Quotes about white
page 8

Adam Mickiewicz photo

“Herod, God! - all young Poland 's given into Herod's hands. What do I see? Long white roads like stations of the cross, long roads unseen through ancient forests, through the snow, all roads leading North. There, there, to the far country, they float like rivers.”

Herod - Panie cała Polska młoda wydana w ręce Heroda. Co widzę? Długie białe dróg krzyżowych biegi, Drogi długie - nie dojrzeć - przez puszcze - przez śniegi, Wszystkie na północ! Tam, tam, w kraj daleki, płyną jak rzeki
Part three, scene 5.
Dziady (Forefathers' Eve) http://www.ap.krakow.pl/nkja/literature/polpoet/mic_fore.htm

Orde Charles Wingate photo

“There are earth-shattering events going on around you, Lydia. men are scheming, debating, plotting, intriguing for the future of our country but, despite all their talk, it is the little children who are really creating the future. While these big men spend hours talking and arguing, you and your friends are busy building a nation. I don't exaggerate: all societies must be based on justice, love, trust and sharing. Though only 3, you are already practising them in your playgroup. Left to yourselves, you black and white children are actually doing that, while the politicians nervously insert clauses into bills to guard their investments and vested interest, or to protect people from people. You don't need to be protected from children of other races, because to you they are simply your friends, and you accept them totally for what they are. Your playgroup is based on trust. That is a precious commodity. I hope you never lose it. When men in Namibia act on that lesson we too, like you, can begin to build a nation.”

Colin Winter (1928–1981) Bishop of Damaraland noted for opposing apartheid; exiled Bishop of Namibia; Irish-British Anglican bishop

"An Open Letter to Lydia Morrow" Pro Veritate, V.15, No. 4 (September 1976) http://disa.nu.ac.za/articledisplaypage.asp?filename=PVSep76&articletitle=An+open+letter+to+Lydia+Morrow+from+Colin+Winter%2C+Bishop+of+Damaraland+in+exile+++++++++&searchtype=browse. Pro Veritate http://disa.nu.ac.za/journals/jourpvexpand.htm was a Christian monthly journal published in South Africa from 1962 to 1977. Lydia Morrow was the small daughter of Winter's friends and associates, Edward and Laureen Morrow.

Herman Melville photo

“Let us be Christians toward our fellow-whites, as well as philanthropists toward the blacks our fellow-men. In all things, and toward all, we are enjoined to do as we would be done by.”

Herman Melville (1818–1891) American novelist, short story writer, essayist, and poet

Supplement
Battle Pieces: And Aspects of the War (1860)

John Fante photo
Ayn Rand photo
Nelson Mandela photo
Elaine Goodale Eastman photo

“The starry, fragile windflower,
Poised above in airy grace,
Virgin white, suffused with blushes,
Shyly droops her lovely face.”

Elaine Goodale Eastman (1863–1953) American novelist, poet

The First Flowers; reported in Hoyt's New Cyclopedia Of Practical Quotations (1922), p. 874.

Miriam Makeba photo
Robert Rauschenberg photo
Desmond Tutu photo

“For goodness sake, will they hear, will white people hear what we are trying to say? Please, all we are asking you to do is to recognize that we are humans, too.”

Desmond Tutu (1931) South African churchman, politician, archbishop, Nobel Prize winner

As quoted in The New York Times (3 January 1985)

Ron Paul photo

“Neil Cavuto: …your campaign has received a $500 campaign donation from a white supremacist in West Palm Beach. And your campaign had indicated you have no intention to return it. What are you going to do with that?
Ron Paul: It is probably already spent. Why give it back to him and use it for bad purposes?
Neil Cavuto: …this Don Black who made the donation, and who ran a site called "Stormfront, White Pride Worldwide," now that you know it, now that you're familiar after the fact, you still would not return it?
Ron Paul: Well, if I spent his money and I took the money that maybe you might have sent to me and donate it back to him, that does not make any sense to me. Why should I give him money to promote his cause?
Neil Cavuto: …Hillary Clinton has had to do this, a number of other candidates have had to do this. Do you think that just is a bad practice?
Ron Paul: I think it is pandering. I think it is playing the political correctness… What about the people who get donations, want to get special interests from the military industrial complex? They put in — they raise, bundle their money, and send millions of dollars in there. And they want to rob the taxpayers. That is the real evil … that buys influence in government. And this is, to me, the corruption that should be corrected… you are missing the whole boat — the whole boat, because it is the immorality of government, it's the special interests in government, it's fighting illegal wars…
Neil Cavuto: All right.
Ron Paul: …and financing, and taxing the people, destroying the people through inflation, and undermining this prosperity of the country.”

