Quotes about story
page 21

Mukesh Ambani photo
Daniel Boone photo
Noam Chomsky photo

“It is only in folk tales, children's stories, and the journals of intellectual opinion that power is used wisely and well to destroy evil. The real world teaches very different lessons, and it takes willful and dedicated ignorance to fail to perceive them.”

Noam Chomsky (1928) american linguist, philosopher and activist

Talk titled "The World After September 11th", AFSC Conference at Tufts University, Massachusetts, December 8, 2001 https://web.archive.org/web/20011230091612/http://www.zmag.org/chomskyafter911.htm.
Quotes 2000s, 2001

Ayumi Hamasaki photo
Bill Fagerbakke photo
Angus Scrimm photo
Stephen Baxter photo
Goran Višnjić photo
Henry Gee photo

“To take a line of fossils and claim that they represent a lineage is not a scientific hypothesis that can be tested, but an assertion that carries the same validity as a bedtime story—amusing, perhaps even instructive, but not scientific.”

Henry Gee (1962) British paleontologist, evolutionary biologist and editor

In Search of Deep Time—Beyond the Fossil Record to a New History of Life, by Henry Gee, pp. 116-117.

Eleanor Farjeon photo

“If somebody accuses you in a story of being a crook, you can demand that they prove it. But if a comic says it and you protest, people say, 'What's the matter, you can't take a joke?”

Robert Orben (1928) American magician and writer

Thomas J. Brazaitis (March 14, 1992) "Comics' Barbs Keep White House Hopefuls On The Run", The Plain Dealer, p. 4A.

Harry V. Jaffa photo
David C. McClelland photo
P. L. Travers photo

“The Irish, as a race, have the oral tradition in their blood. A direct question to them is an anathema, but in other cases, a mere syllable of a hero's name will elicit whole chapters of stories.”

P. L. Travers (1899–1996) Australian-British novelist, actress and journalist

As quoted in No Word for Time: The Way of the Algonquin People (2001) by Evan T. Pritchard

Will Eisner photo

“This patchwork of largely fictional works makes the Protocols an incoherent text that easily reveals its fabricated origins. It is hardly credible, if not in a roman feuilleton or in a grand opera, that the “bad guys” should express their evil plans in such a frank and unashamed manner, that they should declare, as the Elders of Zion do, that they have “boundless ambition, a ravenous greed, a merciless desire for revenge and an intended hatred.” If at first the Protocols was taken seriously, it is because it was presented as a shocking revelation, and by sources all in all trustworthy. But what seems incredible is how this fake arose from its own ashes each time someone proved that it was, beyond all doubt, a fake. This is when the “novel of the Protocols” truly starts to sound like fiction. Following the article that appeared in 1921 in the Times of London revealing that the Protocols was plagiarized, as well as every other time some authoritative source confirmed the spurious nature of the Protocols, there was someone else who published it again claiming its authenticity. And the story continues unabated on the Internet today. It is as if, after Copernicus, Galileo, and Kepler, one were to continue publishing textbooks claiming that the sun travels around the earth.
How can one explain resilience against all evidence, and the perverse appeal that this book continues to exercise? The answer can be found in the works of Nesta Webster, an antisemetic author who spent her life supporting this account of the Jewish plot. In her Secret Societies and Subversive Movements, she seems well informed and knows the whole story as Eisner narrates it here, but this is her conclusion:
The only opinion I have committed myself is that, whether genuine or not, the Protocols represent the programme of a world revolution, and that in view of their prophetic nature and of their extraordinary resemblance to the protocols of certain secret societies of the past, they were either the work of some such society or of someone profoundly versed in the lore of secret society who was able to reproduce their ideas and phraseology.
Her reasoning is flawless: “since the Protocols say what I said in my story, they confirm it,” or: “the Protocols confirm the story that I derived from them, and are therefore authentic.” Better still: “the Protocols could be fake, but they say exactly what the Jews think, and must therefore be considered authentic.””

