Quotes about wind
page 13

Benjamin Peirce photo
John Banville photo

“March in Ireland can be a very lovely month, if you like your air rain-washed and your light wind-shaken.”

John Banville (1945) Irish writer

John Banville on the birth of his dark twin, Benjamin Black (2011)

Gabriel García Márquez photo
Vitruvius photo
Percy Bysshe Shelley photo
George Chapman photo
Percy Bysshe Shelley photo
William Wordsworth photo
Carl Sandburg photo
Thomas Babington Macaulay, 1st Baron Macaulay photo
Subcomandante Marcos photo
Nikolai Gogol photo
Ralph Klein photo
Elton John photo
Jack Vance photo
Percy Bysshe Shelley photo

“A Sensitive Plant in a garden grew,
And the young winds fed it with silver dew,
And it opened its fan-like leaves to the light.
And closed them beneath the kisses of Night.”

Percy Bysshe Shelley (1792–1822) English Romantic poet

The Sensitive Plant http://www.kalliope.org/digt.pl?longdid=shelley2003060601 (1820), Pt. I, st. 1

Tibullus photo

“Be not afraid to swear. Null and void are the perjuries of love; the winds bear them ineffective over land and the face of the sea. Great thanks to Jove! The Sire himself has decreed no oath should stand that love has taken in the folly of desire.”
Nec iurare time: veneris periuria venti<br/>inrita per terras et freta summa ferunt.<br/>gratia magna Iovi: vetuit Pater ipse valere,<br/>iurasset cupide quidquid ineptus amor.

Tibullus (-50–-19 BC) poet and writer (0054-0019)

Nec iurare time: veneris periuria venti
inrita per terras et freta summa ferunt.
gratia magna Iovi: vetuit Pater ipse valere,
iurasset cupide quidquid ineptus amor.
Bk. 1, no. 4, line 21.
Elegies

James Macpherson photo
John F. Kennedy photo
Bertolt Brecht photo

“Their peace and their war
Are like wind and storm.War grows from their peace.”

Bertolt Brecht (1898–1956) German poet, playwright, theatre director

"Those at the top say: peace and war" [Die Oberen sagen: Friede und Krieg] from "A German War Primer" [Deutsche Kriegsfibel] (1937), trans. Lee Baxendall in Poems, 1913-1956, p. 288
Poems, 1913-1956 (1976)

Edward Dorr Griffin photo

“Very well, the starting point would be that claim of Professor Quarrey’s, which had been in the news at the beginning of the year, that the country’s greatest export was noxious gas. And who would like to stir up the fuss again? Obviously, the Canadians, cramped into a narrow band to the north of their more powerful neighbors, growing daily angrier about the dirt that drifted to them on the wind, spoiling crops, causing chest diseases and soiling laundry hung out to dry. So she’d called the magazine Hemisphere in Toronto, and the editor had immediately offered ten thousand dollars for three articles.
Very conscious that all calls out of the country were apt to be monitored, she’d put the proposition to him in highly general terms: the risk of the Baltic going the same way as the Mediterranean, the danger of further dust-bowl like the Mekong Desert, the effects of bringing about climactic change. That was back in the news—the Russians had revised their plan to reverse the Yenisei and Ob. Moreover, there was the Danube problem, worse than the Rhine had ever been, and Welsh nationalists were sabotaging pipelines meant to carry “their” water into England, and the border war in West Pakistan had been dragging on so long most people seemed to have forgotten that it concerned a river.
And so on.
Almost as soon as she started digging, though, she thought she might never be able to stop. It was out of the question to cover the entire planet. Her pledged total of twelve thousand words would be exhausted by North American material alone.”

June “A PLACE TO STAND”
The Sheep Look Up (1972)

Joaquin Miller photo
Thomas Edison photo

“We are like tenant farmers chopping down the fence around our house for fuel when we should be using Nature's inexhaustible sources of energy — sun, wind and tide. … I'd put my money on the sun and solar energy. What a source of power! I hope we don't have to wait until oil and coal run out before we tackle that.”

Thomas Edison (1847–1931) American inventor and businessman

In conversation with Henry Ford and Harvey Firestone (1931); as quoted in Uncommon Friends : Life with Thomas Edison, Henry Ford, Harvey Firestone, Alexis Carrel & Charles Lindbergh (1987) by James Newton, p. 31.

“Dancing with the wind: the fire burns, the water drowns.”

Travis Meeks (1979) American musician

Dancing with the wind (Red - 2003).
Lyrics

Sarah Helen Whitman photo
Samuel Butler photo
John Milton photo
John Milton photo
Mike Oldfield photo

“Far the horizon
Hove to the wind;
We're sailing the sea
To the Edge of the World.”