Ron Paul (1935) American politician and physician

Your World with Neil Cavuto, FOX News, December 19, 2007 http://www.foxnews.com/story/0,2933,317536,00.html http://www.youtube.com/watch?v=CrRtZaG63o8
2000s, 2006-2009

“I thank God that my body has been able to handle this kind of workload. I don't know if I will ever be like Lorenzo White, but that's the goal I'm trying to get to.”

Javon Ringer (1987) All-American college football player, professional football player, running back

Quoted here http://www.ncaa.com/sports/m-footbl/spec-rel/092108acj.html

Christina Rossetti photo
Marcel Duchamp photo

“Now, if you [his sister, Suzanne Duchamp ] have been up to my place, you will have seen, in the studio, [his former studio in France, probably in Paris] a 'Bicycle Wheel' and a 'Bottle Rack'. [both art-works became later famous ready-mades of Duchamp] – I bought this as a ready-made sculpture [sculpture tout faite]. And I h have a plan concerning this so-called bottle rack. Listen to this. Here in N. Y., I have bought various objects in the same taste and I treat them as 'ready-mades'. You know enough English to understand the meaning of 'ready-made' [tour fait] that I give these objects. – I sign them and think of an inscription for them in English. I'll give you a few examples. I have, for example, a large snow shovel on which I have inscribed at the bottom: In advance of the broken arm, French translation: 'En avance dus bras cassé' – (Don't tear your hair out) trying to understand this in the Romantic or impressionist or Cubist sense – it has nothing to do with all that. Another 'readymade' is called: Emergency in favour of twice possible French translation: Danger \Crise \en favour de 2 fois. This long preamble just to say: Take this bottle rack for yourself. I'm making it a 'readymade' remotely. You are to inscribe it at the bottom and on the inside of the bottom circle, in small letters painted with a brush in oil, silver white colour, with an inscription which I will give you herewith, and then sign it, in the same handwriting, as follows: [after] Marcel Duchamp.”

Marcel Duchamp (1887–1968) French painter and sculptor

long quote from Duchamp's letter to his sister Suzanne Duchamp, New York, c. 15 Jan. 1916; as quoted in The Duchamp Book, ed. Gavin Parkinson, Tate Publishing, London 2008 pp. 157-158
1915 - 1925

Bell Hooks photo
Orson Scott Card photo
Nelson Mandela photo
Alfred Noyes photo
Han-shan photo
Bob Dylan photo

“I met a white man who walked a black dog.”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

Song lyrics, The Freewheelin' Bob Dylan (1963), A Hard Rain's a-Gonna Fall

Louis-ferdinand Céline photo
Cass Elliot photo
Paul Krugman photo
Clifford D. Simak photo
Prince photo

“I just can't believe all the things people say -- Controversy
Am I black or white? Am I straight or gay? -- Controversy
Do I believe in God? Do I believe in me?”

Prince (1958–2016) American pop, songwriter, musician and actor

Controversy
Song lyrics, Controversy (1981)

Nonie Darwish photo
Steve Kilbey photo

“There once was upon a time a poor widow who had an only son Jack, and a cow called Milky-White.”

English Fairy Tales (1890), Preface to English Fairy Tales, Jack and the Beanstalk

Margaret Atwood photo
Richard Rodríguez photo
John Muir photo
Hunter S. Thompson photo
Chief Seattle photo
Lysander Spooner photo

“Children learn the fundamental principles of natural law at a very early age. Thus they very early understand that one child must not, without just cause, strike or otherwise hurt, another; that one child must not assume any arbitrary control or domination over another; that one child must not, either by force, deceit, or stealth, obtain possession of anything that belongs to another; that if one child commits any of these wrongs against another, it is not only the right of the injured child to resist, and, if need be, punish the wrongdoer, and compel him to make reparation, but that it is also the right, and the moral duty, of all other children, and all other persons, to assist the injured party in defending his rights, and redressing his wrongs. These are fundamental principles of natural law, which govern the most important transactions of man with man. Yet children learn them earlier than they learn that three and three are six, or five and five ten. Their childish plays, even, could not be carried on without a constant regard to them; and it is equally impossible for persons of any age to live together in peace on any other conditions.

