Quotes about twist
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Melanie Joy photo
Han-shan photo
Carlos Drummond de Andrade photo

“When I was born, one of those twisted
angels who live in the shadows said:
"Carlos, get ready to be a misfit in life!"
(…)
My God, why have you forsaken me
if you knew that I wasn't God,
if you knew that I was weak.
World so large, world so wide,
if my name were Clyde,
it would be a rhyme but not an answer.
World so wide, world so large,
my heart's even larger.
I shouldn't tell you,
but this moon
but this brandy
make me sentimental as hell.”

Carlos Drummond de Andrade (1902–1987) Brazilian poet

Quando nasci, um anjo torto
Desses que vivem na sombra
Disse: Vai Carlos! Ser gauche na vida.
(...)
Meu Deus, por que me abandonastes
se sabias que eu não era Deus,
se sabias que eu era fraco.
Mundo mundo vasto mundo,
se eu me chamasse Raimundo
seria uma rima, não seria uma solução.
Mundo mundo vasto mundo,
mais vasto é meu coração.
Eu não devia te dizer
mas essa lua
mas esse conhaque
botam a gente comovido como o diabo.
"Poema de sete faces" ["Seven-sided Poem"]
Alguma Poesia [Some Poetry] (1930)

Michael Chabon photo
Jerry Coyne photo
Wilt Chamberlain photo
Amanda Palmer photo

“A turn, a screw, a pull, a twist, the drug that makes you prettiest.”

Amanda Palmer (1976) American punk-cabaret musician

"June is Busting Out All Over" Live (Date unknown)
Lyrics

Mickey Spillane photo
Bill Downs photo
Jane Roberts photo
Philip José Farmer photo
Herm Edwards photo
Arshile Gorky photo
Giraut de Bornelh photo

“For I think that it's just as much good sense, if one can keep to the point, as to twist my words round each other.”

Giraut de Bornelh (1138–1220) French writer

Qu'eu cut c'atretan grans sens
Es, qui sap razo gardar,
Com los motz entrebeschar.
"A penas sai comensar", line 19; translation from Alan R. Press Anthology of Troubadour Lyric Poetry (1971) p. 129.

Edgar Degas photo

“[make drawings of] series of instruments and players; their shapes, twisting of the hands, arms and neck of the violinist; for example, puffing out and hollowing of the cheeks of bassoonists, oboists, etc..”

Edgar Degas (1834–1917) French artist

Quote from Degas' Notebook (undated); as quoted in Impressionism: A Centenary Exhibition, Anne Distel, Michel Hoog, Charles S. Moffett, the Metropolitan Museum of Art, (New York, N.Y.) 1975, pp. 81-82
quotes, undated

Alexander Lukashenko photo
Lloyd Kaufman photo
Dylan Moran photo
David Brin photo
George Carlin photo
Chris Cornell photo

“We weren't that close. I'd had friends die before that. And even the way that he did it, it was kind of a twist, but other than that, I'd been through it before. But it's a shame, and it's a shame for his daughter, for one, and it's a shame for fans. But really it's a personal thing, and it was a drag. I wish it didn't happen. And I also think like if he had just kind of hung on for six months, who knows, six months later he could've been a completely different guy.”

Chris Cornell (1964–2017) American singer-songwriter, musician

When asked if he was close to Kurt Cobain and if his death affected him in a personal way - Howard Stern Show, June 2007 ** Chris Cornell on Pearl Jam, Eddie Vedder, Alice in Chains, Nirvana and Kurt Cobain https://www.youtube.com/watch?v=gQzyZfhutYk,
Solo career Era

Frank Herbert photo
Ron White photo
Georges Bernanos photo
Peter Weiss photo
Robert Jordan photo
Mo Yan photo
Eugéne Ionesco photo
Bruno Schulz photo
Dick Armey photo
Mark Tobey photo
Charles Stross photo
Peter M. Senge photo
Ursula K. Le Guin photo
Clarence Thomas photo
Nanak photo
Camille Paglia photo

