Quotes about writing
page 20

André Maurois photo
Craig Ferguson photo
Edward FitzGerald photo
Dana Gioia photo
J.M. Coetzee photo
Merlin Mann photo

“Write your way out of a thinking block—because you'll never think your way out of a writing block.”

Merlin Mann (1966) American blogger

Wired Magazine https://archive.is/20130630162633/www.wired.com/techbiz/people/magazine/17-08/pl_brown
Tweeting as @hotdogsladies

Anne Lamott photo
Joseph Lewis photo
E.M. Forster photo
Adrianne Wadewitz photo

“When I used my real name, all of a sudden there was a lot of commentary. 'Oh, you're a woman' or 'You can't really be a woman' or 'You don't write like a woman.' Or all of a sudden my arguments were not taken as seriously or were judged as hysterical or emotional…. So I got much more interested in why this was happening.”

Adrianne Wadewitz (1977–2014) academic and Wikipedian

Woo, Elaine (April 23, 2014). "Adrianne Wadewitz dies at 37; helped diversify Wikipedia" http://www.latimes.com/obituaries/la-me-adrianne-wadewitz-20140424,0,1077455.story. Los Angeles Times.

Mary McCarthy photo

“Every word she writes is a lie, including and and the.”

Mary McCarthy (1912–1989) American writer

Comment about Lillian Hellman in a televised interview (1979) on The Dick Cavett Show; this prompted a defamation suit against McCarthy which was dropped after Hellman's death: "If someone had told me, don't say anything about Lillian Hellman because she'll sue you, it wouldn't have stopped me. It might have spurred me on. I didn't want her to die. I wanted her to lose in court. I wanted her around for that."

Felix Frankfurter photo
R. A. Lafferty photo
Hilaire Belloc photo

“Of all fatiguing, futile, empty trades, the worst, I suppose, is writing about writing.”

Hilaire Belloc (1870–1953) writer

"On Books"
The Silence of the Sea (1940)

C. N. R. Rao photo
Paula Modersohn-Becker photo

“Is it true that all I ever write you about is painting and nothing else? Isn't there love in my lines to you and between the lines, shining and glowing and quiet and loving, the way a woman should love and the way your woman loves you?”

Paula Modersohn-Becker (1876–1907) German artist

In a letter to her husband Otto Modersohn, from Berlin, 4 February 1901; as quoted in Voicing our visions, -Writings by women artists; ed. Mara R. Witzling, Universe New York, 1991, p. 201
1900 - 1905

James Baldwin photo
Adrianne Wadewitz photo

“Wadewitz eventually came out as a Wikipedian, the term the encyclopedia uses to describe the tens of thousands of volunteers who write and edit its pages. A rarity as a woman in the male-centric Wikipedia universe, she became one of its most valued and prolific contributors as well as a force for diversifying its ranks and demystifying its inner workings.”

Adrianne Wadewitz (1977–2014) academic and Wikipedian

Woo, Elaine (April 23, 2014). "Adrianne Wadewitz dies at 37; helped diversify Wikipedia" http://www.latimes.com/obituaries/la-me-adrianne-wadewitz-20140424,0,1077455.story. Los Angeles Times.
About

GG Allin photo
Richard Rodríguez photo
Elie Wiesel photo

“Some writings could sometimes, in moments of grace, attain the quality of deeds.”

Elie Wiesel (1928–2016) writer, professor, political activist, Nobel Laureate, and Holocaust survivor

A statement of 1968, as quoted in "How And Why I Write: An Interview with Elie Wiesel" by Heidi Anne Walker, in Journal of Education, Vol. 162 (1980), p. 57
Variants:
Some words are deeds.
Souls on Fire : Portraits and Legends of Hasidic Masters (1982)
Words can sometimes, in moments of grace, attain the quality of deeds.
As quoted in "Nobelists, Auschwitz, and Survival" by Robert McAfee Brown, in Christianity and Crisis, Vol. 48 (7 March 1988), p. 58

Stephen Sondheim photo

“I'm a lazy writer. My idea of heaven is not writing. On the other hand, I'm obviously compulsive about it.”

