Quotes about tone
page 3

“I have been deeply interested during the last ten years in the use of colour with form. I have applied oil colour – white, grey, and blues of different degrees of tone... I have been very influenced by the natural colour and luminosity in stones and woods and the change in colour as light travels over the surface contours. When I pierced the material tight through a great change seemed to take place in the concavities from which direct light was excluded. From this experience my use of colour developed.”

Barbara Hepworth (1903–1975) English sculptor

Source: 1932 - 1946, The Studio 132:643', (1946), p. 279

Travel, Nature, Light, Change

“The means of expression is the optical mixture of tones, of tints (of local color and the illuminating color: sun, oil lamp, gas, etc.), that is, of the lights and of their reactions (shadows) following the laws of contrast, of gradation, of irradiation.”

Georges Seurat (1859–1891) French painter

Quotes, 1881 - 1890, Letter to Maurice Beaubourg', August 1890

Law, Color, Light, Sun

“I like a lot of glasses about -- it highers the tone.”

Peter Greenaway (1942) British film director

Albert
The Cook, The Thief, His Wife, and Her Lover

“A propaganda system will consistently portray people abused by enemy states as worthy victims, whereas those treated with equal or greater severity by its own government or clients will be unworthy. The evidence of worth may be read from the extent and character of attention and indignation. […] the U. S. media’s practical definitions of worth are political in the extreme and fit well the expectations of a propaganda model. While this differential treatment occurs on a large scale, the media, intellectuals, and public are able to remain unconscious of this fact and maintain a high moral and self-righteous tone. This is evidence of an extremely effective propaganda system. […] The worth of a victim Popieluszko [Polish priest] is valued at somewhere between 137 and 179 times that of a victim in the U. S. client states, or, looking at the matter in reverse, a priest murdered in Latin America is worth less than a hundredth of a priest murdered in Poland.”

Edward S. Herman book Manufacturing Consent: The Political Economy of the Mass Media

Source: Manufacturing Consent, with Noam Chomsky, 1988, pp. 37, 39.

People, Time, Reading

“Rap — so many words, so little said. What rap did that was impressive was to show there are so many tone-deaf people out there. All they need is a drum beat and somebody yelling over it and they're happy. There’s an enormous market for people who can't tell one note from another.”

Keith Richards (1943) British rock musician, member of The Rolling Stones

Reported in Jon Blistein, " Keith Richards: Rap Is for 'Tone-Deaf People' http://www.rollingstone.com/music/news/keith-richards-rap-is-for-tone-deaf-people-20150903", Rolling Stone (September 3, 2015).

Happiness, People

“No other fame can be compared with that of Jesus. He has a place in the human heart, that no one who ever lived has in any measure rivaled. No name is pronounced with a tone of such love and veneration. All other laurels wither before His. His are ever kept fresh with tears of gratitude.”

William Ellery Channing (1780–1842) United States Unitarian clergyman

Source: Dictionary of Burning Words of Brilliant Writers (1895), p. 60

Love, Tear, Heart, Gratitude

“Aesthetic:
Art is Harmony.
Harmony is the analogy of opposites, the analogy of similarities of tone, of tint, of line taking account of a dominant and under the influence of the lighting, in combinations that are gay calm or sad.”

Georges Seurat (1859–1891) French painter

Quotes, 1881 - 1890, Letter to Maurice Beaubourg', August 1890

Sadness, Art, Light

“I am for joining a free trade zone. The European Union is not such zone, but a zone of raging bureaucracy which stears every hectolitre of wine, and every tone of beef.”

Janusz Korwin-Mikke (1942) polish politician

Rage, Wine

“The cell phones in the pockets of the dead students were still ringing when we were told that it was wrong to ask why. As the police cleared the bodies from the Virginia Tech engineering building, the cell phones rang, in the eccentric varieties of ring tones, as parents kept trying to see if their children were OK. To imagine the feelings of the police as they carried the bodies and heard the ringing is heartrending; to imagine the feelings of the parents who were calling — dread, desperate hope for a sudden answer and the bliss of reassurance, dawning grief — is unbearable. But the parents, and the rest of us, were told that it was not the right moment to ask how the shooting had happened — specifically, why an obviously disturbed student, with a history of mental illness, was able to buy guns whose essential purpose is to kill people — and why it happens over and over again in America.”

Adam Gopnik (1956) American journalist

Gun Control and the Virginia Tech Massacre, The New Yorker (2007)

Children, People, Hope, Feeling

“If there are words and wrongs like knives, whose deep inflicted lacerations never heal - cutting injuries and insults of serrated and poison-dripping edge - so, too, there are consolations of tone too fine for the ear not fondly and for ever to retain their echo: caressing kindnesses - loved, lingered over through a whole life, recalled with unfaded tenderness, and answering the call with undimmed shine, out of that raven cloud foreshadowing Death himself.”

Charlotte Brontë book Villette

Source: Villette (1853), Ch. XXII: The Letter

Love, Life, Death

“One can derive the same fun from print-making as from making mud pies and great subtlety can be achieved through the use of transparent inks, half-tone screens and even accidental colour combinations, which is often where the art hides.”

Ralph Steadman book The Joke's Over

Own Goals, p. 314
The Joke's Over (2006)

Art

“The most dangerous lovers women have are men of Cordis's feminine temperament. Such men, by the delicacy and sensitiveness of their own organizations, read women as easily and accurately as women read each other. They are alert to detect and interpret those smallest trifles in tone, expression, and bearing, which betray the real mood far more unmistakably than more obvious signs.”

Edward Bellamy (1850–1898) American author and socialist

Source: Dr. Heidenhoff's Process http://www.gutenberg.org/files/7052/7052-h/7052-h.htm (1880), Ch. 4.

Women, Men, Lovers, Mood

“As for me, I'm stuck in a loveless relationship with myself, the backseat driver who can't stop tutting and nagging. There's no escape from me's relentless criticism. Me even knows what I'm thinking, and routinely has a pop at Me for that. "You're worrying about your obsessive degree of self-criticism again," whines Me. "How pathetically solipsistic." And then it complains about its own bleating tone of voice and starts petulantly kicking the back of the seat, asking if we're there yet.”

Charlie Brooker (1971) journalist, broadcaster and writer from England

The Guardian 16 August 2010 http://www.guardian.co.uk/commentisfree/2010/aug/16/charlie-brooker-writing-deadlines Guardian columns

Thinking

“I was not more than thirteen years old, when in my loneliness and destitution I longed for some one to whom I could go, as to a father and protector. The preaching of a white Methodist minister, named Hanson, was the means of causing me to feel that in God I had such a friend. He thought that all men, great and small, bond and free, were sinners in the sight of God: that they were by nature rebels against His government; and that they must repent of their sins, and be reconciled to God through Christ. I cannot say that I had a very distinct notion of what was required of me, but one thing I did know well: I was wretched and had no means of making myself otherwise. I consulted a good old colored man named Charles Lawson, and in tones of holy affection he told me to pray, and to 'cast all my care upon God'. This I sought to do; and though for weeks I was a poor, broken-hearted mourner, traveling through doubts and fears, I finally found my burden lightened, and my heart relieved. I loved all mankind, slaveholders not excepted, though I abhorred slavery more than ever. I saw the world in a new light, and my great concern was to have everybody converted. My desire to learn increased, and especially, did I want a thorough acquaintance with the contents of the Bible”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

Source: 1880s, Life and Times of Frederick Douglass (1881), pp. 110–111.

Love, Men, God, World

“I've never thought much of Joe Biden. But man, did he get it right in last night's debate, and not just because he walloped sniveling little Paul Ryan on the facts. What he got absolutely right, despite what you might read this morning (many outlets are criticizing Biden's dramatic excesses), was his tone. Biden did absolutely roll his eyes, snort, laugh derisively and throw his hands up in the air whenever Ryan trotted out his little beady-eyed BS-isms.
But he should have! He was absolutely right to be doing it. We all should be doing it. That includes all of us in the media, and not just paid obnoxious-opinion-merchants like me, but so-called "objective" news reporters as well. We should all be rolling our eyes, and scoffing and saying, "Come back when you're serious."”

Matt Taibbi (1970) author and journalist

"The Vice Presidential Debate: Joe Biden Was Right to Laugh" at Rolling Stone (12 October 2012) http://www.rollingstone.com/politics/blogs/taibblog/the-vice-presidential-debate-joe-biden-was-right-to-laugh-20121012

Reading, Night

“Therefore we well observe that the title of perfect cadence is attached only to a dominant that progresses to the main tone, because this dominant, which is naturally contained within the harmony of the main tone, seems, when it progresses to it, to return as if to its source.”