Mike Oldfield (1953) English musician, multi-instrumentalist

Song lyrics, The Millennium Bell (1999)

Mike Oldfield photo
Van Morrison photo
Patrick Fitzgerald photo

“Let me then ask your next question: Well, why is this a leak investigation that doesn't result in a charge? I've been trying to think about how to explain this, so let me try. I know baseball analogies are the fad these days. Let me try something.If you saw a baseball game and you saw a pitcher wind up and throw a fastball and hit a batter right smack in the head, and it really, really hurt them, you'd want to know why the pitcher did that. And you'd wonder whether or not the person just reared back and decided, "I've got bad blood with this batter. He hit two home runs off me. I'm just going to hit him in the head as hard as I can."You also might wonder whether or not the pitcher just let go of the ball or his foot slipped, and he had no idea to throw the ball anywhere near the batter's head. And there's lots of shades of gray in between.You might learn that you wanted to hit the batter in the back and it hit him in the head because he moved. You might want to throw it under his chin, but it ended up hitting him on the head.And what you'd want to do is have as much information as you could. You'd want to know: What happened in the dugout? Was this guy complaining about the person he threw at? Did he talk to anyone else? What was he thinking? How does he react? All those things you'd want to know.And then you'd make a decision as to whether this person should be banned from baseball, whether they should be suspended, whether you should do nothing at all and just say, "Hey, the person threw a bad pitch. Get over it."In this case, it's a lot more serious than baseball. And the damage wasn't to one person. It wasn't just Valerie Wilson. It was done to all of us.And as you sit back, you want to learn: Why was this information going out? Why were people taking this information about Valerie Wilson and giving it to reporters? Why did Mr. Libby say what he did? Why did he tell Judith Miller three times? Why did he tell the press secretary on Monday? Why did he tell Mr. Cooper? And was this something where he intended to cause whatever damage was caused?Or did they intend to do something else and where are the shades of gray?And what we have when someone charges obstruction of justice, the umpire gets sand thrown in his eyes. He's trying to figure what happened and somebody blocked their view.”

Patrick Fitzgerald (1960) American lawyer

Fitzgerald News Conference from the Washington Post (October 28, 2005)

T. E. Lawrence photo

“The common base of all the Semitic creeds, winners or losers, was the ever present idea of world-worthlessness. Their profound reaction from matter led them to preach bareness, renunciation, poverty; and the atmosphere of this invention stifled the minds of the desert pitilessly. A first knowledge of their sense of the purity of rarefaction was given me in early years, when we had ridden far out over the rolling plains of North Syria to a ruin of the Roman period which the Arabs believed was made by a prince of the border as a desert-palace for his queen. The clay of its building was said to have been kneaded for greater richness, not with water, but with the precious essential oils of flowers. My guides, sniffing the air like dogs, led me from crumbling room to room, saying, 'This is jessamine, this violet, this rose'. But at last Dahoum drew me: 'Come and smell the very sweetest scent of all', and we went into the main lodging, to the gaping window sockets of its eastern face, and there drank with open mouths of the effortless, empty, eddyless wind of the desert, throbbing past. That slow breath had been born somewhere beyond the distant Euphrates and had dragged its way across many days and nights of dead grass, to its first obstacle, the man-made walls of our broken palace. About them it seemed to fret and linger, murmuring in baby-speech. 'This,' they told me, 'is the best: it has no taste.”

My Arabs were turning their backs on perfumes and luxuries to choose the things in which mankind had had no share or part.
Source: Seven Pillars of Wisdom (1922), Ch. 3

Anna Akhmatova photo
William Drummond of Hawthornden photo
Halldór Laxness photo
Conor Oberst photo
Lee Child photo
Anu Garg photo
Denis Papin photo
Mahmoud Ahmadinejad photo
Woody Guthrie photo

“As I go walking this ribbon of highway
I see above me the endless skyway
And all around me the wind keeps saying:
This land is made for you and me.”

Woody Guthrie (1912–1967) American singer-songwriter and folk musician

This Land Is Your Land (1940; 1944)

Ralph Waldo Emerson photo
William Soutar photo
Common (rapper) photo
W. S. Gilbert photo

“A popular speaker, however unpopular and insignificant, has only to wind up his speech with half-a-dozen lines of Shakespeare (and to make it clearly understood that they are Shakespeare's) and he will sit down amid thunders of applause.”

W. S. Gilbert (1836–1911) English librettist of the Gilbert & Sullivan duo

"Unappreciated Shakespeare", Illustrated Sporting and Dramatic News, Christmas Number, 9 December 1882.

