”

Isaac Watts (1674–1748) English hymnwriter, theologian and logician

Song 22: "Against Pride in Clothes".
1710s, Divine Songs Attempted in the Easy Language of Children (1715)

Children, Sadness, Parent

“From the ancient strife of territorial acquisition we are labouring, I trust and believe, to substitute another, a peaceful and a fraternal strife among nations, the honest and the noble race of industry and art.”

William Ewart Gladstone (1809–1898) British Liberal politician and prime minister of the United Kingdom

An Examination of the official reply of the Neapolitan Government (London: John Murray, 1952), p. 50.
1850s

Peace

“The sculptor must learn to reproduce the surface, which means all that vibrates on the surface: spirit, soul, love, passion — life. … Sculpture is thus the art of hollows and mounds, not of smoothness, or even polished planes.”

Auguste Rodin (1840–1917) French sculptor

In; Victor Frisch, ‎Joseph Twadell Shipley (1939). Auguste Rodin. p. 203: About the act of creation.
1900s-1940s

Love, Life, Soul, Learning

“Diplomacy, n. The patriotic art of lying for one's country.”

Ambrose Bierce book The Devil's Dictionary

The Devil's Dictionary (1911)

Lying, Country

“It is widely supposed that the naked human body is in itself an object upon which the eye dwells with pleasure and which we are glad to see depicted. But anyone who has frequented art schools and seen the shapeless, pitiful model that the students are industriously drawing will know this is an illusion. The body is not one of those objects which can be made into art by direct transcription — like a tiger or a snowy landscape. Often in looking at the natural and animal world we joyfully identify ourselves with what we see and from this happy union create a work of art. This is the process students of aesthetics call empathy, and it is at the opposite pole of creative activity to the state of mind that has produced the nude. A mass of naked figures does not move us to empathy, but to disillusion and dismay.”

Kenneth Clark (1903–1983) Art historian, broadcaster and museum director

Source: The Nude: A Study in Ideal Form (1951), Ch. 1: The Naked and the Nude

Happiness, Pleasure, World, School

“…the importance of recovering the customs and the institutions of the past thus inaugurating the archaeological approach to art”

Raja Ravi Varma (1848–1906) Indian painter

Varma spoke on the occasion of the exhibition of his painting of the Sabine Woman who were supposed to have inspired him .[Mitter, Partha, Art and Nationalism in Colonial India, 1850-1922: Occidental Orientations, http://books.google.com/books?id=9mRTtkri8E0C&pg=PA406, 1994, Cambridge University Press, 978-0-521-44354-8, 411]

Past

“Tis certainly a kind of indignity to philosophy, whose sovereign authority ought every where to be acknowledg'd, to oblige her on every occasion to make apologies for her conclusions, and justify herself to every particular art and science, which may be offended at her.”

David Hume book A Treatise of Human Nature

Part 4, Section 5
A Treatise of Human Nature (1739-40), Book 1: Of the understanding

Science

“It seems to me that art is a great miracle-it is the showing forth of the Holy Spirit transubstantiation. It is to find and proclaim the poetry of life, without which there is no life.”

Jim Ede (1895–1990) art collector

Introduction,In Engrave Glass:David Peace,Cambridge 1973.

Life

“My aim has always been modest; I wanted to transform the arranged marriage (of art and architecture) into a love match.”

Marcelle Ferron (1924–2001) Canadian artist

Original in French: Mon propos a toujours été modeste, je voulais transformer ce mariage de raison en un mariage d'amour. <br class="br">Cited at : Ferron, Marcelle; Prix Paul-Émile-Borduas 1983; Catégorie : Culturelle http://www.prixduquebec.gouv.qc.ca/recherche/desclaureat.php?noLaureat=183 at prixduquebec.gouv.qc.ca, 2012-10-29

Love, Marriage

“I shall call Ideological State Apparatuses (ISAs) a certain number of realities which present themselves to the immediate observer in the form of distinct and specialized institutions:…
:*the religious ISA (the system of the different churches),
:*the educational ISA (the system of the different public and private ‘schools’),
:*the family ISA,
:*the legal ISA,
:*the political ISA (the political system, including the different parties),
:*the trade-union ISA,
:*the communications ISA (press, radio and television, etc.),
:*the cultural ISA (literature, the arts, sports, etc.).”

