Quotes about shape (1628 quotes, page 10)

“We do, as a new Government, have to be extremely careful after 18 years in opposition. A lot of people who worked for us, they then go on and work for the lobby firms. I think we have to be very careful with people fluttering around the new Government, trying to make all sorts of claims of influence, that we are purer than pure, that people understand that we will not have any truck with anything that is improper in any shape or form at all.”

Tony Blair (1953) former Prime Minister of the United Kingdom

David Hughes, "'Don't flutter around us' Blair warns lobbyists", Daily Mail, 8 July 1998, p. 2.
After a scandal about lobbying and access; this statement is often misremembered as "whiter than white".
1990s

People , Understanding , Thinking

“The European Union is not, in fact, a union at all, but a continent-wide political coup. What began as a common market has now metamorphosed by stealth into a supranational political dictatorship, a parasitical organism living on the backs of the European nation states, sucking their lifeblood and slowly killing them off; a bureaucratic tyranny that wants to "harmonize" out of existence the national identities that have made Europe a continent of genuine diversity and a cultural crucible whose values have shaped the entire western world. But they want to put a stop to all that in the European Union of Soviet Socialist Republics, and this is why European laws are never enacted in response to any kind of organic need in society, but as top-down directives intended to impose indiscriminate uniformity for its own sake.”

Pat Condell (1949) Stand-up comedian, writer, and Internet personality

"Europe needs a revolution" (25 August 2011) http://youtube.com/watch?v=s3u9LB32YYM
2011

World , Law

“The dominant social thought shapes the institutionalized order of society… and the malfunctioning of established institutions in turn alters social thought.”

Theodore Schultz (1902–1998) American economist

Theodore W. Schultz (1977) In: Cambridge University Marshall Lecture – Development and Transition: Idea, Strategy, and Viability, Justin Yifu Lin, PDF http://www.eaber.org/intranet/documents/41/1822/CCER_Lin_2007.pdf,

“Oh, God! it is a fearful thing
To see the human soul take wing
In any shape, in any mood.”

George Gordon Byron The Prisoner of Chillon

The Prisoner of Chillon, st. 8.

God , Fear , Soul , Mood

“If I commit suicide, it will not be to destroy myself but to put myself back together again. Suicide will be for me only one means of violently reconquering myself, of brutally invading my being, of anticipating the unpredictable approaches of God. By suicide, I reintroduce my design in nature, I shall for the first time give things the shape of my will.”

Antonin Artaud (1896–1948) French-Occitanian poet, playwright, actor and theatre director

Si je me tue ce ne sera pas pour me détruire, mais pour me reconstituer, le suicide ne sera pour moi qu’un moyen de me reconquérir violemment, de faire brutalement irruption dans mon être, de devancer l’avance incertaine de Dieu. Par le suicide, je réintroduis mon dessin dans la nature, je donne pour la première fois aux choses la forme de ma volonté.
“On Suicide,” no. 1, Le Disque Vert (1925).

God , Nature , Suicide , Time

“Throughout the years in which the US was punishing countries that departed from fiscal prudence, it was borrowing on a colossal scale to finance tax cuts and fund its over-stretched military commitments. Now, with federal finances critically dependent on continuing large inflows of foreign capital, it will be the countries that spurned the American model of capitalism that will shape America's economic future.”

John Gray (1948) British philosopher

A shattering moment in America's fall from power (2008)

Future , Dependency , Country

“Nothing is so self-sabotaging as having your actions not reflect your goals. Your life is always just waiting for permission to go where you want it to go … to be shaped how you want it to be shaped.”

Steve Maraboli (1975)

Source: Life, the Truth, and Being Free (2010), p. 38

Life , Waiting

“I'm a fountain of blood in the shape of a girl
...
leave me now return tonight
tide will show you the way
if you forget my name you will go astray like a killer whale trapped in a bay”

Björk (1965) Icelandic singer-songwriter

"Bachelorette" (Homogenic; 1997)
Songs

Way , Girl , Forgetting

“Poetry is a langage with a shape”

Michael Schmidt (poet) (1947) American poet

Lives of the Poets, Phoenix, 1988

“The market does not exist in the pure state. It is shaped by the cultural configurations which define it and give it direction.”

