Quotes about art
page 15

“Use art, be creative. No more war. No more children dying. A pawn that does not move in chess upsets the game. I know there is love in the world still and that is what I wish to surround myself with. Sacrifice your time and energy into something positive instead of the negative and you will see that change around you.”

Lorin Morgan-Richards (1975) American poet, cartoonist, and children's writer

Speaking at the Get Shamrocked Irish Festival (19 September 2014).

Love, War, Children, World

“A mere savage, ignorant and brutal, and the creature of appetite alone, can never rise from his degradation, until he has learned to draw from the mineral kingdom the instruments of arts and civilization, or, at least, to use the aids that are thus obtained. The axe, the hoe, the plough, the loom, are inseparable means and companions of his advancement.”

Gideon Mantell (1790–1852) British scientist and obstetrician

Vol. 1
The Wonders of Geology (1839)

Learning, Drawing

“My art flatters nobody by imitation, it courts nobody by smoothness, nobody by petitelieness without either fal-de-lal or fiddle-de-dee; how then can I hope to be popular?”

John Constable (1776–1837) English Romantic painter

Quote from John Constable's letter to Mr. C.R. Leslie 22 June 1832
1830s

Hope

“The sharp side of the knife goes away from you. Pure reason does not trump brute force but suprisingly few people know what hot peppers look like when the teacher asks if you have enough to share with everyone. Never take the lid of a pressure cooker 'to see if it's done yet'. Even if you are careful with the picric acid that won't matter if you are careless with other items next to it. Move *away* from mysterious burglar alarms. Do not append 'you moron' to exposition directed at people who have just broken into your building. 'We need to talk' is overwhelmingly unlikely to precede good news. A rough brick wall may be used to sort socks or as a backdrop for sock-art (The Neglected Art). A silent cat is Up to Something. Lungs are unsuited for many possible atmospheres, including that of London, and anything with a high content of industrial cleaners. Youth will not save you from Newton's Laws. Or Darwin's.”

James Nicoll (1961) Canadian fiction reviewer

Facebook post (2014) https://www.facebook.com/james.nicoll.927/posts/10152710405547985 2010s

People, Youth, Law, Cats

“As satirists have pointed out for millennia, civilized behavior is artificial and ridiculous: it means pretending to be glad to see people you aren’t glad to see, praising parties you wished you hadn’t gone to, thanking friends for presents you wish you hadn’t received. Training kids to feign a passion is the art of parenting. The passions they really have belong only to them.”

Adam Gopnik (1956) American journalist

How to Raise a Prodigy, The New Yorker (2018)

People, Behavior, Parent, Passion

“The default designation of poetry has become written poetry. That's why we have to prefix the adjective "oral," because the unmodified noun no longer covers anything but written poetry. That's also why we resort to other unwieldy phrases to pigeonhole events and phenomena that our cultural proclivities have silently eliminated from consideration. Thus a "poetry reading" describes a performance (from a published text, of course) before a well-behaved, often academic audience. Thus "spoken-word poetry"—so redundant from a historical perspective—identifies voiced verbal art, verse that is lifted off the page and into the world of presence and experience.”

John Miles Foley (1947–2012) American literary scholar

How to Read an Oral Poem (2002), p. 30

World, Reading

“Let us suppose that the idea of art can be expanded to embrace the whole range of man-made things, including all tools and writing in addition to the useless, beautiful, and poetic things of the world. By this view the universe of man-made things simply coincides with the history of art. It then becomes urgent to devise better ways to devise better ways of considering everything men have made. This we may achieve sooner by proceeding from art rather than from use, for if we depart from use alone, all useless things are overlooked, but if we take the desirableness of things as our point of departure, then useful objects are properly seen as things we value more or less dearly.”

George Kubler (1912–1996) American art historian

Source: The Shape of Time, 1982, p. 1

Men, World, Beauty, Way

““With a few movements of the eye, he could manifest the mountains, the ocean, the rivers, the moonlit valleys, torrential rain, the gait of the swan and the elephant, a tornado, the opening of the lotus flowers and a lot else. To see him do it was to know that he was a non-pareil”
- P. T. Narendra Menon (noted art critic and poet), 1990”

Mani Madhava Chakyar (1899–1990) Indian actor

Source: Abhinaya and Netrābhinaya, P.T. Narendra Menon, Kulapati of Koodiyattam, Sruti- India's premier Music and Dance magazine, August 1990 issue (71).

Mountain, Flowers

““the greatest eye-wizard of the world!”
- Stella Kramrisch - Curator of Indian Art, Philadelphia Museum of Art, USA, c1980”

Mani Madhava Chakyar (1899–1990) Indian actor

Source: Abhinaya and Netrābhinaya, p. 299, Das Bhargavinilayam, Mani Madhaveeyam http://www.kerala.gov.in/dept_culture/books.htm(biography of Mani Madhava Chakyar), Department of Cultural Affairs, Government of Kerala, 1999, ISBN 81-86365-78-8

World

“The artist make things move, and is moved. He is policeman, motor car, everything at once. He who makes things move also creates rest. That which aesthetically is brought to rest is art.”

Piet Mondrian (1872–1944) Peintre Néerlandais

In 'The Grand Boulevards' (of Paris), Piet Mondriaan, in 'De Groene Amsterdammer', 27 March 1920 pp. 4-5
1920's

Cars

“The violent quarrel between the abstractionists [like Barbara Hepworth and Ben Nicholson, both English sculptors] and the surrealists seems to me quite unnecessary. All good art has contained both abstract and surrealist elements, just as it has contained both classical and romantic elements – order and surprise, intellect and imagination, conscious and unconscious. Both sides of the artist’s personality must play their part. And I think the first inception of a painting or a sculpture may begin from either end.”

Henry Moore (1898–1986) English artist

Source: 1925 - 1940, The sculptor speaks' (1937), pp. 254-255

Imagination, Thinking, Parting, Painting

“As poetry is a species of art, its essential principle must be a specific development of the principle essential to all art; and it will merely remain for us to determine what the specific addition is, which the peculiar conditions of the poet's art make to the principle of art in general.”

George Holmes Howison (1834–1916) American philosopher

Source: The Limits of Evolution, and Other Essays, Illustrating the Metaphysical Theory of Personal Ideaalism (1905), The Art-Principle as Represented in Poetry, p.182

“Telling lies is a fault in a boy, an art in a lover, an accomplishment in a bachelor, and second-nature in a married man.”