Jean-Philippe Rameau (1683–1764) French composer and music theorist of the Baroque era

Jean-Philippe Rameau (1726). Nouveau système de musique théorique, p. 59. Paris.

Nature, Perfection

“In any event, any person from 2.0 down on the Tone Scale should not have, in any thinking society, any civil rights of any kind, because by abusing those rights he brings into being arduous and strenuous laws which are oppressive to those who need no such restraints.”

L. Ron Hubbard book Science of Survival

The "Tone Scale" is Scientology's measure of mental and spiritual health; p. 145.
Science of Survival (1951)

Law, Thinking, Personality

“There is a great danger for the United States of America. This great danger is the Jew. Gentlemen, in whatever country Jews have settled in any great number, they have lowered its moral tone; depreciated its commercial integrity; have segregated themselves and have not been assimilated; have sneered at and tried to undermine the Christian religion, have built up a state within a state; and when opposed have tried to strangle that country to death financially.
If you do not exclude them from the United States in the Constitution, in less than 200 years they will have swarmed here in such great numbers that they will dominate and devour the land, and change our form of government.
If you do not exclude them, in less than 200 years our descendants will be working in the fields to furnish them substance, while they will be in the counting houses rubbing their hands. I warn you, gentlemen, if you do not exclude the Jews for all time, your children will curse you in your graves. Jews, gentlemen, are Asiatics, let them be born where they will or how many generations they are away from Asia, they will never be otherwise.”

Benjamin Franklin (1706–1790) American author, printer, political theorist, politician, postmaster, scientist, inventor, civic activist, …

Claimed by American Fascist William Dudley Pelley in Liberation (February 3, 1934) to have appeared in notes taken at the Constitutional Convention by Charles Cotesworth Pinckney; reported as debunked in Paul F. Boller, Jr., and John George, They Never Said It: A Book of Fake Quotes, Misquotes, & Misleading Attributions (1989), p. 26-27, noting that historian Charles A. Beard conducted a thorough investigation of the attribution and found it to be false. The quote appears in no source prior to Pelley's publication, contains anachronisms, and contradicts Franklin's own financial support of the construction of a synagogue in Philadelphia. Many variations of the above have been made, including adding to "the Christian religion" the phrase "upon which this nation was founded, by objecting to its restrictions"; adding to "strangle that country to death financially" the phrase "as in the case of Spain and Portugal". See Michael Feldberg, "The Myth of Ben Franklin's Anti-Semitism, in Blessings of Freedom: Chapters in American Jewish History (2003), p. 134.
Misattributed

Death, Children, Religion, Change

“So in the heart,
When, fading slowly down the past,
Fond memories depart,
And each that leaves it seems the last;
Long after all the rest are flown,
Returns a solitary tone,—
The after-echo of departed years,—
And touches all the soul to tears.”

Henry Van Dyke (1852–1933) American diplomat

The After-Echo, st. 2 (1871).

Soul, Tear, Memory, Past

“The Home Rule Movement had just started at that time. I used to attend many of the public meetings held under its auspices. I heard with great interest what Mrs Annie Besant whose language was so charmingly appealing and who used the silver tones of her voice with such effect that many students came under influence. After I passed my intermediate examination, in the last days of 1915, there was an annual session of Indian National Congress in Bombay which Sir Satyendra Prasanna Sanja presided.”

Morarji Desai (1896–1995) Former Indian Finance Minister, Freedom Fighters, Former prime minister

As quoted in Commissions and Omissions by Indian Prime Ministers (1996) by Janak Raj Jai, Volume 1, p. 210 http://books.google.co.in/books?id=5Wrc1K0uJTgC&pg=PA216

Home, Time

“We are not won by arguments that we can analyse, but by tone and temper, by the manner which is the man himself.”

Samuel Butler (1835–1902) novelist

Argument http://books.google.com/books?id=JHguFYrTEQ0C&q=&quot;We+are+not+won+by+arguments+that+we+can+analyse+but+by+tone+and+temper+by+the+manner+which+is+the+man+himself&quot;&pg=PA329#v=onepage The Note-Books of Samuel Butler (1912), Part XX - First Principles

“(In a tone suggesting a reference to his upbringing) I was brought up on charges.”

Jay London (1966) American comedian

One-liners

“There is no. man, there is no people, without a God. That God may be a visible idol, carved of wood or stone, to which sacrifice is offered in the forest, in the temple, or in the market-place; or it may be an invisible idol, fashioned in a man's own image and worshipped ardently at his own personal shrine. Somewhere in the universe there is that in which each individual has firm faith, and on which he places steady reliance. The fool who says in his heart "There is no God" really means there is no God but himself. His supreme egotism, his colossal vanity, have placed him at the center of the universe which is thereafter to be measured and dealt with in terms of his personal satisfactions. So it has come to pass that after nearly two thousand years much of the world resembles the Athens of St. Paul's time, in that it is wholly given to idolatry; but in the modern case there are as many idols as idol worshippers, and every such idol worshipper finds his idol in the looking-glass. The time has come once again to repeat and to expound in thunderous tones the noble sermon of St. Paul on Mars Hill, and to declare to these modern idolaters "Whom, therefore, ye ignorantly worship, Him declare I unto you."
There can be no cure for the world's ills and no abatement of the world's discontents until faith and the rule of everlasting principle are again restored and made supreme in the life of men and of nations. These millions of man-made gods, these myriads of personal idols, must be broken up and destroyed, and the heart and mind of man brought back to a comprehension of the real meaning of faith and its place in life. This cannot be done by exhortation or by preaching alone. It must be done also by teaching; careful, systematic, rational teaching, that will show in a simple language which the uninstructed can understand what are the essentials of a permanent and lofty morality, of a stable and just social order, and of a secure and sublime religious faith.
Here we come upon the whole great problem of national education, its successes and its disappointments, its achievements and its problems yet unsolved. Education is not merely instruction far from it. It is the leading of the youth out into a comprehension of his environment, that, comprehending, he may so act and so conduct himself as to leave the world better and happier for his having lived in it. This environment is not by any means a material thing alone. It is material of course, but, in addition, it is intellectual, it is spiritual. The youth who is led to an understanding of nature and of economics and left blind and deaf to the appeals of literature, of art, of morals and of religion, has been shown but a part of that great environment which is his inheritance as a human being. The school and the college do much, but the school and the college cannot do all. Since Protestantism broke up the solidarity of the ecclesiastical organization in the western world, and since democracy made intermingling of state and church impossible, it has been necessary, if religion is to be saved for men, that the family and the church do their vital cooperative part in a national organization of educational effort. The school, the family and the church are three cooperating educational agencies, each of which has its weight of responsibility to bear. If the family be weakened in respect of its moral and spiritual basis, or if the church be neglectful of its obligation to offer systematic, continuous and convincing religious instruction to the young who are within its sphere of influence, there can be no hope for a Christian education or for the powerful perpetuation of the Christian faith in the minds and lives of the next generation and those immediately to follow. We are trustees of a great inheritance. If we abuse or neglect that trust we are responsible before Almighty God for the infinite damage that will be done in the life of individuals and of nations…. Clear thinking will distinguish between men's different associations, and it will be able to render unto Caesar the things which are Caesar's, and to render unto God the things which are God's.”

Nicholas Murray Butler (1862–1947) American philosopher, diplomat, and educator

Making liberal men and women : public criticism of present-day education, the new paganism, the university, politics and religion https://archive.org/stream/makingliberalmen00butluoft/makingliberalmen00butluoft_djvu.txt (1921)

Life, Men, God, People

“Now, that brings me to the Liberal Party. I gather that during the last few days there have been some ill-natured jokes about their new symbol, a bird of some kind, adopted by the Liberal Democrats at Blackpool. Politics is a serious business, and one should not lower the tone unduly. So I will say only this of the Liberal Democrat symbol and of the party it symbolises. This is an ex-parrot. It is not merely stunned. It has ceased to be, expired and gone to meet its maker. It is a parrot no more. It has rung down the curtain and joined the choir invisible. This is a late parrot. And now for something completely different.”