Stephen Sondheim (1930) American composer and lyricist

Halliwell's Who's Who in the Movies (2001 ed): Art. Stephen Sondheim p. 408

Courtney B. Vance photo

“Men will wrangle for religion, write for it, fight for it, die for it; anything but live for it.”

Charles Caleb Colton (1777–1832) British priest and writer

Vol. I; XXV
Lacon (1820)
Variant: Men will wrangle for religion, write for it, fight for it, die for it; anything but live for it.

Victoria of the United Kingdom photo

“I am most anxious to enlist everyone who can speak or write to join in checking this mad, wicked folly of "Women's Rights," with all its attendant horrors… Were women to "unsex" themselves by claiming equality with men, they would become the most hateful, heathen, and disgusting of beings and would surely perish without male protection.”

Victoria of the United Kingdom (1819–1901) British monarch who reigned 1837–1901

In an 1870 letter, quoted for example in All For Love: Seven Centuries of Illicit Liaison by Val Horsler (2006), p. 104 http://books.google.com/books?id=PFyvAAAAIAAJ&q=%22most+anxious+to+enlist%22#search_anchor. At the bottom of this page http://www.historyofwomen.org/suffrage.html, it is mentioned that the comment was written in a letter to Sir Theodore Martin in reaction to news "that Viscountess Amberley had become president of the Bristol and West of England Women's Suffrage Society and had addressed a ... public meeting on the subject." The author of the page, Helena Wojtczak, says here http://www.historyofwomen.org/about.html that while other sources often fail to give the context, she "researched and discovered the source of the quote".

David Crystal photo
Nadine Gordimer photo
E.M. Forster photo
David Hare photo

“The act of writing is the act of discovering what you believe.”

David Hare (1947) British writer

A Map of the World (1982), cited from Carol Homden, The Plays of David Hare (1995), p. 124.

Merlin Mann photo

“Distractions have never prevented a Writing Writer Who Writes from writing; distractions are an excuse proffered by Non-Writing Non-Writers Who are Not-Writing for why they are not writing.”

Merlin Mann (1966) American blogger

Kung Fu Grippe http://www.kungfugrippe.com/post/6004196999/like-hammers
Websites, The KungFu Grippe Tumblr website

“It is known that the mathematics prescribed for the high school [Gymnasien] is essentially Euclidean, while it is modern mathematics, the theory of functions and the infinitesimal calculus, which has secured for us an insight into the mechanism and laws of nature. Euclidean mathematics is indeed, a prerequisite for the theory of functions, but just as one, though he has learned the inflections of Latin nouns and verbs, will not thereby be enabled to read a Latin author much less to appreciate the beauties of a Horace, so Euclidean mathematics, that is the mathematics of the high school, is unable to unlock nature and her laws. Euclidean mathematics assumes the completeness and invariability of mathematical forms; these forms it describes with appropriate accuracy and enumerates their inherent and related properties with perfect clearness, order, and completeness, that is, Euclidean mathematics operates on forms after the manner that anatomy operates on the dead body and its members.
On the other hand, the mathematics of variable magnitudes—function theory or analysis—considers mathematical forms in their genesis. By writing the equation of the parabola, we express its law of generation, the law according to which the variable point moves. The path, produced before the eyes of the 113 student by a point moving in accordance to this law, is the parabola.
If, then, Euclidean mathematics treats space and number forms after the manner in which anatomy treats the dead body, modern mathematics deals, as it were, with the living body, with growing and changing forms, and thus furnishes an insight, not only into nature as she is and appears, but also into nature as she generates and creates,—reveals her transition steps and in so doing creates a mind for and understanding of the laws of becoming. Thus modern mathematics bears the same relation to Euclidean mathematics that physiology or biology … bears to anatomy. But it is exactly in this respect that our view of nature is so far above that of the ancients; that we no longer look on nature as a quiescent complete whole, which compels admiration by its sublimity and wealth of forms, but that we conceive of her as a vigorous growing organism, unfolding according to definite, as delicate as far-reaching, laws; that we are able to lay hold of the permanent amidst the transitory, of law amidst fleeting phenomena, and to be able to give these their simplest and truest expression through the mathematical formulas”