Helen Rowland (1875–1950) American journalist

http://www.goodreads.com/author/quotes/975693.Helen_Rowland
Other

Boy, Lovers, Nature

“Mankind has failed miserably in its effort to devise a rational system of government. […] The art of government is the exclusive possession of quacks and frauds. It has been so since the earliest days, and it will probably remain so until the end of time.”

H.L. Mencken (1880–1956) American journalist and writer

201
1940s–present, Minority Report : H.L. Mencken's Notebooks (1956)

Fraud, Effort, Time

“The first impression and a natural one is, that the fine arts have risen or declined in proportion as patronage has been given to them or withdrawn, but it will be found that there has often been more money lavished on them in their worst periods than in their best, and that the highest honours have frequently been bestowed on artists whose names are scarcely now known.”

John Constable (1776–1837) English Romantic painter

Lecture, Literary and Scientific Institution, Hampstead, (25 July 1836), from notes taken by C.R. Leslie
1830s, his lectures History of Landscape Painting (1836)

Money, Nature

“The strategic act by which Grosseteste and his thirteenth- and fourteenth-century successors created modern experimental science was to unite the experimental habit of the practical arts with the rationalism of twelfth-century philosophy.”

Alistair Cameron Crombie (1915–1996) Australian zoologist, historian of science

Robert Grosseteste and the Origins of Experimental Science 1100-1700 (1953)

Science

“But I am no longer trying to formulate a stylised version of anxiety such as we find in the Laocoon group and in so many other sculptures of the Silver Age of antiquity. I feel that these works are always a bit too melodramatic. If you really want to find the sources of my present style [1958] in antiquity, I must confess that you will find them in the remains of the life of the past rather than in those of its art. The fossilized corpses that have been unearthed in Pompeii.... if the whole earth is destroyed in our atomic age, I feel that the human forms which may survive as mere fossils will have become sculptures similar to mine.”

Marino Marini (1901–1980) Italian sculptor

Source: Interview with Edouard Roditi' (1958), p. 88

Life, Age, Feeling, Past

“Thou art! directing, guiding all, Thou art!
Direct my understanding then to Thee;
Control my spirit, guide my wandering heart:
Though but an atom midst immensity.”

Gavrila Derzhavin (1743–1816) Russian poet

Poemː God
Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 283.

Understanding, Heart

“A world that is faithless would not be without the arts, either. Those don’t rest on faith, so imaginative art, literature, and music would still be with us. Too, we would retain justice, law, and compassion, perhaps in even greater measure than now, for our judgment wouldn’t be warped by adherence to unevidenced divine strictures.”

Jerry Coyne book Faith vs. Fact: Why Science and Religion are Incompatible

Source: Faith vs. Fact (2015), p. 261

World, Faith, Justice, Law

“Or is all this fuss actually important for << art history >>? Oh, no, never. If things only ever originated as a result of such competition (between subject- and subjectless art), it wouldn't be worth living among them, like an accidental, capricious toy. Clearly there is a greater, a more serene and more modest power, but we are either too lazy to live by its laws, or we have no time, or it "hurts too much."”

Marc Chagall (1887–1985) French artist and painter

Quote in Chagall's letter to A. N. Benois, 1918; as quoted in Marc Chagall - the Russian years 1906 – 1922, editor Christoph Vitali, exhibition catalogue, Schirn Kunsthalle Frankfurt, 1991, p. 150
1910's

Law, History, Time, Hurt

“With Vytautas Juozapaitis as a perfectly evil Don Giovanni, the Teatro Lirico d'Europa seduced an audience of about 850 at the Garde Arts Center Monday night. Juozapaitis, a singer with the Lithuanian National Opera, stood out as the despicable title character of this most famous of Mozart operas. He took over the stage with both his supple and strong voice as well as a stage presence that seemed so natural it was hard to look at him without thinking he was Don Giovanni.”

Vytautas Juozapaitis (1963) Lithuanian opera singer

Lee Howard, "'Don Giovanni' Delights Opera Fans at the Garde". The New London Day (April 1, 2004)

Nature, Thinking, Strong, Evil

“Art is a revolt against fate.”

André Malraux (1901–1976) French novelist, art theorist and politician

Part IV, Chapter VII
Les voix du silence [Voices of Silence] (1951)

Fate

“I was attracted to video art because it allowed me to combine a strong sense of content with formal innovation. The field was wide open and allowed for a great deal of experimentation for creating new forms.”

Beryl Korot (1945) American artist

Source: Meeker, Carlene. " Beryl Korot http://jwa.org/encyclopedia/article/korot-beryl." Jewish Women: A Comprehensive Historical Encyclopedia. 1 March 2009. Jewish Women's Archive. (Viewed on July 9, 2015)

Sense, Strong

“The Age of Insight is a product of my subsequent fascination with the intellectual history of Vienna from 1890 to 1918, as well as my interest in Austrian modernist art, psychoanalysis, art history, and the brain science that is my life's work. In this book I examine the ongoing dialogue between art and science that had its origins in fin-de-siècle Vienna…”

Eric R. Kandel (1929) American neuropsychiatrist

The Age of Insight (2012)
Variant: The Age of Insight is a product of my subsequent fascination with the intellectual history of Vienna from 1890 to 1918, as well as my interest in Austrian modernist art, psychoanalysis, art history, and the brain science that is my life's work. In this book I examine the ongoing dialogue between art and science that had its origins in fin-de-siècle Vienna...

Life, Age, History, Science

“[learning European modern art by seeing it in the art-magazine 'w:Cahiers d'art']…. my heritage was all those things; [De Stijl, Constructivism, Cubism, Surrealism ] simultaneously, so I am all those things. I hope with a very strong intellectual regard for Cubism, and an admiration for it, because it was great at a particular time. It was both painting and sculpture. It was a great point of liberation in both painting and sculpture, and especially sculpture. [David Smith was one of the few sculptors in the art scene of American Abstract Expressionism ]”

David Smith (1906–1965) American visual artist (1906-1965)

In an interview with w:David Sylvester (1960), edited for BBC broadcasting: first published in 'Living Arts', April 1964; as quoted in Interviews with American Artists, by David Sylvester; Chatto & Windus, London 2001, p. 8
1960s

Hope, Strong, Learning, Time

“We cleave to the past too much in Germany. All of our German art is too bogged down in the conventional... I think more highly of a free person who consciously puts convention aside.”