Miyamoto Musashi photo
Elton John photo
Steve Ballmer photo

“We like our model, as we are evolving it. In every category Apple competes, it's the low-volume player, except in tablets. In the PC market, obviously the advantage of diversity has mattered since 90-something percent of PCs that get sold are Windows PCs. We'll see what winds up mattering in tablets.”

Steve Ballmer (1956) American businessman who was the chief executive officer of Microsoft

Ballmer's New Mission for Microsoft, 29 October 2012, 2014-02-28, The Wall Street Journal http://online.wsj.com/news/articles/SB10001424052970204789304578087112202063912,
2010s

Robert Ardrey photo

“An earlier version of this volume was originally contracted for and produced as a monograph by Warner Modular Communications, Inc., a subsidiary member of the Warner communications and entertainment conglomerate. The publishing house had run a relatively independent operation up to the time of the controversy over this document. The editors and publisher were enthusiastic about the monograph and committed themselves to put it out quickly and to promote it with vigor. But just prior to publication, in the fall of 1973, officials of the parent company got wind of it, looked at it, and were horrified by its “unpatriotic” contents. Mr. William Sarnoff, a high officer of the parent company, for example, was deeply pained by our statement on page 7 of the original that the “leadership in the United States, as a result of its dominant position and wide-ranging counter-revolutionary efforts, has been the single most important instigator, administrator, and moral and material sustainer of serious bloodbaths in the years that followed World War II.” So pained were Sarnoff and his business associates, in fact, that they were quite prepared to violate a contractual obligation in order to assure that no such material would see the light of day. […] they decided to close down the publishing house […]. The history of the suppressed monograph is an authentic instance of private censorship of ideas per se. The uniqueness of the episode lies only in the manner of suppression. Usually, private intervention in the book market is anticipatory, with regrets that the manuscript is unacceptable, perhaps “unmarketable.””

Edward S. Herman (1925–2017) American journalist

Sometimes the latter contention is only an excuse for unwillingness to market, although it may sometimes reflect an accurate assessment of how the media and journals will receive books that are strongly critical of the established order.
Source: The Washington Connection and Third World Fascism, with Noam Chomsky, 1979, pp. xiv-xvii.

John Muir photo
Charles Dickens photo
John Gay photo

“Twas when the seas were roaring
With hollow blasts of wind,
A damsel lay deploring,
All on a rock reclined.”

John Gay (1685–1732) English poet and playwright

The What D'ye Call It (1715), Act II, sc. viii

Jimi Hendrix photo

“Start with a shovel, wind up with a spoon”

Jimi Hendrix (1942–1970) American musician, singer and songwriter

Rolling Stone Magazine interview, March 1970 http://crosstowntorrents.org/archive/index.php/t-1112.html

Don Henley photo
Mirkka Rekola photo

“The sea raises you to your feet. And dead calm.
Strands of light hold your hand. Now you have left
this shore. Now you are in the wind of an invisible sail.”

Mirkka Rekola (1931–2014) Finnish writer

Mirkka Rekola, Kuka lukee kanssasi (Who is Reading with You), 1990; Translated by Sari Hantula. Quoted at Mirkka Rekola http://www.electricverses.net/sakeet.php?poet=22&poem=645&language=3, at electricverses.net, accessed 20-03-2017.

Meng Haoran photo
C. J. Cherryh photo
James Russell Lowell photo

“There is no good in arguing with the inevitable. The only argument available with an east wind is to put on your overcoat.”

James Russell Lowell (1819–1891) American poet, critic, editor, and diplomat

On Democracy (6 October 1884)
Context: There is no good in arguing with the inevitable. The only argument available with an east wind is to put on your overcoat. And in this case, also, the prudent will prepare themselves to encounter what they cannot prevent. Some people advise us to put on the brakes, as if the movement of which we are conscious were that of a railway train running down an incline. But a metaphor is no argument, though it be sometimes the gunpowder to drive one home and imbed it in the memory.

Halldór Laxness photo

“The throne of Cupid had an easy stair,
His bark is fit to sail with every wind,
The breach he makes no wisdom can repair.”

Edward Fairfax (1580–1635) English translator

Book IV, stanza 34
Tasso's Jerusalem Delivered (1600)

Sherman Alexie photo
George Horne photo
Daisy Ashford photo

“Oh I see said the Earl but my own idear is that these things are as piffle before the wind.”

Source: The Young Visiters (1919), Chapter 5

Stanley Baldwin photo
Mike Oldfield photo
Loreena McKennitt photo
William Cullen Bryant photo

“When April winds
Grew soft, the maple burst into a flush
Of scarlet flowers. The tulip tree, high up,
Opened in airs of June her multitude
Of golden chalices to humming-birds
And silken-wing'd insects of the sky.”