“The sixteenth century transformed Middle English into modern English. Grammar was up for grabs. People made up vocabulary and syntax as they went along. Not until the eighteenth century would rules of English usage appear. Shakespearean language is a bizarre super-tongue, alien and plastic, twisting, turning, and forever escaping. It is untranslatable, since it knocks Anglo-Saxon root words against Norman and Greco-Roman importations sweetly or harshly, kicking us up and down rhetorical levels with witty abruptness. No one in real life ever spoke like Shakespeare’s characters. His language does not “make sense,” especially in the greatest plays. Anywhere from a third to a half of every Shakespearean play, I conservatively estimate, will always remain under an interpretive cloud. Unfortunately, this fact is obscured by the encrustations of footnotes in modern texts, which imply to the poor cowed student that if only he knew what the savants do, all would be as clear as day. Every time I open Hamlet, I am stunned by its hostile virtuosity, its elusiveness and impenetrability. Shakespeare uses language to darken. He suspends the traditional compass points of rhetoric, still quite firm in Marlowe, normally regarded as Shakespeare’s main influence. Shakespeare’s words have “aura.””

Camille Paglia (1947) American writer

This he got from Spenser, not Marlowe.
Source: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 195

Luigi Russolo photo
John Gray photo
Jim Garrison photo
Simone Weil photo
Pauline Kael photo
Wilbur Wright photo
Samuel R. Delany photo
Hendrik Lorentz photo

“I cannot refrain… from expressing my surprise that, according to the report in The Times there should be so much complaint about the difficulty of understanding the new theory. It is evident that Einstein's little book "About the Special and the General Theory of Relativity in Plain Terms," did not find its way into England during wartime. Any one reading it will, in my opinion, come to the conclusion that the basic ideas of the theory are really clear and simple; it is only to be regretted that it was impossible to avoid clothing them in pretty involved mathematical terms, but we must not worry about that. …
The Newtonian theory remains in its full value as the first great step, without which one cannot imagine the development of astronomy and without which the second step, that has now been made, would hardly have been possible. It remains, moreover, as the first, and in most cases, sufficient, approximation. It is true that, according to Einstein's theory, because it leaves us entirely free as to the way in which we wish to represent the phenomena, we can imagine an idea of the solar system in which the planets follow paths of peculiar form and the rays of light shine along sharply bent lines—think of a twisted and distorted planetarium—but in every case where we apply it to concrete questions we shall so arrange it that the planets describe almost exact ellipses and the rays of light almost straight lines.
It is not necessary to give up entirely even the ether. …according to the Einstein theory, gravitation itself does not spread instantaneously, but with a velocity that at the first estimate may be compared with that of light. …In my opinion it is not impossible that in the future this road, indeed abandoned at present, will once more be followed with good results, if only because it can lead to the thinking out of new experimental tests. Einstein's theory need not keep us from so doing; only the ideas about the ether must accord with it.”

Hendrik Lorentz (1853–1928) Dutch physicist

Theory of Relativity: A Concise Statement (1920)

Caterina Davinio photo

“And I go down the stairs again
with the screeching of my worn out
soul

P. G. tunes instruments
for his golden arm
alchemy in a metropolitan shell

The squeak of time was
thrown back into the cracks
where the plaster has the form of a twisting branch

and my veins are sturdy trunks,
scaly, for drops of green sap
nourishment rising
from the bowels of the earth,
…”

Caterina Davinio (1957) Italian writer

The Book of Opium (1975 - 1990), (Heroin) P. G.'s Basement
Source: Caterina Davinio, Il libro dell'oppio 1975 – 1990 (The Book of Opium 1975 – 1990), Puntoacapo Editrice, Novi Ligure 2012. English translation by Caterina Davinio and David W. Seaman.

Stanley Baldwin photo
Robert Barron (bishop) photo
Bill Hicks photo
Mao Zedong photo

“Throughout history new and correct ideas have often failed at the outset to win recognition from the majority of people and have to develop by twists and turns in struggle. Often correct and good things have first been regarded not as fragrant flowers but poisonous weeds.”