Paula Modersohn-Becker (1876–1907) German artist

As quoted in: Norbert Wolf, ‎Uta Grosenick (2004) Expressionism, p. 74
undated quotes

Thinking, Past, Personality

“Art does not ask about the age, just expects a lot.”

Łukasz Pawlikowski (1997) Polish cellist

Sztuka nie pyta o wiek, tylko oczekuje wiele. A little cellist from Krakow conquers the world, warszawa.naszemiasto.pl, 2008-04-02, Polish http://warszawa.naszemiasto.pl/archiwum/1664386,maly-wiolonczelista-z-krakowa-podbija-swiat,id,t.html,

Age

“I want the respect of intelligent men but I will choose for myself the intelligent. I love art but I decide for myself what is art. I adore beauty but only my own soul shall tell me what is beauty. I worship God but I define and describe God for myself. I am an individual. The pleasure of my own heart shall be first to inform me when I have done good work.”

Carl Sandburg (1878–1967) American writer and editor

"Egoism" as quoted by Amy Lowell, "Edgar Lee Masters and Carl Sandburg," Tendencies in Modern American Poetry http://books.google.com/books?id=UgZaAAAAMAAJ (1917)

Love, Men, God, Pleasure

“In the largest sense, every work of art is protest. … A lullaby is a propaganda song and any three-year-old knows it. … A hymn is a controversial song — sing one in the wrong church: you'll find out. …”

Pete Seeger (1919–2014) American folk singer

Pop Chronicles, Show 33 - Revolt of the Fat Angel: American musicians respond to the British invaders. Part 1 http://digital.library.unt.edu/ark:/67531/metadc19792/m1/, interview recorded 2.14.1968 http://web.archive.org/web/20110615153027/http://www.library.unt.edu/music/special-collections/john-gilliland/o-s.

Sense, Singing

“A winning wave, deserving note,
In the tempestuous petticoat,
A careless shoestring, in whose tie
I see a wild civility,
Do more bewitch me than when art
Is too precise in every part.”

Robert Herrick book Hesperides

"Delight in Disorder".
Hesperides (1648)

Parting

“Death is an endless night so awful to contemplate that it can make us love life and value it with such passion that it may be the ultimate cause of all joy and all art.”

Paul Theroux (1941) American travel writer and novelist

Hockney’s Alphabet, D is for Death, ed. Stephen Spender (1991)
Book published to raise money for AIDS victims.

Love, Life, Death, Passion

“Life being all inclusion and confusion, and art being all discrimination and selection, the latter, in search of the hard latent value with which it alone is concerned, sniffs round the mass as instinctively and unerringly as a dog suspicious of some buried bone.”

Henry James book The Spoils of Poynton

The Spoils of Poynton.
Prefaces (1907-1909)

Life, Dogs, Search

“The new Christian ideal of life did not at first alter the outward forms of art, but did alter its social function.”

Arnold Hauser (1892–1978) Hungarian art historian

The Social History of Art, Volume I. From Prehistoric Times to the Middle Ages, 1999, Chapter IV. The Middle Ages

Life

“When I first came to Arsenal, I realised the back four were all university graduates in the art of defending. As for Tony Adams, I consider him to be a doctor of defence. He is simply outstanding.”

Arsène Wenger (1949) French footballer and manager

On Arsenal's famous back four, (1997)
Quotations from the Public Comments of Arsene Wenger: Manager, Arsenal Football Club (2005)

Universe

“I can tell you that once upon a time when I was doing public events people would ask me, "What do you think about the arts?, What do you think of the role of women?, What do you think of men?, What do you think of all of these things?", and now they ask one thing, and that one thing is this, "Is there hope?"”

Margaret Atwood (1939) Canadian writer

Turning Pages: The Life and Literature of Margaret Atwood (2007)

Women, Men, People, Hope

“There was a whole language that I could never make function for myself; it revolved around words like 'tortured', 'struggle'. 'pain'… I could never see these qualities in paint – I could see them in life and art that illustrates life. But I could not see such conflicts in the materials and I knew that it had to be in the attitude of the painter.”

Robert Rauschenberg (1925–2008) American artist

Source: 21st Century, Robert Rauschenberg, Works, Writings and Interviews, 2006, p. 37

Life, Pain, Painting

“Forty years ago, when Dylan Thomas read, he spent half the program reciting other poets' work. Hardly a self-effacing man, he was nevertheless humble before his art. Today most readings are celebrations less of poetry than of the author's ego. No wonder the audience for such events usually consists entirely of poets, would-be poets, and friends of the author.”

Dana Gioia (1950) American writer

Essays, Can Poetry Matter? (1991)

Reading

“The human body is an instrument for the production of art in the life of the human soul.”

Alfred North Whitehead (1861–1947) English mathematician and philosopher

Source: 1930s, Adventures of Ideas (1933), p. 349.

Life, Soul

“Good-breeding, or true politeness, is the art of showing men by external signs the internal regard we have for them. It arises from good sense, improved by good company. It must be acquired by practice and not by books.”

Thomas Jackson (1824–1863) Confederate general

Misattributed, Jackson's personal book of maxims

Men, Books, Sense

“Contemporary art -- the field we are usually working in because there's money -- is mostly concerned with systems or systematic concepts. In the context of their work, artists adapt models of individual art-specific or economic or political systems like in a laboratory, to reveal the true nature of these systems by deconstructing them. So would it be fair to say that by their chameleon-like adaptation they are attempting to generate a similar system? Well… the corporate change in the art market has aged somewhat in the meantime and looks almost as old as the 'New Economy'. Now even the last snotty brat has realized that all the hogwash about the creative industries, sponsoring, fund-raising, the whole load of bullshit about the beautiful new art enterprises, was not much more than the awful veneer on the stupid, crass fanfare of neo-liberal liberation teleology. What is the truth behind the shifting spheres of activity between computer graphics, web design and the rest of all those frequency-orientated nerd pursuits? A lonely business with other lonely people at their terminals. And in the meantime the other part of the corporate identity has incidentally wasted whole countries like Argentina or Iceland. That's the real truth of the matter.”