Will Eisner (1917–2005) American cartoonist

In other words, it is not the Protocols that produce antisemetism, it is people’s profound need to single out an Enemy that leads them to believe in the Protocols.
I believe that-in spite of this courageous, not comic but tragic book by Will Eisner- the story is hardly over. Yet is is a story very much worth telling, for one must fight the Big Lie and the hatred it spawns.
Umberto Eco, Milan Italy December 2004 translated by Allesandra Bastagli, p. vi-vii
The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005)

Anne Sexton photo

“If wishes were stories, beggars would read…”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

“Stories”, p. 141
A Sad Heart at the Supermarket: Essays & Fables (1962)

Winston S. Churchill photo
Paz de la Huerta photo

“I'm not a model. Whenever I do a photo shoot I like to create a story.”

Paz de la Huerta (1984) American actress

ES Magazine, 13 Jan 2012, pages 26-29

Arthur Waley photo
Ray Bradbury photo
R. A. Lafferty photo
William Makepeace Thackeray photo
George Dantzig photo

“The presence of the kings of Islam is a great blessing from Allah… You should know that the country of Hindustan is a large land. In olden days, the kings of Islam had struggled hard and for long in order to conquer this foreign country. They could do it only in several turns…
Every (Muslim) king got mosques erected in his territory, and created madrasas. Muslims of Arabia and Ajam (non-Arab Muslim lands) migrated from their own lands and arrived in these territories. They became agents for the publicity and spread of Islam here. Uptil now their descendants are firm in the ways of Islam…Among the non-Muslim communities, one is that of the Marhatah (Maratha). They have a chief. For some time past, this community has been raising its head, and has become influential all over Hindustan…
…It is easy to defeat the Marhatah community, provided the ghãzîs of Islam gird up their loins and show courage…
In the countryside between Delhi and Agra, the Jat community used to till the land. In the reign of Shahjahan, this community had been ordered not to ride on horses, or keep muskets with them, or build fortresses for themselves. The kings that came later became careless, and this community has used the opportunity for building many forts, and collecting muskets…
In the reign of Muhammad Shah, the impudence of this community crossed all limits. And Surajmal, the cousin of Churaman, became its leader. He took to rebellion. Therefore, the city of Bayana which was an ancient seat of Islam, and where the Ulama and the Sufis had lived for seven hundred years, has been occupied by force and terror, and Muslims have been turned out of it with humiliation and hurt…
…Whatever influence and prestige is left with the kingship at present, is wielded by the Hindus. For no one except them is there in the ranks of managers and officials. Their houses are full of wealth of all varieties. Muslims live in a state of utter poverty and deprivation. The story is long and cannot be summarised. What I mean to say is that the country of Hindustan has passed under the power of non-Muslims. In this age, except your majesty, there is no other king who is powerful and great, who can defeat the enemies, and who is farsighted and experienced in war. It is your majesty’s bounden duty (farz-i-ain) to invade Hindustan, to destroy the power of the Marhatahs, and to free the down-and-out Muslims from the clutches of non-Muslims. Allah forbid, if the power of the infidels remains in its present position, Muslims will renounce Islam and not even a brief period will pass before Muslims become such a community as will no more know how to distinguish between Islam and non-Islam. This will be a great tragedy. Due to the grace of Allah, no one except your majesty has the capacity for preventing this tragedy from taking place.
We who are the servants of Allah and who recognise the Prophet as our saviour, appeal to you in the name of Allah that you should turn your holy attention to this direction and face the enemies, so that a great merit is added to the roll of your deeds in the house of Allah, and your name is included in the list of mujãhidîn fi Sabîlallah (warriors in the service of Allah). May you acquire plunder beyond measure, and may the Muslims be freed from the stranglehold of the infidels. I seek refuge in Allah when I say that you should not act like Nadir Shah who oppressed and suppressed the Muslims, and went away leaving the Marhatahs and the Jats whole and prosperous.
The enemies have become more powerful after Nadir Shah, the army of Islam has disintegrated, and the empire of Delhi has become childrens’ play. Allah forbid, if the infidels continue as at present, and Muslims get (further) weakened, the very name of Islam will get wiped out.
…When your fearsome army reaches a place where Muslims and non-Muslims live together, your administrators must take particular care. They must be instructed that those weak Muslims who live in the countryside should be taken to towns and cities. Next, some such administrators should be appointed in towns and cities as would see to it that the properties of Muslims are not plundered, and the honour of no Muslim is compromised.”