Louis Althusser book Lenin and Philosophy and Other Essays

Source: Lenin and Philosophy and Other Essays (1968), "Ideology and Ideological State Apparatuses", p. 96

Education, School, Family, Communication

“The great art in writing advertisements is the finding out a proper method to catch the reader's eye; without which a good thing may pass over unobserved, or be lost among commissions of bankrupt.”

Joseph Addison (1672–1719) politician, writer and playwright

No. 224.
The Tatler (1711–1714)

“Only a radical cleaning of social and artistic life as, in the domain of art, is already done by Dada, which is anti-sentimental and healthy to the core, since it is anti-art. Only unscrupulously striking down any systematically bred amateurism in any field, can prepare civilization for the 'New Vision's happiness which is greatly and purely alive in a dew people.”

Theo van Doesburg (1883–1931) Dutch architect, painter, draughtsman and writer

Quote from Van Doesburg's article: 'Is a Universal Plastic Notion Possible Today?', as cited in 'Bouwkundig weekblad' [a Dutch architectural magazine], XLI 39, 1920, pp. 230–231
this quote of Theo van Doesburg is one of his earliest Dada expressions
1920 – 1926

Life, Happiness, People

“Side by side with the production of metals, the Egyptians and the inhabitants of Mesopotamia perfected the arts of making glazed pottery… and the production of glass. …vessels were baked in tall closed furnaces. "Egyptian blue" was made in Egypt by heating silica with malachite and lime… applied with soda as a blue glaze on faience, and the blue glass is also colored with copper. Some early… Egyptian and Babylonian blue glass are coloured with cobalt.”

J. R. Partington (1886–1965) British chemist

A Short History of Chemistry (1937)

Color, Perfection

“Life isn't long enough for love and art.”

W. Somerset Maugham book The Moon and Sixpence

Source: The Moon and Sixpence (1919), Ch. 21, p. 80

Love, Life

“I do not believe that art must develop on national lines, but I am convinced that there never was and never will be an international art. There is and was French, German, Italian, and Flemish art. But I deny those specific definitions so fashionable with adepts of fascism which make of every country an hermetic cell from which all foreign artists are excluded. [shortly after the end of the German occupation]”

Ossip Zadkine (1890–1967) French sculptor

quote, New York, early 1944; as cited in: Artists on Art – from the 14th – 20th centuries, ed. Robert Goldwater and Marco Treves; Pantheon Books, 1972, London, p. 430
1940 - 1960

Fashion, Country

“A skepticism concerning what one beholds - whether in the arts, in the sciences, or in the deeply etched channels of fashionable response - contains a force essential to the survival of civilized man.”

Robert Ardrey book Plays of Three Decades

Plays of Three Decades: Thunder Rock / Jeb / Shadow of Heroes (1968)

Fashion, Science

“All my work is informed by personal experience. It is the seed to which I apply a transcendent dialogue. The idea for my first bubble machine was rooted in a complex combination of many memories. During the Second World War I was in my sister’s arms when I saw a young Filipino guerrilla shot by a Japanese soldier. The young guerrilla ran into our garden. The sight of him lying there dying, red blood bubbles foaming from his mouth, made a strong impression on me. Flying over the Grand Canyon on my first trip to America, visiting a soap factory at the bottom of Notre Dame de la Garde in Marseilles, a visit to a brewery in Edinburgh in Scotland: these left deep impressions as well. My mother cooking “guinataan”, a Philippine dessert made of coconut milk and tropical fruit, and the movement of clouds over Manila Bay near where I was born, inspired me to create a work of art that would express and embody the motion of clouds.”