Pope Benedict XVI (1927) 265th Pope of the Catholic Church

2009, Cartias in Vertitate (29 June 2009)

“The respondents in this case insist that a difficult question of public policy must be taken from the reach of the voters, and thus removed from the realm of public discussion, dialogue, and debate in an election campaign. Quite in addition to the serious First Amendment implications of that position with respect to any particular election, it is inconsistent with the underlying premises of a responsible, functioning democracy. One of those premises is that a democracy has the capacity—and the duty—to learn from its past mistakes; to discover and confront persisting biases; and by respectful, rationale deliberation to rise above those flaws and injustices. That process is impeded, not advanced, by court decrees based on the proposition that the public cannot have the requisite repose to discuss certain issues. It is demeaning to the democratic process to presume that the voters are not capable of deciding an issue of this sensitivity on decent and rational grounds. The process of public discourse and political debate should not be foreclosed even if there is a risk that during a public campaign there will be those, on both sides, who seek to use racial division and discord to their own political advantage. An informed public can, and must, rise above this. The idea of democracy is that it can, and must, mature. Freedom embraces the right, indeed the duty, to engage in a rational, civic discourse in order to determine how best to form a consensus to shape the destiny of the Nation and its people.”

Anthony Kennedy (1936) Associate Justice of the Supreme Court of the United States

Schuette v. Coalition to Defend Affirmative Action, 572 U. S. ____, (2016), plurality opinion.

People , Democracy , Idea , Question

“If now I…say "Stealing money is wrong," I produce a sentence which has no factual meaning — that is, expresses no proposition which can be either true or false. It is as if I had written "Stealing money!!" — where the shape and thickness of the exclamation marks show, by a suitable convention, that a special sort of moral disapproval is the feeling which is being expressed.”

Alfred Jules Ayer book Language, Truth, and Logic

Source: Language, Truth, and Logic (1936), p. 107.

Money , Feeling , Falseness

“It's wrong, my friend, to send any stranger packing—
even one who arrives in worse shape than you.
Every stranger and beggar comes from Zeus
and whatever scrap they get from the likes of us,
they'll find it welcome.”

Homér The Odyssey (Cowper)

XIV. 56–59 (tr. Robert Fagles).
Odyssey (c. 725 BC)

“The habits of study acquired at Universities are of the highest importance in after-life. At the season when you are in young years the whole mind is, as it were, fluid, and is capable of forming itself into any shape that the owner of the mind pleases to order it to form itself into. The mind is in a fluid state, but it hardens up gradually to the consistency of rock or iron, and you cannot alter the habits of an old man, but as he has begun he will proceed and go on to the last.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1860s, On The Choice Of Books (1866)

Life , Study , Universe , Season

“He now set down all the communications apparatus, rose stiffly from the chair and momentarily stood facing the misty, immobile, icebound shape of Joe Chip resting within its transparent plastic casket. Upright and silent, as it would be for the rest of eternity.”

Philip K. Dick book Ubik

Source: Ubik (1969), Chapter 14 (p. 189)

Communication

“I am Joss Stone and I am a vegetarian. I'm a singer, a songwriter, a performer and a human being accepting of all sizes, shapes, colours and species.”

Joss Stone (1987) English singer and actress

Said in a magazine advert http://www.peta2.com/wp-content/uploads/2012/01/Joss-Stone-Veg-peta2-Ad.jpg for PETA, pictured with a speckled hen. Quoted in "Soul diva Stone in veggie ad", in Mirror.co.uk (15 March 2007) http://www.mirror.co.uk/news/uk-news/soul-diva-stone-in-veggie-ad-458507.

“It's great to be hosting SNL again. I hosted sixteen years ago. Back then I was in great shape, I was coming off an MVP season with the Phoenix Suns - now, I play bad golf, drink, sometimes I get arrested.”

Charles Barkley (1963) American basketball player

From Saturday Night Live, January 9, 2010

Drink , Sun , Season

“The materials of the first temple were made ready in solitude. Those of the last also must be shaped in retirement; in the silence of the heart; in the quietness of home; in the practice of unostentatious duty.”

Henry Giles (1809–1882) Irish minister

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 45.

Home , Solitude , Silence , Heart

“I have received your critical essay [of C. L. Ragghianti who visited Morandi's studio frequently and watched him painting] for the catalogue of the Mattioli collection. I must confess that I am not a little disturbed by what you say. I shall say no more. My own desire is to continue to live with a little peace, which is the only thing that still allows me to work. I am sure I am worth much less than what you say. Not out of modesty, believe me. I only wish it were as you say. If you could, please avoid the comparison with Picasso. Furthermore I must point out an error of fact where you say on p. 4 that 'for those who might not know, Morandi draws, tries out plans of his compositions, etc.., etc..' – and you have had the occasion to see the plans of objects on my table. This only serves to immediately recover my position when I reassemble a composition. Nothing more. Another thing…. [tracing the shape of his feet on the floor]…. it's to mark a reference for re-establishing the point of view. Think about this, then. I am grateful for your concern, but believe me when I say it leaves me ill at ease.”

Giorgio Morandi (1890–1964) Italian painter

from his letter of 6 April 1953; as quoted in Morandi 1894 – 1964, ed: M. C. Bandera & R. Miracco, Museo d'Arte Moderna di Bologna, 2008; p. 44
1945 - 1964

Peace , Error , Thinking , Drawing

“The meaning of a word — to me — is not as exact as the meaning of a colour. Colours and shapes make a more definite statement than words. I write this [1974] because such odd things have been done about me with words. I have often been told what to paint … I make this effort because no one else can know how my paintings happen.”