Margaret Thatcher (1925–2013) British stateswoman and politician

Speech to Conservative Party Conference (12 October 1990) http://www.margaretthatcher.org/document/108217. Partially quoting from Monty Python's Dead Parrot Sketch https://en.wikiquote.org/wiki/Monty_Python%27s_Flying_Circus#Dead_Parrot_Sketch. Third term as Prime Minister

Business, Nature, Bird

“The last time I visited the Capitol, I came to take an oath. On the steps of this building, I pledged to honor our Constitution and laws, and I asked you to join me in setting a tone of civility and respect in Washington. I hope America is noticing the difference. We are making progress. Together, we are changing the tone in the Nation’s capital. And this spirit of respect and cooperation is vital, because in the end we will be judged not only by what we say or how we say it, we will be judged by what we are able to accomplish. America today is a Nation with great challenges, but greater resources.”

George W. Bush (1946) 43rd President of the United States

2000s, 2001, Address to Joint Session of Congress on Administration Goals (February 2001)

Law, Hope, Change, Time

“I have seen pictures [on the Salon of Brussel, 1860], of which I had never dreamed and in which I found all that my heart desires, all that I nearly always miss in the Dutch painters. Troyon, Courbet, Diaz, Dupré [all painters of the School of Barbizon, Robert Fleury have made a great impression on me. I am a good Frenchman, therefore; but, as Simon van den Berg says, it is just because I am a good Frenchman that I am a good Dutchman, since the great Frenchmen of today and the great Dutchmen of the past have much in common. Unity, restfulness, earnestness and, above all, an inexplicable intimacy with nature are what struck me most in these pictures. There were certainly also a few good Dutch pieces, but, generally speaking, when you place them next to the great Parisians, they lack that mellowness, that quality which, so to speak, resembles the deep tones of an organ. And yet this luxurious manner came originally from Holland, from our steaming, fat-coloured Holland! They were courageous pictures; there was a heart and a soul in them.”

Gerard Bilders (1838–1865) painter from the Netherlands

Quote from Bilders in his letter (End of 1860); as cited in Dutch Art in the Nineteenth Century – 'The Hague School; Introduction' https://en.wikisource.org/wiki/Dutch_Art_in_the_Nineteenth_Century/The_Hague_School:_Introduction, by G. Hermine Marius, transl. A. Teixera de Mattos; publish: The la More Press, London, 1908 1860's

School, Dreams, Soul, Courage

“I know we live in troubled times, my friends, I know things which once stood up suddenly don't stand up anymore. I know that innocent people shopping or buying gas are often shot down, shot down for no reason. And it makes a nation nervous. Now, personally, I like the nation to be nervous. And in these nervous times, sometimes people come up to me, and they say, "Perhaps, Jack, you should tone down your rhetoric a bit. Perhaps, the stuff you say in between songs might be construed as, well, not very patriotic. Well, actually, Jack, you might get yourself in some big trouble." And I say to myself, "Oh! Trouble is my business, friend." In these uncertain times, it's not a good idea to give up on your values, and change your mind about the things you hold dear. It's not. I want to talk about someone who fell pretty damn hard, and this song is called "I Shot President Reagan, and I'm Gonna Do It Again and Again and Again and Again!"”

Jack Terricloth (1970)

Introducing "Secret Service Freedom Fighting U.S.A."
Live

People, Idea, Business, Change

“Art is an adventure. When it ceases to be an adventure, it ceases to be art. Not all of us pursue the inaccessible landscapes of the twelve-tone scale, just as not all of us strive for inaccessible mountain-tops, or glory in storms at sea. But the human incidence is there. Could it be that these two impractical pursuits - of beauty and of adventure’s embrace - are simply two differing profiles of the same uniquely human reality?”

Robert Ardrey book The Hunting Hypothesis

The Hunting Hypothesis: A Personal Conclusion Concerning the Evolutionary Nature of Man (1976)

Beauty, Art, Mountain, Reality

“The film is about what happens when real people do ghastly things to each other, and sure, it shows those things because that's the tone of the film — fairly realistic.”

Olly Blackburn Film director and screenwriter

[Washington City Paper, Creative Loafing Inc., Tricia, Olszewski, http://www.washingtoncitypaper.com/blogs/citydesk/2009/02/13/interview-with-donkey-punch-director-olly-blackburn/, 13 February 2009, 23 February 2012, Interview With Donkey Punch Director Olly Blackburn]

People

“I am not complaining, mind you,” the simurgh was saying in a grumpy, peevish tone of voice a while later, “I was merely pointing out that when one must tamper with the forces of nature, it is better to err on the side of caution and of prudence, than to be too liberal.”

Lin Carter book The Wizard of Zao

Source: The Wizard of Zao (1978), Chapter 4 (p. 47)

Nature

“Pissarro wants to achieve delicacy by means of adjustments of nearly like tones; he keeps from juxtaposing two distant tones and does without the vibrant note which such contrast gives, but strives on the contrary to diminish the distance between two tints by introducing into each one of them intermediate elements which he calls 'passage'. But the neo-impressionist technique is based precisely on this type of contrast, for which he feels no need, and on the violent purity of tints which hurts his eye. He has kept of divisionism only the technique, the little dot, whose raison d'etre is exactly that it enables the transcription of this contrast and the conservation of this purity. So it is easy to understand why he [Pissarro] gave up this means, insufficient as it is by itself.”

Paul Signac (1863–1935) French painter

As quoted by John Rewald, in Camille Pissarro - Letters to His Son Lucien ed. John Rewald, with assistance of Lucien Pissarro; from the unpublished French letters; transl. Lionel Abel; Pantheon Books Inc. New York, second edition, 1943, pp. 135
Signac, in his book De Delacroix au Neo-impressionnisme, tried to explain in this way Camille Pissarro's desertion from Neo-Impressionism around 1890
From Delacroix to Neo-Impressionism, 1899

Feeling, Understanding, Distant, Hurt

“Though he died in 1946, Keynes still dominated economics at Cambridge in the mid-1960s. It wasn't just that all the leading figures among the faculty, Richard Kahn, Joan Robinson, Brian Reddaway, David Champernowne, Nicholas Kaldor, and James Meade, had been his pupils and/or collaborators. It was the tone of the place. The study of economics, theoretical or empirical, was driven by the desire to improve the conduct of economic policy. This did not mean that pure theory was neglected. Indeed, in those years Robinson was fighting a stirring battle in the realms of high theory with Paul Samuelson and Robert Solow from the Massachusetts Institute of Technology. Nor was Cambridge innocent of the cutting edge of econometric technique. Richard Stone, who, following Keynes's suggestions, had created the first modern national income accounts, was still director of the Department of Applied Economics where much of modern econometrics was pioneered. Nonetheless, we were taught that theory and technique should serve the higher cause of rational economic policies, and to use our newly learned econometric expertise to write essays on unemployment, or inflation, or the balance of trade, or some other topic at the top of the current political agenda.”

John Eatwell, Baron Eatwell (1945) British economist

"Citizen Keynes", 1994

Study, Learning, Fight

“The sense that a man is serving a Higher than himself, with a service which will become ever more and more perfect freedom, evokes more profound, more humbling, more exalted emotions than any thing else in the world can do. The spirit of man is an instrument which cannot give out its deepest, finest tones, except under the immediate hand of the Divine Harmonist.”

John Campbell Shairp (1819–1885) British writer

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 127.

World, Sense, Freedom, Perfection

“Long ago, some 12 or 13 years before Partition, I had a chance to pass by a meeting of Muslims in Delhi. The chaste Urdu and the weighty voice of the man making the speech at the moment, made me stand and stare. It was a bearded mullah wearing a fez. He was narrating some history which was new for me. The mullah mentioned several dates on which some decisive battles had been fought and won by the armies of Islam. …There were repeated references to swords and spears and horses and hoofs and countless clashes in which human blood had flowed copiously. In between, some one from the audience stood up and shouted ‘nãra-i-takbîr’. And the whole assembly roared back Allãh-o-Akbar with full-throated frenzy. Then the speaker moved to Sind and Hind. …And then, all of a sudden, the mullah’s voice sank and became almost a whimper. His face too must have fallen, though I could not see it from the distance at which I was standing. He was now telling, in very mournful tones, how Islam had failed to fulfil its mission in this ‘kambakht (unfortunate) mulk (country)’ which was still crawling with kufr (infidelism) in spite of all those arduous endeavours undertaken by the heroes of Islam. A funeral silence fell on the audience, and no one now stood up any more to invite another nãra-i-takbîr.”

