Quotes about story
page 22

Ben Croshaw photo

“No book critic has ever tried to assess the Old Testament. Maybe they should. I did once. It's a crap story and it's very badly written.”

Ben Croshaw (1983) English video game journalist

Where God Went Wrong
Fully Ramblomatic, Essays

Richard Rodríguez photo

“His name was William Saroyan. He was the first writer I fell in love with, boyishly in love. I was held by his unaffected voice, his sentimentality, his defiant individualism. I found myself in the stories he told… I learned from Saroyan that you do not have to live in some great city — in New York or Paris — in order to write… When I was a student at Stanford, a generation ago, the name of William Saroyan was never mentioned by any professor in the English Department. William Saroyan apparently was not considered a major American talent. Instead, we undergraduates set about the business of psychoanalyzing Hamlet and deconstructing Lolita. In my mind Saroyan belongs with John Steinbeck, a fellow small town Californian and of the same generation. He belongs with Thornton Wilder, with those writers whose aching love of America was formed by the Depression and the shadow of war. … Saroyan's prose is as plain as it is strong. He talks about the pleasure of drinking water from a hose on a summer afternoon in California's Central Valley, and he holds you with the pure line. My favorite is his novel The Human Comedy… In 1943, The Human Comedy became an MGM movie starring Mickey Rooney, but I always imagined Homer Macaulay as a darker, more soulful boy, someone who looked very much like a young William Saroyan…”

Richard Rodríguez (1944) American journalist and essayist

"Time Of Our Lives" (26 May 1997) http://www.cilicia.com/armo22_william_saroyan_6.html

Tyler Perry photo
Stephen King photo
David C. McClelland photo
Helen Hayes photo
Dave Eggers photo

“…how poet and public stared at each other with righteous indignation, till the poet said, “Since you won’t read me, I’ll make sure you can’t”—is one of the most complicated and interesting of stories.”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

"The Obscurity of the Poet". p. 9
No Other Book: Selected Essays (1999)
Variant: How poet and public stared at each other with righteous indignation, till the poet said, “Since you won’t read me, I’ll make sure you can’t” — is one of the most complicated and interesting of stories.

“Jim Thompson. Dead 14 years next month. The Academy Awards are upon us, and as I write this, I do not know what's been nominated for what. But I have a hunch this is the year of Thompson. I believe somebody famous will stand there to thank God and Swifty Lazar, if you can tell the difference, and then with a stifled sob, add a special thanks to Jim Thompson. And people will stand and cheer his name. I only hope Alberta is right, and that Jimmy hears the applause. But I doubt it. Jim Thompson stories seldom have happy endings.”

Arnold Hano (1922) American writer

From "In Retrospect: Jim Thompson Stories Don't Have Happy Endings," https://books.google.com/books?id=gxMEAAAAMBAJ&pg=PA167&dq=%22Jim+Thompson.+Dead+14%22&hl=en&sa=X&ved=0CBQQ6AEwAGoVChMIkPvvraDGxwIVC48NCh3xaAuM#v=onepage&q=%22Jim%20Thompson.%20Dead%2014%22&f=false in Orange Coast Magazine (March 1991), p. 167
Other Topics

Frederick Rolfe photo
George Mallory photo
John Fante photo
Paul Harvey photo
O. Henry photo

“A story with a moral appended is like the bill of a mosquito. It bores you, and then injects a stinging drop to irritate your conscience.”

O. Henry (1862–1910) American short story writer

"The Gold that Glittered"
Strictly Business (1910)

Lew Rockwell photo
Eric Holder photo
Subcomandante Marcos photo
Graham Greene photo
Isaac Asimov photo
Harry Chapin photo
Amartya Sen photo
Aron Ra photo
Roger Waters photo

“Have you heard
It was on the news
Your child can read you like a bedtime story
Like a magazine
Like a has-been out to grass
Like afternoon T. V.
Why is my life going by so fast?”

Roger Waters (1943) English songwriter, bassist, and lyricist of Pink Floyd

"Hello (I Love You)" was a created as a musical collaboration between Howard Shore and Waters for the film The Last Mimzy (2007). At PR-inside http://www.pr-inside.com/waters-records-film-tune-with-oscar-winning-r37315.htm, Waters is quoted as saying: "I think together we've come up with a song that captures the themes of the movie — the clash between humanity's best and worst instincts, and how a child's innocence can win the day." Video and full lyrics online http://www.youtube.com/watch?v=1eK6FY4Hykc

Eleanor Farjeon photo
Carson Grant photo
J. Allen Boone photo
George W. Bush photo
Chauncey Depew photo

“There are millions of stories in the world, and several hundred of them good ones.”

Chauncey Depew (1834–1928) American politician

My Memories of Eighty Years (1922), p. 292

Penn Jillette photo
Neil Young photo

“The king is gone
But he's not forgotten.
This is the story
Of a Johnny Rotten
It's better to burn out
Than it is to rust.
The king is gone
But he's not forgotten.”