Shah Waliullah Dehlawi (1703–1762) Indian muslim scholar

Letter to Ahmad Shah Abdali, Ruler of Afghanistan. Translated from the Urdu version of K.A. Nizami, Shãh Walîullah Dehlvî ke Siyãsî Maktûbãt, Second Edition, Delhi, 1969, p.83 ff.
From his letters

Blackie Lawless photo

“All stories have a beginning, a middle and an ending, and if they're any good, the ending is a beginning.”

James Clavell (1921–1994) American novelist

Interview with Don Swaim (1986)
Interview with Don Swaim (1986)

Russell Crowe photo
Sarah McLachlan photo

“Hearts are worn in these dark ages;
You're not alone in this story's pages.
Night has fallen amongst the living and the dying,
And I try to hold it in, yeah I try to hold it in.”

Sarah McLachlan (1968) Canadian musician, singer, and songwriter

World on Fire, written by Sarah McLachlan and Pierre Marchand
Song lyrics, Afterglow (2003)

Ward Churchill photo

“Mel H. Buffalo, an advisor to the Samson [Cree] band in Hobbema, Alberta, reported that "every Indian person I've spoken to who attended these schools has a story of mental, physical or sexual abuse to relate."”

Ward Churchill (1947) Political activist

[Kill the Indian, Save the Man: The Genocidal Impact of American Indian Residential Schools, City Lights Books, San Francisco, CA, November 2004, 64, 0872864340]
Churchill's source: [Miller, J.R., Shingwauk's Vision: A History of the Indian Residential Schools, University of Toronto Press, Toronto, May 24, 1996, 333, 0802078583]

Dejan Stojanovic photo

“We forget old stories, but those stories remain the same.”

Dejan Stojanovic (1959) poet, writer, and businessman

“The Same Story,” p. 63
The Sun Watches the Sun (1999), Sequence: “A Stone and a Word”

Robert T. Bakker photo
Migdia Chinea Varela photo
Richard Rodríguez photo
Gwyneth Paltrow photo

“That is the best story he could find in his life, never mind if it's the truest: an artist's duty is always to tell the best story.”

Wilfrid Sheed (1930–2011) English-American novelist and essayist

"V. S. Pritchett: Midnight Oil," p. 227
The Good Word & Other Words (1978)

Peter Greenaway photo
Neil Gaiman photo
Clive Staples Lewis photo
Halldór Laxness photo
Georges Bernanos photo

“She isn't very clever or very devout,… and she certainly empties the whole salt cellar into the stories she tells me. But I love her because she never lies.”

Georges Bernanos (1888–1948) French writer

Chantal speaking of the cook, Madame Fernande, p. 119
La joie (Joy) 1929

John Ruskin photo
Gavin Douglas photo
Victor Villaseñor photo
Robert Fisk photo
Samuel Beckett photo
Kris Roe photo
Michael Ende photo

“You were compelled to?' he repeated. 'You mean you weren't sufficiently powerful to resist?'
'In order to seize power,' replied the dictator, 'I had to take it from those that had it, and in order to keep it I had to employ it against those that sought to deprive me of it.'
The chef's hat gave a nod. 'An old, old story. It has been repeated a thousand times, but no one believes it. That's why it will be repeated a thousand times more.'
The dictator felt suddenly exhausted. He would gladly have sat down to rest, but the old man and the children walked on and he followed them.
'What about you?' he blurted out, when he had caught the old man up. 'What do you know of power? Do you seriously believe that anything great can be achieved on earth without it?'
'I?' said the old man. 'I cannot tell great from small.'
'I wanted power so that I could give the world justice,' bellowed the dictator, and blood began to trickle afresh from the wound in his forehead, 'but to get it I had to commit injustice, like anyone who seeks power. I wanted to end oppression, but to do so I had to imprison and execute those who opposed me - I became an oppressor despite myself. To abolish violence we must use it, to eliminate human misery we must inflict it, to render war impossible we must wage it, to save the world we must destroy it. Such is the true nature of power.'
Chest heaving, he had once more barred the old man's path with his pistol ready.'
'Yet you love it still,' the old man said softly.
'Power is the supreme virture!' The dictator's voice quavered and broke. 'But its sole shortcoming is sufficient to spoil the whole: it can never be absolute - that's what makes it so insatiable. The only true form of power is omnipotence, which can never be attained, hence my disenchantment with it. Power has cheated me.'
'And so,' said the old man, 'you have become the very person you set out to fight. It happens again and again. That is why you cannot die.'
The dictator slowly lowered his gun. 'Yes,' he said, 'you're right. What's to be done?'
'Do you know the legend of the Happy Monarch?' asked the old man.

