na may sta da nari shundi dy pakar
na da zulfi wal pa wal laka khamar
na da bati pashan danga ghari ghwaram
nargasay stargy na daki da khumar
na ghakhuna dy laluna da adan
na nangy dak sara sara laka anar
na pasti da sarindy pa shan khabari
na wajood laka da saar way mazadar
khu bas yow shai rata ra ukhaya dilbara
da lala pashan zargy ghawaram daghdar
yow dawa ukhaqi chi da ghum ao muhabat way
lakuno laluna dy karam zaar
Entreaty (1929)
Quotes about swan
A collection of quotes on the topic of swan, likeness, doing, white.
Quotes about swan
Foma Gordeyev (1899) [also translated as The Man Who Was Afraid; the English music group Led Zeppelin would later name their record label "Swan Song".
Context: There's a little book I'm thinking of writing — "Swan Song" is what I shall call it. The song of the dying. And my book will be incense burnt at the deathbed of this society, damned with the damnation of its own impotence.
“Remember that you are a Black Swan.”
Source: The Black Swan: The Impact of the Highly Improbable
Diese Mühsal, durch noch Ungetanes
schwer und wie gebunden hinzugehen,
gleicht dem ungeschaffnen Gang des Schwanes.<p>Und das Sterben, dieses Nichtmehrfassen
jenes Grunds, auf dem wir täglich stehen,
seinem ängstlichen Sich-Niederlassen—:<p>in die Wasser, die ihn sanft empfangen
und die sich, wie glücklich und vergangen,
unter ihm zurückziehn, Flut um Flut;
während er unendlich still und sicher
immer mündiger und königlicher
und gelassener zu ziehn geruht.
Der Schwan (The Swan) (as translated by Cliff Crego)
Neue Gedichte (New Poems) (1907)
"On Induction"
1910s, The Problems of Philosophy (1912)
Ante-Nicene Christian library: v. 3 p. 15
Address to the Greeks
"Love the Wild Swan" (1935)
Context: This wild swan of a world is no hunter's game.
Better bullets than yours would miss the white breast
Better mirrors than yours would crack in the flame.
Does it matter whether you hate your... self?
At least Love your eyes that can see, your mind that can
Hear the music, the thunder of the wings. Love the wild swan.
“Swans sing before they die— 't were no bad thing
Should certain persons die before they sing.”
Source: Abhinaya and Netrābhinaya, P.T. Narendra Menon, Kulapati of Koodiyattam, Sruti- India's premier Music and Dance magazine, August 1990 issue (71).
As quoted in "Anne Hathaway : Royal Role" by Jeffrey Epstein at E! Online (20 July 2001)
pg. 37
The Sports and Pastimes of the People of England (1801), Collective nouns
Lieutenant Richard Sharpe and Major Michael Hogan, p. 114
Sharpe (Novel Series), Sharpe's Company (1982)
Source: Euphues (Arber [1580]), P. 93. Compare: "Jupiter himself was turned into a satyr, a shepherd, a bull, a swan, a golden shower, and what not for love", Robert Burton, Anatomy of Melancholy, part iii, sec ii, mem. i, subs. 1.
As quoted in USA Today http://www.usatoday.com/sports/boxing/2005-06-12-tyson-retire-talk_x.htm (2005).
Reported in The New Yorker as: “At one point, I thought life was about acquiring things. Life is totally about losing everything.” http://www.newyorker.com/archive/2005/06/27/050627ta_talk_remnick
On himself
Source: Table Talk (1782), Line 556.
That story has since become a classic in operatic lore.
Source: What Time's the Next Swan? (1962), p. 210
Poem O'er seas that have no beaches
“There's a double beauty whenever a swan
Swims on a lake with her double thereon.”
Her Honeymoon; reported in Bartlett's Familiar Quotations, 10th ed. (1919).
20th century
"The Swan," ll. 15-20
Words for the Wind (1958)
Source: The Black Swan: The Impact of the Highly Improbable (2007), pp. 225-226
Quoted in "Gene Kelly's Musical Memories"
Nacht faltet zitternde Hände über der müden Welt. Aus blassem Blau steigt leuchtend der Mond. Meine Gedanken fliegen wie einsame Schwäne in die Sterne.
Michael: a German fate in diary notes (1926)
This is Dinosaur: Echo Park Country and its Magic Rivers is a collection of essays and photographs edited by Wallace Stegner and published by Alfred A. Knopf in 1955. This passage is from the collection's first essay, "The Marks of Human Passage", which is by Stegner (page 17).
Source: Sylvia cartoon strip, p. 71
“And swans seem whiter if swart crowes be by.”
First Week, First Day.
La Semaine; ou, Création du monde (1578)
From P.G. Wodehouse's Bachelors Anonymous (1973).