It would be no extravagance to say that, in most cases, if not in all, mankind at large, young and old, learn this natural law long before they have learned the meanings of the words by which we describe it. In truth, it would be impossible to make them understand the real meanings of the words, if they did not understand the nature of the thing itself. To make them understand the meanings of the words justice and injustice before knowing the nature of the things themselves, would be as impossible as it would be to make them understand the meanings of the words heat and cold, wet and dry, light and darkness, white and black, one and two, before knowing the nature of the things themselves. Men necessarily must know sentiments and ideas, no less than material things, before they can know the meanings of the words by which we describe them.”

Lysander Spooner (1808–1887) Anarchist, Entrepreneur, Abolitionist

Section IV, p. 9–10
Natural Law; or The Science of Justice (1882), Chapter I. The Science of Justice.

“The next witness is a constituent of mine, Rabbi Maurice Davis. He comes from White Plains, a Rabbi of the Jewish Community Center. He is a faculty member at Manhattan College. He has been actively involved with working with young people to deprogram them from cults for over five years. He is responsible for separating some 128 young people from these organizations. I would just like to take the opportunity to welcome a very distinguished constituent.”

Maurice Davis (1921–1993) American rabbi

Introduction of Rabbi Maurice Davis to Congressional Hearings, by Congressman Richard Ottinger., INFORMATION MEETING ON THE CULT PHENOMENON IN THE UNITED STATES http://en.wikisource.org/wiki/The_Cult_Phenomenon_in_the_United_States_%281979%29/Davis, February 5, 1979, 318 Russell Senate Office Building, Washington, D.C. P.74-80. of Transcript of Proceedings.
About

Hywel ab Owain Gwynedd photo

“One I have loved, uneluding, dearly possessed,
Two I have wooed, by greater praise be they blessed –
Three, yea, and four, with fortune lavish of gold,
Five maidens I've won their white flesh fair to behold,
And six more bright than the sun on my city's strong walls
With never a treacherous rede to blemish delight;
Seven by heaven! though hardly won was the fight –
Yea eight of whom I have sung: but to bridle the tongue
Lest heedless a careless word slip – the teeth they are strong!”

Keueisy vun dunn diwyrnawd;
keueisy dwy, handid mwy eu molawd;
keueisy deir a pheddir a phawd;
keueisy bymp o rei gwymp eu gwyngnawd;
keueisy chwech heb odech pechawd;
gwen glaer uch gwengaer yt ym daerhawd;
keueisy sseith ac ef gweith gordygnawd;
keueisy wyth yn hal pwyth peth or wawd yr geint;
ys da deint rac tauaed.
"Gorhoffedd" (The Boast), line 75; translation from Robert Gurney Bardic Heritage (London: Chatto & Windus, 1969) p. 41.

Jussi Halla-aho photo
Tokyo Sexwale photo

“Now that I have been convicted, I want to explain my actions so that you … should understand why I chose to join the struggle for the freedom of my people…. It was during my primary school years that the bare facts concerning the realities of South African society and its discrepancies began to unfold before me. I remember a period in the early 1960s, when there was a great deal of political tension, and we often used to encounter armed police in Soweto…. I remember the humiliation to which my parents were subjected by whites in shops and in other places where we encountered them, and the poverty. All these things had their influence on my young mind … and by the time I went to Orlando West High School, I was already beginning to question the injustice of the society … and to ask why nothing was being done to change it. It is true that I was trained in the use of weapons and explosives. The basis of my training was in sabotage, which was to be aimed at institutions and not people. I did not wish to add unnecessarily to the grievous loss of human life that had already been incurred. It has been suggested that our aim was to annihilate the white people of this country; nothing could be further from the truth. The ANC is a national liberation movement committed to the liberation of all the people of South Africa, black and white, from racial fear, hatred and oppression. I am married and have one child, and would like nothing more than to have more children, and to live with my wife and children with all the people in this country. One day that might be possible - if not for me, then at least for my brothers.”

