Quotes about sigh
page 3

John Keble photo

“Why should we faint and fear to live alone,
Since all alone, so Heaven has willed, we die?
Nor even the tenderest heart, and next our own,
Knows half the reasons why we smile and sigh.”

The Christian Year. Twenty-fourth Sunday after Trinity reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Thomas Brooks photo
Letitia Elizabeth Landon photo
Michael Swanwick photo

“Incolore sighed. “The loyalty of the systematically betrayed. Is there anything sadder?””

Source: The Iron Dragon's Daughter (1993), Chapter 21 (p. 378)

Helen Keller photo
Poul Anderson photo

“Everard sighed, switched off his conscience, and began lying.”

Poul Anderson (1926–2001) American science fiction and fantasy writer

Delenda Est (p. 203)
Time Patrol

Thomas Brooks photo
Han-shan photo
Walter Scott photo
Harry Turtledove photo
Huston Smith photo
Arthur Symons photo

“I heard the sighing of the reeds
At noontide and at evening,
And some old dream I had forgotten
I seemed to be remembering.”

Arthur Symons (1865–1945) British poet

By the Pool of the Third Rosses, st. 4.

Stevie Smith photo
Edward Gibbon photo

“I sighed as a lover, I obeyed as a son.”

Edward Gibbon (1737–1794) English historian and Member of Parliament

Memoirs (1796)

Letitia Elizabeth Landon photo
Jane Espenson photo

“Moonlighting was funny, innovative, genre-busting chaos. Also, apparently, unsustainable. Sigh.”

Jane Espenson (1964) American television writer and producer

Ain't It Cool News interview (17 July 2003) http://www.whedon.info/Jane-Espenson-Buffy-Tv-Series.h

Harry Turtledove photo
John McCain photo

“Did you hear the one about the woman who is attacked on the street by a gorilla, beaten senseless, raped repeatedly and left to die? When she finally regains consciousness and tries to speak, her doctor leans over to hear her sigh contently and to feebly ask, "Where is that marvelous ape?"”

John McCain (1936–2018) politician from the United States

Allegedly said in March 1986 during the U.S. senate race. The above quotation was pieced together by a journalist from the recollection of one or more sources, and prived in the Tucson Citizen on October 27, 1986 http://www.huffingtonpost.com/2008/07/15/sources-recall-mccains-jo_n_112955.html http://www.rumromanismrebellion.net/2008/07/15/the-comedy-stylings-of-shecky-mccain/
Disputed

Larry Wall photo

“Double *sigh*. _04 is going onto thousands of CDs even as we speak, so to speak.”

Larry Wall (1954) American computer programmer and author, creator of Perl

[199710221718.KAA24299@wall.org, 1997]
Usenet postings, 1997

William Blake photo

“For every thing exists & not one sigh nor smile nor tear,
One hair nor particle of dust, not one can pass away.”

William Blake (1757–1827) English Romantic poet and artist

Source: 1800s, Jerusalem The Emanation of The Giant Albion (c. 1803–1820), Ch. 1, plate 13, line 66 — plate 14, line 1

Robert Southwell photo
Henry Howard, Earl of Surrey photo
Paul Gabriël photo

“(Gabriël advises her to make both big studies and small ones) [and small studies, ].. for throwing in three curses and a sigh - forgive me that corny expression - impressions and transient effects on the canvas. Observe especially the hue of every occurring moment.”

Paul Gabriël (1828–1903) painter (1828-1903)

translation from the Dutch original: Fons Heijnsbroek
version in original Dutch / citaat van Paul Gabriël, in Nederlands: ..gaat stil uw gang en hebt vertrouwen in hetgeen ik U zeg, vraag nimmer hoe een ander het deed of doet, tracht de natuur te doorgronden, opserveer alles, tracht te leren zien en zoekt U zelve de gemakkelijkste weg om die weer te geven; men kan uit de natuur verschillende keuzen doen, volgt die het hart u zegt, waarvoor gij het meeste voeld.. ..zoek datgeene waar effect in zit, iets wat duidelijk iets zeggen wil.
(Gabriël raadde haar aan zowel grote studies te maken als kleine:) [en de kleine studies,] ..om in drie vloeken en een zucht, vergeeft mij die banale uitdrukking, indrukken, voorbijgaande effecten, op het doek te werpen. Opserveerd vooral goed de toon van elk voorkomend oogenblik.
2 quotes of Paul Gabriël, from his letter in 1882, to Geesje van Calcar, as cited in Geesje van Calcar. Een echte Mesdag, R. en W. Vetter; Schipluiden 2001, p. 18-22
1880's + 1890's