Sita Ram Goel (1921–2003) Indian activist

Muslim Separatism – Causes and Consequences (1987)

History, Decision, Silence, Chance

“Cicero bent Greek ideas to his vision of the idealized Roman Republic, and his understanding of the mores—the morality and social attachments—of the gentlemanly statesmen who would hold power in a just republic. Readers familiar with Machiavelli’s Prince will hear curious echoes of that work in Cicero’s advice; curious because the pieties of Cicero’s advice to the would-be statesman were satirized by Machiavelli sixteen hundred years later. If his philosophy was Greek and eclectic, Cicero owed his constitutional theory to Polybius; he was born soon after Polybius died, and read his history. And Cicero greatly admired Polybius’s friend and employer Scipio the Younger. There are obvious differences of tone. Polybius celebrated Rome’s achievement of equipoise, while Cicero lamented the ruin of the republic. Cicero’s account of republican politics veers between a “constitutional” emphasis on the way that good institutions allow a state to function by recruiting men of good but not superhuman character, and a “heroic” emphasis on the role of truly great men in reconstituting the state when it has come to ruin. Cicero’s vanity was so notorious that everyone knew he had himself in mind as this hero—had he not saved the republic before when he quelled the conspiracy of Catiline?”

Alan Ryan (1940) British philosopher

On Politics: A History of Political Thought: From Herodotus to the Present (2012), Ch. 4 : Roman Insights: Polybius and Cicero

Men, Way, History, Idea

“Ordinary human motives will appeal in vain to the ears which have heard the tones of the heavenly music; and all the pomp of life will show poor and tawdry to the sight that has gazed on the vision of the great white throne and the crystal sea.”

Alexander Maclaren (1826–1910) British minister

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 104.

Life, Music, Motivation, Sea

“Failing candidate Hillary Clinton, who is desperately trying to hold on to her lead in the democratic primary against Bernie Sanders, is knowingly putting out lies about my stance on illegal immigration. I said "Mexico is sending"— I'm not knocking immigration or immigrants, but rather am very critical of the country of Mexico for sending us people that they don't want. Likewise I am very critical of illegal immigration and the tremendous problems including crime, which it causes. She is desperate, she is sad, and she is obviously very nervous when she has to revert to issues that have already been settled given the absolute accuracy of my statement. She speaks about "my tone" and that's the problem with our country's leaders. They are more worried about tone than results! It's not about being nice— it's about being competent. Hillary should spend more time producing her illegally hidden emails and less time trying to obfuscate a statement by me that is totally clear and obviously very much accepted by the public as true. I am honored, however, that she is attacking me, instead of Jeb Bush. Obviously she knows that JEB is no longer her real competition. The last person she wants to face is Donald Trump.”

Donald J. Trump (1946) 45th President of the United States of America

Facebook post https://www.facebook.com/DonaldTrump/posts/10155829886030725 (14 July 2015) 2010s, 2015

People, Sadness, Problem, Time

“So, of course, the visions are painted in the colours of the rainbow, and the reality is sketched in duller tones of black and white and grey. But I ask you to accept one thing. Hand on heart, I did what I thought was right. I may have been wrong. That is your call. But believe one thing, if nothing else. I did what I thought was right for our country.”

Tony Blair (1953) former Prime Minister of the United Kingdom

" Full text of Tony Blair's resignation speech http://www.timesonline.co.uk/tol/news/politics/the_blair_years/article1772414.ece", Times Online, 10 May 2007. Announcing his impending resignation, Trimdon Labour Club, 10 May 2007. 2000s

Reality, Heart, Painting, Country

“Inaudible melodies
Serve narrational strategies
Unobtrusive tones
Help to notice nothing but the zone
Of visual relevancy
Frame-lines tell me what to see
Chopping like an axe
Or maybe Eisenstein should just relax”

Jack Johnson (musician) (1975) American musician

Inaudible Melodies.
Song lyrics, Brushfire Fairytales (2001)

Help

“The battle for women's rights has been largely won. The days when they were demanded and discussed in strident tones should be gone for ever. And I hope they are. I hated those strident tones that you still hear from some Women's Libbers.”

Margaret Thatcher (1925–2013) British stateswoman and politician

Speech on Women in a changing World (26 July 1982) http://www.margaretthatcher.org/document/105007 First term as Prime Minister

Women, Hate, Hope

“Since I’ve basically been giving my music away for free under the old system, I’m not afraid of wireless, MP3 files or any of the other threats to my copyrights. Anything that makes my music more available to more people is great. MP3 files sound cruddy, but a well-made album sounds great. And I don’t care what anyone says about digital recordings. At this point they are good for dance music, but try listening to a warm guitar tone on them. They suck for what I do. … I’m looking for people to help connect me to more fans, because I believe fans will leave a tip based on the enjoyment and service I provide. I’m not scared of them getting a preview. It really is going to be a global village where a billion people have access to one artist and a billion people can leave a tip if they want to. It’s a radical democratization. Every artist has access to every fan and every fan has access to every artist, and the people who direct fans to those artists. People that give advice and technical value are the people we need. People crowding the distribution pipe and trying to ignore fans and artists have no value. This is a perfect system.”

Courtney Love (1964) American punk singer-songwriter, musician, actress, and artist

From "Courtney Love does the math", a speech given on the corruption of the music industry, from Salon.com http://www.salon.com/2000/06/14/love_7/ (14 June 2000) 1996–2005

People, Music, Help, Dance

“The text should sustain, suggest, and give tone to the sermon. The main thought of the text should usually be the main thought of the sermon. A text must not be a pretext.”

John Hall (1829–1898) Presbyterian pastor from Northern Ireland in New York, died 1898

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 482.

“He was referring, of course, to the gentleman employed by Henry Luce and you will note, at once, the slightly unpleasant and combative tone of the salesman but there is also so much glee contained in it, an anticipation of the joys of a difficult battle, that even a person of fine scruples, sensitive to the vulgarity of the salesman type (such as yourself, Professor) need not be offended but rather challenged by the contradiction contained herein, i. e. that this crass aggression can co-exist with an ability to draw very fine moral distinctions and to see, very objectively, the damage his father's business was doing to the fauna of the country he loved and that, further - like real estate for instance - it was one of those great Australian enterprises that generate wealth while making nothing new.”

Peter Carey book Illywhacker

Page 561.
Illywhacker (1985)

Love, Business, Joy, Drawing

“Think of Tone... Think of how he put virility into the Catholic movement, how this heretic toiled to make free men of Catholic helot, how as he worked among them he grew to know and love the real, the historic Irish people, and the great, clear, sane conception came to him that in Ireland there must be not two nations or three nations but one nation, that Protestant and Dissenter must be brought into amity with Catholic and that Catholic, Protestant and Dissenter must unite to achieve freedom for all.”

Patrick Pearse (1879–1916) Irish revolutionary, shot by the British Army in 1916

Address delivered at the Grave of Wolfe Tone in Bodenstown Churchyard, Co. Kildare, 22 June 1913

Love, Men, People, Thinking

“Alas, this industrialized twelve-tone horse, dull on the outside and empty inside, constantly being perfected and dragged to a new Troy in shadow of an ideological war long since fought and won by responsible minds like Schoenberg, with neither systems nor scholarship for armor!”

Luciano Berio (1925–2003) Italian composer

"The Composer on His Work : Meditation on a Twelve-Tone Horse", in Classic Essays on Twentieth-Century Music : A Continuing Symposium (1996) edited by Richard Kostelanetz and Joseph Darby

War, Horse, Perfection

“I love Brittany; I find wildness and primitiveness there. When my wooden shoes ring on this granite, I hear the muffled, dull, and powerful tone which I try to achieve in painting.”

Paul Gauguin (1848–1903) French Post-Impressionist artist

Source: 1870s - 1880s, The Writings of a Savage (1996), p. 109: in a letter to a friend, c. 1886

Love, Shoe, Painting

“If upon a white canvas I jot down some sensations of blue, of green, of red – every new brush stroke diminishes the importance of the preceding ones. Suppose I set out to paint an interior... If I paint a green near the red, if I paint in a yellow floor, there must still be between this green, this yellow, and the white of the canvas a relation that will be satisfactory to me. But these several tones mutually weaken one another. It is necessary, therefore, that the various elements that I use be so balanced that they do not destroy one another..”

Henri Matisse (1869–1954) French artist

Source: 1905 - 1910, Notes d'un Peintre' (Notes of a Painter) (1908), p. 411

Painting

“It takes a little more time to get into the role, but not very much more. In making a record you don't have the sense of projection over a distance as in an opera house. We have this microphone and this magnifies all details of a performance, all exaggerations. In the theater, you can get away with a very large, very grand phrase. For the microphone, you have to tone it down. It's the same as making a film, your gestures will be seen in close-up, so they cannot be exaggerated as they would be in a theater.”