Christian Heinrich von Dillmann (1829–1899) German educationist

Source: Die Mathematik die Fackelträgerin einer neuen Zeit (Stuttgart, 1889), p. 37.

Kodo Sawaki photo

“There is much that is lacking in the political education of American troops, for which army policy cannot be criticized in view of the similar apathy on the home front. Late in the struggle the army became aware of this weakness among our soldiers. The Information and Education Division was then organized to repair this gap in the psychological preparation for combat. Some progress in the face of considerable resistance has been made by this service, but at the time of writing the men still have only a dim comprehension of the meaning of the fascist political state and its menace to our liberal democratic government. The war is generally regarded as a struggle between national states for economic empires. The men are not fully convinced that our country was actually threatened, or, if so, only remotely, or because of the machinations of large financial interests. In such passive attitudes lie the seeds of disillusion, which could prove very dangerous in the postwar period. Certainly they stand in startling contrast with the strong political and national convictions of our Axis enemies, which can inspire their troops, when the occasion demands, with a fanatical and religious fervor. Fortunately, strong intellectual motivation has not proved to be of the first importance to good morale in combat. The danger of this lack seems to be less to the prospect of military success than to success in the peace and to stability in the postwar period.”

Roy R. Grinker, Sr. (1900–1993) American psychiatrist and neurologist

Source: Men Under Stress, 1945, p. 38-39 cited in: The Clare Spark Blog (2009) Strategic Regression in “the greatest generation” http://clarespark.com/2009/12/09/strategic-regression-in-the-greatest-generation/ December 9, 2009

“Since I was a child, I’ve used my imagination to escape from life. At the same time, my imagination has plagued me with both reality-based anxieties as well as anxieties based entirely in the imagination, such as the fear of Hell I was taught to have by the Catholic Church. Paired with a talent for literary composition, a talent that it took me over ten years to refine, I became a writer of horror stories. To my mind, writing is the most important form of human expression, not only artistic writing but also philosophical writing, critical writing, etc. Art as such, especially programmatic music such as operas, seems trivial to me by comparison, however much pleasure we may get from it. Writing is the most effective way to express and confront the full range of the realities of life. I can honestly say that the primary stature I attach to writing is not self-serving. I’ve been captivated to some degree by all forms of creativity and expression—the visual arts, film, design of any sort, and especially music. In college I veered from literature to music for a few years, which is the main reason it took me six years to get an undergraduate degree in liberal arts. I’ve loved music for as long as I can remember. Since my instrument is the guitar, I know every form and style in its history and have written the classical, acoustic, and electric forms of this instrument. I think because I have had such a love and understanding of music do I realize, to my grief, its limitations. Writing is less limited in the consolations it offers to those who have lost a great deal in their lives. And it continues to console until practically everything in a person’s life has been lost. Words and what they express have the best chance of returning the baneful stare of life.”

Thomas Ligotti (1953) American horror author

Wonderbook Interview with Thomas Ligotti http://wonderbooknow.com/interviews/thomas-ligotti/

Hillary Clinton photo

“Heavens, no! It could get subpoenaed. I can't write anything.”

Hillary Clinton (1947) American politician, senator, Secretary of State, First Lady

Jim Lehrer News Hour, when asked if she keeps a diary, hours before a jury in Little Rock, Arkansas, returned guilty verdicts against Clintons' business partners; May 29, 1996 http://www.stophillary.com/things2no.htm http://www.trettel.com/ccrc/quotes/Quotes1996/quotes060296.html
White House years (1993–2000)

Dorothy Parker photo

“All those writers who write about their own childhood! Gentle God, if I wrote about mine you wouldn't sit in the same room with me.”

