Quotes about sigh
page 3
The Lover’s Rock from The London Literary Gazette (5th October 1822) Poetical Sketches. 3rd series - Sketch the Fifth
The Vow of the Peacock (1835)
“Incolore sighed. “The loyalty of the systematically betrayed. Is there anything sadder?””
Source: The Iron Dragon's Daughter (1993), Chapter 21 (p. 378)
“Everard sighed, switched off his conscience, and began lying.”
Delenda Est (p. 203)
Time Patrol
"The Wanderer"
Selected Poems (1962)
“I sighed as a lover, I obeyed as a son.”
Memoirs (1796)
“Moonlighting was funny, innovative, genre-busting chaos. Also, apparently, unsustainable. Sigh.”
Ain't It Cool News interview (17 July 2003) http://www.whedon.info/Jane-Espenson-Buffy-Tv-Series.h
Allegedly said in March 1986 during the U.S. senate race. The above quotation was pieced together by a journalist from the recollection of one or more sources, and prived in the Tucson Citizen on October 27, 1986 http://www.huffingtonpost.com/2008/07/15/sources-recall-mccains-jo_n_112955.html http://www.rumromanismrebellion.net/2008/07/15/the-comedy-stylings-of-shecky-mccain/
Disputed
“Double *sigh*. _04 is going onto thousands of CDs even as we speak, so to speak.”
[199710221718.KAA24299@wall.org, 1997]
Usenet postings, 1997
Source: 1800s, Jerusalem The Emanation of The Giant Albion (c. 1803–1820), Ch. 1, plate 13, line 66 — plate 14, line 1
"The Lover Comforteth Himself with the Worthiness of his Love", line 1.
translation from the Dutch original: Fons Heijnsbroek
version in original Dutch / citaat van Paul Gabriël, in Nederlands: ..gaat stil uw gang en hebt vertrouwen in hetgeen ik U zeg, vraag nimmer hoe een ander het deed of doet, tracht de natuur te doorgronden, opserveer alles, tracht te leren zien en zoekt U zelve de gemakkelijkste weg om die weer te geven; men kan uit de natuur verschillende keuzen doen, volgt die het hart u zegt, waarvoor gij het meeste voeld.. ..zoek datgeene waar effect in zit, iets wat duidelijk iets zeggen wil.
(Gabriël raadde haar aan zowel grote studies te maken als kleine:) [en de kleine studies,] ..om in drie vloeken en een zucht, vergeeft mij die banale uitdrukking, indrukken, voorbijgaande effecten, op het doek te werpen. Opserveerd vooral goed de toon van elk voorkomend oogenblik.
2 quotes of Paul Gabriël, from his letter in 1882, to Geesje van Calcar, as cited in Geesje van Calcar. Een echte Mesdag, R. en W. Vetter; Schipluiden 2001, p. 18-22
1880's + 1890's
Source: 1900s, Our National Parks (1901), chapter 9: The Sequoia and General Grant National Parks
Source: The Man With the Iron Heart (2008), p. 56-57
“Sighing that Nature formed but one such man,
And broke the die, in molding Sheridan.”
Source: Monody on the Death of Sheridan (1816), Line 117; this can be compared to: "Natura il fece, e poi ruppe la stampa" (translated: "Nature made him, and then broke the mould"), Ariosto, Orlando Furioso, canto x, stanza 84; "The idea that Nature lost the perfect mould has been a favorite one with all song-writers and poets, and is found in the literature of all European nations", Book of English Songs, p. 28.
The Queen of Corinth (1647), Act III, sc. ii. Compare: "Weep no more, Lady! weep no more, Thy sorrow is in vain; For violets plucked, the sweetest showers Will ne'er make grow again", Thomas Percy, Reliques of Ancient English Poetry, "The Friar of Orders Gray".
The Season-Ticket, An Evening at Cork 1860 p. 1-2.
to Rosalyn Drexler
n.p.
1950 - 1971, Why Have There Been No Great Women Artists' - Rosalyn Drexler with Elaine de Kooning (1971)
C'est la vraie voix féminine de l'orchestre, voix passionnée et chaste en même temps, déchirante et douce, qui pleure et crie et se lamente, ou chante et prie et rêve, ou éclate en accents joyeux, comme nulle autre pourrait le faire.
Grand Traité d'Instrumentation et d'Orchestration Modernes (1844) http://www.hberlioz.com/Scores/BerliozTraite.html#Violon; Mary Cowden Clarke (trans.) A Treatise upon Modern Instrumentation and Orchestration (London: J. Alfred Novello, 1856) p. 25.
Of the violin.
"Thirty-three Happy Moments"
By Still Waters (1906)
Source: Drenai series, Quest for Lost Heroes, Ch. 10
Speech to the Creek people, quoted in Great Speeches by Native Americans by Robert Blaisdel. This quote appeared in J. F H. Claiborne, Life and Times of Gen. Sam Dale, the Mississippi Partisan (Harper, New York, 1860). However, historian John Sugden writes, "Claiborne's description of Tecumseh at Tuckabatchie in the alleged autobiography of the Fontiersman, Samuel Dale, however, is fraudulent. … Although they adopt the style of the first person, as in conventional autobiography, the passages dealing with Tecumseh were largely based upon published sources, including McKenney, Pickett and Drake's Life of Tecumseh. The story is cast in the exaggerated and sensational language of the dime novelist, with embellishments more likely supplied by Claiborne than Dale, and the speech put into Tecumseh's mouth is not only unhistorical (it has the British in Detroit!) but similar to ones the author concocted for other Indians in different circumstances." Sugden also finds it "unreliable" and "bogus." Sugden, John. "Early Pan-Indianism; Tecumseh’s Tour of the Indian Country, 1811-1812." American Indian Quarterly 10, no. 4 (1986): 273–304. doi:10.2307/1183838.