Maria Callas (1923–1977) American-born Greek operatic soprano

On making studio recordings
Callas : The Art and the Life (1974)

Sense, Time, Housing

“It may indeed be true that in order to act we need a certain amount of self-confidence and intellectual self-assurance. It may also be true that the very form of expression, in which we clothe our thoughts, tends to impose upon them an absolute tone.”

Karl Mannheim (1893–1947) Hungarian sociologist

Ideology and Utopia (1929)

Confidence, Self-confidence, Clothes

“Wherever God's word is circulated, it stirs the hearts of the people, it prepares for public morals. Circulate that word, and you find the tone of morals immediately changed. It is God speaking to man.”

Matthew Simpson (1811–1884) American bishop and academic

Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 34.

God, People, Change, Heart

“Very great care should then be taken to see that distant objects are rendered so as to appear distant that is, in correct relative tone when compared with the foreground or nearer portions.”

Alfred Horsley Hinton (1863–1908) British photographer

Source: Practical Pictorial Photography, 1898, Tone and atmoshphere, p. 40

Distant, Appearance

“Because one has little fear of shocking vanity in Italy, people adopt an intimate tone very quickly and discuss personal things.”

Stendhal book The Charterhouse of Parma

Comme on craint peu de choquer la vanité, on arrive fort vite en Italie au ton de l'intimité, et à dire des choses personnelles.
Source: La Chartreuse de Parme (The Charterhouse of Parma) (1839), Ch. 6

People, Fear, Personality

“The danger that hung over Moscow in the winter of 1941 struck [Hitler] as similar to his present predicament. In a brief access of confidence, he might remark with a jesting tone of voice that it would be best, after victory over Russia, to entrust the administration of the country to Stalin, under German hegemony, of course, since he was the best imaginable man to handle the Russians. In general he regarded Stalin as a kind of colleague. When Stalin's son was taken prisoner it was out of this respect, perhaps, that Hitler ordered him to be given especially good treatment.”

Albert Speer (1905–1981) German architect, Minister of Armaments and War Production for Nazi Germany

Source: Inside the Third Reich: Memoirs (1970), p. 306

Confidence, Imagination, Winter, Victory

“The tone in which an Englishman expresses anger would, in Italy, be only a mark of surprise.”

Étienne Bonnot de Condillac (1714–1780) French academic

As quoted in David Booth, The principles of English composition (1831), p. 8.

Anger

“Even in America, the Indian Summer of life should be a little sunny and a little sad, like the season, and infinite in wealth and depth of tone — but never hustled.”

Henry Adams book The Education of Henry Adams

Ch. 35 http://books.google.com/books?id=-ThaAAAAMAAJ&q=%22Even+in+America+the+Indian+Summer+of+life+should+be+a+little+sunny+and+a+little+sad+like+the+season+and+infinite+in+wealth+and+depth+of+tone+but+never+hustled%22&pg=PA502#v=onepage. The Education of Henry Adams (1907)

Life, Sadness, Summer, Wealth

“We all make mistakes - we fall in love with tenors and sopranoes even though tenors are as dumb as quarrelsome women, because high tones damage their brains.”

Waldemar Łysiak book Kielich

Kielich (2002)

Love, Women

“It seems that the first consideration of a painter who stands before the white canvas should be to decide what curves and arabesques should cut the surface, what tints and tones should cover it... Following the precepts of Delacroix he would not begin a composition until he had first determined its organization. Guided by tradition and by science, he would adjust the composition to his conception, that is to say he would adapt the lines (directions and angles), the chiaroscuro (tones), the colors (tints), to the traits he wished to make dominant.”

Paul Signac (1863–1935) French painter

Chapt. III.; as quoted by John Rewald, in Georges Seurat', a monograph https://ia800607.us.archive.org/23/items/georges00rewa/georges00rewa.pdf; Wittenborn and Compagny, New York, 1943. p. 21 From Delacroix to Neo-Impressionism, 1899

Color, Science

“Japanese affection is not uttered in words; it scarcely appears even in the tone of voice; it is chiefly shown in acts of exquisite courtesy and kindness.”

Lafcadio Hearn (1850–1904) writer

"Of the Eternal Feminine" (1893), cited from Out of the East; and, Kokoro (Boston: Houghton Mifflin, 1922) p. 79.

Appearance

“We do not mechanically connect the sensation of white with the idea of light, any more than we connect the sensation of black with the idea of darkness. We admit that a black jewel, even if of a dead black, may be more luminous than the white or pink satin of its case. Loving light, we refuse to measure it, and we avoid the geometrical ideas of the focus and the ray, which imply the repetition-contrary to the principle of variety which guides us-of bright planes and sombre intervals in a given direction. Loving colour, we refuse to limit it, and subdued or dazzling, fresh or muddy, we accept all the possibilities contained between the two extreme points of the spectrum, between the cold and the warm tone.”

Jean Metzinger (1883–1956) French painter

Du Cubisme (1912)

Love, Idea, Light, Dead

“The character, or tone, of a society depends on what the society regards as the most respectable or most worthy of admiration. But by regarding certain habits or attitudes as most respectable, a society admits the superiority, the superior dignity, of those human beings who most perfectly embody the habits or attitudes in question. That is to say, every society regards a specific human type (or a specific mixture of human types) as authoritative. When the authoritative type is the common man, everything has to justify itself before the tribunal of the common man; everything which cannot be justified before that tribunal becomes, at best, merely tolerated, if not despised or suspect. And even those who do not recognize that tribunal are, willy-nilly, molded by its verdicts.”

Leo Strauss (1899–1973) Classical philosophy specialist and father of neoconservativism

Source: Natural Right and History (1953), p. 137

Question, Dependency

“Chairman White, and the other Trustees that are present today, faculty and staff and alumni, distinguished guests, cadets, and friends of Hargrave: It's been a great run. It really has. I look out over the congregation gathered here today, and I see faculty, staff, cadets, parents, members of the Parent Council that we work closely with, other colleagues in the same business- and it makes me reflect on on fifteen years here, what all we've accomplished. I can also state that we wouldn't have accomplished much without the leadership of the Board of Trustees. And I'd like to thank all of the Board that's here- the Chairman, past Chairmen, and other members of the Board- that've A, put their trust in my leadership, put up with me at times, and set the guidance and the tone to keep the school on a straight path. Not an easy task. And the Board has done a magnificent job. I would also be remiss if I didn't recognize- I wish I could recognize every member of our faculty and staff, which is the heart and soul of an independent school. Our faculty is the best- best in the nation- very dedication people, that work constant hours with the cadets here, proven by our great success we've had over the past, what… hundred and- we graduated 102nd class last May. It's been really an honor for me to be part of Hargrave's history. But we're not done. We've completed 102 years, and now we've hired Brigadier General Broome, who's the right person to take the helm at Hargrave. And I am convinced beyond a shadow of a doubt that General Broome is ready, willing, and dedicated to take Hargrave to the next level. It's a great school- I would tell you, in my mind, it's the best school in the country, because of the cadets and the folks we have here. I've been spending a lot of time with General Broome and his wife, and they are really gonna be a great fit for Hargrave, and I think Hargrave's gonna have a super next one hundred years. I wish we could all be here a hundred years from now to open our time capsule, but unfortunately, I don't think anybody in this room is gonna see what's in the time capsule… Anyhow, thank you for coming, it's been an honor to be part of this, and I will sincerely miss it. I'm not the type to watch things from the sidelines, but, in this case, I will. Thank you very much.”

Wheeler L. Baker (1938) President of Hargrave Military Academy

Baker's speech at the change-of-command ceremony in Hargrave's chapel on June 24, 2011.

People, School, Soul, History

“…in his case it went further and became indifference to social distinction. Never once in forty years of intimacy did his son notice in him a trace of snobbishness. He was one of the exceedingly small number of Americans to whom an English duke or duchess seemed to be indifferent, and royalty itself nothing more than a slightly inconvenient presence. This was, it is true, rather the tone of English society in his time, but Americans were largely responsible for changing it, and Mr. Adams had every possible reason for affecting the manner of a courtier even if he did not feel the sentiment. Never did his son see him flatter or vilify, or show a sign of envy or jealousy; never a shade of vanity or self-conceit. Never a tone of arrogance! Never a gesture of pride!”

