Quotes about spark

page 3

"Let It Die"
Let It Die (2004)

Preludes for Memnon (1935)

Source: The Meaning Of Life, III

On the passing of Rosa Parks
The Associated Press, October 30, 2005.

Maiden speech to the Senate, 24 August 2005 (excerpts)

Magnús Sigurðsson
Íslandsklukkan (Iceland's Bell) (1946), Part II: The Fair Maiden

The Folly of an Inter-Korean Confederation (October 2015)

Interview http://web.archive.org/web/20081013151929/http://www.egothemag.com/archives/2005/04/mia.htm to EGO Magazine (2005)
Sourced quotes

Benway
Naked Lunch (1959)

From Prayer, Aspiration, and Contemplation

Source: Vegetarianism, p. 39

Lloyd Schwartz, "Agonies and Ecstasies". The Boston Phoenix (April 9, 2004) http://www.bostonphoenix.com/boston/music/other_stories/multi_1/documents/03734446.asp

The Works of Publius Virgilius Maro (2nd ed. 1654), Virgil's Æneis

”In Search of Spark,” p. 62
Circling: 1978-1987 (1993), Sequence: “A Warden with No Keys”

First Epistle to J. Lapraik, st. 13 (1786)

Evolution (1895; 1909)

Non è mai alcuna cosa sì disperata, che non vi sia qualche via da poterne sperare.
Act I, scene i
The Mandrake (1524)

Source: World Made By Hand (2008), Chapter 65, p. 315–316

in a letter to his son (dated August 5, 1865), describing his discovery of quaternions on October 16, 1843, in Robert Perceval Graves, Life of Sir William Rowan Hamilton Vol. 2 (1885) https://archive.org/details/lifeofsirwilliam02gravuoft, pp. 434-435.

With New York

The Germans are being referred to as dogs in the end of this famous quote. Quoted in "I. C. Bagramyan: A Photo Album About A Soviet Marshal" - Yerevan - 1987

The Words of Justice Brandeis (1953).
Extra-judicial writings

Night (1960)

Source: Time is the Simplest Thing (1961), Chapter 31 (pp. 233-234)

On being an pictorial artist (1950), as quoted in Asger Jorn (2002) by Arken Museum of Modern Art, p. 5
1949 - 1958, Various sources

Sparks Fly.
Song lyrics, Speak Now (2010)

Credula vitam
spes fovet et fore cras semper ait melius.
Bk. 2, no. 6, line 19.
Elegies

Song, "The Little Red Lark".

God
Source: "I am That." P.61-2.

"Cabinet Museums: Alive, Alive, O!", p. 246
Dinosaur in a Haystack (1995)

Introduction to the Bhagavad-Gita (1944)

Songs of the Soul by Paramahansa Yogananda, Quotes drawn from the poem "Nature’s Nature"

Source: The Giaour (1813), Line 1127.

"Party People (Ignite The World)"
Song lyrics, Other songs

Letter to parents (December 2013)

Remarks to the Veterans of Foreign Wars, Kansas City, Missouri, August 20, 2007 http://www.huffingtonpost.com/2007/08/21/clinton-iraq-tactics-wo_n_61272.html
Presidential campaign (January 20, 2007 – 2008)

Canto II
The Troubadour (1825)

Source: Zorba the Greek (1946), Ch. 12

Revolution (2014)

On observing some Names of Little Note.
Bartlett's Familiar Quotations, 10th ed. (1919)

Canto I, stanza 6.
The Bride of Abydos (1813)

Song lyrics, Discovery (1984)

The Study of History (1895)

Quote 93
Leo Burnett Worldwide

ii., 76 a
Source: Isis Unveiled (1877), Volume II, Chapter VI

Source: Creation Myths (1972), Deus Faber, p. 140 - 141

Em geral, nós outros, os Portugueses, só começamos a ser idiotas – quando chegamos à idade da razão. Em pequenos temos todos uma pontinha de génio.
"A Literatura de Natal"; "Christmas Literature" p. 42.
Cartas de Inglaterra (1879–82)

Stanza 1.
The Dying Christian to His Soul (1712)
Context: Vital spark of heav'nly flame!
Quit, oh quit, this mortal frame:
Trembling, hoping, ling'ring, flying,
Oh the pain, the bliss of dying!