'When the Happy Monarch came to build the huge, mysterious palace whose planning alone had occupied ten whole years of his life, and to which marvelling crowds made pilgrimage long before its completion, he did something strange. No one will ever know for sure what made him do it, whether wisdom or self-hatred, but the night after the foundation stone had been laid, when the site was dark and deserted, he went there in secret and buried a termites' nest in a pit beneath the foundation stone itself. Many decades later - almost a life time had elapsed, and the many vicissitudes of his turbulent reign had long since banished all thought of the termites from his mind - when the unique building was finished at last and he, its architect and author, first set foot on the battlements of the topmost tower, the termites, too, completed their unseen work. We have no record of any last words that might shed light on his motives, because he and all his courtiers were buried in the dust and rubble of the fallen palace, but long-enduring legend has it that, when his almost unmarked body was finally unearthed, his face wore a happy smile.”

Michael Ende (1929–1995) German author

"Mirror in the Mirror", page 193

Groucho Marx photo

“A likely story — and probably true.”

Groucho Marx (1890–1977) American comedian

The Al Jolson Show repartee following a trite, scripted Al Jolson joke. (1949)

Paulo Coelho photo
Ernst Ludwig Kirchner photo

“[The account of a man who sells his shadow is] in actual fact the life story of a persecution complex, that is to say, the paranoid narration of a man who through one event or another is suddenly made aware of his infinite smallness and at the same time finds the means by which to deceive the world in general, concerning this discovery.”

Ernst Ludwig Kirchner (1880–1938) German painter, sculptor, engraver and printmaker

in a letter to Gustav Schiefler, 27 June, 1919; as quoted by Paul Rabe, in Illustrated Books and Periodicals in German Expressionist Prints and Drawings; The Robert Gore Rifkind Center for German Expressionist Studies, Vol. 1.: Los Angeles County Museum of Art, 1989, p. 119
for Kirchner the Schlemihl illustrations he made for Peter Schlemihls wundersame Geschichte ('The wondrous story of Peter Schlemihl') were a release from his existential anxieties
1916 - 1919

Ernest Hemingway photo
Edgar Rice Burroughs photo
Revilo P. Oliver photo
Bruce Springsteen photo
George Washington Carver photo
Abby Sunderland photo

“The swells were amazing! As big as three-story apartment buildings!”

Abby Sunderland (1993) Camera Assistant, Inspirational Speaker and Sailor

Source: Unsinkable: A Young Woman's Courageous Battle on the High Seas (2011), p.. 153

Richard Dawkins photo

“Imagine you are God. You’re all-powerful, nothing is beyond you. You’re all-loving. So it is really, really important to you that humans are left in no doubt about your existence and your loving nature, and exactly what they need to do in order to get to heaven and avoid eternity in the fires of hell. It’s really important to you to get that across. So what do you do? Well, if you’re Jehovah, apparently this is what you do. You talk in riddles. You tell stories which on the surface have a different message from the one you apparently want us to understand. You expect us to hear X, and instinctively understand that it needs to be interpreted in the light of Y, which you happen to have said in the course of a completely different story 500-1,000 years earlier. Instead of speaking directly into our heads - which God has presumed the capability of doing so - simply, clearly and straightforwardly in terms which the particular individual being addressed will immediately understand and respond to positively - you steep your messages in symbols, in metaphors. In fact, you choose to convey the most important message in the history of creation in code, as if you aspired to be Umberto Eco or Dan Brown. Anyone would think your top priority was to keep generation after generation after generation of theologians in meaningless employment, rather than communicate an urgent life-or-death message to the creatures you love more than any other.”