David Medalla (1942) Filipino artist

Source: Adam Nankervis, " A Stitch in time http://moussemagazine.it/articolo.mm?id=707," in: Mousse Magazine.it, Issue 29, 2015

War, World, Lying, Idea

“My tears, O Ryno! are for the dead; my voice for those that have passed away. Tall thou art on the hill; fair among the sons of the vale. But thou shalt fall like Morar; the mourner shall sit on thy tomb. The hills shall know thee no more; thy bow shall lie in thy hall, unstrung!
Thou wert swift, O Morar! as a roe on the desert; terrible as a meteor of fire. Thy wrath was as the storm. Thy sword in battle, as lightning in the field. Thy voice was a stream after rain; like thunder on distant hills. Many fell by thy arm; they were consumed in the flames of thy wrath. But when thou didst return from war, how peaceful was thy brow! Thy face was like the sun after rain; like the moon in the silence of night; calm as the breast of the lake when the loud wind is laid.
Narrow is thy dwelling now! dark the place of thine abode! With three steps I compass thy grave, O thou who wast so great before. Four stones, with their heads of moss, are the only memorial of thee. A tree with scarce a leaf, long grass, which whistles in the wind, mark to the hunter's eye the grave of the mighty Morar.”

James Macpherson (1736–1796) Scottish writer, poet, translator, and politician

"The Songs of Selma"
The Poems of Ossian

War, Lie, Peace, Tear

“In art, too, there is room enough for exact research... What was accomplished in music before the end of the eighteenth century has hardly been begun in the pictorial field.”

Paul Klee (1879–1940) German Swiss painter

quote of Paul Klee from the text Exact experiments in the realm of art, 1928; as quoted in 'Klee & Kandinsky', 2015 exhibition text, Lenbachhaus und Kunstbau Munich, 2015-2016 https://www.zpk.org/en/exhibitions/review_0/2015/klee-kandinsky-969.html <br class="br">1921 - 1930

Music

“Your circumstances may be uncongenial, but they shall not long remain so if you but perceive an Ideal and strive to reach it. You cannot travel within and stand still without. Here is a youth hard pressed by poverty and labor; confined long hours in an unhealthy workshop; unschooled, and lacking all the arts of refinement. But he dreams of better things; he thinks of intelligence, of refinement, of grace and beauty. He conceives of, mentally builds up, an ideal condition of life; the vision of a wider liberty and a larger scope takes possession of him; unrest urges him to action, and he utilizes all his spare time and means, small though they are, to the development of his latent powers and resources.
Very soon so altered has his mind become that the workshop can no longer hold him. It has become so out of harmony with his mentality that it falls out of his life as a garment is cast aside, and, with the growth of opportunities which fit the scope of his expanding powers, he passes out of it forever.”

James Allen (1864–1912) British philosophical writer

As A Man Thinketh (1902), Visions and Ideals

Life, Youth, Beauty, Dreams

“Do not waste your faith and love on the political world, but, in the divine world of science and art, offer up your inmost being in a fiery stream of eternal creation.”

Karl Wilhelm Friedrich Schlegel (1772–1829) German poet, critic and scholar

Nicht in die politische Welt verschleudere du Glauben und Liebe, aber in der göttlichen Welt der Wissenschaft und der Kunst opfre dein Innerstes in den heiligen Feuerstrom ewiger Bildung.
“Ideas,” Lucinde and the Fragments, P. Firchow, trans. (1991), § 106

Love, World, Faith, Science

“It may be noted that in Neo-Plastic art the crucial thing is the right angel, that is, the right-angle lines. And not whether the position of the lines is vertical or horizontal... So it is possible to make very beautiful things while placing the lines in a diagonal position.”