Henry Adams (1838–1918) journalist, historian, academic, novelist

The Education of Henry Adams (1907)

Jealousy, Feeling, Change, Time

“Is it not conceivable, that each tone is the fusion of a sum of still more primitive elements with the Gestalt qualities bound up therewith?… No conclusive argument can be brought forward even against the possibility that we may not, penetrating ever more deeply in this manner, finally arrive at a single proto-quality, or at least at a single quality-continuum, from out of which distinct contents (colours, tones, Y) are generated by the fusion of distinct combinations with the Gestalt qualities bound up therewith, [so that] one can no longer shrink from the idea that tones and colours might be exhibited as the products of a much higher degree of complication of proto-elements as yet unknown.”

Christian von Ehrenfels (1859–1932) Austrian philosopher

Source: "On Gestalt Qualities," 1890, p. 16

Idea

“The pre-World War I works of Schoenberg, Berg, and Webern, "give a glimpse of a new universe of emancipated discourse, unfortunately quickly abandoned when Schoenberg returned to the classical musical shapes upon adopting the twelve-tone system."”

Elliott Carter (1908–2012) American composer

Elliott Carter (1977). The Writings of Elliott Carter, p.186. Bloomington: Indiana University Press.
Cited in Albright, Daniel (2004). Modernism and Music: An Anthology of Sources. University of Chicago Press. ISBN 0226012670.

War, World, Music, Universe

“I came to Paris with all my ideas of art fixed, and I have never found it necessary to change them. I have been more or less in love with this master, or that method in art, but I have not modified any fundamental opinions. You have seen my first drawing, made at home without a master, without a model, without a guide. I have never done anything different since. You have never seen me paint except in a low tone; demi-teinte [half-tone] is necessary to me in order to sharpen my eyes and clear my thoughts, - it has been my best teacher.”

Jean-François Millet (1814–1875) French painter

Millet is describing his development as artist to his friend and later biographer fr:Alfred_Sensier
Source: Jean-Francois Millet – Peasant and Painter, 1881, p. 44

Love, Art, Home, Idea

“The listener with no preconceptions hears massive waves of sound breaking over him and forms from them the image of a passionate soul seeking and finding the path to faith and peace in God through a life of struggle and a vigorous pursuit of ideals. It is impossible not to hear the confessional tone of this musical language; Liszt’s sonata becomes - perhaps involuntarily on the part of the composer - an autobiographical document and one which reveals an artist in the Faustian mold in the person of its author. As in the Harmonies poétiques et religieuses, the underlying religious concept which dominates and permeates the whole work demands a special kind of approach. Whereas representations of human passions and conflicts force themselves on our understanding with their powerfully suggestive coloring, this concept only becomes manifest to those souls who are prepared to soar to the same heights. The equilibrium of the sonata’s hymnic chordal motif, the transformation of its defiant battle motif (first theme) into a triumphant fanfare, and its appearance in bright, high notes on the harp, together with the devotional atmosphere of the Andante, represent a particular challenge to the listener; he is, after all, also expected to grasp the wide-spanned arcs of sound which, from the first hesitant descending octaves to the radiant final chords, build up a graphic panorama of the various stages of progress of a human spirit filled with faith and hope. As the reflection of a remarkable artistic personality worthy of deep admiration and, by extension, of the whole Romantic period, Liszt’s B minor Sonata deserves lasting recognition.”

Burkard Schliessmann classical pianist

About the Liszt Sonata in B minor

Life, God, Peace, Faith

“I had built a little cabin in Yosemite, and for convenience in getting water, and for the sake of music and society, I led a small stream from Yosemite Creek into it. Running along the side of the wall it was not in the way, and it had just fall enough to ripple and sing in low, sweet tones, making delightful company, especially at night when I was lying awake. Then a few frogs came in and made merry with the stream, — and one snake.”

John Muir (1838–1914) Scottish-born American naturalist and author

Source: 1900s, Our National Parks (1901), chapter 6: Among the Animals of the Yosemite

Music, Way, Lying, Water

““I don’t understand what you mean,” I confessed in a baffled tone. Niamh gave me a long, cool, faintly amused glance.
“Don’t you? No, I can see that you do not,” she said. And with that she rolled over, her face turned from me, and fell asleep…leaving me staring at the ceiling, completely mystified, pondering the inexplicable perversities of the female mind.”

Lin Carter book Under the Green Star

Source: Under the Green Star (1972), Chapter 17, “A Knife in the Dark” (pp. 112-113)

Understanding

“My works are 12-tone compositions, not 12-tone compositions”

Arnold Schoenberg (1874–1951) Austrian-American composer

Stuckenschmidt, Hans Heinz. 1977, in Schoenberg: His Life, World and Work; translated from the German by Humphrey Searle. p. 349.
after 1930

“There was something uncommonly fake and uncertain in every line of these articles, depite their threatening and self-assured tone. I kept thinking... that the authors of these articles weren't saying what they wanted to say, and that that was why they were so furious.”

Mikhail Bulgakov book The Master and Margarita

Book One in 'Enter the Hero', B/O
The Master and Margarita (1967)

Thinking

“There was Johnson (Lyndon) who had compromised too many contradictions and now the contradictions were in his face: when he smiled the corners of his mouth squeezed gloom; when he was pious, his eyes twinkled irony; when he spoke in a righteous tone, he looked corrupt; when he jested, the ham in his jowls looked to quiver. He was not convincing. He was a Southern politician, a Texas Democrat, a liberal Eisenhower; he would do no harm, he would do no good, he would react to the machine, good fellow, nice friend -- the Russians would understand him better than his own. … Johnson gave you all of himself, he was a political animal, he breathed like an animal, sweated like one, you knew his mind was entirely absorbed with the compendium of political fact and maneuver.”

Norman Mailer (1923–2007) American novelist, journalist, essayist, playwright, film maker, actor and political candidate

Superman Comes to the Supermarket (1960)

Smile, Understanding, Animals

“The bases of music are rhythm and harmony. Rhythm is ordered recurrence in time… As the planets move around the sun, they repeat their orbits periodically; thus there is already a primitive kind of rhythm in their motion…. Harmony… can be considered a special kind of rhythm…. pure musical tones are produced when the vibrations are… periodic or… repeat themselves regularly in time. Two tones harmonize if their intervals of repetition are in rhythm—or, in mathematical language, if their periods are in proportion. Kepler… in the third book of Harmonice mundi… attempted to make other… related, connections between musical harmony and mathematical proportion.”

Frank Wilczek (1951) physicist

Longing for the Harmonies: Themes and Variations from Modern Physics (1987)

Books, Music, Mathematics, Time

“I will outline some of the specific goals that I have set and describe some of the means we are employing to achieve them, but firstly let me make a couple of things abundantly clear. I am not doing this to win plaudits or to satisfy a personal magnanimous desire. I am doing this out of love for the Australian Army and for the men and women who serve in its ranks. As the Chief of the Army I ultimately set the tone for the organisation and exemplify its values. Those values – Courage, Initiative and Teamwork, allied with respect for our institution and each other are noble when they are lived as intended.”

David Morrison (1956) Australian army general

Address at the International Women's Day Conference (2013)

Love, Women, Men, Courage

“I tried to groan, Help! Help! But the tone that came out was that of polite conversation.”

Samuel Beckett (1906–1989) Irish novelist, playwright, and poet

The End (1946)

Help

“But music is a mystery, and viewless
Even when present, and is less man's act,
And less within his order; for the hand
That can call forth the tones, yet cannot tell
Whither they go, or if they live or die,
When floated once beyond his feeble ear;”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Erinna
The Golden Violet (1827)

Music

“It is amazing how much our admiration takes its tone from the admiration of others; and when to that is added an obvious admiration of ourselves, the charm is irresistible.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Monthly Magazine

“It is improper, to expressly pursue the Urlinie in performance and to single out its tones… for the purpose of communicating the Urlinie to the listener." Rather, "for the performer, the Urlinie provides, first of all, a sense of direction. It serves a somewhat equivalent function to that which a road map serves for a mountain climber.”

Heinrich Schenker (1868–1935) Austrian music theorist

Das Meisterwerk I, p. 196. Translated by Kalib, vol. 2, p. 147. Quoted in Burkhart, Charles (1983). "Schenker's Theory of Levels and Musical Performance", Aspects of Schenkerian Theory, Beach David, ed. New Haven: Yale University Press.