Georgia O'Keeffe (1887–1986) American artist

Quote, 1914, from: Foreword
1970s, Some Memories of Drawings (1976)

Effort , Painting

“We meet here to express our deep resentment at the claim made by South Africa though its governments and parliaments since the union, to determine and shape our destiny without consulting our wishes, and arrogantly to assign us a position of permanent inferiority in our land, contrary to the plan and purpose of God our Creator, who created "all men equal." And into us too, not to whites only, He breathed the divine spirit of human dignity. And so we have every human and moral right to resist laws and policies which create a climate inimical to the full development of our personalities as individuals, and our development as a people.”

Albert Lutuli (1898–1967) South African politician

July 11, 1954.
Resist apartheid! (1954)

Men , God , People , Law

“Indeed, we are face to face with a strange kind of Sikhism. The Sikh Gurus had worked and fought for the resurgence of Hinduism but now we are told that this resurgence is precisely the cause of Sikh uneasiness. Guru Govind Singh started sending Sikh Gyanis to Varanasi to learn Sanskrit and to study the Epics, the Puranas and other classics to understand the Adi Granth itself, but the neo-Akali ideologues find Sanskrit and these classics objectionable. Maharaja Ranjit Singh banned cow-killing in his kingdom and a hundred Sikhs were blown to smithereens by the British because they stood for cow-protection, but now it is an anathema to secularist Akali scholars. The fact is that it is not the old Sikhism of the Gurus but a new version of it which has been taking shape under the impact of very different ideological and political forces that we are meeting. This neo-Akalism is a child of self-alienation and spiritual illiteracy and it, is at odd not only with Hinduism but for that very reason with Sikhism itself.”

Ram Swarup (1920–1998) Indian historian

Quoted from the preface by Ram Swarup in Gurbachan, S. T. S., & Swarup, R. (1991). Muslim League attack on Sikhs and Hindus in the Punjab 1947.

Understanding , Study , Learning

“Artists have never worked with the model – just with the painting. What you [G. R. Swenson, the interviewer] are really saying is that an artist like Cézanne transforms what we think the painting ought to look like into something he thinks it ought to look like. He’s working with paint, not nature; he’s making a painting, he's forming. I think my work is different from comic strips – but I wouldn't call it transformation; I don't think that whatever is meant by it is important to art. What I do is form, whereas the comic strip is not formed in the sense I’m using the word; the comics have shapes but there has been no effort to make them intensely unified. The purpose is different, one intends to depict and I intend to unify.”

Roy Lichtenstein (1923–1997) American pop artist

Source: 1960's, What is Pop Art? Interviews with eight painters' (1963), pp. 25-27

Art , Nature , Thinking , Sense

“Ideas change the world, but they do it by assuming shape, they do it by taking concrete form.”

Stanley Knowles (1908–1997) Canadian politician

Source: The New Party - (1961), Chapter 6, Structure, p. 60

World , Idea , Change

“Like the postcard collages, the colors are shapes in a landscape. In this case [his collage 'Napoleon at Würtsburg'] it is a painting of a landscape, not a photo as in the postcards [collages], and therefore a contrast of the traditional painting and a presentation of literal space on top of depicted space.”

Ellsworth Kelly (1923–2015) American painter, sculptor, and printmaker

1981 - 2008
Source: 'Kelly in conversation, summers 1985 and 1986'; ed. Diane Upright, "Ellsworth Kelly: Works on Paper", Harry N. Inc., Publishers, New York, in association with the Fort Worth Art Museum, New York, 1987 p. 21

Color , Photo , Painting

“Sometimes in his last years they’d take him out after maybe seven innings and put in Sammy Byrd or some other right fielder for defensive purposes because he was getting pretty out of shape. And we kids, we knew better, we knew the rule, but we’d yell “We want the Babe! We want the Babe!” from the seventh inning until the ninth inning. Once in a while he’d come out of the dugout and he’d lift up his cap or do something like that. We knew he couldn’t come back into the lineup, but that didn’t stop us. That’s the way we were. We loved him, and he loved us, which was very nice. A great combination. I’d see him in his great polo coat on Broadway sometimes, with his jaunty cap, and his wife and daughter walking along. He was just wonderful.”

Arnold Hano (1922) American writer

As quoted in "Bronx Banter Interview: Arnold Hano, Part I" http://www.bronxbanterblog.com/2009/09/25/bronx-banter-interview-arnold-hano/
Sports-related

Love , Way , Daughters

“My choice of colors does not rest on any scientific theory; it is based on observation, on feeling, on the very nature of each experience. I.... merely try to find a color that will fit my sensation. There is an impelling proportion of tones that can induce me to change the shape of a figure or to transform my composition. Until I have achieved this proportion in all the parts of the composition I strive towards it and keep on working. Then a moment comes when every part has found its definite relationship, and from then on it would be impossible for me to add a stroke to my picture without having to paint it all over again.”