Tokyo Sexwale (1953) South African politician

Addressing the Pretoria Supreme Court judge in 1978 shortly after his conviction on a charge of high treason, as quoted in Down with Afrikaans - Oakes, D. (ed.), 1988. Illustrated history of South Africa – The real story, Reader’s Digest: Cape Town http://www.sahistory.org.za/archive/down-afrikaans-oakes-d-ed1988-illustrated-history-south-africa-%26ndash%3B-real-story-reader%E2%80%99s-digest-, sahistory.org.za

Al Gore photo
Karen Pence photo
Miriam Makeba photo
Theo van Doesburg photo
John Boyle O'Reilly photo

“For all time to come, the freedom and purity of the press are the test of national virtue and independence. No writer for the press, however humble, is free from the burden of keeping his purpose high and his integrity white.”

John Boyle O'Reilly (1844–1890) Irish-born poet and novelist

Quoted in Roche, James Jeffrey (1891). Life of John Boyle O'Reilly, together with his complete poems and speeches edited by Mrs John Boyle O'Reilly. New York. p 195.

Martin Luther King, Jr. photo
Dianne Feinstein photo
Letitia Elizabeth Landon photo
Lloyd Kaufman photo
Ted Nugent photo
Chris Rock photo

“You mean to tell me that Jamaicans invented sugar, reggae and the best drug on Earth and the white man makes all the money!?”

Chris Rock (1965) American comedian, actor, screenwriter, television producer, film producer, and director

Never Scared (Album Version, 2005)

H.L. Mencken photo
Julius Malema photo

“All white people who are voting DA, who are angry with what we are going to do in PE, who have insulted us since we announced this decision, and mobilised some of your people in the media, to insult us and say all of this, all of you combined can go to hell! We don't care about you. We don't care about you. We don’t care about White feelings.”

Julius Malema (1981) South African political activist

On 4 March 2018, at the launch of the EFF's election registration campaign, Standard Bank arena, Johannesburg. Has EFF’s Julius Malema Gone Too Far With Racist Remarks? https://www.sapeople.com/2018/03/05/has-effs-julius-malema-gone-too-far-with-racist-remarks/, SAPeople News (5 March 2018)

Enver Hoxha photo
Francis Turner Palgrave photo

“In the season of white wild roses
We two went hand in hand:
But now in the ruddy autumn
Together already we stand.”

Francis Turner Palgrave (1824–1897) English poet and critic

"A Song of Spring and Autumn".

William Carlos Williams photo

“Among
of
green stiff
old
bright broken
branch
come white
sweet
May again”

"The Locust Tree in Flower"
An Early Martyr and Other Poems (1935)

Oliver Wendell Holmes photo

“Then the white man hates him [the Native American], and hunts him down like the wild beasts of the forest, and so the red-crayon sketch is rubbed out, and the canvas is ready for a picture of manhood a little more like God's own image.”

Oliver Wendell Holmes (1809–1894) Poet, essayist, physician

"The Pilgrims of Plymouth" http://www.unz.org/Pub/BrainerdCephas-1901v02-00267 (Oration, December 22, 1855), in Cephas Brainerd and Eveline Warner Brainerd (eds), The New England Society Orations: Volume II. New York: The Century Co., 1901, p. 298.

Pablo Neruda photo

“There in Rangoon I realized that the gods
were enemies, just like God,
of the poor human being.
Gods
in alabaster extended
like white whales,
gods gilded like spikes,
serpent gods entwining
the crime of being born,
naked and elegant buddhas
smiling at the cocktail party
of empty eternity
like Christ on his horrible cross,
all of them capable of anything,
of imposing on us their heaven,
all with torture or pistol
to purchase piety or burn our blood,
fierce gods made by men
to conceal their cowardice,
and there it was all like that,
the whole earth reeking of heaven,
and heavenly merchandise.”

