Quotes about working
page 34

Eric Hargan photo
Margaret Mead photo
Stanley Baldwin photo
Lyndon B. Johnson photo

“To strengthen the work of Congress I strongly urge an amendment to provide a four-year term for Members of the House of Representatives—which should not begin before 1972. The present two-year term requires most members of Congress to divert enormous energies to an almost constant process of campaigning—depriving this nation of the fullest measure of both their skill and their wisdom. Today, too, the work of government is far more complex than in our early years, requiring more time to learn and more time to master the technical tasks of legislating. And a longer term will serve to attract more men of the highest quality to political life. The nation, the principle of democracy, and, I think, each congressional district, will all be better served by a four-year term for members of the House. And I urge your swift action. Tonight the cup of peril is full in Vietnam. That conflict is not an isolated episode, but another great event in the policy that we have followed with strong consistency since World War II. The touchstone of that policy is the interest of the United States—the welfare and the freedom of the people of the United States. But nations sink when they see that interest only through a narrow glass. In a world that has grown small and dangerous, pursuit of narrow aims could bring decay and even disaster. An America that is mighty beyond description—yet living in a hostile or despairing world—would be neither safe nor free to build a civilization to liberate the spirit of man. In this pursuit we helped rebuild Western Europe. We gave our aid to Greece and Turkey, and we defended the freedom of Berlin. In this pursuit we have helped new nations toward independence. We have extended the helping hand of the Peace Corps and carried forward the largest program of economic assistance in the world. And in this pursuit we work to build a hemisphere of democracy and of social justice. In this pursuit we have defended against Communist aggression—in Korea under President Truman—in the Formosa Straits under President Eisenhower—in Cuba under President Kennedy—and again in Vietnam.”

Lyndon B. Johnson (1908–1973) American politician, 36th president of the United States (in office from 1963 to 1969)

1960s, State of the Union Address (1966)

Edwin Abbott Abbott photo

“Had the acute-angled rabble been all, without exception, absolutely destitute of hope and of ambition, they might have found leaders in some of their many seditious outbreaks, so able as to render their superior numbers and strength too much even for the wisdom of the Circles. But a wise ordinance of Nature has decreed that, in proportion as the working-classes increase in intelligence, knowledge, and all virtue, in that same proportion their acute angle (which makes them physically terrible) shall increase also and approximate to the comparatively harmless angle of the Equilateral Triangle. Thus, in the most brutal and formidable of the soldier class — creatures almost on a level with women in their lack of intelligence — it is found that, as they wax in the mental ability necessary to employ their tremendous penetrating power to advantage, so do they wane in the power of penetration itself.

How admirable is this Law of Compensation! And how perfect a proof of the natural fitness and, I may almost say, the divine origin of the aristocratic constitution of the States in Flatland! By a judicious use of this Law of Nature, the Polygons and Circles are almost always able to stifle sedition in its very cradle, taking advantage of the irrepressible and boundless hopefulness of the human mind. Art also comes to the aid of Law and Order. It is generally found possible — by a little artificial compression or expansion on the part of the State physicians — to make some of the more intelligent leaders of a rebellion perfectly Regular, and to admit them at once into the privileged classes; a much larger number, who are still below the standard, allured by the prospect of being ultimately ennobled, are induced to enter the State Hospitals, where they are kept in honourable confinement for life; one or two alone of the more obstinate, foolish, and hopelessly irregular are led to execution.”

Source: Flatland: A Romance of Many Dimensions (1884), PART I: THIS WORLD, Chapter 3. Concerning the Inhabitants of Flatland

Noel Gallagher photo
Enoch Powell photo
Henry Brougham, 1st Baron Brougham and Vaux photo

“In my mind, he was guilty of no error, he was chargeable with no exaggeration, he was betrayed by his fancy into no metaphor, who once said, that all we see about us, Kings, Lords, and Commons, the whole machinery of the State, all the apparatus of the system, and its varied workings, end in simply bringing twelve good men into a box.”