Creation seminars (2003-2005), Lies in the textbooks
Source: Civilisation (1969), Ch. 13: Heroic Materialism
Yarrow Unvisited.
Bartlett's Familiar Quotations, 10th ed. (1919)
Song II, st. 1.
Water Babies http://www.gutenberg.org/dirs/etext97/wtrbs10h.htm (1863)
<p>Je suis belle, ô mortels! comme un rêve de pierre,
Et mon sein, où chacun s’est meurtri tour à tour,
Est fait pour inspirer au poète un amour
Eternel et muet ainsi que la matière.</p><p>Je trône dans l’azur comme un sphinx incompris;
J’unis un cœur de neige à la blancheur des cygnes;
Je hais le mouvement qui déplace les lignes,
Et jamais je ne pleure et jamais je ne ris.</p>
"La Beauté" [Beauty] http://fr.wikisource.org/wiki/La_Beaut%C3%A9_%28Les_Fleurs_du_mal%29
Les fleurs du mal (Flowers of Evil) (1857)
"Two Kisses"
The Still Centre (1939)
The Second Dayes Lamentation of the Affectionate Shepheard.
The Affectionate Shepheard http://www.gutenberg.org/etext/19902 (1594)
Source Book in Ancient Philosophy (1907), The Golden Sayings of Democritus
“Among the swans there is none called the least,
or the greatest.”
"Evidence"
Evidence (2009)
To Seneca Lake, reported in Bartlett's Familiar Quotations, 10th ed. (1919).
pg. 159
The Sports and Pastimes of the People of England (1801), Christmas
(1838 2) (Vol 53) Subjects for Pictures - The Death of Camoens
The Monthly Magazine
“Mr. Trump didn’t create this economic swan dive to the street. Our politicians did.”
Give Trump the Medal of Freedom (August 7, 2015)
“An Unread Book”, p. 19
The Third Book of Criticism (1969)
Source: What Is This Thing Called Science? (Third Edition; 1999), Chapter 7, The limitations of falsificationism, p. 87.
. . . . . . o grande Cavaleiro,
Que ao vento velas deu na ocídua parte,
E lá, onde infante o Sol dá luz primeiro,
Fixou das Quinas santas o Estandarte.
E com afronta do infernal guerreiro,
(Mercê do Céu) ganhou por força, e arte
O áureo Reino, e trocou com pio exemplo
A profana mesquita em sacro templo.
* * * *
O tempo chega, Afonso, em que a santa
Sião terá por vós a liberdade,
A Monarquia, que hoje o Céu levanta,
Devoto consagrando à eternidade.
Ó bem nascida generosa planta,
Que em flor fruto há-de dar à Cristandade,
E matéria a mil cisnes, que, cantando
De vós, se irão convosco eternizando.<p>De Cristo a injusta morte vingou Tito
Na de Jerusalém total ruína:
E a vós, a quem Deus deu um peito invito,
Ser vingador de sua Fé destina.
Extinguir do Agareno o falso rito
É de vosso valor a empresa dina:
Tomai pois o bastão da empresa grande
Para o tempo que o Céu marchar vos mande.
Malaca Conquistada pelo grande Afonso de Albuquerque (1634) — quoted in The Commentaries of the Great Afonso Dalboquerque, Vol. III (London, 1880) https://archive.org/stream/no62works01hakluoft#page/n13/mode/2up, and translated by Edgar C. Knowlton Jr. http://www.sabrizain.org/malaya/library/conquestofmalacca.pdf
“Man comes and tills the field and lies beneath,
And after many a summer dies the swan.”
" Tithonus http://home.att.net/%7ETennysonPoetry/tith.htm", st. 1 (1860)
Context: The woods decay, the woods decay and fall,
The vapours weep their burthen to the ground,
Man comes and tills the field and lies beneath,
And after many a summer dies the swan.
Me only cruel immortality
Consumes: I wither slowly in thine arms,
Here at the quiet limit of the world,
A white-hair'd shadow roaming like a dream
The ever-silent spaces of the East,
Far-folded mists, and gleaming halls of morn.
Walter Slezak, in What Time's the Next Swan? (1962), p. 210
Context: Papa told her about a Lohengrin performance. It was just before his first entrance. He was ready to step into the boat, which, drawn by a swan, was to take him on-stage. Somehow the stagehand on the other side got his signals mixed, started pulling, and the swan left without Papa. He quietly turned around and said: "What time's the next swan?"
That story has since become a classic in operatic lore.
“Were I a nightingale, I would act the part of a nightingale; were I a swan, the part of a swan.”
Book I, ch. 16.
Discourses
“I have seen old ships sail like swans asleep.”