Piet Mondrian (1872–1944) Peintre Néerlandais

In 'Neo-Plasticism: Home – Street – City', Piet Mondriaan, 'i 10', Jan. 1927
1920's

Beauty, Angels

“Now, if you [his sister, Suzanne Duchamp ] have been up to my place, you will have seen, in the studio, [his former studio in France, probably in Paris] a 'Bicycle Wheel' and a 'Bottle Rack'. [both art-works became later famous ready-mades of Duchamp] – I bought this as a ready-made sculpture [sculpture tout faite]. And I h have a plan concerning this so-called bottle rack. Listen to this. Here in N. Y., I have bought various objects in the same taste and I treat them as 'ready-mades'. You know enough English to understand the meaning of 'ready-made' [tour fait] that I give these objects. – I sign them and think of an inscription for them in English. I'll give you a few examples. I have, for example, a large snow shovel on which I have inscribed at the bottom: In advance of the broken arm, French translation: 'En avance dus bras cassé' – (Don't tear your hair out) trying to understand this in the Romantic or impressionist or Cubist sense – it has nothing to do with all that. Another 'readymade' is called: Emergency in favour of twice possible French translation: Danger \Crise \en favour de 2 fois. This long preamble just to say: Take this bottle rack for yourself. I'm making it a 'readymade' remotely. You are to inscribe it at the bottom and on the inside of the bottom circle, in small letters painted with a brush in oil, silver white colour, with an inscription which I will give you herewith, and then sign it, in the same handwriting, as follows: [after] Marcel Duchamp.”

Marcel Duchamp (1887–1968) French painter and sculptor

long quote from Duchamp's letter to his sister Suzanne Duchamp, New York, c. 15 Jan. 1916; as quoted in The Duchamp Book, ed. Gavin Parkinson, Tate Publishing, London 2008 pp. 157-158
1915 - 1925

Understanding, Thinking, Sense, Sister

“(Art worlds) consist of all the people whose activities are necessary to the production of the characteristic works which that world, and perhaps others as well, define as art.”

Howard S. Becker (1928) American sociologist

Source: Art Worlds (1982), p. 34.

People, World

“The arts of power and its minions are the same in all countries and in all ages. It marks its victim; denounces it; and excites the public odium and the public hatred, to conceal its own abuses and encroachments.”

Henry Clay (1777–1852) American politician from Kentucky

Speech, Senate (14 March 1834).

Age, Country

“Our time is Gothic in its spirit. Unlike the Renaissance, it is not dominated by a few outstanding personalities. The twentieth century has established the democracy of the intellect. In the republic of art and science there are many men who take an equally important part in the intellectual movements of our age. It is the epoch rather than the individual that is important. There is no one dominant personality like Galileo or Newton. Even in the nineteenth century there were still a few giants who outtopped all others. Today the general level is much higher than ever before in the history of the world, but there are few men whose stature immediately sets them apart from all others.”

Albert Einstein (1879–1955) German-born physicist and founder of the theory of relativity

1920s, Viereck interview (1929)

Men, Age, World, Democracy

“The second observation is that poetry is a universal human art. Despite post-modern theories of cultural relativism that assert there are no human universals, there exists a massive and compelling body of empirical data, collected and documented by anthropologists, linguists, and archeologists that demonstrates there is no human society, however isolated, that has not developed and employed poetry as a cultural practice. Most of this poetry, of course, has been oral poetry. Many of these cultures never developed writing. But the fact remains—and it is a demonstrable fact, not mere opinion—that every society has developed a special class of speech, shaped by apprehensible patterns of sound, namely, poetry”

Dana Gioia (1950) American writer

9-10
Essays, Can Poetry Matter? (1991), Poetry as Enchantment (2015)

Universe

“Is not the training of an artist a training in the due relation of one thing with another, and in the faculty of expressing that relation clearly; and, even more, a training in the faculty of disengaging from self the very essence of self — and passing that essence into other selves by so delicate means that none shall see how it is done, yet be insensibly unified? Is not the artist, of all men, foe and nullifier of partisanship and parochialism, of distortions and extravagance, the discoverer of that jack-o'-lantern — Truth; for, if Truth be not Spiritual Proportion I know not what it is. Truth it seems to me — is no absolute thing, but always relative, the essential symmetry in the varying relationships of life; and the most perfect truth is but the concrete expression of the most penetrating vision. Life seen throughout as a countless show of the finest works of Art; Life shaped, and purged of the irrelevant, the gross, and the extravagant; Life, as it were, spiritually selected — that is Truth; a thing as multiple, and changing, as subtle, and strange, as Life itself, and as little to be bound by dogma. Truth admits but the one rule: No deficiency, and no excess! Disobedient to that rule — nothing attains full vitality. And secretly fettered by that rule is Art, whose business is the creation of vital things.”