Dorothy Parker (1893–1967) American poet, short story writer, critic and satirist

Interview in The Paris Review, Issue #13 http://books.google.com/books?id=iZt6sBaHemQC&q="all+those+writers+who+write+about+their+childhood+gentle+god+if+i+wrote+about+mine+you+wouldn't+sit+in+the+same+room+with+me"&pg=PA8#v=onepage (Summer 1956)

Leo Ryan photo
Joseph Franklin Rutherford photo
Roger Ebert photo
Ryan C. Gordon photo
John Irving photo
Thomas Moore photo

“Though an angel should write, still 't is devils must print.”

Thomas Moore (1779–1852) Irish poet, singer and songwriter

The Fudges in England, Letter iii.
Bartlett's Familiar Quotations, 10th ed. (1919)

William Trufant Foster photo
Swapan Dasgupta photo
Colin Wilson photo
Albert Einstein photo

“Professor Smith has kindly submitted his book to me before publication. After reading it thoroughly and with intense interest I am glad to comply with his request to give him my impression.
The work is a broadly conceived attempt to portray man's fear-induced animistic and mythic ideas with all their far-flung transformations and interrelations. It relates the impact of these phantasmagorias on human destiny and the causal relationships by which they have become crystallized into organized religion.
This is a biologist speaking, whose scientific training has disciplined him in a grim objectivity rarely found in the pure historian. This objectivity has not, however, hindered him from emphasizing the boundless suffering which, in its end results, this mythic thought has brought upon man.
Professor Smith envisages as a redeeming force, training in objective observation of all that is available for immediate perception and in the interpretation of facts without preconceived ideas. In his view, only if every individual strives for truth can humanity attain a happier future; the atavisms in each of us that stand in the way of a friendlier destiny can only thus be rendered ineffective.
His historical picture closes with the end of the nineteenth century, and with good reason. By that time it seemed that the influence of these mythic, authoritatively anchored forces which can be denoted as religious, had been reduced to a tolerable level in spite of all the persisting inertia and hypocrisy.
Even then, a new branch of mythic thought had already grown strong, one not religious in nature but no less perilous to mankind — exaggerated nationalism. Half a century has shown that this new adversary is so strong that it places in question man's very survival. It is too early for the present-day historian to write about this problem, but it is to be hoped that one will survive who can undertake the task at a later date.”

Albert Einstein (1879–1955) German-born physicist and founder of the theory of relativity

Foreword of "Man and his Gods" by Homer W. Smith
Attributed in posthumous publications, Einstein and Religion (1999)

Charles Boarman photo

“My dear Father, Charley wrote you in his letter to his Aunt Laura thanking you for your kindness in sending us a nice Christmas present. You must not think because I have not written you myself before this that I appreciated your kindness less. I have been so troubled with pains and weakness in my arm and hand as to be almost useless at times. I think it was nursing so much when the children were sick. I was so relieved when Anna's note to Charly arrived yesterday telling Frankie was better. It would have been dreadful for Mother to have gone out west at this miserable season of the year. I was wretchedly uneasy. I do hope poor Franky will get along nicely now. It will make him much more careful about exposing himself having had this severe attack. Charley received the enclosed letters Anna sent from Sister Eliza and Toad[? ]. I was very glad to get them. It is quite refreshing to read Sister Eliza's letters. They are so cheerful and happy. I had a letter from her on Friday. This Custom House investigating committee is attracting a great deal of attention and time here. It holds its sessions at the Fifth Avenue Hotel. Mr. Broome was up on Tuesday evening until ten o'clock but was not called upon. It is very slow. He has been for three weeks passed preparing the statement for those summoned from the Public Stores. Mr. Broome sends Laura a paper to look at—The Fisk tragedy. What is Nora doing with herself this winter. She might write to me sometimes. Give much love to Mother. Ask her for her receipt for getting fat. I would like to gain some myself. It is so much nicer to grow fleshy as you advance in life than to shrivel and dry up. The children are all well and growing very fast. Lloyd has to study very hard this year. His studies are quite difficult. I suppose Charley Harris is working hard too. Mr. Broome sent you a paper with the Navy Register in this week. I received your papers and often Richard calls and gets them. I must close. Mr. Broome and children join me in love to you, Mother, Laura, Anna, Nora, Charly & all.
With much love,
Your devoted child, Mary Jane
I enclose Nancy letter which was written some time ago.”