Neil Young (1945) Canadian singer-songwriter

Hey Hey, My My (Into the Black)
Song lyrics, Rust Never Sleeps (1978)

Khaled Hosseini photo
Letitia Elizabeth Landon photo

“As a story teller, Scott is unrivalled; he would have made the fortune of a cafe at Damascus.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Literary Remains

George Raymond Richard Martin photo

“Nobody is a villain in their own story. We're all the heroes of our own stories.”

George Raymond Richard Martin (1948) American writer, screenwriter and television producer

"George R. R. Martin Interview GAME OF THRONES" http://collider.com/george-r-r-martin-interview-game-of-thrones/ by Christina Radish, Collider (17 April 2011)

Umberto Pettinicchio photo

“It is an intense blue, born after a certain period and has in turn a key to reading. When we spread it on the sculpture, the story is burned, because the color is so vivid that what is written in the sculpture goes into the background. So, there is a process of liberation and even if the work and the blue seem very different, they have a common denominator between them, the motive of poetics. We often allow ourselves to be conditioned by the scenic apparatus.”

Umberto Pettinicchio (1943) Italian painter

"Le colline della Brianza e i suoi stupendi campanili sono la mia ispirazione" Umberto Pettinicchio https://www.ilgiorno.it/lecco/cronaca/locale/2010/01/31/287262-colline_della_brianza_suoi_stupendi_campanili_sono_ispirazione.shtml, Castenuovo, Lecco, January 31, 2010; Elvira Carella, ilgiorno.it.

Harry Chapin photo
John Gray photo
Olly Blackburn photo

“I knew we needed brave actors - the story called for scenes that might be frightening to some - and we needed it to be real and believable.”

Olly Blackburn Film director and screenwriter

[Film4, Channel Four Television Corporation, http://www.film4.com/features/article/olly-blackburn-and-david-bloom-on-donkey-punch, 23 February 2012, Olly Blackburn and David Bloom on Donkey Punch, 2008]

Natalie Merchant photo

“newspapers ask intimate questions
want confessions
they reach into my head
to steal the glory of my story”

Natalie Merchant (1963) American singer-songwriter

Song lyrics, Tigerlily (1995), Wonder

Jeffrey Montgomery photo
Frederick Douglass photo
Joey Comeau photo
Julian Assange photo

“Every time we witness an injustice and do not act, we train our character to be passive in its presence and thereby eventually lose all ability to defend ourselves and those we love. In a modern economy it is impossible to seal oneself off from injustice. If we have brains or courage, then we are blessed and called on not to frit these qualities away, standing agape at the ideas of others, winning pissing contests, improving the efficiencies of the neocorporate state, or immersing ourselves in obscuranta, but rather to prove the vigor of our talents against the strongest opponents of love we can find. If we can only live once, then let it be a daring adventure that draws on all our powers. Let it be with similar types whos hearts and heads we may be proud of. Let our grandchildren delight to find the start of our stories in their ears but the endings all around in their wandering eyes. The whole universe or the structure that perceives it is a worthy opponent, but try as I may I can not escape the sound of suffering. Perhaps as an old man I will take great comfort in pottering around in a lab and gently talking to students in the summer evening and will accept suffering with insouciance. But not now; men in their prime, if they have convictions are tasked to act on them.”

Julian Assange (1971) Australian editor, activist, publisher and journalist

[Witnessing, 2007-01-03, 2012-08-16, http://web.archive.org/web/20071020051936/http://iq.org/#Witnessing]

Albert Einstein photo

“My God may not be your idea of God, but one thing I know of my God — he makes me a humanitarian. I am a proud Jew because we gave the world the Bible and the story of Joseph.”

Albert Einstein (1879–1955) German-born physicist and founder of the theory of relativity

Source: Attributed in posthumous publications, Einstein and the Poet (1983), p. 106

“Because of the influence of the cinema, most reports or stories of violence are so pictorial that they lack content or meaning. The camera brings them to our eyes, but does not settle them in our minds, nor in time.”

V.S. Pritchett (1900–1997) British writer and critic

"Jorge Luis Borges: Medallions", p. 178
The Myth Makers: European and Latin American Writers (1979)

Helen Garner photo
Brigham Young photo
Luís de Camões photo

“How sweet is praise, and justly purchased glory,
By one's own actions, when to Heaven they soar!
Each nobler soul will strain, to have his story,
Match, if not darken, all that went before.
Envy of other's fame, not transitory,
Screws up illustrious actions more, and more.
Such, as contend in honorable deeds,
The spur of high applause incites their speeds.”

Luís de Camões (1524–1580) Portuguese poet

Quão doce é o louvor e a justa glória
Dos próprios feitos, quando são soados!
Qualquer nobre trabalha que em memória
Vença ou iguale os grandes já passados.
As invejas da ilustre e alheia história
Fazem mil vezes feitos sublimados.
Quem valerosas obras exercita,
Louvor alheio muito o esperta e incita.
Stanza 92 (tr. Richard Fanshawe)
Epic poetry, Os Lusíadas (1572), Canto V

Amitabh Bachchan photo
Amy Tan photo
Wendy Doniger photo
Thomas Henry Huxley photo
James Joyce photo

“Tis as human a little story as paper could well carry”

115.36
Finnegans Wake (1939)

R. A. Lafferty photo
Aron Ra photo
Kate Bush photo
Omar Khayyám photo

“I was asked by thousands of people if I was going to write a book. A lot of them had shared in my story, and in ways I don't quite understand, they had found it helpful.”