Mao Zedong (1893–1976) Chairman of the Central Committee of the Communist Party of China

VII: On "Let a Hundred Flowers Blossom Let a Hundred Schools of Thought Content" and "Long Term Coexistence and Mutual Supervision"
On the Correct Handling of Contradictions Among the People

Hans Reichenbach photo

“The surfaces of three-dimensional space are distinguished from each other not only by their curvature but also by certain more general properties. A spherical surface, for instance, differs from a plane not only by its roundness but also by its finiteness. Finiteness is a holistic property. The sphere as a whole has a character different from that of a plane. A spherical surface made from rubber, such as a balloon, can be twisted so that its geometry changes…. but it cannot be distorted in such a way as that it will cover a plane. All surfaces obtained by distortion of the rubber sphere possess the same holistic properties; they are closed and finite. The plane as a whole has the property of being open; its straight lines are not closed. This feature is mathematically expressed as follows. Every surface can be mapped upon another one by the coordination of each point of one surface to a point of the other surface, as illustrated by the projection of a shadow picture by light rays. For surfaces with the same holistic properties it is possible to carry through this transformation uniquely and continuously in all points. Uniquely means: one and only one point of one surface corresponds to a given point of the other surface, and vice versa. Continuously means: neighborhood relations in infinitesimal domains are preserved; no tearing of the surface or shifting of relative positions of points occur at any place. For surfaces with different holistic properties, such a transformation can be carried through locally, but there is no single transformation for the whole surface.”

Hans Reichenbach (1891–1953) American philosopher

The Philosophy of Space and Time (1928, tr. 1957)

Herbert Giles photo
Lucy Maud Montgomery photo
Mo Yan photo
Pushyamitra Shunga photo
Stephenie Meyer photo
Roger Ebert photo

“The best shot in this film is the first one. Not a good sign… After the screening was over and the lights went up, I observed a couple of my colleagues in deep and earnest conversation, trying to resolve twists in the plot. They were applying more thought to the movie than the makers did. A critic's mind is a terrible thing to waste.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/i-know-what-you-did-last-summer-1997 of I Know What You Did Last Summer (17 October 1997)
Reviews, One-star reviews

Peter Damian photo

“Let that ancient dragon, Cadalus, take note. Let this disturber of the Church, this destroyer of apostolic discipline, this enemy of man’s salvation understand. Let him beware, I say, this root of all sin, this herald of the devil, this apostle of Antichrist. And what else shall I call him? He is the arrow drawn from the quiver of Satan, the rod of the Assyrian, the son Belial, "the son of perdition, who rises in his pride against every god, so called, ever object of men’s worship" (2 Thess. 2:3-4), the whirlpool of lust, the shipwreck of chastity, the disgrace of Christianity, the ignominy of bishops, the progeny of vipers, the stench or the world, the filth of the ages, the shame of the universe. Still more epithets for Cadalus can be added, a list of darksome names: slippery snake, a twisting serpent, the dung of humanity, the latrine of crime, the dregs of vice, the abomination of heaven the expulsion from paradise, the fodder of hell, the stubble of eternal fire.”

Peter Damian (1007–1072) reformist monk

Letter 120:13. Damian to young King Henry IV, A. D. 1065 or 1066, wherein Damian exhorts Henry to use his sword against the disturber of the Church’s peace, Cadalus, the bishop of Parma, the antipope Honorius II (d. 1072):
The Fathers of the Church, Medieval Continuation, 1998, Letters 91-120, Owen J. Blum, Irven Michael Resnick, trs., Catholic University of America Press, ISBN 0813208165 ISBN 9780813208169, vol. 5, pp. 393-394. http://books.google.com/books?id=Vlspdtjmhd4C&pg=PA393&dq=%22Let+that+ancient+dragon,+Cadalus,+take+note%22&hl=en&ei=QVpiTIjeIIG88gaFq-SVCQ&sa=X&oi=book_result&ct=result&resnum=2&ved=0CDYQ6AEwAQ#v=onepage&q=%22Let%20that%20ancient%20dragon%2C%20Cadalus%2C%20take%20note%22&f=false

David Foster Wallace photo
Nick Cave photo
Hilary Duff photo

“I love the song ["Weird"] too. It is really weird when you listen to the beat and the words. It's about someone that she's still obsessed with. And everything he does is like he says this, but he does this. And he does this but he says this. It's all twisted around and backwards. She's not really sure who he is or what he does, but she likes it.”