Henry Brougham, 1st Baron Brougham and Vaux (1778–1868) English barrister, politician, and Lord Chancellor of Great Britain

Present State of the Law (February 7, 1828).
Variant: In my mind, he was guilty of no error, he was chargeable with no exaggeration, he was betrayed by his fancy into no metaphor, who once said, that all we see about us, Kings, Lords, and Commons, the whole machinery of the State, all the apparatus of the system, and its varied workings, end in simply bringing twelve good men into a box.

Tom Petty photo
Gabriel Batistuta photo
The Mother photo

“Who have undertaken to achieve self-mastery, those who want to find the path that leads to the Divine, and those who aspire to consecrate themselves more and more completely to the Divine Work.”

The Mother (1878–1973) spiritual collaborator of Sri Aurobindo

In her preface to the book "Prieres et Meditations" which was translated into English by Sri Aurobindo, quoted in "Diary notes and Meeting with Sri Aurobindo."
Sayings

Walker Percy photo
Mao Zedong photo
Robert Chambers (publisher, born 1802) photo
Sören Kierkegaard photo

“If the genius is an artist, then he accomplishes his work as art, but neither he nor his work of art has a telos outside him.”

Sören Kierkegaard (1813–1855) Danish philosopher and theologian, founder of Existentialism

Source: 1840s, Two Ethical-Religious Minor Essays (1849), P. 108

Robert F. Kennedy photo

“Few will have the greatness to bend history, but each of us can work to change a small portion of the events, and then the total — all of these acts — will be written in the history of this generation.”

Robert F. Kennedy (1925–1968) American politician and brother of John F. Kennedy

Day of Affirmation Address (1966)
Variant: Few will have the greatness to bend history, but each of us can work to change a small portion of the events, and then the total — all of these acts — will be written in the history of this generation.

Norman MacLeod (1812–1872) photo
Guity Novin photo
Walter Benjamin photo
Hans Rosling photo
Ignacy Domeyko photo
L. Frank Baum photo
Paulo Freire photo

“This work deals with a very obvious truth: just as the oppressor, in order to oppress, needs a theory of oppressive action, so the oppressed, in order to become free, also need a theory of action.”

Paulo Freire (1921–1997) educator and philosopher

Pedagogia do oprimido (Pedagogy of the Oppressed) (1968, English trans. 1970)

Francis Escudero photo
Ahad Ha'am photo
Ursula K. Le Guin photo
Preity Zinta photo

“I don't see myself working in a Hollywood film.”

Preity Zinta (1975) film actress

Famous quotes
Source: [apunkachoice.com, No move to Hollywood: Preity, http://www.apunkachoice.com/scoop/bollywood/20060921-0.html, 22 November, 2006]

Anton Chekhov photo
Ellsworth Kelly photo
Auguste Rodin photo
Manmohan Singh photo
Francis Escudero photo
Franz Marc photo
Bill Clinton photo
Jorge Vargas González photo

“What I got as result was my work for two periods as mayor. She came as if she owned the place, but she has to earn respect first. I just met her when she presented as candidate; before, we never saw her.”

Jorge Vargas González (1967) Chilean politician

On the defeat of Paulina Nin in her candidacy for Mayor of Pichilemu, in "Jorge Vargas: 'Paulina Nin le faltó el respeto a mi pueblo...'", La Cuarta, (4 November 2004) http://www.lacuarta.com/diario/2004/1104/04.07.4a.CRO.PICHILEMU.html

Ian Ziering photo
Abdul Halim of Kedah photo

“By working consistently and turned to among citizens, hence in a short of time surely achieved the intention that we meant for. For instance, a bridge would not be able to be made by only a person to cross the river, unless with cooperation of the people. If you are able to do that, you will become a citizen that will do service to the nation and race.”