Johannes Grenzfurthner (1975) Austrian artist, writer, curator, and theatre and film director

Interview on Furtherfield http://www.furtherfield.org/interviews/interview-johannes-grenzfurthner-monochrom-part-1

Money, People, Truth, Age

“I like the description 'Physical art'. I think maybe art emerged when man first began to distinguish himself from nature. Art is part of himself, which he returns perhaps as an homage to the nature which he left. Of course, he never left nature. The rise of consciousness, perhaps... The main thing we believe, that separated us from not only animals but from the stones, is the fact that we are not stones, that we are not dogs. Now that is an assumption, perhaps it's a false assumption. But anyway, somehow I think one of the greatest functions of art is that man can feed back to his own consciousness through the knowledge that he is not a stone or not a dog.”

Carl Andre (1935) American artist

December 1969; quote from a talk with his audience
Source: Artists talks 1969 – 1977, p. 12

Dogs, Quotes, Nature, Knowledge

“All the absurdity and hope are the stimulants to create. You make art to find a little hole to go on. You go through the whole to find the world again, and the absurdity is that still, somehow it is the same... Hopelessness and hope are the same. It's a very thin line you don't see any more. I don't believe in that line between hopelessness and hope today.”

Karel Appel (1921–2006) Dutch painter, sculptor, and poet

in 'The eye of the beholder', Carlo McCormick
Karel Appel – the complete sculptures,' (1990) not-paged

World, Hope

“To answer your first question - most significantly the [ Federal Art Project ] project was my training ground in the real sense of the word. I feel very strongly about this. We were all poor, or most of us, and to have the time and opportunity to continue working - I was then in my twenties which is the important period - the crucial period for the young painter. This was most important and figures significantly in my own development. Although I feel that my personal image as a painter did not come about until I began my easel painting with personal imagery which was about 1941. The project kept me alive and working - it was my education.”

Phillip Guston (1913–1980) American artist

n.p.
1961 - 1980, Oral history interview with Philip Guston, 1965 January 29

Education, Feeling, Question, Sense

“He wasn't just a genius, he had the genius's impatience with the whole idea of doing something again. He reinvented an art form, exhausted its possibilities, and just left it. There is always something frightening about that degree of inventiveness… He didn't lose his powers. He just lost interest in proving that he possessed them.”

Clive James (1939–2019) Australian author, critic, broadcaster, poet, translator and memoirist

'Vale, Peter Cook' ( The Pembroke College, Cambridge, Society Annuel Gazette http://www.agsm.edu.au/bobm/odds+ends/petercook.html, September 1995) Essays and reviews

Idea

“No, I think Abstract art is valuable. It teaches people the language of painting. In my own work I have produced carvings which perhaps might see to most people purely abstract. This means that in those works I have been mainly concerned to try to solve problems of design and composition. But these carvings have not really satisfied me because I have not had the same sort of grip or hold over them that I have as soon as a thing takes on a kind of organic idea. And in almost all my carvings there has been an organic idea in my mind. I think of it as having a head, body, limbs..”

Henry Moore (1898–1986) English artist

Quote in 'The Listener', 13 November 1941, pp. 657-9; as cited in Henry Moore writings and Conversations, ed. Alan Wilkinson, University of California Press, California 2002, p. 126
1940 - 1955

People, Idea, Problem, Thinking

“Harmony, rhythm, concision, concinnity are all elements that are epitomized in poetry. Cultivated in poetry, which is the nucleus of the creative impulse, these elemetns serve every art form: acting a character, writing a novel, creating music, dance, sculpture, painting.”

Vanna Bonta (1958–2014) Italian-American writer, poet, inventor, actress, voice artist (1958-2014)

Degrees: Thought Capsules and Micro Tales (1989)

Music, Dance, Painting

““How dare you contradict their opinions! You are only a common servant.”
“Yes, miss,” he said wearily.
“You should be dismissed for being insolent to your betters.”
There was a long pause, and then Baine said, “All the diary entries and dismissals in the world cannot change the truth. Galileo recanted under threat of torture, but that did not make the sun revolve round the earth. If you dismiss me, the vase will still be vulgar, I will still be right, and your taste will still be plebeian, no matter what you write in your diary.”
“Plebeian?” Tossie said, bright pink. “How dare you speak like that to your mistress? You are dismissed.” She pointed imperiously at the house. “Pack your things immediately.”
“Yes, miss,” Baine said. “E pur si muove.”
“What?” Tossie said, bright red with rage. “What did you say?”
“I said, now that finally have dismissed me, I am no longer a member of the servant class and am therefore in a position to speak freely,” he said calmly.
“You are not in a position to speak to me at all,” Tossie said, raising her diary like a weapon. “Leave at once.”
“I dared to speak the truth to you because I felt you were deserving of it,” Baine said seriously. “I had only your best interests at heart, as I have always had. You have been blessed with great riches; not only with the riches of wealth, position, and beauty, but with a bright mind and a keen sensibility, as well as with a fine spirit. And yet you squander those riches on croquet and organdies and trumpery works of art. You have at your disposal a library of the great minds of the past, and yet you read the foolish novels of Charlotte Yonge and Edward Bulwer-Lytton. Given the opportunity to study science, you converse with conjurors wearing cheesecloth and phosphorescent paint. Confronted by the glories of Gothic architecture, you admire instead a cheap imitation of it, and confronted by the truth, you stamp your foot like a spoilt child and demand to be told fairy stories.””

Connie Willis book To Say Nothing of the Dog

Source: To Say Nothing of the Dog (1998), Chapter 22 (p. 374)

Truth, World, Beauty, Study

“The test of every act of creativity: Does it help you to enthusiastically, passionately, whole-heartedly and gratefully Embrace all your life? This, I believe, is the basic purpose of all the arts—and thus should be the basic Intention of every artist.”

John Diamond (doctor) (1934) Australian doctor

Source: A Few Words on Art (Just a Few) (2010), p. 2

Life, Passion, Help

“I have a feeling that you despise your body and that you only value art, you only value your argent needs, but eating and sleeping aren’t enough. You believe that your appearance is your enemy, and the only friend you have is music. Why look just in the mirror, look at your reflection, you’ll never find a better friend that yourself.”

Elfriede Jelinek book The Piano Teacher

P 65
The Piano Teacher (1988)

Music, Feeling, Sleep, Appearance

“Apt alliteration's artful aid.”