Henri Matisse (1869–1954) French artist

Source: 1905 - 1910, Notes d'un Peintre' (Notes of a Painter) (1908), p. 412

Color , Feeling , Nature , Change

“Women watched for the spectacular performances of the men, and there can be no reasonable doubt that the presence of an audience is a very important factor in shaping the men's behavior. In fact, it is probable that the men are more exhibitionistic because the women admire their performances. Conversely, there can be no doubt that the spectacular behavior is a stimulus which summons the audience together, promoting in the women the appropriate behavior.”

Gregory Bateson (1904–1980) English anthropologist, social scientist, linguist, visual anthropologist, semiotician and cyberneticist

Bateson as cited in: David Lipset (1982) Gregory Bateson: the legacy of a scientist. p. 143

Women , Men , Behavior

“With regard to the diagonal, too, I am in complete agreement with you [with Theo van Doesburg ]. As soon as it appears together with straight [horizontal and vertical] lines, I believe it should be condemned... A while back I started a thing entirely in diamonds [diamond-shape] like this [his sketch in the letter of several diamond-forms]. I have to find out if it's possible: intellectually I'm inclined to say it is. There's something to be said for the idea, because perpendicular and flat lines can be seen everywhere in nature; by using a diagonal line I would be canceling that out. But I'm inclined to say that this cannot be combined with perpendicular and flat lines or with different kinds of slanting lines.”

Piet Mondrian (1872–1944) Peintre Néerlandais

quote about the growing controversy between Mondrian and Van Doesburg. concerning the use of diagonal lines
Source: quote from a letter of Mondrian to Theo van Doesburg, undated, c. May 1918; as cited in Mondrian, -The Art of Destruction, Carel Blotkamp, Reaktion Books LTD. London 2001, p. 120

Idea , Nature , Appearance

“I still, when I judge my own pictures (either while I'm working or after I think it's finished) determine if they work in a certain kind of space through shape or color. I think all totally abstract pictures – the best ones that really come off – Newman, Pollock, Noland – have tremendous space; perspective space despite the emphasis on flat surface. For example, in Noland a band of yellow in relation to a band of blue and one of orange can move in depth although they are married to the surface. This has become a familiar explanation, but few people really see and feel it that way.... in my work, because of color and shape a lot is read in the landscape sense..”

Helen Frankenthaler (1928–2011) American artist

Source: 1960s, Interview with Henry Geldzahler', in 'Artforum', 1965, p. 37

People , Color , Way , Feeling

“Whenever I put the headsets on now," he'd continued, "I really do understand what I find there. When those kids sing about 'She loves you,' yeah, well, you know, she does, she's any number of people, all over the world, back through time, different colors, shapes, sizes, distances from death, but she loves. And the 'you' is everybody. And herself.”

Thomas Pynchon book The Crying of Lot 49

The Crying of Lot 49 (1966)

Love , Death , People , World

“Without the values at the core of Christianity and other world religions, without moral norms that have been shaped over millennia, people will inevitably lose their human dignity.”

Vladimir Putin (1952) President of Russia, former Prime Minister

During his speech at the Valdai forum in 2013
2011 - 2015

People , World , Religion

“We have to be careful not to allow this to get any legitimacy. I’m taking this seriously in that I’m old enough to remember what happened in the 1960s when the left-wing took to the streets and somehow the media glorified them and it ended up shaping policy. We can’t allow that to happen.”

Peter T. King (1944) American politician

On Occupy Wall Street movement, Rep. Peter King Calls Occupy Wall Street Protesters 'Ragtag Mob,' 'Anarchists' http://www.huffingtonpost.com/2011/10/07/peter-king-occupy-wall-street_n_1000318.html, 2011

“Speech is our most valuable instrument, because we can make it fit our common lives. We are not born to follow words. Words follow life. It has always been so from the very beginning. In fact, the human larynx and the shape of the passages above it have evolved in harmony with the lives our earliest ancestors lived, first in the trees, and then on the ground.”

John Rupert Firth (1890–1960) English linguist

Source: The tongues of men. 1937, p. 25 (1968; 24)

Life , Tree

“If we have nothing to do but service our own pleasure – because society has taught us that's all we're worth and we're exiled from positions of authority from which we could actually shape society – then we just become hedonists. Eventually, despite how great it may look on Saturday night, come Monday morning there's just purposelessness.”