Mountain, Communication, Sense

“What he wanted was to make his proclamation as effective as possible in the event of such a peace. He said, in a regretful tone, 'The slaves are not coming so rapidly and so numerously to us as I had hoped'. I replied that the slaveholders knew how to keep such things from their slaves, and probably very few knew of his proclamation. 'Well', he said, 'I want you to set about devising some means of making them acquainted with it, and for bringing them into our lines'. He spoke with great earnestness and much solicitude, and seemed troubled by the attitude of Mr. Greeley, and the growing impatience there was being manifested through the North at the war. He said he was being accused of protracting the war beyond its legitimate object, and of failing to make peace when he might have done so to advantage. He was afraid of what might come of all these complaints, but was persuaded that no solid and lasting peace could come short of absolute submission on the part of the rebels, and he was not for giving them rest by futile conferences at Niagara Falls, or elsewhere, with unauthorized persons. He saw the danger of premature peace, and, like a thoughtful and sagacious man as he was, he wished to provide means of rendering such consummation as harmless as possible. I was the more impressed by this benevolent consideration because he before said, in answer to the peace clamor, that his object was to save the Union, and to do so with or without slavery. What he said on this day showed a deeper moral conviction against slavery than I had ever seen before in anything spoken or written by him. I listened with the deepest interest and profoundest satisfaction, and, at his suggestion, agreed to undertake the organizing a band of scouts, composed of colored men, whose business should be somewhat after the original plan of John Brown, to go into the rebel States, beyond the lines of our armies, and carry the news of emancipation, and urge the slaves to come within our boundaries.”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

Source: 1880s, Life and Times of Frederick Douglass (1881), pp. 434–435.

Men, War, Peace, Hope

“There are, one presumes, tone-deaf readers.”

Robertson Davies book A Voice from the Attic

A Voice from the Attic (1960)

“When Picasso does pure painting he is a great artist. When he paints as an cubist, putting one tone next to another, the arrangement of planes is fine and the result very strong. But those who imitate him achieve nothing worthwhile.”

Aristide Maillol (1861–1944) sculptor from France

Source: Conversations with Judith Cladel (1939–1944), p. 407

Strong, Painting

“Paint studies of parts, for instance a piece of land, a group of trees or things like that, but always in a way that people can understand these things in relation with the whole landscape, by adding behind that group of trees the air in a right tone color and thereby in connection with the trees... Furthermore studies of a whole, preferably very simple subjects - A meadow with horizon and a piece of air to examine further the general tone color, the harmony of the whole.... and study nature even more by thinking about it than working after it.”

Willem Roelofs (1822–1897) Dutch painter and entomologist (1822-1897)

translation from original Dutch: Fons Heijnsbroek
(original Dutch: citaat van Willem Roelofs, in het Nederlands:) Schilder studies van gedeelten, bv. een stuk grond, een boomgroep of dergelijke maar toch altijd zóó dat men die in verband met het geheele landschap begrijpen kan, door achter die boomgroep de lucht juist van toon en daardoor in verband met de boomen er bij te schilderen.. .Verder studies van een geheel, liefst zeer eenvoudige sujetten - Eene weide met horizon en stuk lucht. Om nog meer de algemeene toon, de harmonie van het geheel na te gaan.. ..en bestudeer de natuur nog meer met er over te denken dan met er na [naar!?] te werken.
Quote from a letter of Roelofs to his pupil Hendrik W. Mesdag, 27 May 1866; as cited by De Bodt, in Halverwege Parijs, Willem Roelofs en de Nederlandse Schilderskolonie in Brussel, Gent, 1995a, p. 238
1860's

People, Color, Way, Understanding

“Every tone was a testimony against slavery, and a prayer to God for deliverance from chains.”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

Source: 1840s, Narrative of the Life of Frederick Douglass, An American Slave (1845), Ch. 2

God

“[Before]
Just two or three sweet chords, that seemed
An echo of thy tone,—
The cushat's song was on the wind
And mingled with thine own.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Vow of the Peacock (1835)

“.. I am always between two currents of thought, first the material difficulties, turning round and round to make a living; and second, study of color. I am always in hope of making a discovery there, to express the love of two lovers by a marriage of two complementary colors, their mingling and their opposition, the mysterious vibrations of kindred tones. To express the thought of a brow by the radiance of a light tone against a sombre background. To express hope by some star, the eagerness of a soul by a sunset radiance. Certainly there is nothing in that of stereoscopic realism, but is it not some thing that actually exists?”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

Quote in his letter to brother Theo, from Arles, September 1888; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 531) p. 22 1880s, 1888

Love, Marriage, Hope, Color

“When Boswell confessed to Johnson that he feared some things he was entering in his journal were too small, the latter advised him that nothing is too small for so small a creature as man. This is good evidence that Johnson had achieved what I referred to as perspective, which carries with it a necessary humility. And while some may be startled to hear Mencken called a modest man, I can infer nothing but a real condor and humility from those bombastic and ironical allusions to himself which comprise much of the humor of his writings. The tone he adopted was a rhetorical instrument; he had faced his limitations.”

Richard M. Weaver (1910–1963) American scholar

“Life without prejudice,” p. 11.
Life Without Prejudice (1965)

Fear

“They walked together like that all night, and there was no night, just a slight unreality, a momentary trance, with mist here and there as if the landscape were about to dissolve, and then nothing dissolved and the mist had vanished again. There was a crimson glow on the highest mountain ridges, and shining birds swarming in their thousands over the flame-gilded, mirror-smooth sea. And they went on talking together. Ólafur Kárason had no perception of the passing of time; only that voice with its dark, silk-edged, golden tones reverberated through his consciousness. When a man has lost what he loves most, there is no need to write poetry; the timber of a man's voice expresses all the poetry of life.”

Halldór Laxness (1902–1998) Icelandic author

Heimsljós (World Light) (1940), Book Two: The Palace of the Summerland

Love, Life, Mountain, Bird

“Draw all kind of everyday object placed, in such a way that they have in them the life of the man or woman – corsets that have just been removed, for example, and which retain the form of the body. Do a series in aquatint on mourning, different blacks – black veils of deep mourning floating on the face – black gloves – mourning carriages, undertaker’s vehicles – carriages like Venetian gondolas. On smoke – smoker’s smoke, pipes, cigarettes, cigars – smoke from locomotives, from tall factory chimneys, from steam boats, etc. On evening – infinite variety of subjects in cafes, different tones of glass robes reflected in the mirrors. On bakery, bread. Series of baker's boys, seen in the cellar itself or through the basement windows from the street – backs the colour of the pink flour – beautiful curves of dough – still-life's of different breads, large, oval, long, round, etc. Studies in color of the yellows, pinks, grays, whites of bread…… Neither monuments nor houses have ever been done from below, close up as they appear when you walk down the street. [a working note in which Degas planned series of views of modern Paris, the same time when he sketched the backstreet brothels, making graphic unflinching and even his realistic 'pornographic' sketches he called his 'glimpses through the keyhole', in which he also experimented with perspectives]”

Edgar Degas (1834–1917) French artist

Quote from Degas' Notebooks; Clarendon Press, Oxford 1976, nos 30 & 34 circa 1877; as quoted in The private lives of the Impressionists, Sue Roe, Harpen Collins Publishers, New York 2006, p. 182
quotes, undated

Life, Beauty, Color, Way

“Prayer helped me with the loss of my wife to cancer and with a child who had fallen on tough times. Now prayer helps me to be a father, to be an actor and to be a man, it always helps to have a bit of prayer in your back pocket. At the end of the day, you have to have something and for me that is God, Jesus, my Catholic upbringing, my faith. In a way (my life) all leads back to a little boy in Navan, my home town on the banks of the Boyne. Sometimes, it has been painted in melodramatic tones but it was a fantastic way to be brought up. The Catholicism and the Christian brothers, those are deep-rooted images and the foundation for a person of some acting skill, God has been good to me. My faith has been good to me in the moments of deepest suffering, doubt and fear. It is a constant, the language of prayer… I might not have got my sums right from the Christian Brothers or might not have got the greatest learning of literature from them but I certainly got a strapping amount of faith. But there is one thing that the people of Ireland know how to do and that is to survive. You have to keep your faith and stay optimistic.”

Pierce Brosnan (1953) Irish-American actor, film producer, and environmentalist

Pierce Brosnan talks about his deep Catholic faith http://www.irishcentral.com/culture/entertainment/pierce-brosnan-talks-about-his-deep-catholic-faith-118983269-237736371 (March 31, 2011)

Life, God, People, Fear

“These days I sit on cornerstones
And count the time in quarter-tones to ten, my friend
Don't confront me with my failures
I had not forgotten them.”