Charles Boarman (1795–1879) US Navy Rear Admiral

Mary Jane Boarman in a Sunday letter to her father (January 21, 1872)
The people mentioned in Mary Jane's letter were her children Lloyd, Charley, and Nancy; her husband, William Henry Broome; her sisters Eliza, Anna, Laura, and Nora; her brother Frankie; and her nephew frontier physician Dr. Charles "Charley" Harris, son of her sister Susan.
John Broome and Rebecca Lloyd: Their Descendants and Related Families, 18th to 21st Centuries (2009)

Elias Aslaksen photo

“We are so accustomed to hear arithmetic spoken of as one of the three fundamental ingredients in all schemes of instruction, that it seems like inquiring too curiously to ask why this should be. Reading, Writing, and Arithmetic—these three are assumed to be of co-ordinate rank. Are they indeed co-ordinate, and if so on what grounds?
In this modern “trivium” the art of reading is put first. Well, there is no doubt as to its right to the foremost place. For reading is the instrument of all our acquisition. It is indispensable. There is not an hour in our lives in which it does not make a great difference to us whether we can read or not. And the art of Writing, too; that is the instrument of all communication, and it becomes, in one form or other, useful to us every day. But Counting—doing sums,—how often in life does this accomplishment come into exercise? Beyond the simplest additions, and the power to check the items of a bill, the arithmetical knowledge required of any well-informed person in private life is very limited. For all practical purposes, whatever I may have learned at school of fractions, or proportion, or decimals, is, unless I happen to be in business, far less available to me in life than a knowledge, say, of history of my own country, or the elementary truths of physics. The truth is, that regarded as practical arts, reading, writing, and arithmetic have no right to be classed together as co-ordinate elements of education; for the last of these is considerably less useful to the average man or woman not only than the other two, but than 267 many others that might be named. But reading, writing, and such mathematical or logical exercise as may be gained in connection with the manifestation of numbers, have a right to constitute the primary elements of instruction. And I believe that arithmetic, if it deserves the high place that it conventionally holds in our educational system, deserves it mainly on the ground that it is to be treated as a logical exercise. It is the only branch of mathematics which has found its way into primary and early education; other departments of pure science being reserved for what is called higher or university instruction. But all the arguments in favor of teaching algebra and trigonometry to advanced students, apply equally to the teaching of the principles or theory of arithmetic to schoolboys. It is calculated to do for them exactly the same kind of service, to educate one side of their minds, to bring into play one set of faculties which cannot be so severely or properly exercised in any other department of learning. In short, relatively to the needs of a beginner, Arithmetic, as a science, is just as valuable—it is certainly quite as intelligible—as the higher mathematics to a university student.”

Joshua Girling Fitch (1824–1903) British educationalist

Source: Lectures on Teaching, (1906), pp. 267-268.

Amir Taheri photo
Immanuel Wallerstein photo
W. H. Auden photo
Gloria Estefan photo

“As a writer, I see myself more as a communicator. For me, writing is the best part of my career.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

"Billboard Magazine" (11 October 2003)
2007, 2008

Robert Hunter (author) photo
William Blake photo
Roger Waters photo
William Saroyan photo
Thomas Carlyle photo

“Certainly the Art of Writing is the most miraculous of all things man has devised.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1840s, Heroes and Hero-Worship (1840), The Hero as Man of Letters

Victor Klemperer photo
Philip Roth photo
Michael Parenti photo
Peter Greenaway photo

“This is where I begin to do the writing. I am now going to be the pen and not the paper.”