Abdul Halim of Kedah (1927–2017) King of Malaysia

Speech in front of students at a public school in Bandar Baharu http://eresources.nlb.gov.sg/newspapers/Digitised/Article/beritaharian19581206-1.2.96.6?ST=1&AT=filter&K=abdul+halim&KA=abdul+halim&DF=&DT=&AO=false&NPT=&L=&CTA=&NID=&CT=&WC=&YR=1958&P=2&Display=0&filterS=0&QT=abdul,halim&oref=article 6/12/1958

Agatha Christie photo
E. W. Hobson photo

“The first period embraces the time between the first records of empirical determinations of the ratio of the circumference to the diameter of a circle until the invention of the Differential and Integral Calculus, in the middle of the seventeenth century. This period, in which the ideal of an exact construction was never entirely lost sight of, and was occasionally supposed to have been attained, was the geometrical period, in which the main activity consisted in the approximate determination of π by the calculation of the sides or the areas of regular polygons in- and circum-scribed to the circle. The theoretical groundwork of the method was the Greek method of Exhaustions. In the earlier part of the period the work of approximation was much hampered by the backward condition of arithmetic due to the fact that our present system of numerical notation had not yet been invented; but the closeness of the approximations obtained in spite of this great obstacle are truly surprising. In the later part of this first period methods were devised by which the approximations to the value of π were obtained which required only a fraction of the labour involved in the earlier calculations. At the end of the period the method was developed to so high a degree of perfection that no further advance could be hoped for on the lines laid down by the Greek Mathematicians; for further progress more powerful methods were required.”

E. W. Hobson (1856–1933) British mathematician

Source: Squaring the Circle (1913), pp. 10-11

Edward O. Wilson photo
Paul Dini photo
John Davidson photo
Heath Ledger photo
Carl Barus photo
Allen C. Guelzo photo
Donovan photo

“It seemed — in 1968 — the possibilities of peace and brotherhood could be realised that very year. We're still working on it.”

Donovan (1946) Scottish singer, songwriter and guitarist

During a performance for "Beatle Week" in Liverpool (27 August 2006), as prelude to singing "Hurdy Gurdy Man" (YouTube video) http://www.youtube.com/watch?v=qu-18cP4164&mode=related&search=

Calvin Coolidge photo
Max Beckmann photo
Joseph Dietzgen photo
Northrop Frye photo

“The only way to forestall the work of criticism is through censorship, which has the same relation to criticism that lynching has to justice.”

Northrop Frye (1912–1991) Canadian literary critic and literary theorist

"Quotes", Anatomy of Criticism: Four Essays (1957), Polemical Introduction

Annie Besant photo
Roberto Clemente photo

“I didn't like the trade. Santurce is close to my home town and I like the fans there. They good to me and cheer me all the time. I may not go back. I may work in Pittsburgh.”

Roberto Clemente (1934–1972) Puerto Rican baseball player

Reacting to the sale of his erstwhile winter ball team, Santurce, and his subsequent trade to San Juan; as quoted in "Roberto Does Better When He's Ailing" https://news.google.com/newspapers?id=rEQjAAAAIBAJ&sjid=Ak4EAAAAIBAJ&pg=7048%2C256258 by Les Biederman, in The Pittsburgh Press (Saturday, March 2, 1957), p. 6
Baseball-related, <big><big>1950s</big></big>, <big>1957</big>

“We had a certain idea of our work, a respect for others, and above all, [we were determined] not to be paparazzi. For the photographer, curiosity is essential, the terrible counterpart is indiscretion, which is a lack of restraint.”