John Galsworthy (1867–1933) English novelist and playwright

Vague Thoughts On Art (1911)

Life, Men, Truth, Business

“He who would do good to another must do it in minute particulars;
General good is the plea of the scoundrel, hypocrite, and flatterer:
For art and science cannot exist but in minutely organized Particulars.”

William Blake (1757–1827) English Romantic poet and artist

Source: 1800s, Jerusalem The Emanation of The Giant Albion (c. 1803–1820), Ch. 3, plate 55, line 60

Science

“As an art form, opera is a rare and remarkable creation. For me, it expresses aspects of the human drama that cannot be expressed in any other way, or certainly not as beautifully.”

Luciano Pavarotti (1935–2007) Italian operatic tenor

Pavarotti : My World (1995)

Way

“Efficiency of a practically flawless kind may be reached naturally in the struggle for bread. But there is something beyond — a higher point, a subtle and unmistakable touch of love and pride beyond mere skill; almost an inspiration which gives to all work that finish which is almost art — which is art.”

Joseph Conrad book The Mirror of the Sea

Source: The Mirror of the Sea (1906), Ch. 7

Love, Nature

“Physics is an organized body of knowledge about nature, and a student of it says that he is learning physics, not nature. Art, like nature, has to be distinguished from the systematic study of it, which is criticism.”

Northrop Frye (1912–1991) Canadian literary critic and literary theorist

"Quotes", Anatomy of Criticism: Four Essays (1957), Polemical Introduction

Nature, Knowledge, Study, Learning

“Art! Who comprehends her? With whom can one consult concerning this great goddess?”

Ludwig Van Beethoven (1770–1827) German Romantic composer

Letter to Bettina von Arnim (11 August 1810)

“The role of the 'representational arts' - painting, sculpture, and even architecture…. has ended, as it is no longer necessary for the consciousness of our age, and everything art has to offer can simply be classified as a throwback.”

Lyubov Popova (1889–1924) Russian artist

Quote, c. 1921; from Lyubov' Popova, in 'Commentary on Drawings', trans. ed. James West, in Art Into Life: Russian Constructivism, 1914-1932; catalogue for exhibition Rizzoli, New York: 1990, p. 69 (Popova's original text, in the Manuscript Division, State Tretiakov Gallery, Moscow, f. 148, ed. khr. 17, 1. 4.)

Age, Painting

“The essential art of dying consists of being easy-going and relaxed while at the same time staying mentally undistracted and one-pointed. Therefore, the one who is dying should imagine the most beautiful thing above his head and wish to go there as often as possible.”

Lama Ole Nydahl (1941) Danish lama

Fearless Death: Buddhist Wisdom on the Art of Dying (2012)

Beauty, Imagination, Time

“All great art has madness, and quite a lot of bad art has it, too.”

William Saroyan (1908–1981) American writer

My Heart's in the Highlands (1939)

Madness

“The Greek “point of view” in both art and chronology has little in common with ours but was much like that of the Middle Ages.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1960s, The Gutenberg Galaxy (1962), p. 64

Age

“Ever since 1953, when Russell Kirk produced its intellectual coat of arms, conservatism has been "what Edmund Burke wrote." This is the equivalent of Arthur Danto’s institutional theory of art—art is whatever the art world says it is. But it’s also a cop-out. Instead of analyzing conservatism in an Aristotelian way, instead of asking how we use the term in real life, we just describe Burke. In the process, don’t we risk fleeing into what Tanenhaus calls an "alternative universe"? If conservatives are "glaringly disconnected from the realities now besetting America," as Tanenhaus says, why is the solution to be more like a man who wore a powdered wig? Liberals have problems of their own, but, to their credit, they don’t sit around debating whether Hillary Clinton or John Edwards is the "real Rousseauian."”