Peter Greenaway (1942) British film director

Nagiko
The Pillow Book

Robert Charles Wilson photo

“Promises were like bad checks, easy to write and hard to cash.”

Source: Blind Lake (2003), Chapter 15 (p. 179)

Edgar Froese photo
John Fante photo
Mark Satin photo

“I turn out the kitchen light and sit down at the kitchen table, my head buried in my arms. I try to tell myself that I feel sick from having had to write all those lies on my application. I'd commit suicide if I really saw myself as Keith's "assistant"! But I know that isn't the half of it…. If I do "choose to finish my B. A." I'll end up like Keith. But if I don't "choose" school I'll end up in Canada! And if I don't "choose" either – wouldn't I end up in Vietnam?”

Mark Satin (1946) American political theorist, author, and newsletter publisher

Pages 196–97. Fall of 1966. Satin has dropped out of SUNY and is sitting in his girlfriend's apartment in Manhattan. The application is for Canadian immigrant status. Keith, a supportive college professor, is seen by Satin as a plastic sellout.
Confessions of a Young Exile (1976)

Adah Isaacs Menken photo

“She is a sensitive poet who, unfortunately, cannot write.”

Adah Isaacs Menken (1835–1868) American actress, dancer, painter and poet

Charles Dickens, Jewish Virtual Library http://www.jewishvirtuallibrary.org/jsource/biography/AMenken.html
About

Peter Greenaway photo
Dylan Moran photo

“Then this song came on—I will never forget it—it was called "The Funk Soul Brother." And I will always remember that because it was also all of the lyrics… and, er, it was that school of songwriting, you know, very easy on the words in case they get wasted, I don't know what— there's a shortage, and… it sounded like a million fire engines chasing ten million ambulances through a war zone and was played at a volume that made the empty chair beside me bleed. And it went, erm, "Funk soul brother… right about now… yeah… it's the, it's the funk soul brother… check it out. It's, er, well… it's the funk soul brother, essentially. He's, er, he's coming. He's coming at you. It's the… well… it's the funk soul brother." And after a while, I began to penetrate the meaning of this song, you know? I gathered that somebody was about to arrive, and everybody else was terribly excited—maybe he was bringing cake, or something, they didn't say—but the thing was, you see, he wasn't there yet. Ha ha, that was the hook! And I'm not saying it's a bad song, you know, or anything like that. All I'm saying is that if you get, I don't know, a broom, say, and dip it in some brake fluid, put the other end up my arse, stick me on a trampoline in a moving lift, and I would write a better song on the walls. That's all I'm saying.”

Dylan Moran (1971) Irish actor and comedian

On The Rockafeller Skank by Fatboy Slim
Monster (2004)

Charles Hamilton (writer) photo
Samuel Johnson photo
Yoshida Kenkō photo
Seamus Heaney photo
Ann Coulter photo

“USA Today doesn't like my "tone," humor, sarcasm, etc. etc., which raises the intriguing question of why they hired me to write for them in the first place. Perhaps they thought they were getting Catherine Coulter.”

Ann Coulter (1961) author, political commentator

As quoted in "Banned In Boston: Too Hot for USA Today" in Human Events (26 July 2004) http://www.humanevents.com/article.php?id=4646.
2004

Adrianne Wadewitz photo

“Wadewitz said to attract more women editors, attitudes within the Wikipedia community need to change. This became clear when she revealed her gender, after writing anonymously for several years.”

Adrianne Wadewitz (1977–2014) academic and Wikipedian

Wholf, Tracy (May 18, 2014). "'Wikipedian' editor took on website’s gender gap" http://www.pbs.org/newshour/bb/wikipedian-editor-took-wikipedias-gender-gap/. PBS NewsHour (PBS). Retrieved May 19, 2014.
About

Giovanni Gentile photo
Geddy Lee photo

“I love to write. It's my first love.”

