Quotes about sigh
page 4
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 574.
Part Five “Revels”, Chapter iv “Allegiances”, Section 1 (p. 210)
(1987), BOOK TWO: THE FUGUE
“One sweet whisper from her came;
And he drank to catch her breath, —
Wine and sigh alike are death!”
(1836-3) (Vol.48) Subjects for Pictures. Second Series. II. A Supper of Madame de Brinvilliers
The Monthly Magazine
Harsh Narain, Myths of Composite Culture and Equality of Religions (1990)
“When trouble haunts me, need I sigh?
No, rather smile away despair;”
"The Stranger"
Poems Chiefly from Manuscript
“I saw them come towards us, deeply sighing,
Their gaze averted, of all hope devoid.”
Veniano sospirando, e gli occhi bassi
Parean tener d'ogni baldanza privi.
Canto III, stanza 61 (tr. B. Reynolds)
Orlando Furioso (1532)
The convict Ship.
“The sigh that rends thy constant heart
Shall break thy Edwin's too.”
Source: The Vicar of Wakefield (1766), Ch. 8, The Hermit (Edwin and Angelina), st. 33.
“With deep sighs and tears, he burst forth into the following complaint: – "O irreversible decrees of the Fates, that never swerve from your stated course! why did you ever advance me to an unstable felicity, since the punishment of lost happiness is greater than the sense of present misery?"”
In hec verba cum fletu et singultu prupit. "O irrevocabilia seria fatorum quae solito cursu fixum iter tenditis cur unquam me ad instabilem felicitatem promovere volvistis cum maior pena sit ipsam amissam recolere quam sequentis infelicitatis presentia urgeri."
Bk. 2, ch. 12; p. 117.
Historia Regum Britanniae (History of the Kings of Britain)
Better Place to Be
Song lyrics, Sniper and Other Love Songs (1972)
The Nuts of Knowledge (1903)
Canto II, XII
The Fate of Adelaide (1821)
No fundo da China existe um mandarim mais rico que todos os reis de que a fábula ou a história contam. Dele nada conheces, nem o nome, nem o semblante, nem a seda de que se veste. Para que tu herdes os seus cabedais infindáveis, basta que toques essa campainha, posta a teu lado, sobre um livro. Ele soltará apenas um suspiro, nesses confins da Mongólia. Será então um cadáver: e tu verás a teus pés mais ouro do que pode sonhar a ambição de um avaro. Tu, que me lês e és um homem mortal, tocarás tu a campainha?
O Mandarim ("The Mandarin", 1880), trans. Margaret Jull Costa, Ch. 1.
Gravity's Rainbow (1973)
The Sixties, 1966 entry.
The Journals of John Cheever (1991)
"A Large Number"
Poems New and Collected (1998), A Large Number (1976)
Diary entry (18 August 1908), quoted in The Later Years of Thomas Hardy (1930), by Florence Emily Hardy, ch. 10, p. 133
Source: Buying a Fishing Rod for My Grandfather (2005), p. 100
Source: The Riverworld series, To Your Scattered Bodies Go (1971), Chapter 23 (p. 179)
The Yeomen of the Guard (1888)
Stanza 87, lines 5–8 (as translated by William Julius Mickle)-->
Epic poetry, Os Lusíadas (1572), Canto IV
Part Three “The Exiles”, Chapter ii “Walking in the Dark” (p. 123)
(1987), BOOK ONE: IN THE KINGDOM OF THE CUCKOO
Song, "The Little Red Lark".
Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 444.
"To the Oak Tree" [ 致橡树 https://www.youtube.com/watch?v=APZjf9K6KX0, Zhi xiangshu] (27 March 1977), in The Red Azalea: Chinese Poetry Since the Cultural Revolution, ed. Edward Morin, trans. Fang Dai and Dennis Ding (University of Hawaii Press, 1990), ISBN 978-0824813208, pp. 102–103.
"The Devil’s Advice to Story-tellers," lines 19–22, from Collected Poems 1938 (1938).
Poems
Meditation on a Broomstick (1703–1710)
"The Pale Pink Roast" (1959)
Act I, sc. iii.
Tis Pity She's a Whore (1629-33?)
"Let Us Now Phone Famous Men".
The Sanity Inspector (1974)
“So great was the extremity of his pain and anguish that he did not only sigh but roar.”
Job 3.
Commentaries
Source: Wagers of Sin (1996), Chapter 21 (p. 430)
Why thus longing?, reported in Bartlett's Familiar Quotations, 10th ed. (1919).
Ballads Of Four Seasons: Summer (子夜四时歌 夏歌)
" The Need of Being Versed in Country Things http://www.poemhunter.com/poem/need-of-being-versed-in-country-things-the/"
1920s
24th December 1825) Metrical Fragments - No.1 Anecdote of Canova (under the pen name Iole
The London Literary Gazette, 1825
"Spring and Fall", lines 5-9
Wessex Poems and Other Verses (1918)
Gebir, Book I (1798). It is reported that "these lines were specially singled out for admiration by Shelley, Humphrey Davy, Scott, and many remarkable men"; Bartlett's Familiar Quotations, 10th ed. (1919), citing Forster, Life of Landor, vol. i. p. 95.
