Quotes about soundness
page 8

Anne Rice photo
Margaret Atwood photo
Sarah Dessen photo
Rick Riordan photo
Shannon Hale photo
Jonathan Franzen photo
Richelle Mead photo
David Klass photo
Janet Fitch photo

“echo, the death of a sound that had nowhere to go but to come back.”

Janet Fitch (1955) American writer

Source: Paint it Black

Oprah Winfrey photo
Salman Rushdie photo
Anthony Doerr photo
Garth Nix photo
Jeff Lindsay photo
Yoko Ono photo
Rick Riordan photo
Thomas Sowell photo
Dolly Parton photo
Shannon Hale photo
Agnes de Mille photo
N. Scott Momaday photo
Jodi Picoult photo
Megan Whalen Turner photo
Sarah Dessen photo
Patrick Rothfuss photo
P.G. Wodehouse photo
Madeline Miller photo
John Keats photo
Sören Kierkegaard photo
John Archibald Wheeler photo

“I had the good fortune of having my first and only heart attack last January … I call it good fortune because it taught me that there's a limited amount of time left and I better concentrate on one thing: How come existence? How come the quantum? Maybe those questions sound too philosophical, but maybe philosophy is too important to be left to the philosophers.”

John Archibald Wheeler (1911–2008) American physicist

As quoted by Amanda Gefter (from the symposium in honor of Wheeler's 90th birthday) [Trespassing on Einstein's lawn: a father, a daughter, the meaning of nothing, and the beginning of everything, 2014, https://books.google.com/books?id=NUMkAAAAQBAJ]

Max Horkheimer photo
Amit Chaudhuri photo

“The grown-ups snapped the chillies (each made a sound terse as a satirical retort), and scattered the tiny, deadly seeds in their food.”

Amit Chaudhuri (1962) contemporary Indian-English novelist

A Strange and Sublime Address (1991)

Anton Chekhov photo
Ayaan Hirsi Ali photo
Jeffrey Tucker photo

“That experiment prefigured today’s rap “artists,” who are entirely dependent on promoters, arrangers, and sound technicians, and create no music themselves.”

Jeffrey Tucker (1963) American writer

Source: "Powerful Song, Man" by Jeffrey Tucker, The Rothbard-Rockwell Report, August 1997, UNZ.org, 2016-05-22 http://www.unz.org/Pub/RothbardRockwellReport-1997aug-00009,

Walter de la Mare photo
Oliver Sacks photo
Arthur Schopenhauer photo

“The philosophy of Kant, then, is the only philosophy with which a thorough acquaintance is directly presupposed in what we have to say here. But if, besides this, the reader has lingered in the school of the divine Plato, he will be so much the better prepared to hear me, and susceptible to what I say. And if, indeed, in addition to this he is a partaker of the benefit conferred by the Vedas, the access to which, opened to us through the Upanishads, is in my eyes the greatest advantage which this still young century enjoys over previous ones, because I believe that the influence of the Sanscrit literature will penetrate not less deeply than did the revival of Greek literature in the fifteenth century: if, I say, the reader has also already received and assimilated the sacred, primitive Indian wisdom, then is he best of all prepared to hear what I have to say to him. My work will not speak to him, as to many others, in a strange and even hostile tongue; for, if it does not sound too vain, I might express the opinion that each one of the individual and disconnected aphorisms which make up the Upanishads may be deduced as a consequence from the thought I am going to impart, though the converse, that my thought is to be found in the Upanishads, is by no means the case.”