W. Somerset Maugham photo
John Muir photo
Harry Turtledove photo

“What will we do when they start capturing our people?" Klein asked. "They will, you know, if they haven't by now. Things go wrong." Heydrich's fingers drummed some more. He didn't worry about the laborers who'd expanded this redoubt- they'd all gone straight to the camps after they did their work. But captured fighters were indeed another story. He sighed. "Things go wrong. Ja. If they didn't, Stalin would be lurking somewhere in the Pripet Marshes, trying to keep his partisans fighting against us. We would've worked Churchill to death in a coal mine." He barked laughter. "The British did some of that for us, when they threw the bastard out of office last month. And we'd be getting ready to fight the Amis on their side of the Atlantic. But… things went wrong." "Yes, sir." After a moment, Klein ventured, "Uh, sir- you didn't answer my question." "Oh. Prisoners." Heydrich had to remind himself what his aide was talking about. "I don't know what to do, Klein, except make sure our people all have cyanide pills." "Some won't have the chance to use them. Some won't have the nerve," Klein said. Not many men had the nerve to tell Reinhard Heydrich the unvarnished truth. Heydrich kept Klein around not least because Klein was one of those men. They were useful to have. Hitler would have done better had he seen that. Heydrich recognized the truth when he heard it now; one more thing Hitler'd had trouble with.”

Harry Turtledove (1949) American novelist, short story author, essayist, historian

Source: The Man With the Iron Heart (2008), p. 56-57

George Gordon Byron photo

“Sighing that Nature formed but one such man,
And broke the die, in molding Sheridan.”

George Gordon Byron (1788–1824) English poet and a leading figure in the Romantic movement

Source: Monody on the Death of Sheridan (1816), Line 117; this can be compared to: "Natura il fece, e poi ruppe la stampa" (translated: "Nature made him, and then broke the mould"), Ariosto, Orlando Furioso, canto x, stanza 84; "The idea that Nature lost the perfect mould has been a favorite one with all song-writers and poets, and is found in the literature of all European nations", Book of English Songs, p. 28.

John Fletcher photo

“Weep no more, nor sigh, nor groan,
Sorrow calls no time that's gone;
Violets plucked, the sweetest rain
Makes not fresh nor grow again.”

John Fletcher (1579–1625) English Jacobean playwright

The Queen of Corinth (1647), Act III, sc. ii. Compare: "Weep no more, Lady! weep no more, Thy sorrow is in vain; For violets plucked, the sweetest showers Will ne'er make grow again", Thomas Percy, Reliques of Ancient English Poetry, "The Friar of Orders Gray".