Henri Cartier-Bresson (1908–2004) French photographer

Source: Henri Cartier-Bresson: Interviews and Conversations, 1951-1998, Photographing Is Nothing, Looking Is Everything! Interview with Philippe Boegner (1989), p. 115

Andreas Schelfhout photo

“Cheerfully and cheerily, I started working once more in giant steps to the second painting by Mr Twent. [of the, who wanted his estate immortalized in two large paintings] (translation from original Dutch: Fons Heijnsbroek)”

Andreas Schelfhout (1787–1870) Dutch painter, etcher and lithographer

(original Dutch, citaat van Schelfhout, uit zijn brief:) Vrolijk en opgeruimt, ben ik weder met reuze schreden begonen aan het tweede schilderij van de Heer Twent. [van het Wassenaarse landgoed Raaphorst, toen in bezit van Abraham Jacob Twent, die het landgoed in twee grote schilderijen wilde laten vereeuwigen]
Quote from Schelfhout, in a letter (with sketched figures) to an unknown friend, 21 Feb. 1823; as cited in Andreas Schelfhout - landschapschilder in Den Haag, Cyp Quarles van Ufford, Primavera Pers, (ISBN 978-90-5997-066-3), Leiden, p. 74

Emil Nolde photo

“I want so much for my work to grow forth out of the material, just as in nature the plants grow forth out of the earth, which corresponds to their character. In the print 'Lebensfreude' [Joy of living] I worked for the most part with my finger, and the effect I hoped for was achieved. There is hidden in the print a bit of wantonness, in the representation as well as in the boldness of the technique. If I were to make the "ragged and moving" contours "correctly" in the academic sense, this effect would not nearly be achieved.”

Emil Nolde (1867–1956) German artist

in a letter to his friend Gustav Schiefler, 1906, in 'Gustav Schiefler and Christel Mosel', Emil Nolde: Das graphische Werk, vol. 2.; M. DuMont Schauberg, Cologne, 1966-67, p. 8; as quoted in 'The Revival of Printmaking in Germany', I. K. Rigby; in German Expressionist Prints and Drawings - Essays Vol 1.; published by Museum Associates, Los Angeles County Museum of Art, California & Prestel-Verlag, Germany, 1986, p.50
Nolde described how the exhilarating new sense of collaboration with the medium had freed him from the constraints of traditional etching techniques and encouraged a bolder, freer expression
1900 - 1920

Karel Appel photo

“The Cobra group started new, and first of all we threw away all these things we had known and started afresh, like a child — fresh and new. Sometimes my works look very childish, or childlike, schizophrenic or stupid, you know. But that was the good thing for me. Because, for me, the material is the paint itself. The paint expresses itself. In the mass of paint, I find my imagination and go on to paint it.”

Karel Appel (1921–2006) Dutch painter, sculptor, and poet

Quoted in: 'Karel Appel, Dutch Expressionist Painter, Dies at 85', by Margalit Fox, in 'Art & Design', New York Times May 9, 2006
Quote of an oral history in 'Contemporary Artists' - Karel Appel describes the wild artistic urgency that gave rise to the Cobra artist-group

“Instead of saying, "It will never work," with-it people say, "What if this does work?"”

Craig Groeschel (1967) American priest

It – How Churches and Leaders Can Get It and Keep It (2008, Zondervan)

James Whitbread Lee Glaisher photo
Paul Fussell photo
Aga Khan IV photo
Crystal Allen photo
Lucy Aharish photo

“One of the topics [on the show last week] was the murder of women in the Arab sector, what is referred to, unfortunately, […] as 'honor killing' and has nothing to do with [anything worthy of] honor. The guest in the studio was a woman who had 20 years of experience working for the sake of those same women who die for no good reason, a woman whose everyday job was a holy work for the sake of thousands of Arab women who need a voice that will shout out and cry out their cries. After she had accused the government and the police and everyone of incompetence, I asked her, in a somewhat aggressive manner, as it were, '[…] Where are we in all of this? Where are we Arab women to teach and discipline our sons that a man has no right over a woman? […]' During the commercial break, she got up and told me that I had to learn how to talk to Arabs because the tone that I adopted and the things that I said were said to gain approval from Jews. So I've come to tell you today that I haven't come for approval from you; that I haven't come for approval from anyone; and this is the message that I want you to digest very, very well. In my life I have been accused of many things: that I am the fifth column; that an Arab will always stay an Arab, no matter how liberal he may look; that I bring shame on my family for being in a relationship with a person outside my religion. I've received threats after asking Palestinian residents live on the show why they don't go out against Hamas men, who use them and bring them to their slaughter; I've been attacked on Yom ha-Shoah and Yom ha-Zikaron that the managers at Arutz 2 dared to put an Arab on a show such as that as the host on a day such as that; I've been told that I make Arab women stray off the path of proper behavior; and that I've forgotten where I come from being an 'Ashkenazified', 'Judaized' Arab. So they blamed and they talked—as if that, in itself, made them right.”