St. 18
The Scholar Gypsy (1853)
Context: Thou waitest for the spark from heaven! and we,
Light half-believers of our casual creeds,
Who never deeply felt, nor clearly will’d,
Whose insight never has borne fruit in deeds,
Whose vague resolves never have been fulfill’d;
For whom each year we see
Breeds new beginnings, disappointments new;
Who hesitate and falter life away,
And lose to-morrow the ground won to-day—
Ah! do not we, wanderer! await it too?

VI, 3, 11; translation by John Carew Rolfe
Historiarum Alexandri Magni Macedonis Libri Qui Supersunt, Book VI

Attributed to Rodin in: Southwestern Art Vol. 6 (1977). p. 20; Partly cited in: A Toolbox for Humanity: More Than 9000 Years of Thought (2004) by Lloyd Albert Johnson, p. 7
1950s-1990s
Context: The artist must learn the difference between the appearance of an object and the interpretation of this object through his medium. The artist must create a spark before he can make a fire and before art is born, the artist must be ready to be consumed by the fire of his own creation.

Speech at the Innauguration of the Aga Khan Baug, Versova, India (17 January 1983) http://ismaili.net/speech/s830117.html <!-- ***Source: Selection of Speeches: 1976-1984
Source: Africa Ismaili, XIV, 2 (July 1983), pp. 20-22
Source: American Ismaili, (July 11, 1983), pp. 15-16 -->
Context: There are those... who enter the world in such poverty that they are deprived of both the means and the motivation to improve their lot. Unless these unfortunates can be touched with the spark which ignites the spirit of individual enterprise and determination, they will only sink back into renewed apathy, degradation and despair. It is for us, who are more fortunate, to provide that spark.

Letter to Lafayette (1 February 1830), published in Letters and Other Writings of James Madison (1867), Vol. IV, p. 60 https://books.google.com/books?id=ugpFAQAAMAAJ&pg=PA60#v=twopage&q&f=false<!-- also quoted in The Last of the Fathers: James Madison and the Republican Legacy (1989), by Drew R. McCoy, Cambridge University Press, p. 252 -->
1830s
Context: Your anticipations with regard to the slavery among us were the natural offspring of your just principles and laudable sympathies; but I am sorry to say that the occasion which led to them proved to be little fitted for the slightest interposition on that subject. A sensibility, morbid in the highest degree, was never more awakened among those who have the largest stake in that species of interest, and the most violent against any governmental movement in relation to it. The excitability at the moment, happened, also, to be not a little augmented by party questions between the South and the North, and the efforts used to make the circumstance common to the former a sympathetic bond of co-operation. I scarcely express myself too strongly in saying, that any allusion in the Convention to the subject you have so much at heart would have been a spark to a mass of gunpowder. It is certain, nevertheless, that time, the “great Innovator,” is not idle in its salutary preparations. The Colonization Society are becoming more and more one of its agents. Outlets for the freed blacks are alone wanted for a rapid erasure of the blot from our Republican character.

Black Boy (1945)

About
Context: "This sort of fiction, commonly called "sword and sorcery" by its fans, is not fantasy at its lowest, but it still has a pretty tacky feel; mostly it's the Hardy Boys dressed up in animal skins and rated R ( and with cover art by Jeff Jones, as likely as not). Sword and sorcery novels and stories are tales of power for the powerless. The fellow who is afraid of being rousted by those young punks who hang around his bus stop can go home at night and imagine himself wielding a sword, his potbelly miraculously gone, his slack muscles magically transmuted into those "iron thews" which have been sung and storied in the pulps for the last fifty years.
"The only writer who really got away with this sort of stuff was Robert E. Howard, a peculiar genius who lived and died in rural Texas ( Howard committed suicide as his mother lay comatose and terminally ill, apparently unable to face life without her). Howard overcame the limitations of his puerile material by the force and fury of his writing and by his imagination, which was powerful beyond his hero Conan's wildest dreams of power. In his best work, Howard's writing seems so highly charged with energy that it nearly gives off sparks. Stories such as "The People of the Black Circle" glow with the fierce and eldritch light of his frenzied intensity. At his best, Howard was the Thomas Wolfe of fantasy, and most of his Conan tales seem to almost fall over themselves in their need to get out. Yet his other work was either unremarkable or just abysmal... The word will hurt and anger his legion of fans, but I don't believe any other word fits. Robert Bloch, one of Howard's contemporaries, suggested in his first letter to Weird Tales that even Conan wasn't that much shakes. Bloch's idea was that Conan should be banished to the outer darkness where he could use his sword to cut out paper dolls. Needless to say, this suggestion did not go over well with the marching hordes of Conan fans; they probably would have lynched poor Bob Bloch on the spot, had they caught up with him back there in Milwaukee." ~ Stephen King, Danse Macabre, p. 204,

Address at Yale University, New Haven, Connecticut (9 June 1957).
Context: Could Hamlet have been written by a committee, or the Mona Lisa painted by a club? Could the New Testament have been composed as a conference report? Creative ideas do not spring from groups. They spring from individuals. The divine spark leaps from the finger of God to the finger of Adam, whether it takes ultimate shape in a law of physics or a law of the land, a poem or a policy, a sonata or a mechanical computer.