Charles Churchill (satirist) (1731–1764) British poet

The Prophecy of Famine: A Scots Pastoral (1763), line 86

“.. [that] the overturning of the old world of arts will be etched across your 'palms”

Kazimir Malevich (1879–1935) Russian and Soviet artist of polish descent

recto
admonition from the cover of Malevich's 'novykh sistemakh v iskusstve' (Vitebsk: Unovis, 1919); the cover is reproduced in Malevich: Suprematism and Revolution in Russian Art, Larissa A. Zhadova, (trans. Alexander Lieven); London: Thames and Hudson, 1982
the notice on the verso reads: 'Work and edition by the workshop [artef] of artistic labor at the Vitebsk Svomas'
1910 - 1920

World

“Everything delicate & beautiful, from Surrealism to Breakdancing, ends up as fodder for McDeath's ads; 15 minutes later, all the magic has been sucked out, & the art itself dead as a dried locust.”

Hakim Bey (1945) American political writer, poet and essayist

Immediatism (AK Press: 1994)

Beauty, Dead

“Some new works of art have values of some kind or another. Others, the majority, have little or none. But newness as such, in art, is never a value.”

Robert Hughes (1938–2012) Australian critic, historian, writer

Things I Didn't Know (2006)

“The art of letting go is simply about personal empowerment. Realizing what you're in charge of, realizing what you control, and more importantly, what you don't control.”

Steve Maraboli (1975)

Source: Life, the Truth, and Being Free (2010), p. 98

Personality

“The business of art is no longer the communication of thoughts or feelings which are to be conceptually ordered, but a direct participation in an experience. The whole tendency of modern communication…is towards participation in a process, rather than apprehension of concepts.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Letter to Harold Adam Innis (14 March 1951), published in Essential McLuhan (1995), edited by Eric McLuhan and Frank Zingrone, p. 73
1950s

Feeling, Communication, Business

“[R]adical Islam is heir, above all, to Nazism. The destruction of the World Trade Center was meant not only to wreak terror. Like the smashing of the Bamiyan Buddhas, it was meant to obliterate greatness and beauty, elegance and grace. These artifacts represented civilization embodied in stone or steel. They had to be destroyed. This worship of death and destruction is a nihilism of a ferocity unlike any since the Nazis burned books, then art, then whole peoples. Goebbels would have marvelled at the recruitment tape for al Qaeda, a two-hour orgy of blood and death: image after image of brutalized Muslims shown in various poses of victimization, followed by glorious images of desecration of the infidel-mutilated American soldiers in Somalia, the destruction of the USS Cole, mangled bodies at the American embassies in Kenya and Tanzania.”

Charles Krauthammer (1950–2018) American journalist

2000s, 2001, The Enemy is not Islam. It is Nihilism (2001)

Death, People, Books, World

“In every work of art the subject is primordial, whether the artist knows it or not. The measure of the formal qualities is only a sign of the measure of the artist's obsession with his subject; the form is always in proportion to the obsession.”

Alberto Giacometti (1901–1966) Swiss sculptor and painter (1901-1966)

Alberto Giacometti (1945), as cited in: Joel Shatzky, ‎Michael Taub (1999), Contemporary Jewish-American Dramatists and Poets. p. 302

“Thespis, the first professor of our art,
At country wakes sung ballads from a cart.”

John Dryden (1631–1700) English poet and playwright of the XVIIth century

Prologue to Lee's Sophonisba.
Bartlett's Familiar Quotations, 10th ed. (1919)

Country

“Music should enrich the soul; it should teach spirituality by showing a person a portion of himself that he would not discover otherwise. It's easy to rediscover part of yourself, but through art you can be shown part of yourself you never knew existed. That's the real mission of art. The artist has to find something within himself that's universal and which he can put into terms that are communicable to other people. The magic of it is that art can communicate to a person without his realizing it… enrichment, that's the function of music.”

Bill Evans (1929–1980) American jazz pianist

http://www.billevanswebpages.com/billquotes.html.

People, Music, Soul, Communication

“This dialogue between the ongoing research in brain science and art continue to this day. …Such dialogues could help us explore the mechanisms in the brain that make perception and creativity possible, whether in art, the sciences, the humanities, or everyday life. In a larger sense, this dialogue could help make science part of our everyday experience.”

Eric R. Kandel (1929) American neuropsychiatrist

The Age of Insight (2012)

Life, Sense, Science, Help

“Economics is a science of thinking in terms of models joined to the art of choosing models which are relevant to the contemporary world. It is compelled to be this, because, unlike the typical natural science, the material to which it is applied is, in too many respects, not homogeneous through time. The object of a model is to segregate the semi-permanent or relatively constant factors from those which are transitory or fluctuating so as to develop a logical way of thinking about the latter, and of understanding the time sequences to which they give rise in particular cases.
Good economists are scarce because the gift for using "vigilant observation" to choose good models, although it does not require a highly specialised intellectual technique, appears to be a very rare one.”

John Maynard Keynes (1883–1946) British economist

Letter to Roy Harrod (4 July 1938), in The Collected Writings of John Maynard Keynes, Vol. XIV (1971), p. 297

World, Way, Understanding, Nature

“A master in art need not go into the highways and byways for affects; he knows the straight course and follows it.”

Ernest Flagg (1857–1947) American architect

Small Houses: Their Economic Design and Construction (1922)

“Art is not concerned with environment either; it doesn't care where it is … the best job that was ever offered to me was to become a landlord in a brothel. In my opinion it’s the perfect milieu for an artist to work in.”

William Faulkner (1897–1962) American writer

Paris Review interview (1958)

Perfection

““Eyes, what an eloquent pair he has! He is able to express with them even the slightest difference in the mood”
- L. S Rajagopalan (noted art critic), 1990”

Mani Madhava Chakyar (1899–1990) Indian actor

Source: Abhinaya and Netrābhinaya, L.S Rajagopalan, Mani Madhava Chakyar- A Titan of A Thespian, Sruti- India's premier Music and Dance magazine, August 1990 issue (71), p. 17.

Mood

“Art thou a friend to Roderick?”

Walter Scott (1771–1832) Scottish historical novelist, playwright, and poet

Canto IV, stanza 30. The Lady of the Lake http://www.gutenberg.org/etext/3011 (1810)

“If the world were clear, art would not exist.”

Albert Camus book The Myth of Sisyphus

The Myth of Sisyphus (1942), Absurd Creation

World

“One’s ears are weary of the voice of the art teacher who sits like the parrot on his perch, learning the jargon of the studios, making but poor copy and calling it criticism. We have had enough of their omniscience, their parade of technical knowledge, and their predilection for the wrong end of the stick.”