Thomas Chandler Haliburton photo

“Everything has altered its dimensions, except the world we live in. The more we know of that, the smaller it seems. Time and distance have been abridged, remote countries have become accessible, and the antipodes are upon visiting terms. There is a reunion of the human race; and the family resemblance now that we begin to think alike, dress alike, and live alike, is very striking. The South Sea Islanders, and the inhabitants of China, import their fashions from Paris, and their fabrics from Manchester, while Rome and London supply missionaries to the ‘ends of the earth,’ to bring its inhabitants into ‘one fold, under one Shepherd.’ Who shall write a book of travels now? Livingstone has exhausted the subject. What field is there left for a future Munchausen? The far West and the far East have shaken hands and pirouetted together, and it is a matter of indifference whether you go to the moors in Scotland to shoot grouse, to South America to ride and alligator, or to Indian jungles to shoot tigers-there are the same facilities for reaching all, and steam will take you to either with the equal ease and rapidity. We have already talked with New York; and as soon as our speaking-trumpet is mended shall converse again. ‘To waft a sigh from Indus to the pole,’ is no longer a poetic phrase, but a plain matter of fact of daily occurrence. Men breakfast at home, and go fifty miles to their counting-houses, and when their work is done, return to dinner. They don’t go from London to the seaside, by way of change, once a year; but they live on the coast, and go to the city daily. The grand tour of our forefathers consisted in visiting the principle cities of Europe. It was a great effort, occupied a vast deal of time, cost a large sum of money, and was oftener attended with danger than advantage. It comprised what was then called, the world: whoever had performed it was said to have ‘seen the world,’ and all that it contained. The Grand Tour now means a voyage round the globe, and he who has not made it has seen nothing.”

Thomas Chandler Haliburton (1796–1865) Canadian-British politician, judge, and author

The Season-Ticket, An Evening at Cork 1860 p. 1-2.

Hector Berlioz photo

“That is, in fact, the true female voice of the orchestra – a voice at once passionate and chaste, heart-rending, yet soft, which can weep, sigh, and lament, chant, pray, and muse, or burst forth into joyous accents, as none other can do.”

Hector Berlioz (1803–1869) French Romantic composer

C'est la vraie voix féminine de l'orchestre, voix passionnée et chaste en même temps, déchirante et douce, qui pleure et crie et se lamente, ou chante et prie et rêve, ou éclate en accents joyeux, comme nulle autre pourrait le faire.
Grand Traité d'Instrumentation et d'Orchestration Modernes (1844) http://www.hberlioz.com/Scores/BerliozTraite.html#Violon; Mary Cowden Clarke (trans.) A Treatise upon Modern Instrumentation and Orchestration (London: J. Alfred Novello, 1856) p. 25.
Of the violin.

George William Russell photo
Tecumseh photo

“The Muscogee was once a mighty people. The Georgians trembled at your war-whoop, and the maidens of my tribe, on the distant lakes, sung the prowess of your warriors and sighed for their embraces. Now your very blood is white; your tomahawks have no edge; your bows and arrows were buried with your fathers. Oh! Muscogees, brethren of my mother, brush from your eyelids the sleep of slavery; once more strike for vengeance; once more for your country. The spirits of the mighty dead complain. Their tears drop from the weeping skies. Let the white race perish! They seize your land, they corrupt your women, they trample on your dead! Back! whence they came, upon a trail of blood, they must be driven! Back! back — ay, into the great water whose accursed waves brought them to our shores! Burn their dwellings! Destroy their stock! Slay their wives and children! The red man owns the country, and the pale-face must never enjoy it! War now! War forever! War upon the living! War upon the dead! Dig their very corpses from the graves! Our country must give no rest to the white man's bones.”

Tecumseh (1768–1813) Native American leader of the Shawnee

Speech to the Creek people, quoted in Great Speeches by Native Americans by Robert Blaisdel. This quote appeared in J. F H. Claiborne, Life and Times of Gen. Sam Dale, the Mississippi Partisan (Harper, New York, 1860). However, historian John Sugden writes, "Claiborne's description of Tecumseh at Tuckabatchie in the alleged autobiography of the Fontiersman, Samuel Dale, however, is fraudulent. … Although they adopt the style of the first person, as in conventional autobiography, the passages dealing with Tecumseh were largely based upon published sources, including McKenney, Pickett and Drake's Life of Tecumseh. The story is cast in the exaggerated and sensational language of the dime novelist, with embellishments more likely supplied by Claiborne than Dale, and the speech put into Tecumseh's mouth is not only unhistorical (it has the British in Detroit!) but similar to ones the author concocted for other Indians in different circumstances." Sugden also finds it "unreliable" and "bogus." Sugden, John. "Early Pan-Indianism; Tecumseh’s Tour of the Indian Country, 1811-1812." American Indian Quarterly 10, no. 4 (1986): 273–304. doi:10.2307/1183838.
Misattributed, "Let the White Race Perish" (October 1811)