:s:The World as Will and Representation/Preface to the First Edition
Kants Philosophie also ist die einzige, mit welcher eine gründliche Bekanntschaft bei dem hier Vorzutragenden gradezu vorausgesetzt wird. — Wenn aber überdies noch der Leser in der Schule des göttlichen Platon geweilt hat; so wird er um so besser vorbereitet und empfänglicher seyn mich zu hören. Ist er aber gar noch der Wohllhat der Veda's theilhaft geworden, deren uns durch die Upanischaden eröfneter Zugang, in meinen Augen, der größte Vorzug ist, den dieses noch junge Jahrhundert vor den früheren aufzuweisen hat, indem ich vermuthe, daß der Einfluß der Samskrit-Litteratur nicht weniger tief eingreifen wird, als im 14ten Jahrhundert die Wiederbelebung der Griechischen: hat also, sage ich, der Leser auch schon die Weihe uralter Indischer Weisheit empfangen und empfänglich aufgenommen; dann ist er auf das allerbeste bereitet zu hören, was ich ihm vorzutragen habe. Ihn wird es dann nicht, wie manchen Andern fremd, ja feindlich ansprechen; da ich, wenn es nicht zu stolz klänge, behaupten möchte, daß jeder von den einzelnen und abgerissenen Aussprüchen, welche die Upanischaden ausmachen, sich als Folgesatz aus dem von mir mitzutheilenden Gedanken ableiten ließe, obgleich keineswegs auch umgekehrt dieser schon dort zu finden ist.
Die Welt als Wille und Vorstellung. Leipzig 1819. Vorrede. pp.XII-XIII books.google https://books.google.de/books?id=0HsPAAAAQAAJ&pg=PR12
The World as Will and Representation (1819; 1844; 1859)

Robyn Hitchcock photo

“A thought struck me: if my new album sounds this good on a walkman, what would eating a bacon sandwich and listening to a solo Ferry album, which turned me vegetarian.”

Robyn Hitchcock (1953) English singer-songwriter and guitarist

' CD booklet (Chapel Hill, NC: Yep Roc Records, 2007) p. 4.

Stanley Holloway photo

“The sound of 'igh words
very soon reached the ears of an officer, Lieutenant Bird,
Who said to the Sergeant, 'Now what's all this here?'
And the Sergeant told what had occurred.”

Stanley Holloway (1890–1982) English stage and film actor, comedian, singer, poet and monologist

Sam, Sam, Pick Oop Tha' Musket

Mickey Spillane photo
Chris Cornell photo
Thanissaro Bhikkhu photo
Antonio Cocchi photo
Ross Perot photo
Fulke Greville, 1st Baron Brooke photo
Robert Southey photo
Recep Tayyip Erdoğan photo
Edmund White photo
Chuck Palahniuk photo
Kurt Schwitters photo

“I have two principle aims, two life works. The second is my sonata [Schwitters' 'UrSonata' - a long sound poem of 35 minutes]”

Kurt Schwitters (1887–1948) German artist

Source: 1940s, I is Style (2000), p. 48 : quoted by Margareth Miller to Oliver Kaufmann [the first principle aim is his Merzbau]

Alexej von Jawlensky photo
John Kenneth Galbraith photo
Jean Metzinger photo

“So, music does not attempt to imitate Nature's sounds, but it does interpet and embody emotions awakened by Nature through a convention of its own, in a way to be aesthetically pleasing. In some such way, we, taking our hint from Nature, construct decoratively pleasing harmonies and symphonies of color expression of our sentiments.”

Jean Metzinger (1883–1956) French painter

Quote of Metzinger in 'The Wild Men of Paris', by Gelett Burgess https://monoskop.org/images/f/f3/Burgess_Gelett_1910_The_Wild_Men_of_Paris.pdf, in 'The Architectural Record, Vol XXVII, May 1910, p. 414

David Weber photo
Glenn Beck photo

“It is really — one of the things in it that I heard yesterday in his testimony that I thought was disturbing was this — what did he call it? — a massive persuasion campaign. That sounded a little bit like Goebbels or Gore-bels.”

Glenn Beck (1964) U.S. talk radio and television host

on Al Gore's March 21 testimony before the Senate Committee on Environment and Public Works
2000s

Mike Oldfield photo
John Milton photo
Ai Weiwei photo

“I lost all connection with the outside world and was immersed in a world of darkness. I was scared that my existence would fade silently. No one knew where I was, and no one would ever know. I was just like a small soybean—once fallen to the ground, it rolls into a crack in the corner. Being unable to make any sounds, it will forever be forgotten.”