Address on Laying the Cornerstone of the Bunker Hill Monument (1825)
Context: If the true spark of religious and civil liberty be kindled, it will burn. Human agency cannot extinguish it. Like the earth's central fire, it may be smothered for a time; the ocean may overwhelm it; mountains may press it down; but its inherent and unconquerable force will heave both the ocean and the land, and at some time or other, in some place or other, the volcano will break out and flame up to heaven.

Tolstoy's Diaries (1985) edited and translated by R. F. Christian. London: Athlone Press, Vol 2, p. 512
Context: People usually think that progress consists in the increase of knowledge, in the improvement of life, but that isn't so. Progress consists only in the greater clarification of answers to the basic questions of life. The truth is always accessible to a man. It can't be otherwise, because a man's soul is a divine spark, the truth itself. It's only a matter of removing from this divine spark (the truth) everything that obscures it. Progress consists, not in the increase of truth, but in freeing it from its wrappings. The truth is obtained like gold, not by letting it grow bigger, but by washing off from it everything that isn't gold.

Preface (Scribner edition, 1872) <!-- New York, Scribner p xxi -->
Chips from a German Workshop (1866)
Context: Missionaries are apt to look upon all other religions as something totally distinct from their own, as formerly they used to describe the languages of barbarous nations as something more like the twittering of birds than the articulate speech of men. The Science of Language has taught us that there is order and wisdom in all languages, and even the most degraded jargons contain the ruins of former greatness and beauty. The Science of Religion, I hope, will produce a similar change in our views of barbarous forms of faith and worship; and missionaries, instead of looking only for points of difference, will look out more anxiously for any common ground, any spark of the true light that may still be revived, any altar that may be dedicated afresh to the true God.
And even to us at home, a wider view of the religious life of the world may teach many a useful lesson.

Source: Gargantua and Pantagruel (1532–1564), Gargantua (1534), Chapter 54 : The inscription set upon the great gate of Theleme.
Context: p>Grace, honour, praise, delight,
Here sojourn day and night.
Sound bodies lined
With a good mind,
Do here pursue with might
Grace, honour, praise, delight.Here enter you, and welcome from our hearts,
All noble sparks, endowed with gallant parts.
This is the glorious place, which bravely shall
Afford wherewith to entertain you all.
Were you a thousand, here you shall not want
For anything; for what you'll ask we'll grant.
Stay here, you lively, jovial, handsome, brisk,
Gay, witty, frolic, cheerful, merry, frisk,
Spruce, jocund, courteous, furtherers of trades,
And, in a word, all worthy gentle blades.</p

(5 August 2007)
Unfit for Mass Consumption (blog entries), 2007
Context: It has been my experience that many people actually believe that writers live in a state of perpetual inspiration. Maybe this is the source of that annoying "Where do you get your ideas from?" question. Maybe the people who believe writers live in a state of perpetual inspiration are the same people who ask that question, thinking — wrongly — that there's a trick of some sort involved. And if a writer would but tell them the trick, then they too would have access to the bottomless well of ideas and live in a state of perpetual inspiration. In my case, at least, there is no bottomless fucking well of ideas, and if I only wrote when I truly felt inspired, I'd starve and live in a cardboard box at the corner of Crack and Whore (which is to say, the corner of Ponce and Piedmont). But, that said, there does have to be a spark. What people ought to be asking me is "Where do you get those tiny, little infinitesimally faint sparks that you then somehow manage to blow up into ideas?" Of course, my answer would be, "I have no inkling whatsoever."

Prologue
The Path of the King (1921)
Context: The spark once transmitted may smoulder for generations under ashes, but the appointed time will come, and it will flare up to warm the world. God never allows waste. And we fools rub our eyes and wonder, when we see genius come out of the gutter. It didn't begin there. We tell ourselves that Shakespeare was the son of a woolpedlar, and Napoleon of a farmer, and Luther of a peasant, and we hold up our hands at the marvel. But who knows what kings and prophets they had in their ancestry!