Aubrey Beardsley (1872–1898) English illustrator and author

The Art of the Hoarding (1894)

Knowledge, Learning, Teachers

“(Performance) art is, perhaps, the first art phenomenon to clearly demonstrate that modern art has become antiquated. Modern art is based upon a single assumption. That the artwork is only what it is. It is not a picture or a metaphor for something else. It is, say, a photograph, first and only. Or, perhaps, it is a painting, first and only. This assumption still looms above us all. We automatically accept it. We fall back upon it whenever we have a problem in criticizing, accepting, or understanding a work of art.”

Gregory Battcock (1937–1980)

1984, p. 5
L’Art Corporel, 1979

Understanding, Problem, Painting

“If you push it, it feels good; I don’t know what it is. It must have something to do with kinesthesia. I feel now that I am painting I'm not drawing anything, or even representing non-objective art. You know, you can represent abstract art, too, as well as heads figures, nudes. A lot of abstract artists are just representational painters, you know that. And a lot of figurative artists are very abstract. I don't feel as if I'm doing that. I feel more as if I'm shaping something with my hands. I feel as if I've always wanted to get to that state. Like a blind man in a dark room had some clay, what would he make? I end up with 2 or 3 forms on a canvas, but it gets very physical for me. I always thought I am a very spiritual man, not interested in paint, and now I discover myself to be very physical and very involved with matter. I want to be involved with how heavy things are, a balloon, how light things are, things levitating, pushing forms, make me feel as if my hand is pushing in a head, bulges out here and pushes there.”

Phillip Guston (1913–1980) American artist

Source: 1961 - 1980, transcript of a public forum at Boston university', conducted by Joseph Ablow 1966, pp. 73-75

Feeling, Light, Drawing, Painting

“Art is not a substitute religion: it is a religion (in the true sense of the word: 'binding back', 'binding' to the unknowable, transcending reason, transcendent being). But the church is no longer adequate as a means of affording experience of the transcendental, and of making religion real – and so art has been transformed from a means into the sole provider of religion: which means religion itself.”

Gerhard Richter (1932) German visual artist, born 1932

Notes, 1964-65; as cited on collected quotes on the website of Gerhard Richter: 'on Art' https://www.gerhard-richter.com/en/quotes/art-1 1960's

Religion, Sense

“In the shift from direct democracy to representational democracy, the printed book became an embodiment of thought for the physically absent author; and so the popular art form of the popular book and the pamphlet re-presented ideas and contributed to the public space of political philosophies of the Enlightenment. Television, however, now brings forth this new kind of public space, and it calls into being this new world, not of the educated citizenry in a republic, but of the electropeasantry in the state of Entertainment. Recall how people stopped singing in pubs when they brought in the TV set, and you will appreciate the new passivity in which people stop voting for their representatives as TV takes over the electoral campaigns.”

William Irwin Thompson (1938) American writer

Thompson (1991) Play, from The American Replacement of Nature.

People, Books, World, Education

“Art is… a reflection of a greater divine creation. There really is no separation.”

Sufjan Stevens (1975) American singer-songwriter and multi-instrumentalist

Secular, Sacred, or Both?, 2005-07-11, 2006-08-25, Bowman, Kate http://www.christianitytoday.com/music/commentaries/secularsacreddivide.html,

“Actually I don't have any painting at home…. they take away everything from me, almost before it's finished… That Jewish scribe there, is sold to [Dutch art-seller] Buffa, and it isn't finished at all yet. And this 'Kolen lossen' is also sold… Then I have here 'The Mowers' - just set up… And that drawing here, will be a good piece too!.. That will become a large painting: a 'Jewish Wedding' - at the moment the groom puts the ring on the finger of his bride…. you can't see very much yet, do you? (translation from the original Dutch: Fons Heijnsbroek)”

Jozef Israëls (1824–1911) Dutch painter

version in Dutch (citaat van Jozef Israëls, in het Nederlands): Ik heb eigenlijk niets in huis.. ..ze halen de boel bij me weg, haast nog voordat het àf is.. .Die Joodsche Wetschrijver daar, is aan Buffa verkocht, en hij is nog lang niet hàlf af. En die 'Kolen lossen' is ook al weg.. Dàn heb ik daar ' De Maaiers', pas opgezet.. .En die teekening hier, die zal óók wel goed worden!.. .Dat wordt een groot schilderij: een 'Joodsche Bruiloft', - het moment dat de bruidegom zijn bruid den ring aan den vinger steekt.. .Je ziet [er] nog niet veel àn, vin-je wel?.
Quote of Israëls, 1901-02; as cited by N.H. Wolf, in 'Bij onze Nederlandsche kunstenaars. IV. - Jozef Israëls, Grootmeester der Nederlandsche Schilders', in Wereldkroniek, 8 Feb. 1902
Wolf was visiting Israëls in his studio in The Hague as preparation for his coming article on the old artist
Quotes of Jozef Israels, after 1900

Home, Wedding, Drawing, Painting

“Don't copy nature too closely. Art is an abstraction; as you dream amide nature, extrapolate art from it and concentrate on what you will create as a result.”

Paul Gauguin (1848–1903) French Post-Impressionist artist

Source: 1870s - 1880s, The Writings of a Savage (1996), pp. 5 & 22: Gauguin is advising a fellow painter, 1885

Dreams, Nature

“I remain detached and distant, but it is under my eyes and my orders that the work of art must create itself [Klein directed on 9 March 1960 for the first time nude models who were painting the walls with their moving naked bodies, he called this "Anthropometry"]. Then, when the creation starts, I stand there, present at the ceremony, immaculate, calm, relaxed, perfectly aware of what is going on and ready to welcome the work of art that is coming into existence in the tangible world... Hours of preparation for something that is executed, with extreme precision, in a few minutes. Just as with a judo throw.”

Yves Klein (1928–1962) French artist

In 1960; pp. 55-57
1960 -1964, "Yves Klein, 1928 – 1962, Selected Writings"

World, Distant, Time, Painting

“For me personally, the greatest art to date has been created in New York and the most uptight and conventional art in Berlin. Obviously, I am an exception to this rule!”