Clive Barker (1952) author, film director and visual artist

The Advocate (Feb. 21, 1995)

Pleasure , Night

“I have concentrated thus far on one aspect of achievement: the creation of a theory or theories, which in some form pass into the standard usage of economists. But with Keynes, and with other economists, theories were not the whole story. Keynes was also an applied economist using the existing body of theory in conjunction with the available facts of the world to try to shape certain outcomes, be they the international monetary system in 1931–2 or 1941–6, or the financial policy of the British Government in 1915, 1929–33 or 1940–6. And shape them he did with some success through various forms of private and public persuasion. How he did so and why he did so are also subjects for historians of economics, not to mention biographers, who may in the process of writing a biography have acquired additional perspectives.”

Donald Moggridge (1943) American economic historian

Preface
Maynard Keynes: An Economists' Biography (1992)

World , Success

“The role was very physically challenging and I am not athletic and have never wanted to be. I hate it in fact. I don't go to gyms and for me to have to stay in shape for the role became mind over matter.”

Lucy Lawless (1968) New Zealand actress

On finishing the last episode of Xena — reported in Kylie Keogh (May 31, 2001) "Xena shoots back", The Daily Telegraph, p. T05.

Hate

“Some philosophers have believed that a philosophical clarification of space also provided a solution of the problem of time. Kant presented space and time as analogous forms of visualization and treated them in a common chapter in his major epistemological work. Time therefore seems to be much less problematic since it has none of the difficulties resulting from multidimensionality. Time does not have the problem of mirror-image congruence, i. e., the problem of equal and similarly shaped figures that cannot be superimposed, a problem that has played some role in Kant's philosophy. Furthermore, time has no problem analogous to non-Euclidean geometry. In a one-dimensional schema it is impossible to distinguish between straightness and curvature. …A line may have external curvature but never an internal one, since this possibility exists only for a two-dimensional or higher continuum. Thus time lacks, because of its one-dimensionality, all those problems which have led to philosophical analysis of the problems of space.”

Hans Reichenbach (1891–1953) American philosopher

The Philosophy of Space and Time (1928, tr. 1957)

Problem , Time

“Tell all the stones we're gonna make a building…
We'll be cut into shape and set into place.
Or if you'd rather be a window, I'll gladly be the frame,
Reflecting any kind words, we'll let in all their blame…”

Aaron Weiss

Torches Together.
Catch For Us The Foxes (2004)

“What you breathe in this world may shape you.”

Lorin Morgan-Richards (1975) American poet, cartoonist, and children's writer

Shared on social media on June 19, 2018.
Quotes as Marcil d'Hirson Garron

World

“It is from numberless diverse acts of courage and belief that human history is shaped. Each time a man stands up for an ideal, or acts to improve the lot of others, or strikes out against injustice, he sends forth a tiny ripple of hope, and crossing each other from a million different centers of energy and daring those ripples build a current which can sweep down the mightiest walls of oppression and resistance.”

Robert F. Kennedy (1925–1968) American politician and brother of John F. Kennedy

Inscribed on the Robert F. Kennedy gravesite at Arlington National Cemetery
Day of Affirmation Address (1966)

Hope , History , Courage , Time

“By the structure of society, I mean the institutional and ideological presuppositions that shape the routine practices, conflicts, and transactions in that society, and that are largely taken for granted, even to the point of being invisible, as if they were part of the nature of things. In a free society, this institutional and ideological framework does not present itself as an alien fate beyond the reach of the transformative will and imagination.”

Roberto Mangabeira Unger The Religion of the Future

Source: The Religion of the Future (2014), p. 295

Fate , Imagination , Nature , Parting

“I was hardly fit for human society. Thus destiny shaped me to be a science fiction writer.”

Brian W. Aldiss (1925–2017) British science fiction author

The Twinkling of an Eye: My Life as an Englishman (1998) Unsourced variant: "Why had I become a writer in the first place? Because I wasn't fit for society; I didn't fit into the system."

Science

“There are three Powers in the world which not gods nor demons nor men can stay, against which no magic shall prevail and no might shall stand, and they are the White Christ, Time, and Love.
From the first you may await only thwarting of your desire, and you must be careful that He and His in no way enter the struggle. This you can do by remembering that Heaven leaves lesser beings their free will, and thus does not force them into its own ways; even the miracles have done no more than leave open a possibility to men.
The second, which has more names than I myself—Fate, Destiny, Law, Wyrd, the Norns, Necessity, Brahm, and others beyond counting—is not to be appealed to, for it does not hear. Nor can you hope to understand how it exists together with the freedom whereof I spoke, any more than you can understand how there are both old gods and new. But for the wreaking of the greatest spells, you must ponder on this until you know in your inmost being that truth is a thing which bears as many shapes as there are minds which strive to see it.
And the third of the Powers is a mortal thing, therefore it can harm as well as help, and this is the one you must use.”