Lauren Manning (1961) American banker

Survivor Lauren Manning finds 'new normal' after 9/11 http://usatoday30.usatoday.com/life/books/news/story/2011-08-29/Survivor-Lauren-Manning-finds-new-normal-after-911/50182388/1, USA Today, 29 August 2011

“Free yourself from the inauthenticity and disempowerment of your story.”

Source: Life, the Truth, and Being Free (2010), p. 25

David Gerrold photo

“USA valiant effort, but no hard luck story. Better team won. Last 16 is about as good as U. S. are, but well respected team now.”

Ian Darke (1950) British association football and boxing commentator

Twitter https://twitter.com/IanDarke/status/484267783895924736 (2 July 2014).
2010s, 2014, 2014 FIFA World Cup

Jerry Siegel photo
Marshall McLuhan photo

“Marlowe anticipated Whitman's barbaric yawp by setting up a national PA system of blank verse – a rising iambic system of sound to suit the new success story.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1960s, The Gutenberg Galaxy (1962), p. 223

Steven Curtis Chapman photo
Sylvia Plath photo
Evelyn Waugh photo
Basshunter photo
Andrew Sullivan photo
Orrin H. Pilkey photo
Joey Comeau photo
Donald Barthelme photo
Aron Ra photo
Mark Satin photo
Donald J. Trump photo

“I've seen these so-called journalists flat-out lie. I say that because incompetence doesn't begin to explain the inaccurate stories they have written.”

Donald J. Trump (1946) 45th President of the United States of America

Source: 2010s, 2015, Crippled America: How to Make America Great Again (2015), p. 12

Daniel Kahneman photo
Tom Robbins photo
Milla Jovovich photo
George Horne photo
Taylor Caldwell photo
Oscar Niemeyer photo

“Life is very fleeting. It’s important to be gentle and optimistic. We look behind and think what we’ve done in this life has been good. It was simple; it was modest. Everyone creates their own story and moves on. That’s it. I don’t feel particularly important. What we create is not important. We’re very insignificant.”

Oscar Niemeyer (1907–2012) Brazilian architect

Quoted in "Why Oscar Niemeyer is king of curves" http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/visual_arts/architecture_and_design/article3035080.ece, Tom Dyckhoff, The Times Online (London, 2007-12-12).

Makoto Shinkai photo

“But the thing about getting rejected is that you reflect and think and analyze about why you got turned down. You learn a lot more from stories about getting rejected than stories about becoming happy.”

Makoto Shinkai (1973) Japanese anime director and former graphic designer

Interviewed on Anime Diet http://animediet.net/conventions/the-garden-of-thoughts-an-interview-with-makoto-shinkai
About The Garden of Words

Dave Attell photo
Asger Jorn photo
Gail Dines photo

“No anti-porn feminist I know has suggested that there is one image, or even a few, that could lead a non-rapist to rape; the argument, rather, is that taken together, pornographic images create a world that is at best inhospitable to women, and at worst dangerous to their physical and emotional well-being. In an unfair and inaccurate article that is emblematic of how anti-porn feminist work is misrepresented, Daniel Bernardi claims that Andrea Dworkin and Catharine MacKinnon believed that “watching pornography leads men to rape women.” Neither Dworkin nor MacKinnon “pioneers in developing a radical feminist critique of pornography, saw porn in such simplistic terms. Rather, both argued that porn has a complicated and multilayered effect on male sexuality, and that rape, rather than simply being caused by porn, is a cultural practice that has been woven into the fabric of a male-dominated society. Pornography, they argued, is one important agent of such a society since it so perfectly encodes woman-hating ideology, but to see it as simplistically and unquestionably leading to rape is to ignore how porn operates within the wider context of a society that is brimming with sexist imagery and ideology. If, then, we replace the “Does porn cause rape?” question with more nuanced questions that ask how porn messages shape our reality and our culture, we avoid falling into the images-lead-to-rape discussion. What this reformulation does is highlight the ways that the stories in pornography, by virtue of their consistency and coherence, create a worldview that the user integrates into his reservoir of beliefs that form his ways of understanding, seeing, and interpreting what goes on around him.”

Gail Dines (1958) anti-pornography campaigner

Pornland: How Porn Hijacked Our Sexuality, Ch 5, Page 85, Gail Dines

Judith Sheindlin photo

“Judy: [to Byrd] Put him outside.
Byrd: Put who outside?
Judy: [points to defendant] Him.
Byrd: Him?
Judy: Him.
Defendant: [muttering under his breath as he is escorted out of court] Oh, man. The story of my life.
Judy: [to plaintiff] Mr. Britton's fifteen minutes of fame is over.”

Judith Sheindlin (1942) American lawyer, judge, television personality, and author

http://www.youtube.com/watch?v=CLQ3fw-7_hA&feature=bf_next&list=UUNOaQAKNIBe0AHquR9ttP0g&lf=plcp
Dialogue

Chuck Palahniuk photo