Isa Genzken (1948) German sculptor

living and working in Berlin
after 2010, Isa Genzken, the artist who doesn't do interviews' (2014)

Personality

“The art and mystery of banks… is established on the principle that 'private debts are a public blessing.' That the evidences of those private debts, called bank notes, become active capital, and aliment the whole commerce, manufactures, and agriculture of the United States. Here are a set of people, for instance, who have bestowed on us the great blessing of running in our debt about two hundred millions of dollars, without our knowing who they are, where they are, or what property they have to pay this debt when called on; nay, who have made us so sensible of the blessings of letting them run in our debt, that we have exempted them by law from the repayment of these debts beyond a give proportion (generally estimated at one-third). And to fill up the measure of blessing, instead of paying, they receive an interest on what they owe from those to whom they owe; for all the notes, or evidences of what they owe, which we see in circulation, have been lent to somebody on an interest which is levied again on us through the medium of commerce. And they are so ready still to deal out their liberalities to us, that they are now willing to let themselves run in our debt ninety millions more, on our paying them the same premium of six or eight per cent interest, and on the same legal exemption from the repayment of more than thirty millions of the debt, when it shall be called for.”

Thomas Jefferson (1743–1826) 3rd President of the United States of America

ME 13:420
1810s, Letters to John Wayles Eppes (1813)

People, Law

“The real resistance now is to an art which forces its audience to recognize and accept imaginatively, in their nerve ends, not the facts of life but the facts of death and violence: absurd, random, gratuitous, unjustified, and inescapably part of the society we have created.”

Al Alvarez (1929–2019) English poet, novelist, essayist and critic

Page 262.
The Savage God (1971)

Life, Death, Imagination, Parting

“[From Ernest von Hermanstadt]; Action—action in the sunshine—passion—but little feeling, and less thought: such was meant to be our existence. But we refine—we sadden and we subdue—we call up the hidden and evil spirits of the inner world—we wake from their dark repose those who will madden us. The heart is like the wood on yonder flickering hearth: green and fresh, haunted by a thousand sweet odours, bathed in the warm air, and gladdened by the summer sunshine—so grew it at first upon its native soil. But nature submitteth to art, and man has appointed for it another destiny: it is gathered, and cast into the fire. It seems, then, as if its life had but just begun. A new spirit has crept into the kindled veins—a brilliant light dances around it—it is bright—it is beautiful—and it is consumed! What remains?—A warmth on the atmosphere soon passing away, and a heap of blackened ashes! What more will remain of the heart?”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Monthly Magazine

Life, World, Beauty, Feeling

“I think it's true, as many say, I have dealt for many years with the problems that w:Op art so-called, is dealing with. For many years I have studied the logic and magic of color. And so I know what's involved when it comes to the interaction of colors, more than many who refuse to study it. But I found a way to study it, I think, that's all. And besides I refuse to be the father of a new bandwagon.”

Josef Albers (1888–1976) German-American artist and educator

Homage to the square' (1964), Oral history interview with Josef Albers' (1968)

Color, Way, Problem, Thinking

“One to destroy, is murder by the law;
And gibbets keep the lifted hand in awe;
To murder thousands takes a specious name,
War's glorious art, and gives immortal fame.”

Edward Young (1683–1765) English poet

Satire VII, l. 55.
Love of Fame (1725-1728)

War, Law

“When I met Wittgenstein, I saw that Schlick's warnings were fully justified. But his behavior was not caused by any arrogance. In general, he was of a sympathetic temperament and very kind; but he was hypersensitive and easily irritated. Whatever he said was always interesting and stimulating and the way in which he expressed it was often fascinating. His point of view and his attitude toward people and problems, even theoretical problems, were much more similar to those of a creative artist than to those of a scientist; one might almost say, similar to those of a religious prophet or a seer. When he started to formulate his view on some specific problem, we often felt the internal struggle that occurred in him at that very moment, a struggle by which he tried to penetrate from darkness to light under an intense and painful strain, which was even visible on his most expressive face. When finally, sometimes after a prolonged arduous effort, his answers came forth, his statement stood before us like a newly created piece of art or a divine revelation. Not that he asserted his views dogmatically … But the impression he made on us was as if insight came to him as through divine inspiration, so that we could not help feeling that any sober rational comment of analysis of it would be a profanation.”

Rudolf Carnap (1891–1970) German philosopher

Rudolf Carnap, as quoted in The Philosophy of Rudolf Carnap (1963) by Paul Arthur Schilpp, p. 25, and in Ludwig Wittgenstein : The Duty of Genius (1991) by Ray Monk, p. 244

Pain, People, Way, Behavior

“Meanwhile, please pardon us for saying that we have found no music in the language of your letter, no rhyme in your reasoning, no value in your judgments, and no art or education in your performance as a whole.”

Sita Ram Goel (1921–2003) Indian activist

History of Hindu-Christian Encounters (1996)

Education, Music

“Not only was [Fascist] Italy the first Western country to recognize the Soviet Union in 1924, but the new Soviet art first appeared in the West that year at the Venice Biennale, Italy's premiere art show.”

Stanley G. Payne (1934) American historian

Source: Fascism: Comparison and Definition (1980), A History of Fascism, 1914—1945 (1995), p. 223

Appearance, Country

“I have never really understood the objection to art which is specifically made for a gallery or museum, and so cannot be collected by an individual or taken home. It is rather like saying that all music should be confined to the chamber work or novels to the short story.”

Nicholas Serota (1946) British curator

The Dimbleby Lecture 2000

Music, Home

“One needs a medium. The best is, one is his own medium. But don't be serious because seriousness belongs to a passed time. This medium, called you yourself will tell you to take absolutely the wrong material. That is very good, because only the wrong material used in the wrong way, will give the right picture, when you look at it from the right angle. Or the wrong angle. That leads us to the new ism: Anglism. The first art starting from England [the country of Schwitters' forced stay, when he wrote this quote], except the former shapes of art.”

Kurt Schwitters (1887–1948) German artist

Source: 1940s, I is Style (2000), pp. 100-101 : in: 'That is my confession I have to make MERZ' (1940 – 1946), Kurt Schwitters.

Way, Quotes, Time, Country

“For instance the idea of intuition, imagination, inspiration.... is related in the principle to an invisible world.... when I call these drawings 'The Secret Block' then I try to stress this part of reality as the most important part because spiritual existence is firstly... I find if we are only confronted with this hard part of the world, this already done part of the world, we are not.... related to the whole idea of reality.... the mission of the art is to make visible the whole reality..”