Ai Weiwei (1957) Chinese concept artist

Wong, Veronica, and Gisela Sommer. “ Ai Weiwei Describes Mental Torment in Captivity http://www.theepochtimes.com/n2/china-news/ai-weiwei-describes-mental-torment-in-captivity-59915.html.” Epoch Times, August 3, 2011.
2010-, 2011

Derren Brown photo

“(DVD introduction) Well, welcome to your very own DVD of me, DVB, and ‘Mind Control’. If you weren’t expecting me and thought you were buying Reginald Perrin, then press eject now before you begin vomiting. Otherwise, please, please ensure that you are sitting in an extreme level of comfort, preferably in pre-worn slippers and, I trust, with your extended family around you. If you have seen the film ‘Signs’ and would like to wear the pointy tin foil hats now would be a good time to put them on you can’t be too careful. Well, pphhh, goodness me, er, it’s been a meteoric rise over these last years. The money and sex are exhausting and I have you the viewer to thank. Thanks. We’ve put together some of the pieces from the specials and series in glistening digital format, each pixel hand picked and gently polished and brought to you in wide-sound, surround-screen enjoyment. I hope you enjoy watching them as much as I’ll enjoy the royalties from this, which is enormously. If you don’t like it and HMV won’t take it back because you’ve got sticky all over it then the disc makes an excellent beer coaster or wheels for a space truck or can be immense fun just putting it on your finger and [waggling it], like that. But I hope you do like it. When I first started developing these techniques I had no idea that they were going to prove at all popular and for all my nancing about and staring I’m actually really excited to have a DVD out and can’t wait to go and find it in Discount Books & Puzzles next to the Dizzie Gillespie CD box sets and disappointing erotica. I hope you like it and if you do, please go and buy another one.”

Derren Brown (1971) British illusionist

TV Series and Specials (Includes DVDs), Mind Control (1999–2000) or Inside Your Mind on DVD

Gerhard Richter photo
Peter Porter photo

“Somewhere at the heart
of the universe sounds the
true mystic note: Me.”

Peter Porter (1929–2010) British poet

"Japanese Jokes", p. 63.
The Last of England (1970)

Bob Seger photo
Manmohan Singh photo
Frederick Buechner photo
Charles Sanders Peirce photo
John Banville photo
Robert G. Ingersoll photo
Robert Southey photo

“And so never ending, but always descending,
Sounds and motions forever and ever are blending
All at once and all o'er, with a mighty uproar, —
And this way the water comes down at Lodore.”

Robert Southey (1774–1843) British poet

St. 8.
The Cataract of Lodore http://www.cs.rice.edu/~ssiyer/minstrels/poems/652.html (1820)

Vangelis photo
Paul of Tarsus photo
Cat Stevens photo

“Now come and join the living, its not so far from you
And its getting nearer, soon it will all be true
Oh peace train sounding louder”

Cat Stevens (1948) British singer-songwriter

Peace Train
Song lyrics, Teaser and the Firecat (1971)

Kay Redfield Jamison photo
James Baker photo
Lord Dunsany photo
Jane Austen photo
Roger Ebert photo
Carlo Carrà photo
Robin Williams photo

“One of the fundamental things is in a jihad. That sounds like a country western term like, "Jiii-had!"”

Robin Williams (1951–2014) American actor and stand-up comedian

Robin Williams: Live on Broadway (2002)

John F. Kennedy photo
Sarah Palin photo

“Senator Obama said that he wants to spread the wealth and he wants government to take your money and decide how to best to redistribute it according to his priorities. Joe suggested that sounded a little bit like socialism. Whatever you call it, I call it bad medicine for an ailing economy and it's what Barack Obama will do to those who want to create jobs.”

Sarah Palin (1964) American politician

Rally in West Chester, Ohio, , quoted in [2008-10-17, Palin Aligns Obama’s Economic Policies with ‘Socialism’, Elizabeth, Holmes, Washington Wire, The Wall Street Journal, http://blogs.wsj.com/washwire/2008/10/17/palin-aligns-obamas-economic-policies-with-socialism/]
Referring to Senator Barack Obama saying to Samuel "Joe the Plumber" Wurzelbacher on about progressive taxation, "And I think when you spread the wealth around, it's good for everybody" and Wurzelbacher saying of it http://www.toledoblade.com/Politics/2008/10/16/Joe-the-plumber-isn-t-licensed.html to the Toledo Blade, "That's a pretty socialist comment."
2014

John Toland photo
Shelley Winters photo
George Jean Nathan photo

“The path of sound credence is through the thick forest of skepticism.”

George Jean Nathan (1882–1958) American drama critic and magazine editor

Materia Critica (1924)