Joanna Newsom photo
Letitia Elizabeth Landon photo

“Oh, who—reposed on some fond breast,
Love's own delicious place of rest—
Reading faith in the watching eyes,
Feeling the heart beat with its sighs,
Could know regrets, or doubts, or cares,
That we had bound our fate with theirs!”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Sisters from The London Literary Gazette: 13th March 1824 Metrical Tales - Tale III.
The Vow of the Peacock (1835)

John Keats photo

“Nought but a lovely sighing of the wind
Along the reedy stream; a half-heard strain,
Full of sweet desolation—balmy pain.”

John Keats (1795–1821) English Romantic poet

I stood tip-toe upon a little Hill; reported in Bartlett's Familiar Quotations, 10th ed. (1919)

Letitia Elizabeth Landon photo

“Oh! never should a woman's words be more
Than sighs which have found utterance.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

(5th June 1825) Portraits I
The London Literary Gazette, 1825

Emily Dickinson photo
Letitia Elizabeth Landon photo
Anna Laetitia Barbauld photo
Arthur Hugh Clough photo
David Brin photo
Thomas Moore photo

“To sigh, yet feel no pain;
To weep, yet scarce know why;
To sport an hour with Beauty's chain,
Then throw it idly by.”

Thomas Moore (1779–1852) Irish poet, singer and songwriter

The Blue Stocking.
Bartlett's Familiar Quotations, 10th ed. (1919)

Edmund White photo
James Carville photo

“What I'm suggesting is, stand for yourself, be for something and the hell with it. Because the hand-wringers and the editorialists and the sigh-and-pontificate crowd will be against you, whatever you do.”

James Carville (1944) political writer, consultant and United States Marine

March 11, 2002, interview with Joan Walsh http://dir.salon.com/people/feature/2002/03/11/carville/print.html

George Chapman photo
H. Rider Haggard photo

“I looked down the long lines of waving black plumes and stern faces beneath them, and sighed to think that within one short hour most, if not all, of those magnificent veteran warriors, not a man of whom was under forty years of age, would be laid dead or dying in the dust. It could not be otherwise; they were being condemned, with that wise recklessness of human life which marks the great general, and often saves his forces and attains his ends, to certain slaughter, in order to give their cause and the remainder of the army a chance of success. They were foredoomed to die, and they knew the truth. It was to be their task to engage regiment after regiment of Twala’s army on the narrow strip of green beneath us, till they were exterminated or till the wings found a favourable opportunity for their onslaught. And yet they never hesitated, nor could I detect a sign of fear upon the face of a single warrior. There they were—going to certain death, about to quit the blessed light of day for ever, and yet able to contemplate their doom without a tremor. Even at that moment I could not help contrasting their state of mind with my own, which was far from comfortable, and breathing a sigh of envy and admiration. Never before had I seen such an absolute devotion to the idea of duty, and such a complete indifference to its bitter fruits.”

Source: King Solomon's Mines (1885), Chapter 14, "The Last Stand of the Greys"

A.E. Housman photo
Iain Banks photo

“Well, he sighed to no one in particular, and looked up into yet another alien sky. Here we are again.”

Source: Culture series, Use of Weapons (1990), Chapter Six (p. 178).

Machado de Assis photo

“Life…is an enormous lottery: the prizes are few, the failures innumerable. Out of the sighs of one generation are kneaded the hopes of the next. That's life.”

Machado de Assis (1839–1908) Brazilian writer

A vida...é uma enorme loteria; os prêmios são poucos, os malogrados inúmeros, e com os suspiros de uma geração é que se amassam as esperanças de outra. Isto é a vida.
"Teoria do medalhão" (1881), first collected in Papéis avulses (1882); Jack Schmitt and Lorie Ishimatsu (trans.) The Devil's Church, and Other Stories (London: Grafton, 1987) p. 113.

William Henry Davies photo
Arundhati Roy photo
Letitia Elizabeth Landon photo
Edwin Arnold photo
James Montgomery photo

“Prayer is the burden of a sigh,
The falling of a tear,
The upward glancing of an eye
When none but God is near.”