Jackson Browne (1948) American singer-songwriter

These Days

Failure, Time

“We are then brought to consider Platinotype, which, on the whole, may be regarded as the most suitable for general pictorial work. Its power of rendering relative tones and atmosphere is perhaps unequalled, whilst, although every one who has used it has sometimes wished that the undeveloped image were more visible, yet the pale, ghost-like print made by the light is very much better than nothing at all, and, indeed, may often be quite sufficient to guide us in our endeavours to control the action of light in a manner to be shortly described.”

Alfred Horsley Hinton (1863–1908) British photographer

Source: Practical Pictorial Photography, 1898, Printing methods and their bearing on pictorial photography, p. 72

Light

“Neo-Impressionist method is an attempt is made to achieve the richness of the sunlight spectrum with all its tones. An orange that blends with yellow and red, a violet that tends toward red and blue, a green between blue and yellow are, with white the sole elements. Through mixture (in the eye of the observer) of these pure colours, whose relationship can be varied at will, from the most brilliant to the greyish. Every brush stroke that is taken from the palette remains pure on the canvas.”

Paul Signac (1863–1935) French painter

From Delacroix to Neo-Impressionism, 1899

“Faced with unmeasurables, people steer their way by magic. Before the invention of navigational instruments, a lady was carved on the prow of the boat to help sailors cross the ocean; and architects, grappling with the intangibles of design, select a guru whose work gives them personal help in areas where there are few rules to follow. The guru, as architectural father figure, is subject to intense hate and love; either way, the relationship is personal, it can only be a one-to-one affair. This accounts for the intensely ad hominem stance of some of ‘Venturi’s’ critics. If the attribution were correct the tone would be more even, as one cannot easily wax emotional over several people. I suspect, too, that for male architects the guru must be male. There can be no Mom and Pop gurus in architecture. The architectural prima donnas are all male.”

Denise Scott Brown (1931) American architect

"Sexism and the star system in architecture"

Love, Hate, People, Way

“All old Poems, Homer's and the rest, are authentically Songs. I would say, in strictness, that all right Poems are; that whatsoever is not sung is properly no Poem, but a piece of Prose cramped into jingling lines,—to the great injury of the grammar, to the great grief of the reader, for most part! What we wants to get at is the thought the man had, if he had any: why should he twist it into jingle, if he could speak it out plainly? It is only when the heart of him is rapt into true passion of melody, and the very tones of him, according to Coleridge's remark, become musical by the greatness, depth and music of his thoughts, that we can give him right to rhyme and sing; that we call him a Poet, and listen to him as the Heroic of Speakers,—whose speech is Song.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1840s, Heroes and Hero-Worship (1840), The Hero as Poet

Music, Passion, Singing, Heart

“And let us make no mistake as to what Tone sought to do, what it remains to us to do. We need to restate our programme: Tone has stated it for us:
"To break the connection with England, the never-failing source of all our political evils, and to assert the independence of my country—these were my objects. To unite the whole people of Ireland, to abolish the memory of all past dissentions, and to substitute the common name of Irishmen in place of the denominations of Protestant, Catholic and Dissenter—these were my means."
I find here implicit all the philosophy of Irish nationalism, all the teaching of the Gaelic League and the later prophets. Ireland one and Ireland free—is not this the definition of Ireland a Nation? To that definition and to that programme we declare our adhesion anew; pledging ourselves as Tone pledged himself—and in this sacred place, by this graveside, let us not pledge ourselves unless we mean to keep our pledge—we pledge ourselves to follow in the steps of Tone, never to rest either by day or night until his work be accomplished, deeming it the proudest of all privileges to fight for freedom, to fight not in despondency but in great joy hoping for the victory in our day, but fighting on whether victory seem near or far, never lowering our ideal, never bartering one jot or tittle of our birthright, holding faith to the memory and the inspiration of Tone, and accounting ourselves base as long as we endure the evil thing against which he testified with his blood.”

Patrick Pearse (1879–1916) Irish revolutionary, shot by the British Army in 1916

Address delivered at the Grave of Wolfe Tone in Bodenstown Churchyard, Co. Kildare, 22 June 1913

People, Faith, Hope, Freedom

“It is conventional to refer to the United Nations in hushed tones of respect and awe, as if it were the repository of justice and equity, speaking almost with the voice of God if not yet acting with the power of God. It is no such thing. Despite the fair-seeming terminology of its charter and its declarations, the reality both of the Assembly and of the Security Council is a concourse of self-seeking nations, obeying their own prejudices and pursuing their own interests. They have not changed their individual natures by being aggregated with others in a system of bogus democracy…Does anybody seriously suppose that the members of the United Nations, or of the Security Council, have been actuated in their decisions on the Argentine invasion of the Falklands by a pure desire to see right done and wrong reversed? That was the last thing on their minds. Everyone of them, from the United States to Peru, calculated its own interests and consulted its own ambitions. What moral authority can attach a summation of self-interest and prejudice? I am not saying that nations ought not to pursue their own interests; they ought and, in any case, they will. What I am saying is that those interests are not sanctified by being tumbled into a mixer and shaken up altogether. An assembly of national spokesmen is not magically transmuted into a glorious company of saints and martyrs. Its only redeeming feature is its impotence…The United Nations is a colossal coating of humbug poured, like icing over a birthday cake, over the naked ambitions and hostilities of the nations.”

Enoch Powell (1912–1998) British politician

'We have the will, we don't need the humbug', The Times (12 June 1982), p. 12
1980s

God, Hostility, Justice, Democracy

“There are only two answers for the handling of people from 2.0 down on the Tone Scale, neither one of which has anything to do with reasoning with them or listening to their justification of their acts. The first is to raise them on the Tone Scale by un-enturbulating some of their theta by any one of the three valid processes. The other is to dispose of them quietly and without sorrow.”

L. Ron Hubbard book Science of Survival

Source: Science of Survival (1951), p. 170.

People

“This year alone, total world cereal production was estimated to be 2,114 million tones, while total cereal demand was projected at around 1007 million tones, less than half of the cereal production. Ideally, no one should starve or die of hunger in the world we live. Strangely and sadly enough, they do. This is not fair. This is not right.”

Jakaya Kikwete (1950) Tanzanian politician and president

On World Food Day in Rome. 2007-10-17 http://ippmedia.com/ipp/guardian/2007/10/17/100596.html 2007

Hunger, World

“I saw Guillaumin. We went to look at my two latest paintings which were bought by Durand. All he said was 'there's no firmness in the foreground'. It was evening, we were seeing the paintings by gas-light, which neutralized the orange tones. As Seurat says, what they [the Impressionists]] look for is thick impasto; but at Clauzet's I saw a Guillaumin, also in the evening, and it looked made of tar, so much shellac was used at the base of this painting, which in my view is really old stuff; it must be admitted that he made an effort to tighten the design but then the harmonies are insignificant and lack logic - there is no drawing, there is a flurry of colors, but no modeling; it is one step from [w: Jules Dupré|Jules Dupreé]] - modernized.”

Camille Pissarro (1830–1903) French painter

Quote of Pissarro, in a letter, Paris, 6 December 1886, to his son Lucien; in Camille Pissarro - Letters to His Son Lucien ed. John Rewald, with assistance of Lucien Pissarro; from the unpublished French letters; transl. Lionel Abel; Pantheon Books Inc. New York, second edition, 1943, p. 84
1880's

Color, Effort, Light, Drawing

“The clean clear colours [of a Shanty farm] were in my head. But one day as I looked at the brown burned wood of the Shanty, I thought 'I can paint one of those dismal-coloured paintings like the men. I think just for fun I will try — all low-toned and dreary with the tree besides the door.' In my next show [c. 1923], 'The Shanty' went up. The men seemed to approve of it. They seemed to think that maybe I was beginning to paint…. that was my only low-toned dismal-coloured painting.”

Georgia O'Keeffe (1887–1986) American artist

1970 - 1986, Some Memories of Drawings (1976)

Men, Thinking, Tree, Painting

“When weary with the long day's care,
And earthly change from pain to pain,
And lost and ready to despair,
Thy kind voice calls me back again:
Oh, my true friend! I am not lone,
While thou canst speak with such a tone!”

Emily Brontë (1818–1848) English novelist and poet

To Imagination (1846)

Pain, Change, Despair

Quotes about tone page 3

Quotes about tone
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