Poul Anderson book The Broken Sword

Source: The Broken Sword (1954), Chapter 6 (pp. 26-27)

Love , Men , God , Fate

“…the stereographic projection of the spherical surface. From the north pole P we draw radial lines to project every point of the surface of the sphere upon the horizontal plane [below, perpendicular to a line joining it to P and the sphere's center]. In general this transformation is unique and continuous, although the metrical relations are distorted; for the point P, however, it shows a singularity. Point P is mapped upon the infinite; i. e., no finitely located point of the plane corresponds to it. It can be shown that every transformation possesses a singularity in at least one point. The surface of the sphere is therefore called topologically different from the plane. Only a "sphere without a north pole" [point] would be topologically equivalent to a plane. …such a sphere has a point-shaped hole without a boundary and is no longer a closed surface.”

Hans Reichenbach (1891–1953) American philosopher

The Philosophy of Space and Time (1928, tr. 1957)

Drawing

“No anti-porn feminist I know has suggested that there is one image, or even a few, that could lead a non-rapist to rape; the argument, rather, is that taken together, pornographic images create a world that is at best inhospitable to women, and at worst dangerous to their physical and emotional well-being. In an unfair and inaccurate article that is emblematic of how anti-porn feminist work is misrepresented, Daniel Bernardi claims that Andrea Dworkin and Catharine MacKinnon believed that “watching pornography leads men to rape women.” Neither Dworkin nor MacKinnon “pioneers in developing a radical feminist critique of pornography, saw porn in such simplistic terms. Rather, both argued that porn has a complicated and multilayered effect on male sexuality, and that rape, rather than simply being caused by porn, is a cultural practice that has been woven into the fabric of a male-dominated society. Pornography, they argued, is one important agent of such a society since it so perfectly encodes woman-hating ideology, but to see it as simplistically and unquestionably leading to rape is to ignore how porn operates within the wider context of a society that is brimming with sexist imagery and ideology. If, then, we replace the “Does porn cause rape?” question with more nuanced questions that ask how porn messages shape our reality and our culture, we avoid falling into the images-lead-to-rape discussion. What this reformulation does is highlight the ways that the stories in pornography, by virtue of their consistency and coherence, create a worldview that the user integrates into his reservoir of beliefs that form his ways of understanding, seeing, and interpreting what goes on around him.”

Gail Dines (1958) anti-pornography campaigner

Pornland: How Porn Hijacked Our Sexuality, Ch 5, Page 85, Gail Dines

Women , Men , Hate , World

“Creativity is not limited to people practising one of the traditional forms of art, and even in the case of artists, creativity is not confined to the exercise of their art. Each one of us has a creative potential, which is hidden by competitiveness and success-aggression. To recognize, explore and develop this potential is the task of the School. Creation – whether it be a painting, sculpture, symphony or novel – involves not merely talent, intuition, powers of imagination and application, but also the ability to shape material that could be expanded to other socially relevant spheres.”

Heinrich Böll (1917–1985) German author, novelist, and short story writer

Joseph Beuys and Heinrich Böll (1972), cited in: Caroline Tisdall, Joseph Beuys, exh.cat., Solomon R. Guggenheim Museum, New York 1979. p. 278.

People , School , Art , Exercises

“The primitives of a representation are the most elementary units of shape information available in a representation.”

David Marr (1945–1980) British neuroscientist and psychologist

Source: Representation and recognition of the spatial organization of three-dimensional shapes, 1978, p. 274

“The night had passed completely. The morning star shone in the sky. I too had become a different person. The student of Talmud, the child I was, had been consumed by the flames. All that was left was a shape that resembled me. My soul had been invaded - and devoured - by a black flame.”

Elie Wiesel book Night

Night (1960)

Soul , Star , Personality , Night

“Creativity is not limited to people practising one of the traditional forms of art, and even in the case of artists, creativity is not confined to the exercise of their art. Each one of us has a creative potential, which is hidden by competitiveness and success-aggression. To recognize, explore and develop this potential is the task of the School. Creation – whether it be a painting, sculpture, symphony or novel – involves not merely talent, intuition, powers of imagination and application, but also the ability to shape material that could be expanded to other socially relevant spheres.”

Joseph Beuys (1921–1986) German visual artist

Quote of Joseph Beuys and Heinrich Böll (1972), as cited in Joseph Beuys, exh. cat., Caroline Tisdall, Solomon R. Guggenheim Museum, New York 1979. p. 278
1970's

People , School , Art , Exercises

“From the dawn of the day to the dusk he toiled,
Shaping fanciful playthings, with tireless hands, —
Useless trumpery toys; and, with vaulting heart,
Gave them unto all peoples, who mocked at him,
Trampled on them, and soiled them, and went their way.”