Misattributed, "Let the White Race Perish" (October 1811)
The Sisters from The London Literary Gazette: 13th March 1824 Metrical Tales - Tale III.
The Vow of the Peacock (1835)
Poem Sweet in her green dell http://www.bartleby.com/101/640.html
I stood tip-toe upon a little Hill; reported in Bartlett's Familiar Quotations, 10th ed. (1919)
“Oh! never should a woman's words be more
Than sighs which have found utterance.”
(5th June 1825) Portraits I
The London Literary Gazette, 1825
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 216.
Love and Reason http://whitewolf.newcastle.edu.au/words/authors/C/CloughArthurHugh/verse/poemsproseremains/lovereason.html, st. 1 (1844).
The Blue Stocking.
Bartlett's Familiar Quotations, 10th ed. (1919)
Portland and Seattle (p. 80).
States of Desire: Travels in Gay America (1980)
March 11, 2002, interview with Joan Walsh http://dir.salon.com/people/feature/2002/03/11/carville/print.html
Hymnus in noctem, line 1
The Shadow of Night (1594)
A vida...é uma enorme loteria; os prêmios são poucos, os malogrados inúmeros, e com os suspiros de uma geração é que se amassam as esperanças de outra. Isto é a vida.
"Teoria do medalhão" (1881), first collected in Papéis avulses (1882); Jack Schmitt and Lorie Ishimatsu (trans.) The Devil's Church, and Other Stories (London: Grafton, 1987) p. 113.
To His Wife (c. 100 BC); written when Su Wu was called to battle against the Hsiung-nu; on parting from his wife.
Translated by Arthur Waley, in A Hundred and Seventy Chinese Poems (1918), p. 73
What is Prayer?
Bartlett's Familiar Quotations, 10th ed. (1919).
Five Years
Song lyrics, The Rise and Fall of Ziggy Stardust and the Spiders from Mars (1972)
Roland's Tower
The Improvisatrice (1824)
"An Interest in Life" (1959)
Envoy on Excursion
Historia naturalis bulgarica 4: 10 - 15.
To the Small Celandine.
Bartlett's Familiar Quotations, 10th ed. (1919)
“All the world knows how to cry but not all the world knows how to sigh. Sighing is extra.”
Mrs. Reynolds and Five Earlier Novelettes (1952) Pt. 1 (written 1940-1943)
De Pace Fidei (The Peace of Faith) (1453)
The Sea-Limits, reported in Bartlett's Familiar Quotations, 10th ed. (1919). Compare: "I send thee a shell from the ocean-beach; But listen thou well, for my shell hath speech. Hold to thine ear / And plain thou'lt hear / Tales of ships", Charles Henry Webb, With a Nantucket Shell; The hollow sea-shell, which for years hath stood / On dusty shelves, when held against the ear / Proclaims its stormy parent, and we hear / The faint, far murmur of the breaking flood. / We hear the sea. The Sea? It is the blood / In our own veins, impetuous and near", Eugene Lee-Hamilton, Sonnet. Sea-shell Murmurs'.
Brown : The Last Discovery of America (2003)
“She's private to herself and best of knowledge
Whom she'll make so happy as to sigh for.”
The Knight of the Burning Pestle (c. 1607; published 1613), Act I, scene 1.
Le Vent de l'Esprit, reported in Bartlett's Familiar Quotations, 10th ed. (1919).
“The Book” http://www.schulzian.net/translation/sanatorium/book1.htm
His father, Books
Source: The moon and the bonfire (1950), Chapter XXIII, p. 133
5th January 1822) Song ("Are other eyes beguiling, Love?"
The London Literary Gazette, 1821-1822
Stanza 60, lines 1–4 (tr. William Julius Mickle)-->
Epic poetry, Os Lusíadas (1572), Canto V
"Quotations".
Sketches from Life (1846)
"On Sight Of A Gentlewoman's Face In The Water".
Carew's Poems
Sudden Light http://www.theotherpages.org/poems/roset03.html#1, st. 1 (1881).
“Open your mouth wide
A universal sigh”
Bloom
Lyrics, The King of Limbs (2011)
Written at an Inn at Henley (1758), st. 6. Compare: " From thee, great God, we spring, to thee we tend,— Path, motive, guide, original, and end", Samuel Johnson, Motto to the Rambler, No. 7
“To these crocodile tears they will add sobs, fiery sighs, and sorrowful countenance.”
Section 2, member 2, subsection 4.
The Anatomy of Melancholy (1621), Part III
“Hope withering fled, and Mercy sighed farewell!”
Canto I, stanza 9.
The Corsair (1814)
version in original Dutch (citaat van Johannes Bosboom, in Nederlands): ..hoe met de Romantische beweging na 1830 ook de liefde ontwaakte voor alles wat vroegere tijden — ook het tijdvak der middeneeuwen — voor den geest riepen en hoe daaruit de zucht ontsproot tot het verzamelen van voorwerpen, die van den smaak dier tijden getuigden. Ook hierin stond de gevierde Nuyen vooraan.
Quote of J. Bosboom, c. 1890; as cited in De Hollandsche Schilderkunst in de Negentiende Eeuw, G. H. Marius; https://ia800204.us.archive.org/31/items/dehollandschesch00mariuoft/dehollandschesch00mariuoft.pdf Martinus Nijhoff, s-'Gravenhage / The Hague, tweede druk, 1920, p. 108 translation from the original Dutch: Fons Heijnsbroek)
the studio of Bosboom was more or less a small museum, exposing his collected objects from the middle-ages
1890's
Love, Hope and Beauty
The Improvisatrice (1824)
To Thomas Moore, st. 2.