Pablo Neruda (1904–1973) Chilean poet

Allí en Rangoon comprendí que los dioses
eran tan enemigos como Dios
del pobre ser humano.
Dioses
de alabastro tendidos
como ballenas blancas,
dioses dorados como las espigas,
dioses serpientes enroscados
al crimen de nacer,
budhas desnudos y elegantes
sonriendo en el coktail
de la vacía eternidad
como Cristo en su cruz horrible,
todos dispuestos a todo,
a imponernos su cielo,
todos con llagas o pistola
para comprar piedad o quemarnos la sangre,
dioses feroces del hombre
para esconder la cobardía,
y allí todo era así,
toda la tierra olía a cielo,
a mercadería celeste.
Religión en el Este (Religion in the East) from Memorial of Isla Negra [Memorial de Isla Negra] (1964), trans. by Anthony Kerrigan in Selected Poems by Pablo Neruda [Houghton Mifflin, 1990, ISBN 0-395-54418-1] (p. 463).

Robin Williams photo
Common (rapper) photo
Karel Appel photo

“.. at least fifty [gouaches painted in complete dark], one after another. Then I made a light, a candle, and I picked them up and turned them around, as I couldn't see a top or a bottom. I finished them off as I felt fit, a bit more white or a red spot [in his studio in Amsterdam, in 1947”

Karel Appel (1921–2006) Dutch painter, sculptor, and poet

Quote from a talk in 1990 with Rudi Fuchs; in 'Appel, about growing older'; as quoted by Frank van der Ploeg, in 'The Low Countries'. Jaargang 12(2004) http://www.dbnl.org/tekst/_low001200401_01/_low001200401_01_0027.php

Vincent Van Gogh photo

“But tell me, black and white, may they be used or not, are they forbidden fruit? You... think that when the shadows are dark, ay, black, that it is all wrong then, don't you? I don't think so... Rembrandt and Hals, didn't they use black? And Velasquez???”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

Quote in his letter to brother Theo, from Nuenen, The Netherlands, Autumn 1885; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 428) p. 31
1880s, 1885

Kate Chopin photo
Eino Leino photo

“Outbursts blossom in Lapland rapidly
. in earth, in barley, grass, dwarf birches too.
This I have pondered very frequently
when people’s daily lives there I review.

Oh why are all our beautiful ones dying
and why do great ones rot in disarray?
Oh why among us many minds are losing?
Oh why so few the kantele now play?

Oh why here everywhere a man soon crashes
like hay when scythed – ambitious man indeed,
a man of honour, sense – it all soon smashes,
or breaks apart one day in life of need?

Elsewhere, a fire still glints in greying tresses,
in old ones glows still spirit of the sun.
But here our new-born infants death possesses
and youth will grave’s dull earth soon press upon.

And what of me? Why ponder I so sadly?
An early sign, be sure, of grim old age.
Oh why the blood-spent rule keep I not gladly,
but sigh instead at people’s mortal wage?

One answer is there only: Lapland’s summer.
In thinking then my mind is soon distressed.
In Lapland birdsong, joy are short – a glimmer –
as flowers’ blooms and gladness wilt and rest.

But winter’s wrath is only long. Dear moment
when resting thoughts delay and don’t take flight,
in search of lands where blazing sun is potent
and take their leave of Lapland’s icy bite.

Oh, great white birds, you guests of summer Lapland,
with noble thoughts we’ll greet you, when you’re here!
Oh, tarry here among us, build your nests and
a while delay your southern journey near!

Oh, from the swan now learn a lesson wholesome!
They leave in autumn, come back in the spring.
It’s our own peaceful shore that us-wards pulls them,
Our sloping fell’s kind shelter will them bring.

Batter the air with whooping wings and leave us!
Wonders perform, enlighten other lands!
But when you see that winter’s gone relieve us –
I beg, beseech, re-clasp our weary hands!”