James Branch Cabell (1879–1958) American author

"Auctorial Induction"
The Certain Hour (1916)

People , Way , Heart

“The built house seems all so fit,- everyway as it should be, as if it came there by its own law and the nature of things,- we forget the rude disorderly quarry it was shaped from. The very perfection of the house, as if Nature herself had made it, hides the builder's merit. Perfect, more perfect than any other man, we may call Shakspeare in this: he discerns, knows as by instinct, what condition he works under, what his materials are, what his own force and its relation to them is. It is not a transitory glance of insight that will suffice; it is deliberate illumination of the whole matter; it is a calmly seeing eye; a great intellect, in short. How a man, of some wide thing that he has witnessed, will construct a narrative, what kind of picture and delineation he will give of it,- is the best measure you could get of what intellect is in the man. Which circumstance is vital and shall stand prominent; which unessential, fit to be suppressed; where is the true beginning, the true sequence and ending? To find out this, you task the whole force of insight that is in the man. He must understand the thing; according to the depth of his understanding, will the fitness of his answer be.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1840s, Heroes and Hero-Worship (1840), The Hero as Poet

Law , Understanding , Nature , Housing

“Today's a new day. It's your day. You shape it. Don't let it be shaped by someone else's ignorance or fear.”

Steve Maraboli (1975)

Source: Life, the Truth, and Being Free (2010), p. 148

Fear

“The fall of the patriciate by no means divested the Roman commonwealth of its aristocratic character. We have already indicated that the plebeian party carried within it that character from the first as well as, and in some sense still more decidedly than, the patriciate; for, while in the old body of burgesses an absolute equality of rights prevailed, the new constitution set out from a distinction between the senatorial houses who were privileged in point of burgess rights and of burgess usufructs, and the mass of the other citizens. Immediately, therefore, on the abolition of the patriciate and the formal establishment of civic equality, a new aristocracy and a corresponding opposition were formed; and we have already shown how the former engrafted itself as it were on the fallen patriciate, and how, accordingly, the first movements of the new party of progress were mixed up with the last movements of the old opposition between the orders. The formation of these new parties began in the fifth century, but they assumed their definite shape only in the century which followed. The development of this internal change is, as it were, drowned amidst the noise of the great wars and victories, and not merely so, but the process of formation is in this case more withdrawn from view than any other in Roman history. Like a crust of ice gathering imperceptibly over the surface of a stream and imperceptibly confining it more and more, this new Roman aristocracy silently arose; and not less imperceptibly, like the current concealing itself beneath and slowly extending, there arose in opposition to it the new party of progress. It is very difficult to sum up in a general historical view the several, individually insignificant, traces of these two antagonistic movements, which do not for the present yield their historical product in any distinct actual catastrophe. But the freedom hitherto enjoyed in the commonwealth was undermined, and the foundation for future revolutions was laid, during this epoch; and the delineation of these as well as of the development of Rome in general would remain imperfect, if we should fail to give some idea of the strength of that encrusting ice, of the growth of the current beneath, and of the fearful moaning and cracking that foretold the mighty breaking up which was at hand. The Roman nobility attached itself, in form, to earlier institutions belonging to the times of the patriciate. Persons who once had filled the highest ordinary magistracies of the state not only, as a matter of course, practically enjoyed all along a higher honour, but also had at an early period certain honorary privileges associated with their position. The most ancient of these was doubtless the permission given to the descendants of such magistrates to place the wax images of these illustrious ancestors after their death in the family hall, along the wall where the pedigree was painted, and to have these images carried, on occasion of the death of members of the family, in the funeral procession.. the honouring of images was regarded in the Italo-Hellenic view as unrepublican, and on that account the Roman state-police did not at all tolerate the exhibition of effigies of the living, and strictly superintended that of effigies of the dead. With this privilege were associated various external insignia, reserved by law or custom for such magistrates and their descendants:--the golden finger-ring of the men, the silver-mounted trappings of the youths, the purple border on the toga and the golden amulet-case of the boys--trifling matters, but still important in a community where civic equality even in external appearance was so strictly adhered to, and where, even during the second Punic war, a burgess was arrested and kept for years in prison because he had appeared in public, in a manner not sanctioned by law, with a garland of roses upon his head.(6) These distinctions may perhaps have already existed partially in the time of the patrician government, and, so long as families of higher and humbler rank were distinguished within the patriciate, may have served as external insignia for the former; but they certainly only acquired political importance in consequence of the change of constitution in 387, by which the plebeian families that attained the consulate were placed on a footing of equal privilege with the patrician families, all of whom were now probably entitled to carry images of their ancestors. Moreover, it was now settled that the offices of state to which these hereditary privileges were attached should include neither the lower nor the extraordinary magistracies nor the tribunate of the plebs, but merely the consulship, the praetorship which stood on the same level with it,(7) and the curule aedileship, which bore a part in the administration of public justice and consequently in the exercise of the sovereign powers of the state.(8) Although this plebeian nobility, in the strict sense of the term, could only be formed after the curule offices were opened to plebeians, yet it exhibited in a short time, if not at the very first, a certain compactness of organization--doubtless because such a nobility had long been prefigured in the old senatorial plebeian families. The result of the Licinian laws in reality therefore amounted nearly to what we should now call the creation of a batch of peers. Now that the plebeian families ennobled by their curule ancestors were united into one body with the patrician families and acquired a distinctive position and distinguished power in the commonwealth, the Romans had again arrived at the point whence they had started; there was once more not merely a governing aristocracy and a hereditary nobility--both of which in fact had never disappeared--but there was a governing hereditary nobility, and the feud between the gentes in possession of the government and the commons rising in revolt against the gentes could not but begin afresh. And matters very soon reached that stage. The nobility was not content with its honorary privileges which were matters of comparative indifference, but strove after separate and sole political power, and sought to convert the most important institutions of the state--the senate and the equestrian order--from organs of the commonwealth into organs of the plebeio-patrician aristocracy.”