Ideas, p. 23
Catching the Big Fish (2006)
Context: An idea is a thought. It's a thought that holds more than you think it does when you receive it. But in that first moment there is a spark. In a comic strip, if someone gets an idea, a lightbulb goes on. It happens in an instant, just as in life.
It would be great if the entire film came all at once. But it comes, for me, in fragments. That first fragment is like the Rosetta stone. It's the piece of the puzzle that indicates the rest. It's a hopeful puzzle piece.
In Blue Velvet, it was red lips, green lawns, and the song — Bobby Vinton's version of "Blue Velvet". The next thing was an ear lying in a field. And that was it.
You fall in love with the first idea, that little tiny piece. And once you've got it, the rest will come in time.

"Fall of a City"
Selected Poems (1941)
Context: All the lessons learned, unlearned;
The young, who learned to read, now blind
Their eyes with an archaic film;
The peasant relapses to a stumbling tune
Following the donkey`s bray;
These only remember to forget. But somewhere some word presses
On the high door of a skull and in some corner
Of an irrefrangible eye
Some old man memory jumps to a child
— Spark from the days of energy.
And the child hoards it like a bitter toy.

Chips from a German Workshop (1866)

http://www.paulglover.org/8812.html (“Ithaca Power”) comprehensive energy survey, received grant from Fund for Investigative Journalism, December 1988
Context: “While dissecting the universe scientists discovered that uranium, a metal invisibly boiling, can boil water to spark electricity. They believed the 'peaceful atom' would give cheap clean power. Recent years cause many to doubt this.”

Book III, Ch. VII, p. 162.
Physics

Balsamo the Magician (or The Memoirs of a Physician) by Alex. Dumas (1891)

Not that there’s much difference.
Source: The Laundry Files, The Jennifer Morgue (2006), Chapter 11, “Destiny Entangled” (p. 222)

Source: Better-World Philosophy: A Sociological Synthesis (1899), Race Culture, pp. 209–210

Elric sighed and his quiet tones were tinged with hopelessness. “Without some confirmation of the order of things, my only comfort is to accept the anarchy. This way, I can revel in chaos and know, without fear, that we are doomed from the start—that our brief existence is both meaningless and damned. I can accept, then, that we are more than forsaken, because there was never anything there to forsake us. I have weighed the proof, Shaarilla, and must believe that anarchy prevails, in spite of all the laws which seemingly govern our actions, our sorcery, our logic. I see only chaos in the world. If the book we seek tells me otherwise, then I shall gladly believe it. Until then, I will put my trust only in my sword and myself.”
Source: The Elric Cycle, The Weird of the White Wolf (1977), Chapter 1, “A Woman Who Would Risk Grief to Her Soul” (p. 451)

Han Zheng (2019) cited in " China warns Taiwan of continued lockout from WHO assembly http://www.arabnews.com/node/1102951/world" on CCTV English, 28 September 2019.

Nick Tosches The Devil in George Jones http://www.texasmonthly.com/story/devil-george-jones/page/0/1, 1994.

Obituary: Morarji Desai

Bill Gates in "Better India, A Better World".

Kosmos interview on grief, Dark Optimism, aliveness and activism (2014) http://www.darkoptimism.org/2014/12/21/dark-optimism-power-of-grief/#post-4075

poetry and spirituality

Stanza 1
Source: The Dying Christian to His Soul (1712)

Source: The discoveries awaiting us in the ocean's twilight zone https://www.ted.com/talks/heidi_m_sosik_the_discoveries_awaiting_us_in_the_ocean_s_twilight_zone (April 2018)

Attributed to Rodin in: Southwestern Art Vol. 6 (1977). p. 20; Partly cited in: A Toolbox for Humanity: More Than 9000 Years of Thought (2004) by Lloyd Albert Johnson, p. 7
1930s and later

Addicted To Your Love https://genius.com/Zhiar-ali-addicted-to-your-love-lyrics, 2018
Song lyrics

Anarchism and Other Essays (1910), Prisons: A Social Crime and Failure

Sparks
The Note-Books of Samuel Butler (1912), Part XIV - Higgledy-Piggledy

Original: (it) Siate sempre coerenti conservando in voi quella scintilla di sana follia, che rende vitale la vostra anima.
Source: prevale.net

"Stimulate" (from 8 Mile, 2002)
2000s

Interview with the Institute of International Studies, UC Berkeley (1998), Background

Source: Gargantua and Pantagruel (1532–1564), Gargantua (1534), Chapter 54 : The inscription set upon the great gate of Theleme.