Eino Leino (1878–1926) Finnish poet and journalist
Rousas John Rushdoony photo
Dinesh D'Souza photo
Elliott Smith photo
Courtney Love photo
Fred Thompson photo

“After sleeping late on Sunday, I was back at my desk that afternoon. I had two prime considerations. First, I wanted to be certain that the tapes were not a trap for the committee or that there was a significant bit of missing information that we lacked; experience taught me that matters of this importance do not usually fall into your lap without more complications that are immediately apparent. Second, if our information was legitimate, I wanted to be sure the White House was fully aware of what was to be disclosed so that it could take appropriate action. Legalisms aside, it was inconceivable to me that the White House could withhold the tapes once their existence was made known. I believed it would be in everyone’s interest if the White House realized, before making any public statements, the probable position of both the majority and the minority of the Watergate committee. Even though I had no authority to act for the committee, I decided to call Fred Buzhardt at home. Buzhardt was the only White House staff member with whom I had had any substantial contact. He had been unassuming and straightforward in his dealings with me. He never tried to enlist me in any White House strategy, to suggest that I relay confidential information, or to so any of the things that were probably assumed by many of the so-called sophisticates in Washington.”

Fred Thompson (1942–2015) American politician and actor

page 86
At That Point in Time, Warning the White House about the Watergate tapes

Stokely Carmichael photo
Cassandra Clare photo

“Maybe I should ask for blessings on my mission against all those who wear white after Labor Day.”

Jace, pg. 53-54
The Mortal Instruments, City of Ashes (2008)

Paul Krugman photo
Ernst Ludwig Kirchner photo
David Spade photo

“Myspace is a great way to keep in touch with friends whom you don't care enough about to actually have a conversation with. Why bother calling to say 'How are you?' when you can just surf their page and post an mpeg of a guy farting on his cat?
[Myspace is] this website where young people can post pictures and info about themselves for anyone to see. When I first heard about it, I thought to myself, 'Finally a Yellow Pages for sex offenders. Why didn't I think of that?'
The most popular (American Idol) contestants have been: white people that sound black, young people that sound old, and straight guys that sound gay.
The final five are exactly like The Breakfast Club: There's the rebel(Chris Daughtry), the princess (Katharine McPhee), the nerd (Elliot Yamin), the weirdo (Paris Bennett)… and of course, the principal (Taylor Hicks). What? He's old!
(Ryan Phillippe & Reese Witherspoon) Broke up, (Kid Rock & Pamela Anderson) broke up, (Vince Vaughn & Jennifer Aniston) broke up, (Kate Moss & Pete Doherty) coked up. They said it wouldn't last; not the marriage, the stash. 007,.08, 1.2, 215. Came out, came out, (Tom Brady and Bridget Moynihan) came in, (Brady and Gisele Bündchen) came in. Hates Jews, went to rehab, loves Jews; hates gays, went to rehab, now loves gays; hates blacks, didn't go to rehab, still hates blacks. 'Father Knows Best', (with Britney Spears) 'Mad About You,' (Spears without panties) 'Leave It to Beaver.' New father, new father, new father? R. I. P., D. U. I., P. O. W. 'You're a hypocrite,' 'you're fat,' 'you're rude,' 'you're ugly,' whoa, whoa, whoa, guys. Stop fighting, you're both right. Booze, pot, Vicodin, crack, booze, pot, Vicodin, and crack.”

David Spade (1964) American stand-up comedian

The Showbiz Show with David Spade

Edward Hopper photo
Angela Davis photo
Ron White photo

“The next monument visited was the great Jain temple built only a few years before by Shantidas Jhaveri, one of the wealthiest men of Gujarat in his day and high in favour both with Shah Jahan and after him with Aurangzeb. …In 1638, however, when Mandelslo visited the place, this temple which he calls ‘ the principal mosque of the Banyas ’ was in all its pristine splendour and ‘ without dispute one of the noblest structures that could be seen’. ‘It was then new,’ he adds, ‘ for the Founder, who was a rich Banya merchant, named Shantidas, was living in my time.
As Mandelslo’s description is the earliest account we have of this famous monument, which was desecrated only seven years after visit by the Orders of Aurangzeb, then viceroy of Gujarat (1645), we shall reproduce it at some length. It stood in the middle of a great court which was enclosed by a high wall of freestone. All about this wall on the inner side was a gallery, similar to the cloisters of the monasteries in Europe, with a large number of cells, in each of which was placed a statue in white or black marble. These figures no doubt represented the Jain Tirthankars, but Mandelslo may be forgiven when he speaks of each of them as ‘ representing a woman naked, sitting, and having her legs lying cross under her, according to the mode of the country. Some of the cells had three statues in them, namely, a large one between two smaller ones.’ At the entrance to the temple stood two elephants of black marble in life- size and on one of them was seated an effigy of the builder. The walls of the temple were adorned with figures of men and animals. At the further end of the building were the shrines consisting of three chapels divided from each other by wooden rails. In these were placed marble statues of the Tirthankars with a lighted lamp before that which stood in the central shrine. One of the priests attending the temple was busy receiving from the votaries flowers which were placed round the images, as also oil for the lamps that hung before the rails, and wheat and salt as a sacrifice. The priest had covered his mouth and nose with a piece of linen cloth so that the impurity of his breath should not profane the images.”