The Old Ships (l. 1)
"A Dissertation on Liberty and Necessity, Pleasure and Pain" (1725) https://thefederalistpapers.org/founders/franklin/benjamin-franklin-mankind-naturally-and-generally-love-to-be-flatterdm.
Context: Mankind naturally and generally love to be flatter'd: Whatever sooths our Pride, and tends to exalt our Species above the rest of the Creation, we are pleas'd with and easily believe, when ungrateful Truths shall be with the utmost Indignation rejected. "What! bring ourselves down to an Equality with the Beasts of the Field! with the meanest part of the Creation! 'Tis insufferable!" But, (to use a Piece of common Sense) our Geese are but Geese tho' we may think 'em Swans; and Truth will be Truth tho' it sometimes prove mortifying and distasteful.
The Tall Office Building Artistically Considered (1896)
Context: Whether it be the sweeping eagle in his flight, or the open apple-blossom, the toiling work-horse, the blithe swan, the branching oak, the winding stream at its base, the drifting clouds, over all the coursing sun, form ever follows function, and this is the law. Where function does not change form does not change. The granite rocks, the ever brooding hills, remain for ages; the lightning lives, comes into shape, and dies in a twinkling.
It is the pervading law of all things organic and inorganic, of all things physical and metaphysical, of all things human and all things superhuman, of all true manifestations of the head, of the heart, of the soul, that the life is recognizable in its expression, that form ever follows function. This is the law.
“And she who, like a swan,
Has chanted out her last and dying song,
Lies, loved by him.”
Source: Oresteia (458 BC), Agamemnon, lines 1444–1446 (tr. E. H. Plumptre)
“This wild swan of a world is no hunter's game.”
"Love the Wild Swan" (1935)
Context: This wild swan of a world is no hunter's game.
Better bullets than yours would miss the white breast
Better mirrors than yours would crack in the flame.
Does it matter whether you hate your... self?
At least Love your eyes that can see, your mind that can
Hear the music, the thunder of the wings. Love the wild swan.
Letter to his fiancée Lee, (31 July 1978), published in Gerald Durrell: An Authorized Biography by Douglas Botting (1999)
Context: I have seen a thousand sunsets and sunrises, on land where it floods forest and mountains with honey coloured light, at sea where it rises and sets like a blood orange in a multicoloured nest of cloud, slipping in and out of the vast ocean. I have seen a thousand moons: harvest moons like gold coins, winter moons as white as ice chips, new moons like baby swans’ feathers.
I have seen seas as smooth as if painted, coloured like shot silk or blue as a kingfisher or transparent as glass or black and crumpled with foam, moving ponderously and murderously. … I have known silence: the cold earthy silence at the bottom of a newly dug well; the implacable stony silence of a deep cave; the hot, drugged midday silence when everything is hypnotised and stilled into silence by the eye of the sun; the silence when great music ends.
I have heard summer cicadas cry so that the sound seems stitched into your bones. … I have seen hummingbirds flashing like opals round a tree of scarlet blooms, humming like a top. I have seen flying fish, skittering like quicksilver across the blue waves, drawing silver lines on the surface with their tails. I have seen Spoonbills fling home to roost like a scarlet banner across the sky. I have seen Whales, black as tar, cushioned on a cornflower blue sea, creating a Versailles of fountain with their breath. I have watched butterflies emerge and sit, trembling, while the sun irons their winds smooth. I have watched Tigers, like flames, mating in the long grass. I have been dive-bombed by an angry Raven, black and glossy as the Devil’s hoof. I have lain in water warm as milk, soft as silk, while around me played a host of Dolphins. I have met a thousand animals and seen a thousand wonderful things… but —
All this I did without you. This was my loss.
All this I want to do with you. This will be my gain.
All this I would gladly have forgone for the sake of one minute of your company, for your laugh, your voice, your eyes, hair, lips, body, and above all for your sweet, ever surprising mind which is an enchanting quarry in which it is my privilege to delve.
Remarkable Guide to the Orchestra (2008)
Notes Toward a Supreme Fiction (1942), It Must Change
Context: Like a page of music, like an upper air,
Like a momentary color, in which swans
Were seraphs, were saints, were changing essences. The west wind was the music, the motion, the force
To which the swans curveted, a will to change,
A will to make iris frettings on the blank.
The memories are deeply humiliating in two ways: they remind the adult that he was once more ignorant and gullible and emotional than he is; and they remind him that he once was, potentially, far more than he is.
“An Unread Book”, p. 19
The Third Book of Criticism (1969)
it is almost as if the grown, successful swan had repressed most of the memories of the duckling’s miserable, embarrassing, magical beginnings. (The memories are deeply humiliating in two ways: they remind the adult that he was once more ignorant and gullible and emotional than he is; and they remind him that he once was, potentially, far more than he is.)
“An Unread Book”, p. 19
The Third Book of Criticism (1969)