Mark Riebling (1963) American writer

Conservatism Turned Upside Down: Sam Tanenhaus' Critique of Conservative Reason (2009)

Life, World, Way, Problem

“There is also a considerable tendency to define the subject as a kind of meeting place of science and art. This is exemplified by Eckert. He pleads for artistic imagination and intuition in cartographic portrayal and claims that the inter-action of such talents with scientific geography produces the aesthetic map. There is no question about the importance of imagination and new ideas, but it is equally important that significant processes be objectively investigated, whether it be the visual consumption of a graphic technique or a process in geomorphology. It can perhaps best be approached by a comparison of the aims, techniques involved, and the results accomplished by each activity”

Arthur H. Robinson (1915–2004) American geographer

Source: The Look of Maps (1952), p. 17; as cited in: Kirk Patrick Goldsberry (2007) Real-time Traffic Maps. p. 23-24

Imagination, Idea, Question, Science

“The very system of education which was deemed essential for forging bonds of unbroken alliance with the British power succeeded in unleashing revolutionary ideas and thoughts, which ultimately helped to throw off the yoke of alien rule in India. If we take a dispassionate view of what happened during the last one century, we must acknowledge that this has been an era in which good has been mixed with evil. The contact between the Indian mind and western thought and civilisation did not enslave the soul of India. In every domain of thought, in arts and architecture, in science, in history, philosophy and letters, in social services and in religious thought, great Indians gave their best, maintaining their stamp of originality as well as imbibing and assimilating fruits of western skill and knowledge. Though the number of Indians affected by such spread of knowledge was comparatively small, many of them assumed a much needed political leadership and became the instruments of agitation and mass movements, leading ultimately to the political liberation of their country. The cultural Renaissance preceded and created the silent Revolution.”

Syama Prasad Mookerjee (1901–1953) Indian politician

Speech delivered at Delhi University Convocation on 13th December 1952.

Education, Soul, History, Idea

“The rolling wheel, that runneth often round,
The hardest steel in tract of time doth tear;
And drizzling drops, that often do redound,
The firmest flint doth in continuance wear:
Yet cannot I, with many a dropping tear,
And long entreaty, soften her hard heart,
That she will once vouchsafe my plaint to hear,
Or look with pity on my painful smart:
But when I plead, she bids me play my part;
And when I weep, she says, "Tears are but water";
And when I sigh, she says, "I know the art";
And when I wail, she turns herself to laughter;
So do I weep and wail, and plead in vain,
Whiles she as steel and flint doth still remain.”

Edmund Spenser Amoretti

Amoretti (1595), Sonnet XVIII https://www.bartleby.com/358/784.html

Pain, Tear, Laughter, Water

“It just isn't going to work, and it's very interesting that the man who invented this type of what I call a voodoo economic policy is Art Laffer, a California economist.”

George H. W. Bush (1924–2018) American politician, 41st President of the United States

George H. W. Bush, Speech at Carnegie Mellon University (10 April 1980)

“I am convinced the most unfortunate people are those who would make an art of love. It sours other effort. Of all artists, they are certainly the most wretched.”

Norman Mailer (1923–2007) American novelist, journalist, essayist, playwright, film maker, actor and political candidate

Source: The Man Who Studied Yoga (1956), Ch. 5

Love, People, Effort

“Some students at BYU perceive general education as an unfortunate burden that does little for them professionally. I was rudely awakened to this perception the first time that I taught Biology 100. Having loved biology my entire life, I assumed that all 250 students in my class would be as enthusiastic as I was to study biology. I quickly learned that most of my students dreaded having to take the course and had little interest in the sciences. My challenge was to help them learn to reverently admire the intricate wonders of God's creation that are evident when we study life. General education is especially important at BYU, for here a thoughtful study of the arts and sciences can be, in President Kimball's words, "bathed in the light and color of the restored gospel."”