James Montgomery (1771–1854) British editor, hymn writer, and poet

What is Prayer?
Bartlett's Familiar Quotations, 10th ed. (1919).

David Bowie photo

“Pushing through the market square, so many mothers sighing
News had just come over, we had five years left to cry in.
News guy wept and told us, earth was really dying
Cried so much his face was wet, then I knew he was not lying.”

David Bowie (1947–2016) British musician, actor, record producer and arranger

Five Years
Song lyrics, The Rise and Fall of Ziggy Stardust and the Spiders from Mars (1972)

Patrick Rothfuss photo
Letitia Elizabeth Landon photo

“I sighed in and I groaned out, so as to melt a certain pain around my heart. A steel ring like arthritis, at my age.”

Grace Paley (1922–2007) American writer and activist

"An Interest in Life" (1959)

Francesco Petrarca photo

“You who hear in scattered rhymes the sound of those sighs with which I nourished my heart during my first youthful error, when I was in part another man from what I am now.”

Voi ch'ascoltate in rime sparse il suono
di quei sospiri ond'io nudriva 'l core
in sul mio primo giovenile errore
quand'era in parte altr'uom da quel ch'i' sono.
Canzone 1, opening lines
Il Canzoniere (c. 1351–1353), To Laura in Life

Richard Rodríguez photo
Aldo Leopold photo

“The drama of the sky dance is enacted nightly on hundreds of farms, the owners of which sigh for entertainment, but harbor the illusion that it is to be sought in theaters. They live on the land, but not by the land.”

“April: Sky Dance”, p. 34.
A Sand County Almanac, 1949, "April: Come High Water," "April: Draba," "April: Bur Oak," & "April:Sky Dance"

William Wordsworth photo

“Often have I sighed to measure
By myself a lonely pleasure,—
Sighed to think I read a book,
Only read, perhaps, by me.”

William Wordsworth (1770–1850) English Romantic poet

To the Small Celandine.
Bartlett's Familiar Quotations, 10th ed. (1919)

Gertrude Stein photo

“All the world knows how to cry but not all the world knows how to sigh. Sighing is extra.”

Gertrude Stein (1874–1946) American art collector and experimental writer of novels, poetry and plays

Mrs. Reynolds and Five Earlier Novelettes (1952) Pt. 1 (written 1940-1943)

Nicholas of Cusa photo
Mike Scott photo

“I spoke about wings
you just flew
I wondered I guessed and I tried
you just knew
I sighed
but you swooned
I saw the crescent
You saw the whole of the moon”

Mike Scott (1958) songwriter, musician

"The Whole Of The Moon"
This Is the Sea (1985)

Dante Gabriel Rossetti photo

“Gather a shell from the strewn beach
And listen at its lips: they sigh
The same desire and mystery,
The echo of the whole sea's speech.”

Dante Gabriel Rossetti (1828–1882) English poet, illustrator, painter and translator

The Sea-Limits, reported in Bartlett's Familiar Quotations, 10th ed. (1919). Compare: "I send thee a shell from the ocean-beach; But listen thou well, for my shell hath speech. Hold to thine ear / And plain thou'lt hear / Tales of ships", Charles Henry Webb, With a Nantucket Shell; The hollow sea-shell, which for years hath stood / On dusty shelves, when held against the ear / Proclaims its stormy parent, and we hear / The faint, far murmur of the breaking flood. / We hear the sea. The Sea? It is the blood / In our own veins, impetuous and near", Eugene Lee-Hamilton, Sonnet. Sea-shell Murmurs'.

Jack Vance photo
Richard Rodríguez photo
Francis Beaumont photo

“She's private to herself and best of knowledge
Whom she'll make so happy as to sigh for.”

The Knight of the Burning Pestle (c. 1607; published 1613), Act I, scene 1.

Lewis Morris (poet) photo

“The wind that sighs before the dawn
Chases the gloom of night,
The curtains of the East are drawn,
And suddenly—'t is light.”