Richard Dawkins (1941) English ethologist, evolutionary biologist and author

FFRF 2012 National Convention, http://www.youtube.com/watch?v=dJTQiChzTNI?t=43m19s

Benny Wenda photo
Revilo P. Oliver photo

“There can be no question but that Christianity was originally a Jewish promotion, and it is noteworthy that the Christians who try to make their cult respectable in the Third Century claim that they repudiate the Jews. One of the earliest to do this was Tertullian, a Carthaginian shyster, whose Apologeticum, a defense of Christianity, was written at the very beginning of the Third Century. He asserts that Christianity is not a conspiracy of revolutionaries and degenerates, as was commonly believed, and claims that it is an association of loving brothers who have preserved the faith that the Jews forsook – which has been the common story ever since. Our holy men salvage Tertullian by claiming that he was "orthodox" in his early writings, but then, alas! became a Montanist heretic, poor fellow. Tertullian is the author of the famous dictum that he believes the impossible because it is absurd (credo quia absurdum), so he is naturally dear to the heart of the pious. How much Jerome and other saints have tampered with the facts to make Tertullian seem "orthodox" in his early works has been most fully shown by Timothy Barnes in his Tertullian (Oxford, 1971), but even he spends a hundred pages pawing over chronological difficulties that can be reconciled by what seems to me the simple and obvious solution: Tertullian, who was evidently a pettifogging lawyer before he got into the Gospel-business, had sense enough to eliminate from his brief for the Christians facts that would have displeased the pagans whom he was trying to convince that Christians represented no threat to civilized society; he accordingly concealed in his apologetic works the peculiar doctrines of the Christian sect to which he had been originally "converted," but he naturally expounded those doctrines in writings intended, not for the eyes of wicked pagans, but for other brands of Christians, whom he wished to convert to his own sect, which was that of Montanus, a very Holy Prophet (divinely inspired, of course) who was a Phrygian, not a Jew, and who had learned from chats with God that since the Jews had muffed their big opportunity at the time of the Crucifixion, Jesus, when he returned next year or the year after that, was going to set up his New Jerusalem in Phrygia after he had raised hell with the pagans and tormented and butchered them in all of the delightful ways so lovingly described in the Apocalypse, the Hymn of Hate that still soothes the souls of "fundamentalist" Christians today. If, in his Apologeticum and similar works, Tertullian had told the stupid pagans that they were going to be tortured and exterminated in a year or two, they might have doubted that Christians were the innocent little lambs that Tertullian claimed they were.”

Revilo P. Oliver (1908–1994) American philologist

The Jewish Strategy, Chapter 12 "Christianity"
1990s, The Jewish Strategy (2001)

Gene Wolfe photo

“In the marketplace he told of honor, and how it is a higher law than any law.
At the crossroads he talked of freedom, the freedom of the wind and clouds, and freedom that loves all things and is without guilt.
Beside the city gates he told stories of the forgotten cities that were and of the forgotten cities that might be, if only men would forget them.”

Gene Wolfe (1931–2019) American science fiction and fantasy writer

"The God and His Man", Asimov's Science Fiction, 1980, Reprinted in Gene Wolfe, Endangered Species (1989), Reprinted in Gene Wolfe, The Best of Gene Wolfe (2009)
Fiction

Thomas Fuller photo

“Often the cockloft is empty in those whom Nature hath built many stories high.”

Thomas Fuller (1608–1661) English churchman and historian

Andronicus, or the Unfortunate Politician (1646), Sect. vi. Par. 18, 1. Compare: "My Lord St. Albans said that Nature did never put her precious jewels into a garret four stories high, and therefore that exceeding tall men had ever very empty heads", Francis Bacon, Apothegms, No. 17.

Raymond Chandler photo

“The perfect detective story cannot be written. The type of mind which can evolve the perfect problem is not the type of mind that can produce the artistic job of writing.”