William Cullen Bryant (1794–1878) American romantic poet and journalist

The Fountain http://www.gutenberg.org/files/16341/16341-h/16341-h.htm#page227, st. 3 (1839)

“To be a poet is to be lulled by the wind,
To follow the moon in dreams, and drift with the clouds.”

Xuân Diệu (1916–1985) Vietnamese poet

As quoted in "Shattered Identities and Contested Images: Reflections of Poetry and History in 20th-Century Vietnam" by Neil Jamieson, in Crossroads: An Interdisciplinary Journal of Southeast Asian Studies, Vol. 7, No. 2, 1992, p. 86, and in Understanding Vietnam by Neil L. Jamieson (University of California Press, 1995), <small>ISBN 978-0520916586</small>, p. 161

Matthew Arnold photo
Bai Juyi photo
Sarah McLachlan photo
Octavio Paz photo

“willow of crystal, a poplar of water,
a pillar of fountain by the wind drawn over,
tree that is firmly rooted and that dances,
turning course of a river that goes curving,
advances and retreats, goes roundabout,
arriving forever:
the calm course of a star
or the spring, appearing without urgency,
water behind a stillness of closed eyelids
flowing all night and pouring out prophecies,
a single presence in the procession of waves
wave over wave until all is overlapped,
in a green sovereignty without decline
a bright hallucination of many wings
when they all open at the height of the sky, course of a journey among the densities
of the days of the future and the fateful
brilliance of misery shining like a bird
that petrifies the forest with its singing
and the annunciations of happiness
among the branches which go disappearing,
hours of light even now pecked away by the birds,
omens which even now fly out of my hand, an actual presence like a burst of singing,
like the song of the wind in a burning building,
a long look holding the whole world suspended,
the world with all its seas and all its mountains,
body of light as it is filtered through agate,
the thighs of light, the belly of light, the bays,
the solar rock and the cloud-colored body,
color of day that goes racing and leaping,
the hour glitters and assumes its body,
now the world stands, visible through your body,
and is transparent through your transparency”

Octavio Paz (1914–1998) Mexican writer laureated with the 1990 Nobel Prize for Literature

Sun Stone (1957)

Letitia Elizabeth Landon photo
Robert Jordan photo
Andrew Sega photo
Emily Brontë photo
Rod Serling photo
Robert Louis Stevenson photo
Oliver Wendell Holmes photo
Bliss Carman photo

“There paused to shut the door
A fellow called the Wind,
With mystery before,
And reticence behind.”

Bliss Carman (1861–1929) author

At the Granite Gate, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

William Motherwell photo
Alfred Noyes photo
John Hoole photo
Isaac Rosenberg photo

“At break of day I feel as if I'm clasping a bouquet of smiling flowers
But the wind of time does not cease blowing
And the hours wilt like falling petals.”

Xuân Diệu (1916–1985) Vietnamese poet

As quoted in "Shattered Identities and Contested Images: Reflections of Poetry and History in 20th-Century Vietnam" by Neil Jamieson, in Crossroads: An Interdisciplinary Journal of Southeast Asian Studies, Vol. 7, No. 2, 1992, p. 86

Thomas Campbell photo
Ed Harcourt photo
Giorgio de Chirico photo

“Painting is the magic art, the fire set alight on the windows of the rich dwelling, as on those of the humble hovel, from the last rays of the setting sun, it is the long mark, the humid mark, the fluent and still mark that the dying wave etches on the hot sand, it is the darting of the immortal lizard on the rock burnt by the midday heat, it is the rainbow of conciliation, on sad May afternoons, after the storm has passed, down there, making a dark backdrop to the almond trees in flower, to the gardens with their washed colours, to the ploughmen's huts, smiling and tranquil, it is the livid cloud chased by the vehement blowing of Aeolus enraged, it is the nebulous disk of the fleeting moon behind the ripped-open funereal curtain of a disturbed sky in the deep of night, it is the blood of the bull stabbed in the arena, of the warrior fallen in the heat of battle, of Adonis' immaculate thigh wounded by the obstinate boar's curved tusk, it is the sail swollen with the winds of distant seas, it is the centuries-old tree browned in the autumn..”

Giorgio de Chirico (1888–1978) Italian artist

Quote from the first lines in De Cirico's essay 'Painting', 1938; from http://www.fondazionedechirico.org/wp-content/uploads/211_Painting_1938_Metaphysical_Art.pdf 'Painting', 1938 - G. de Chirico, presentation to the catalogue of his solo exhibition Mostra personale del pittore Giorgio de Chirico, Galleria Rotta, Genoa, May 1938], p. 211
1920s and later