Geddy Lee (1953) vocalist, bassist, and keyboardist for the Canadian rock group Rush

Global Bass interview (2000)

Nathanael Greene photo
Marshall McLuhan photo

“By surpassing writing, we have regained our wholeness, not on a national or cultural but cosmic plane.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

1960s, Counterblast (1969)

Stephen King photo
Arun Shourie photo
James Baldwin photo

“I have not written about being a Negro at such length because I do not expect that to be my only subject, but only because it was the gate I had to unlock before I could hope to write about anything else.”

James Baldwin (1924–1987) (1924-1987) writer from the United States

"The Hard Kind of Courage" in Harper's (October 1958) republished as "A Fly in Buttermilk" in Nobody Knows My Name: More Notes of a Native Son (1961)

Otto Mueller photo

“Since I am not well and have difficulty walking... More than anything else, I need lots of rest; even letter-writing is a strain.”

Otto Mueller (1874–1930) German painter and printmaker of the expressionist movement

in letter 03-223, Summer 1930, from Bad Salzbrunn; as quoted in Otto Mueller: A Stand-Alone Modernist, Dieter W. Posselt; 2006 / new edition 2010, Books on Demand, GmbH, Norderstedt, Germany - ISBN:978-3-8448-6866-1

Stephen King photo
George Villiers, 2nd Duke of Buckingham photo

“Nature's chief masterpiece is writing well.”

George Villiers, 2nd Duke of Buckingham (1628–1687) English statesman and poet

John Sheffield, 1st Duke of Buckingham and Normanby "An Essay on Poetry", line 2; cited from The Poetical Works of the Most Noble John Sheffield, Duke of Buckingham (Edinburg [sic]: Apollo Press, 1780) p. 281.
Misattributed in Temple Bar (February 1863) p. 377, and by Giga Quotes http://www.giga-usa.com/quotes/authors/george_villiers_a001.htm.
Misattributed

Edmund White photo

“It seemed strange to me that someone who painted big, scary abstractions should have been so commonsensical in her literary tastes, though later I would discover that twelve-tone composers read Keats just as experimental poets listened to Glenn Miller — few people are avant-garde outside their own domain.I suppose that as Midwesterners, the children of chemical engineers and homemakers, we experienced the arts as so foreign, even so preposterously unreasonable, that once we’d decided to embrace them we did so with lots of conviction and little discrimination. Surely it was no accident that T. S. Eliot and Ezra Pound, the two great poetic synthesists of our day, the very men who had ransacked all of world culture and could refer in the same poem to the Buddha and to Sophocles or to Confucius and to Jefferson — it was no accident that they were both from the heartland. Public-library intellectuals, magpies of knowledge, like most autodidacts we were incapable of evaluating our sources. As a teen-ager, I tried to write verse like Milton’s; later, I wanted to write novels like Nabokov’s. In a novel I wrote in college, I imitated Evelyn Waugh. If someone had said to me, "But do you, the graceless son of a Cincinnati broker of chemical equipment, do you seriously imagine that you can just write a Renaissance Christian epic or something in the style of a Cambridge-educated Russian aristocrat or of the spokesman of the Bright Young Things of London circa 1925?"”

Edmund White (1940) American novelist and LGBT essayist

if someone had spoken like this to me, I wouldn’t even have understood his point.
My Women.The New Yorker https://archive.is/20121204150452/www.newyorker.com/fact/content/articles/050613fa_fact 6 June 2005
Articles and Interviews

Hank Williams photo

“A good song is a good song, and if I'm lucky enough to write it, well….! I get more kick out of writing than I do singing. I reckon I've written a thousand songs and had over 300 published.”

Hank Williams (1923–1953) American country music singer

Gleason, Ralph (06-28-1969). 1952 interview of Hank Williams. Rolling Stone.