Shantidas Jhaveri (1580–1659) Indian jewellery and bullion trader during Mughal era

Description of the temple built by Shantidas Jhaveri. Mandelslo’s Travels In Western India (a.d.1638-9) https://archive.org/details/in.ernet.dli.2015.531053 p. 23-25

Elaine Goodale Eastman photo

“Thy subtle charm is strangely given,
My fancy will not let thee be,,
Then poise not thus 'twixt earth and heaven,
O white anemone!”

Elaine Goodale Eastman (1863–1953) American novelist, poet

Anemone; reported in Hoyt's New Cyclopedia Of Practical Quotations (1922), p. 26.

Joyce Kilmer photo
Margaret Thatcher photo
Toni Morrison photo
Hywel ab Owain Gwynedd photo

“I love a bright fort on a shining slope,
Where a fair, shy girl loves watching gulls.
I'd like to go, though I get no great love,
On a longed-for visit on a slender white horse
To seek my love of the quiet laughter,
To recite love, since it's come my way.”

Karafy gaer wennglaer o du gwennylan;
myn yd gar gwyldec gweled gwylan
yd garwny uyned, kenym cared yn rwy.
Ry eitun ouwy y ar veingann
y edrtch uy chwaer chwerthin egwan,
y adrawt caru, can doeth yn rann.
"Awdl V" (Ode 5), line 1; translation from Gwyn Williams (trans.) Welsh Poems, 6th Century to 1600 (London: Faber & Faber, 1973) p. 43.

Alexander Calder photo
William Binney photo
William Gibson photo
Isa Genzken photo
Charles Barkley photo

“You know it's gone to hell, when the best rapper out there is a white guy and the best golfer is a black guy.”

Charles Barkley (1963) American basketball player

Interview in the New York Post in October 2000.
Notes: Although Barkley popularised the phrase, it was likely first used several months earlier http://www.snopes.com/quotes/chrisrock.asp by Chris Rock.

Roseanne Barr photo

“Indians don't last in prison. They weren't born for it like the whites.”

Abraham Polonsky (1910–1999) American politician

Tell Them Willie Boy Is Here (1969).

Russ Tice photo

“They went after–and I know this because I had my hands literally on the paperwork for these sort of things–they went after high-ranking military officers; they went after members of Congress, both Senate and the House, especially on the intelligence committees and on the armed services committees and some of the–and judicial. But they went after other ones, too. They went after lawyers and law firms. All kinds of–heaps of lawyers and law firms. They went after judges. One of the judges is now sitting on the Supreme Court that I had his wiretap information in my hand. Two are former FISA court judges. They went after State Department officials. They went after people in the executive service that were part of the White House–their own people. They went after antiwar groups. They went after U. S. international–U. S. companies that that do international business, you know, business around the world. They went after U. S. banking firms and financial firms that do international business. They went after NGOs that–like the Red Cross, people like that that go overseas and do humanitarian work. They went after a few antiwar civil rights groups. So, you know, don’t tell me that there’s no abuse, because I’ve had this stuff in my hand and looked at it. And in some cases, I literally was involved in the technology that was going after this stuff.”

Russ Tice (1961) former intelligence analyst

As told to Peter B. Collins on Boiling Frog Post News, which is the website of Sibel Edmonds, a high-level FBI whistle-blower NSA Whistleblower: NSA Spying On – and Blackmailing – Top Government Officials and Military Officers, Fox News, 2013-06-20 http://nation.foxnews.com/2013/06/20/nsa-whistleblower-nsa-spying-%E2%80%93-and-blackmailing-%E2%80%93-top-government-officials-and-military,

Richard Henry Dana Jr. photo