“Implores the passing tribute of a sigh.”
St. 20
Elegy Written in a Country Churchyard http://www.thomasgray.org/cgi-bin/display.cgi?text=elcc (written 1750, publ. 1751)
Myths of Composite Culture and Equality of Religions (1990)
Harsh Narain, Myths of Composite Culture and Equality of Religions (1990)
Elegy, p. 60
Anthology of Georgian Poetry (1948)
Jacob Black and Bella Swan, pp. 599-600
Twilight series, Eclipse (2007)
“To sigh, yet not recede; to grieve, yet not repent.”
Book iii, "Boys at School". Compare: To sigh, yet feel no pain", Thomas Moore The Blue Stocking.
Tales of the Hall (1819)
The Rubaiyat (1120)
But the desert is filled with the spirit of non-objective feeling.. ..which penetrates everything.
In 'The Non-Objective World: The Manifesto of Suprematism', 1926; trans. Howard Dearstyne [Dover, 2003, ISBN 0-486-42974-1], 'part II: Suprematism', p. 68
1921 - 1930
Source: Quotes from secondary sources, Dictionary of Burning Words of Brilliant Writers, 1895, P. 81.
and will still, like now, be afraid of death and not want to die.
Act II
The Three Sisters (1901)
Night — Goodbye!
Youth, A Narrative http://www.gutenberg.org/files/525/525.txt (1902)
"Irreverent Heart"
Rhymes for the Irreverent (1965)
Context: My heart is like the willow
That bends, but never breaks.
It sighs when summer jilts her,
It sings when April wakes. So you, who come a-smiling
With summer in your eyes,
Think not that your beguiling
Will take me by surprise. My heart's prepared for aching
The moment you take wing.
But not, my friend, for breaking
While there's another spring.
“Barricaded vision,
Garbed herself in sighs;
Ridiculed the birthmarks
Of the butterflies.”
"The Vestal" <!-- p. 15 -->
The Janitor's Boy And Other Poems (1924)
Context: p>Once a pallid Vestal
Doubted truth in blue;
Listed red in ruin,
Harried every hue;Barricaded vision,
Garbed herself in sighs;
Ridiculed the birthmarks
Of the butterflies.</p
“Snail, snail, glister me forward,
Bird, soft-sigh me home,
Worm, be with me.
This is my hard time.”
"The Lost Son," ll. 8-11
The Lost Son and Other Poems (1948)
Context: I shook the softening chalk of my bones,
Saying,
Snail, snail, glister me forward,
Bird, soft-sigh me home,
Worm, be with me.
This is my hard time.
Heimsljós (World Light) (1940), Book One: The Revelation of the Deity
Context: He was not quite nine years old, in fact, when he began to have spiritual experiences... he felt he saw God's image open before him. He felt the deity reveal itself in Nature in an inexpressible music, the sonic revelation of the deity; and before he knew it, he himself had become a trembling voice in a celestial chorus of glory. His soul seemed to be rising out of his body like frothing milk brimming over the edge of a basin; it was as if his soul were flowing into an unfathomable ocean of higher life, beyond words, beyond all perception, his body suffused by some surging light that was beyond all light. Sighing, he became aware of his own insignificance in the midst of this infinite chorus glory and radiance; his whole consciousness dissolved into one sacred, tearful yearning to be allowed to be one with the Highest and be no longer any part of himself. He lay for a long time on the sand or on the grass, and wept tears of deep and fervent happiness, face to face with the inexpressible. "God, God, God!" he cried, trembling with love and reverence, and kissed the ground and dug his fingers into the turf.
"The Symbols"
The Janitor's Boy And Other Poems (1924)
Context: p>The sign work of the Orient it runneth up and down;
The Talmud stalks from right to left, a rabbi in a gown;The Roman rolls from left to right from Maytime unto May;
But the gods shake up their symbols in an absent-minded way.Their language runs to circles like the language of the eyes,
Emphasised by strange dilations with little panting sighs.</p
"Crucifixion" http://web.cecs.pdx.edu/~trent/ochs/lyrics/crucifixion.html
Pleasures of the Harbor (1967)
Context: In the green fields a turnin', a baby is born
His cries crease the wind and mingle with the morn
An assault upon the order, the changing of the guard
Chosen for a challenge that is hopelessly hard
And the only single sound is the sighing of the stars
But to the silence and distance they are sworn.
Poems by Currer, Ellis, and Acton Bell (1846), To Cowper (1842)
Context: p>All for myself the sigh would swell,
The tear of anguish start;
I little knew what wilder woe
Had filled the Poet's heart.I did not know the nights of gloom,
The days of misery;
The long, long years of dark despair,
That crushed and tortured thee.</p
Philip Hammond on Brexit: Prioritise jobs and living standards https://www.bbc.co.uk/news/uk-politics-40339331, BBC News, 20 June 2017
2017
Vol. I, Letter 1
Letters That Have Helped Me (1891)
Masterpieces of Patriotic Urdu Poetry, p. 101
Poetry, custodians of civilization