Daniel J. Fairbanks (1956) American artist

Let me share with you a few of my own experiences.
The quoted line is taken from "Education for Eternity" (12 Septemebr 1967), by Spencer W. Kimball, p. 11, preschool address to BYU faculty and staff.
The Arts, the Sciences, and the Light of the Gospel (2000)

Love, Life, God, Education

“[Footnote] At the age of twelve Nero had shown a lively interest in the arts, particularly music, painting, sculpture, and poetry. Why was nothing done about this?”

Will Cuppy (1884–1949) American writer

The Decline and Fall of Practically Everybody (1950), Part II: Ancient Greeks and Worse, Nero

Age, Music, Painting

“The development of plastic art is determined by the will to visualize. Art of the past represented the subjective vision of 'naturalistic relationships'. Neoplasticism embodies a subjective vision of 'plastic' relationships… Pure thought, which does not signify a concept derived from natural phenomena but which is contained in numbers, measures, relationships and abstract lines, is revealed conceptually (as Reason) by Chinese, Greek and German philosophy, and aesthetically by contemporary Neoplasticism [= De Stijl.”

Theo van Doesburg (1883–1931) Dutch architect, painter, draughtsman and writer

Quote in Van Doesburg's art-review, published in: 'Thought – Vision – Creation', in De Stijl Vol ll, 2 December 1918; as quoted in 'Theo van Doesburg', Joost Baljeu, Studio Vista, London 1974, pp. 108–109
1912 – 1919

Nature, Past

“I prize thy gentle heart,
Free from ambition, falsehood, or art,
And thy good mind,
Daily refined,
By pure desire
To fan the heaven-seeking fire.”

Margaret Fuller (1810–1850) American feminist, poet, author, and activist

Life Without and Life Within (1859), A Greeting

Heart

“The artist makes art not to save mankind but to save himself. Every benevolent comment by an artist is a fog to cover his tracks, the bloody trail of his assault against reality and others.”

Camille Paglia (1947) American writer

Source: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 29

Reality

“Every speech, for Olivier, is like a mass of marble at which the sculptor chips away until its essential form and meaning are revealed. No matter how ignoble the character he plays, the result is always noble as a work of art.”

Kenneth Tynan (1927–1980) English theatre critic and writer

"Laurence Olivier" (1966), p. 208
Profiles (1990)

“I know I shall be called heterodox, and that unseen lightning flashes and unheard thunderbolts will be playing around my head, when I say that women will never be profound students in any other department except music while they give four hours a day to the practice of music. I should by all means encourage every woman who is born with musical gifts to study music; but study it as a science and an art, and not as an accomplishment; and to every woman who is not musical, I should say, 'Don't study it at all;' you cannot afford four hours a day, out of some years of your life, just to be agreeable in company upon possible occasions. If for four hours a day you studied, year after year, the science of language, for instance, do you suppose you would not be a linguist? Do you put the mere pleasing of some social party, and the reception of a few compliments, against the mental development of four hours a day of study of something for which you were born? When I see that girls who are required by their parents to go through with the irksome practising really become respectable performers, I wonder what four hours a day at something which they loved, and for which God designed them, would do for them. I should think that to a real scientist in music there would be something mortifying in this rush of all women into music; as there would be to me if I saw every girl learning the constellations, and then thinking she was an astronomer!”

Maria Mitchell (1818–1889) American astronomer

Maria Mitchell: Life, Letters and Journals (illustrated) by Maria Mitchell, 1896, p. 189.

Love, Life, Women, God

“The works of art, by being publicly exhibited and offered for sale, are becoming articles of trade, following as such the unreasoning laws of markets and fashion; and public and even private patronage is swayed by their tyrannical influence.”

Albert, Prince Consort (1819–1861) husband of Queen Victoria

"Albert, Prince" The Oxford Dictionary of Quotations. Ed. Elizabeth Knowles. Oxford University Press, 2004. Oxford Reference Online. Oxford University Press. Accessed on 20 November 2008 http://www.oxfordreference.com/views/ENTRY.html?subview=Main&entry=t115.e51

Law, Fashion