Hilary Duff (1987) American actress and singer

"Hilary Duff comes clean" http://www.hilaryontheweb.com/news/2005/january/21012005_Hilary%20Duff%20comes%20clean.html. News Times. January 21 2005. Retrieved October 25 2006.
On "Weird", a song from Hilary Duff (2004).

Bill Engvall photo
Frederick Douglass photo

“We all know what the negro has been as a slave. In this relation we have his experience of two hundred and fifty years before us, and can easily know the character and qualities he has developed and exhibited during this long and severe ordeal. In his new relation to his environments, we see him only in the twilight of twenty years of semi-freedom; for he has scarcely been free long enough to outgrow the marks of the lash on his back and the fetters on his limbs. He stands before us, today, physically, a maimed and mutilated man. His mother was lashed to agony before the birth of her babe, and the bitter anguish of the mother is seen in the countenance of her offspring. Slavery has twisted his limbs, shattered his feet, deformed his body and distorted his features. He remains black, but no longer comely. Sleeping on the dirt floor of the slave cabin in infancy, cold on one side and warm on the other, a forced circulation of blood on the one side and chilled and retarded circulation on the other, it has come to pass that he has not the vertical bearing of a perfect man. His lack of symmetry, caused by no fault of his own, creates a resistance to his progress which cannot well be overestimated, and should be taken into account, when measuring his speed in the new race of life upon which he has now entered.”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

1880s, The Future of the Colored Race (1886)

Samuel R. Delany photo
George S. Patton photo
Vernor Vinge photo
Paul Cézanne photo
Z-Ro photo

“Drop some kush in a ciggarillo and then give it a twist.”

Z-Ro (1977) American rapperdoj

One Two.
Song lyrics, Cocaine (2009)

Tré Cool photo

“Roll, roll, roll a joint, twist it at the ends [pause] Light it up and take a puff and pass it to your friends.”

Tré Cool (1972) Drummer, punk rock musician

Sang to the tune of Row Your Boat Bullet in a Bible (2005) (on the tour bus).

Haruki Murakami photo
Dave Matthews photo
Martin Amis photo

“I keep thinking what happens when the power of love is twisted into the love of power.”

Maurice Davis (1921–1993) American rabbi

Masters and Slaves: The Tragedy of Jonestown http://www.ideajournal.com/articles.php?id=7, Fanita English, M.S.W., September 1, 1996 Vol.1, no.2, Idea, ISSN 1532-1712

Willem de Sitter photo
Richard Arkwright photo
Marcel Duchamp photo

“If a straight horizontal thread one meter long falls from a height of one meter on to a horizontal plane twisting as it pleases [it] creates a new image of the unit of length.”

Marcel Duchamp (1887–1968) French painter and sculptor

Duchamp's stated premise for his art-work: '3 Standard stoppages' he made during 1913 -1914; ; as quoted in Looking at Dada, eds. Sarah Ganz Blythe & Edward D. Powers - The Museum of Modern Art New York, ISBN: 087070-705-1; p. 50
1915 - 1925

John Keats photo
Larry Niven photo

““That’s impossible. Isn’t it? Carlos?”
Carlos’ mouth twisted. “Not if it’s being done.””

The Borderland of Sol (p. 160)
Short fiction, Tales of Known Space (1975)

Thomas Carlyle photo
Pat Condell photo
Pete Doherty photo

“You've got to understand… these days I just can't afford to get involved [with the press]. People - they turn on you… on me. They write horrible things, deliberately twisting my words.”

Pete Doherty (1979) English musician, writer, actor, poet and artist

On his growing wariness in talking to the media, Spin Magazine, Autumn 2007.
People

Jack Vance photo

“And, stretching in languid warmth, she contrived to twist her body into first one luxurious position, then another.”

Source: Dying Earth (1950-1984), The Eyes of the Overworld (1966), Chapter 2, "Cil"

Denis Diderot photo
Ben Harper photo

“You may write me down in history
With your bitter twisted lies
You may trod me down in the very dirt
And still like the dust I'll rise.”

Ben Harper (1969) singer-songwriter and musician

I'll Rise, written by Ben Harper and Maya Angelou.
Song lyrics, Welcome to the Cruel World (1994)

Asger Jorn photo
William H. McNeill photo