Lucy Aharish (1981) Arab-Israeli journalist

Source: Lucy Aharish's campus speech http://www.onlife.co.il/%D7%A2%D7%91%D7%95%D7%93%D7%94/%D7%9E%D7%A0%D7%94%D7%99%D7%92%D7%95%D7%AA-%D7%94%D7%99%D7%95%D7%9D-%D7%90%D7%AA-%D7%94%D7%9E%D7%97%D7%A8/85312/%D7%9C%D7%95%D7%A1%D7%99-%D7%90%D7%94%D7%A8%D7%99%D7%A9-%D7%9C%D7%90-%D7%91%D7%90%D7%AA%D7%99-%D7%9C%D7%9E%D7%A6%D7%95%D7%90-%D7%97%D7%9F-%D7%91%D7%A2%D7%99%D7%A0%D7%99-%D7%90%D7%A3-%D7%90%D7%97%D7%93 at "מנהיגות היום את המחר". Onlife. 9 November 2014. Retrieved 27 January 2015. Video available.

“Landscape - the external surface of the earth beneath the atmosphere… is merely an outward manifestation of most of the factors at work in the area.”

Richard Hartshorne (1899–1992) American Geographer

Source: The Nature of Geography (1939), p. 216-217

Vincent Van Gogh photo

“.. by going on drawing those types of working people, etc., I hope to arrive at the point of being able to do illustration work for papers and books.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

In his letter to brother Theo, from Brussels, Belgium (January 1881, letter 140); as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, p. 19
being art student in Brussels
1880s, 1881

Walter Bagehot photo
Maithripala Sirisena photo
Igor Ansoff photo
Willa Cather photo
David Cronenberg photo

“I'm always working on the same thing, the creation of an identity. It's mysterious: We think identity is genetically given, but I believe there is creative will involved with the decision of who we are going to be. All my movies are concerned with this.”

David Cronenberg (1943) Canadian film director, screenwriter and actor

Cronenberg: An intellectual with ominous powers http://www.nytimes.com/2006/05/19/arts/19iht-dupont.html (May 19, 2006)

Don Marquis photo

“well boss
mehitabel the cat
has reappeared in her old
haunts with a
flock of kittens