Lewis Morris (poet) (1833–1907) Welsh poet in the English language

Le Vent de l'Esprit, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Bruno Schulz photo
Cesare Pavese photo
Letitia Elizabeth Landon photo

“Then gaze not on other eyes, Love;
Breathe not other sighs, Love;
You may find many a brighter one
Than your own rose, but there are none
So true to thee, Love.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

5th January 1822) Song ("Are other eyes beguiling, Love?"
The London Literary Gazette, 1821-1822

Luís de Camões photo
Walter Savage Landor photo
Thomas Carew photo
Steven Erikson photo
Dante Gabriel Rossetti photo

“I have been here before,
But when or how I cannot tell:
I know the grass beyond the door,
The sweet, keen smell,
The sighing sound, the lights around the shore.”

Dante Gabriel Rossetti (1828–1882) English poet, illustrator, painter and translator

Sudden Light http://www.theotherpages.org/poems/roset03.html#1, st. 1 (1881).

Oswald Chambers photo
Karen Blixen photo
Thom Yorke photo

“Open your mouth wide
A universal sigh”

Thom Yorke (1968) English musician, philanthropist and singer-songwriter

Bloom
Lyrics, The King of Limbs (2011)

Percy Bysshe Shelley photo
William Shenstone photo

“Whoe'er has traveled life's dull round,
Where'er his stages may have been,
May sigh to think he still has found
The warmest welcome, at an inn.”

William Shenstone (1714–1763) English gardener

Written at an Inn at Henley (1758), st. 6. Compare: " From thee, great God, we spring, to thee we tend,— Path, motive, guide, original, and end", Samuel Johnson, Motto to the Rambler, No. 7

Robert Burton photo

“To these crocodile tears they will add sobs, fiery sighs, and sorrowful countenance.”

Section 2, member 2, subsection 4.
The Anatomy of Melancholy (1621), Part III

George Gordon Byron photo

“Hope withering fled, and Mercy sighed farewell!”

George Gordon Byron (1788–1824) English poet and a leading figure in the Romantic movement

Canto I, stanza 9.
The Corsair (1814)

Johannes Bosboom photo

“.. how with the [Dutch] Romantic movement after 1830 also the love awakened for everything that recalled former times to the mind - including the period of the middle-ages -, and how the sigh grew from it to collect all kind of objects that reassured the taste of those times. Here too, the celebrated [Dutch romantic painter] Nuyen stood in front.”

Johannes Bosboom (1817–1891) Dutch painter

version in original Dutch (citaat van Johannes Bosboom, in Nederlands): ..hoe met de Romantische beweging na 1830 ook de liefde ontwaakte voor alles wat vroegere tijden — ook het tijdvak der middeneeuwen — voor den geest riepen en hoe daaruit de zucht ontsproot tot het verzamelen van voorwerpen, die van den smaak dier tijden getuigden. Ook hierin stond de gevierde Nuyen vooraan.
Quote of J. Bosboom, c. 1890; as cited in De Hollandsche Schilderkunst in de Negentiende Eeuw, G. H. Marius; https://ia800204.us.archive.org/31/items/dehollandschesch00mariuoft/dehollandschesch00mariuoft.pdf Martinus Nijhoff, s-'Gravenhage / The Hague, tweede druk, 1920, p. 108 translation from the original Dutch: Fons Heijnsbroek)
the studio of Bosboom was more or less a small museum, exposing his collected objects from the middle-ages
1890's

Letitia Elizabeth Landon photo

“Love may be increased with fears,
May be fanned with sighs,
Nurst by fancies, fed by doubts
But without Hope it dies!”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Love, Hope and Beauty
The Improvisatrice (1824)

George Gordon Byron photo

“Here's a sigh to those who love me,
And a smile to those who hate:
And, whatever sky's above me,
Here's a heart for every fate.”

George Gordon Byron (1788–1824) English poet and a leading figure in the Romantic movement

To Thomas Moore, st. 2.

John Ogilby photo
Edward FitzGerald photo