Raymond Chandler (1888–1959) Novelist, screenwriter

"Twelve Notes on the Mystery Story", published in The Notebooks of Raymond Chandler(1976)

Agatha Christie photo
Ehud Barak photo

“There is another story, that we tried to impose upon him [Arafat] cantons, Bantustans. Total lie. We talked about 80%+ of the West Bank and 100% of the Gaza Strip. How can it become non-contiguous? And if you have some reservation against this or that curl of the border, at some corner, come to the table, negotiate it, and demand that this will be removed. I can go with you more and more, and I cannot afford spending more time on it, but basically, all these were stories that were invented in order to explain to his own people, and maybe to try to convince honest people in the free world how come that such an opportunity had been missed. Of course, I had my own demands, to protect Israel, to ensure our security, to make sure that we know where do we head. I said loud and clear: we have to put an end to this asymmetric process where we are supposed to give tangible assets, and the Palestinians have just to give vague promises about the nature of future relationship. I said I'm ready to go very far, but I want to know, now, that there is a partner, which is ready and capable to make tough decisions, and painful decisions. I was a great supporter of the peace of the brave, but never a supporter of peace of ostriches, where you put your head in the sand, let whatever happen, happen, and then wake up and say, OK, that's what happened. We cannot afford this approach. That's the reality.”

Ehud Barak (1942) Israeli politician and prime minister

Speech at UC Berkeley http://www.jewishsf.com/content/2-0-/module/displaystory/story_id/19324/edition_id/391/format/html/displaystory.html, November 22, 2002

Dita Von Teese photo
John Shelby Spong photo
Gabe Newell photo

“George Lucas should have distributed the "source code" to Star Wars. Millions of fans would create their own movies and stories. Most of them would be terrible, but a few would be genius.”

Gabe Newell (1962) American computer programmer and businessman

It's A Mod, Mod Underworld, Victoria Murphy Barret, Forbes, 2005-12-12, 2008-02-21, http://web.archive.org/web/20080501213031/http://www.forbes.com/business/forbes/2005/1212/064_2.html, 2008-05-01 http://www.forbes.com/business/forbes/2005/1212/064_2.html,

Mary Wollstonecraft Shelley photo
Wolfram von Eschenbach photo

“Wolfram von Eschenbach's Parzival…was where love and marriage were brought together. It was an apple of a story. That's my favorite love story.”

Wolfram von Eschenbach (1170–1220) German knight and poet

Joseph Campbell (ed. Robert Walter and Phil Cousineau) The Hero’s Journey (Novato: New World Library, [1990] 2003) p. 104.
Criticism

Bill Bryson photo
Mickey Spillane photo
John Muir photo

“All Nature's wildness tells the same story: the shocks and outbursts of earthquakes, volcanoes, geysers, roaring, thundering waves and floods, the silent uprush of sap in plants, storms of every sort, each and all, are the orderly, beauty-making love-beats of Nature's heart.”

John Muir (1838–1914) Scottish-born American naturalist and author

" Three Adventures in the Yosemite http://books.google.com/books?id=k8dZAAAAYAAJ&pg=P656", The Century Magazine volume LXXXIII, number 5 (March 1912) pages 656-661 (at page 661); modified slightly and reprinted in The Yosemite http://www.sierraclub.org/john_muir_exhibit/writings/the_yosemite/ (1912), chapter 4: Snow Banners
1910s

Roger Ebert photo
John Milton photo
Robert Graves photo

“Fear in your heart cries to the loving-cup:
Sorrow to sorrow as the sparks fly upward.
The log groans and confesses
There is one story and one story only.”

Robert Graves (1895–1985) English poet and novelist

"To Juan at the Winter Solstice" from Poems 1938-1945 (1946).
Poems

John Gray photo
Paul A. Samuelson photo
Václav Smil photo

“Apple! Boy, what a story. No taxes paid, everything made abroad — yet everyone worships them. This new iPhone, there's nothing new in it. Just a golden color. What the hell, right? When people start playing with color, you know they're played out.”

Václav Smil (1943) Canadian geographer

This Is the Man Bill Gates Thinks You Absolutely Should Be Reading http://wired.com/2013/11/vaclav-smil-wired/all/1 in Wired (25 November 2013)

Ursula K. Le Guin photo
Ambrose Bierce photo

“This is a simple story of a battle; such a tale as may be told by a soldier who is no writer to a reader who is no soldier.”

Ambrose Bierce (1842–1914) American editorialist, journalist, short story writer, fabulist, and satirist

Source: What I Saw At Shiloh (1881), I