archy she said to me
yesterday
the life of a female
artist is continually
hampered what in hell
have i done to deserve
all these kittens
i look back on my life
and it seems to me to be
just one damned kitten
after another
i am a dancer archy
and my only prayer
is to be allowed
to give my best to my art
but just as i feel
that i am succeeding
in my life work
along comes another batch
of these damned kittens
it is not archy
that i am shy on mother love
god knows i care for
the sweet little things
curse them
but am i never to be allowed
to live my own life
i have purposely avoided
matrimony in the interests
of the higher life
but i might just
as well have been a domestic
slave for all the freedom
i have gained
i hope none of them
gets run over by
an automobile
my heart would bleed
if anything happened
to them and i found it out
but it isn t fair archy
it isn t fair
these damned tom cats have all
the fun and freedom
if i was like some of these
green eyed feline vamps i know
i would simply walk out on the
bunch of them and
let them shift for themselves
but i am not that kind
archy i am full of mother love
my kindness has always
been my curse
a tender heart is the cross i bear
self sacrifice always and forever
is my motto damn them
i will make a home
for the sweet innocent
little things
unless of course providence
in his wisdom should remove
them they are living
just now in an abandoned
garbage can just behind
a made over stable in greenwich
village and if it rained
into the can before i could
get back and rescue them
i am afraid the little
dears might drown
it makes me shudder just
to think of it
of course if i were a family cat
they would probably
be drowned anyhow
sometimes i think
the kinder thing would be
for me to carry the
sweet little things
over to the river
and drop them in myself
but a mother s love archy
is so unreasonable
something always prevents me
these terrible
conflicts are always
presenting themselves
to the artist
the eternal struggle
between art and life archy
is something fierce
yes something fierce
my what a dramatic
life i have lived
one moment up the next
moment down again
but always gay archy always gay
and always the lady too
in spite of hell
well boss it will
be interesting to note
just how mehitabel
works out her present problem
a dark mystery still broods
over the manner
in which the former
family of three kittens
disappeared
one day she was talking to me
of the kittens
and the next day when i asked
her about them
she said innocently
what kittens
interrogation point
and that was all
i could ever get out
of her on the subject
we had a heavy rain
right after she spoke to me
but probably that garbage can
leaks so the kittens
have not yet
been drowned”

Don Marquis (1878–1937) American writer

mehitabel and her kittens http://donmarquis.com/reading-room/kittens/
archy and mehitabel (1927)

Ellen DeGeneres photo
Edmund Phelps photo
David Baboulene photo
Akira Toriyama photo

“I was an avid anime watcher until I was about 10, when I moved to manga. I think I am influenced by Osamu Tezuka's and Walt Disney's works which I watched during that time, such as Tetsuwan Atom and 101 Dalmatians.”

Akira Toriyama (1955) manga artist and video game character designer

Interview with Toriyama http://www.myfavoritegames.com/dragonball-z/Info/Interviews/Interviews-AkiraToriyama.htm

Jean-François Revel photo

“Democratic civilization is the first in history to blame itself because another power is working to destroy it.”

Jean-François Revel (1924–2006) French writer and philosopher

Cited in The Effects of Mass Immigration On Canadian Living Standards and Society (2009). ed. Grubel, The Frasier Institute, pp. 202-203 ISBN 088975246X, 9780889752467
1980s, How Democracies Perish (1983)

Prem Rawat photo
Alice A. Bailey photo
John Bright photo
Sorley MacLean photo
Hans Arp photo
Marie-Louise von Franz photo
Charles Lamb photo
Kurt Schwitters photo
Mallika Sherawat photo
Waheeda Rehman photo
Jordan Peterson photo

“The idea of white privilege is absolutely reprehensible. And it's not because white people aren't privileged. We have all sorts of privileges, and most people have privileges of all sorts, and you should be grateful for your privileges and work to deserve them. But the idea that you can target an ethnic group with a collective crime, regardless of the specific innocence or guilt of the constituent elements of that group - there is absolutely nothing that's more racist than that. It's absolutely abhorrent. If you really want to know more about that sort of thing, you should read about the Kulaks in the Soviet Union in the 1920's. They were farmers who were very productive. They were the most productive element of the agricultural strata in Russia. And they were virtually all killed, raped, and robbed by the collectivists who insisted that because they showed signs of wealth, they were criminals and robbers. One of the consequences of the prosecution of the Kulaks was the death of six million Ukrainians from a famine in the 1930's. The idea of collectively held guilt at the level of the individual as a legal or philosophical principle is dangerous. It's precisely this sort of danger that people who are really looking for trouble would push. Just a cursory glance at 20th century history should teach anyone who wants to know exactly how unacceptable that is.”

Jordan Peterson (1962) Canadian clinical psychologist, cultural critic, and professor of psychology

Concepts

Roberto Clemente photo
Enoch Powell photo