Joseph Beuys (1921–1986) German visual artist

Quote from 'A. Beuys in the wilderness', 1974 (lecture at the Ulster Museum); as cited in Joseph Beuys and the Celtic Wor(l)d: A Language of Healing, Victoria Walters, LIT Verlag Münster, 2012, p. 198
1970's

Secret, World, Imagination, Idea

“Thou water turn'st to wine, fair friend of life;
Thy foe, to cross the sweet arts of Thy reign,
Distils from thence the tears of wrath and strife,
And so turns wine to water back again.”

Richard Crashaw (1612–1649) British writer

Steps to the Temple, To Our Lord upon the Water Made Wine; reported in Hoyt's New Cyclopedia Of Practical Quotations (1922), p. 516.

Life, Tear, Water, Wine

“The art of a pedant is to divert his pupils from noticing the smallness of his puddle, and to make them attribute his apparent size to his being a really big toad.”

Henry S. Haskins (1875–1957)

Source: Meditations in Wall Street (1940), pp. 91-92

“I realized that the image I had been given by my teachers, the scientists.... by their way of looking at Nature, was just another stage setting with all the magnificence and ingenuity that the genius of any artist produces in a work of art. I realized that in my scientific journey I had been under the power of a magic spell of a work of art whose reality was just as true as the verity of the image in an artist's vision.”

Naum Gabo (1890–1977) Russian sculptor

Quote from Of divers arts, (1962), p. 21; as cited in International Handbook on Giftedness, Larisa V. Shavinina (2009), p. 862
undated

Way, Nature, Reality, Teachers

“Some teachers of mankind — as Plato… the first Christians, the orthodox Muslims, and the Buddhists — have gone so far as to repudiate art. …[They consider it] so highly dangerous in its power to infect people against their wills, that mankind will lose far less by banishing all art than by tolerating each and every art. …such people were wrong in repudiating all art, for they denied that which cannot be denied — one of the indispensable means of communication, without which mankind could not exist. …Now there is only fear, lest we should be deprived of any pleasures art can afford, so any type of art is patronized. And I think the last error is much grosser than the first and that its consequences are far more harmful.”

Leo Tolstoy (1828–1910) Russian writer

What is Art? (1897)

People, Pleasure, Fear, Error

“And therefore a prince who does not understand the art of war, over and above the other misfortunes already mentioned, cannot be respected by his soldiers, nor can he rely on them. He ought never, therefore, to have out of his thoughts this subject of war, and in peace he should addict himself more to its exercise than in war; this he can do in two ways, the one by action, the other by study.”

Niccolo Machiavelli book The Prince

Source: The Prince (1513), Ch. 14; translated by W. K. Marriot

War, Peace, Way, Exercises

“The art of compromise centers on the willingness to give up something in order to get something else in return. Successful artists get more than they give up.”

Howard Raiffa (1924–2016) American academic

Part III, Chapter 10, AMPO Versus City, p. 142.
The Art and Science of Negotiation (1982)

Success

“He [ Marcel Duchamp ] entered this object [the 'Urinal' ready-made] into the museum and noticed that its transportation from one place to another made it into art. But he failed to draw the clear and simple conclusion that every man is an artist.”

Joseph Beuys (1921–1986) German visual artist

as quoted in Joseph Beuys and the Celtic Wor(l)d: A Language of Healing, by Victoria Walters, LIT Verlag Münster, 2012, p. 206
Quotes after 1984, posthumous published

Drawing

“Mehrling: So you didn’t read at that time the classic banking texts, for example, Bagehot’s Lombard Street?
Volcker: Well I read some of Bagehot, and I read a lot of Hawtrey. I remember I read a lot of Hawtrey.
Mehrling: Currency and Credit? The Art of Central Banking?
Volcker: I don’t remember the names of the books, just being in London. In those days I used to read The Economist and the Financial Times, so I kept up with what was going on in the money markets.”

Paul Volcker (1927–2019) American economist

Paul Volcker interviewed by Perry Mehrling (April 18, 2000) in Inside the economist’s mind: conversations with eminent economists (2007) edited by Paul A. Samuelson and William A. Barnett.

Money, Books, Time, Reading

“All my work is in a way founded on Japanese art... Japanese art, in decadence in its own country, takes root again among the French impressionist artists.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

Quote in his letter to brother Theo, from Arles, Summer 1888; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 510) p. 32 1880s, 1888

Way, Country

“Franz Marc.... is more human, he loves more warmly, is more demonstrative.... I only try to relate myself to God, and if I am in harmony with God, I don't fancy that my brothers are not also in harmony with me; but that is their business... My fire is more like that of the dead or the unborn... Art is like Creation: it holds good on the last days as on the first.
What my art probably lacks, is a kind of passionate humanity. I don't love animals and every sort of creature with an earthly warmth... I tend rather to dissolve into the whole of creation and am then on a footing of brotherliness to my neighbour, to all things earthly. I possess. The earth-idea gives way to the world-idea. My love is distant and religious.”

Paul Klee (1879–1940) German Swiss painter

Quote (1916), # 1008, in The Diaries of Paul Klee, translation: Pierre B. Schneider, R. Y. Zachary and Max Knight; publisher, University of California Press, 1964
1916 - 1920

Love, God, World, Way

“Not all are called to be artists in the specific sense of the term. Yet, as Genesis has it, all men and women are entrusted with the task of crafting their own life: in a certain sense, they are to make of it a work of art, a masterpiece.”

Pope John Paul II (1920–2005) 264th Pope of the Catholic Church, saint

Letter to artists, 4 April 1999 Source: Libreria Editrice Vaticana http://www.vatican.va/holy_father/john_paul_ii/letters/documents/hf_jp-ii_let_23041999_artists_en.html

Life, Women, Men, Sense

“As regards the efficacy of the art and the theories of it, I promise and expect that in these volumes I shall undoubtedly show myself of very considerable importance not only to builders but also to all scholars.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter I, Sec. 17

“Organized perception is what is art all about... It is a process. It has nothing to do with any external form the painting takes, it has to do with a way of building a unified pattern of seeing…”

Roy Lichtenstein (1923–1997) American pop artist

Source: 1960's, What is Pop Art? Interviews with eight painters' (1963), pp. 25-27

Way, Painting

Quotes about art page 15

Quotes about art
page 15