Gerard Manley Hopkins (1844–1889) English poet
"Spring and Fall", lines 5-9
Wessex Poems and Other Verses (1918)
The Blue Stocking.
Bartlett's Familiar Quotations, 10th ed. (1919)
Gerard Manley Hopkins (1844–1889) English poet
"Spring and Fall", lines 5-9
Wessex Poems and Other Verses (1918)
Plutarch (46–127) ancient Greek historian and philosopher
Which are the most crafty, Water or Land Animals?, 7
Bartlett's Familiar Quotations, 10th ed. (1919)
“This beauty's kinder, yet for a reason
I could weep that the old is out of season”
W.B. Yeats (1865–1939) Irish poet and playwright
The Arrow http://poetry.poetryx.com/poems/1590/ <br class="br">In The Seven Woods (1904) <br class="br">Context: I thought of your beauty, and this arrow,<br>Made out of a wild thought, is in my marrow.<br>There's no man may look upon her, no man,<br>As when newly grown to be a woman,<br>Tall and noble but with face and bosom<br>Delicate in colour as apple blossom.<br>This beauty's kinder, yet for a reason<br>I could weep that the old is out of season.
“To sigh, yet not recede; to grieve, yet not repent.”
George Crabbe (1754–1832) English poet, surgeon, and clergyman
Book iii, "Boys at School". Compare: To sigh, yet feel no pain", Thomas Moore The Blue Stocking.
Tales of the Hall (1819)
Theodore Roethke (1908–1963) American poet
"The Sententious Man," ll. 31-36
Words for the Wind (1958)
“With everything in me screaming No! yet the sum of me sighed Yes.”
James Baldwin book Giovanni's Room
Source: Giovanni's Room
Hector Berlioz (1803–1869) French Romantic composer
C'est la vraie voix féminine de l'orchestre, voix passionnée et chaste en même temps, déchirante et douce, qui pleure et crie et se lamente, ou chante et prie et rêve, ou éclate en accents joyeux, comme nulle autre pourrait le faire. <br class="br">Grand Traité d'Instrumentation et d'Orchestration Modernes (1844) http://www.hberlioz.com/Scores/BerliozTraite.html#Violon; Mary Cowden Clarke (trans.) A Treatise upon Modern Instrumentation and Orchestration (London: J. Alfred Novello, 1856) p. 25. <br class="br">Of the violin.
“In order to stay clear of pain, we must know and know why we feel best while having pain.”
Eugene J. Martin (1938–2005) American artist
Annotated Drawings by Eugene J. Martin: 1977-1978