Theodor Mommsen (1817–1903) German classical scholar, historian, jurist, journalist, politician, archaeologist and writer

The History of Rome - Volume 2

Death , Men , War , Youth

“You're in bad shape when your emotions force you into acts which you know are foolish.”

Robert A. Heinlein book Have Space Suit—Will Travel

Source: Have Space Suit—Will Travel (1958), Chapter 8

“History, is a conscious, self-meditating process — Spirit emptied out into Time; but this externalization, this kenosis, is equally an externalization of itself; the negative is the negative of itself. … Thus absorbed in itself, it is sunk in the night of its self-consciousness; but in that night its vanished outer existence is perserved, and this transformed existence — the former one, but now reborn of the Spirit's knowledge — is the new existence, a new world and a new shape of Spirit.”

Georg Wilhelm Friedrich Hegel book The Phenomenology of Spirit

The Phenomenology of Spirit (1807)

World , History , Knowledge , Time

“Scattered… over the breasts of the surrounding mountains there were heaps of hoary mist, in fantastic shapes… or cloud, hovering in the gold radiance of the upper atmosphere. …[I]t seemed almost as if mortal man might thus ascend into the heavenly regions. Earth was so mingled with sky… The great hills played a concert among themselves, each constituting a strain of airy sweetness.”

Nathaniel Hawthorne (1804–1864) American novelist and short story writer (1804 – 1879)

"Ethan Brand" (1850)

Mountain

“I find that I have painted my life, things happening in my life — without knowing. After painting the Shell and shingle [c, 1926] many times, I did a misty landscape of the mountain across the lake, and the mountain became the shape of the shingle — the mountain I saw out my window, the shingle on the table in my room. I did not notice that they were alike for a long time after they were painted.”

Georgia O'Keeffe (1887–1986) American artist

1970s, Some Memories of Drawings (1976)

Life , Mountain , Time , Painting

“We cannot avoid moodiness; but we may turn to account, as does the poet, the various dispositions of the mind, or give them form and shape, as the sculptor his marble.”

Ernst, Baron von Feuchtersleben (1806–1849) Austrian psychiatrist, poet and philosopher

The Dietetics of the Soul; Or, True Mental Discipline (1838)

“When I think about the violence of my own youth in Birmingham, Alabama, where bombs were planted repeatedly and houses were destroyed and churches were destroyed and lives were destroyed and we have yet to refer to those acts as the acts of terrorists. You know terrorism which is represented as external, as outside, is very much a domestic phenomenon. Terrorism very much shaped the history of the United States of America.”

Angela Davis (1944) American political activist, scholar, and author

Freedom is a Constant Struggle: Closures and Continuities (2013)

Youth , History , Thinking , Housing

“It takes time for the absent to assume their true shape in our thoughts. After death they take on a firmer outline and then cease to change.”

Colette (1873–1954) 1873-1954 French novelist: wrote Gigi

"The Captain", Earthly Paradise (1966) ed. Robert Phelps

Death , Change , Time

“Mathematics is too arduous and uninviting a field to appeal to those to whom it does not give great rewards. These rewards are of exactly the same character as those of the artist. To see a difficult uncompromising material take living shape and meaning is to be Pygmalion, whether the material is stone or hard, stonelike logic. To see meaning and understanding come where there has been no meaning and no understanding is to share the work of a demiurge. No amount of technical correctness and no amount of labour can replace this creative moment, whether in the life of a mathematician or of a painter or musician. Bound up with it is a judgement of values, quite parallel to the judgement of values that belongs to the painter or the musician. Neither the artist nor the mathematician may be able to tell you what constitutes the difference between a significant piece of work and an inflated trifle; but if he is not able to recognise this in his own heart, he is no artist and no mathematician.”

Norbert Wiener (1894–1964) American mathematician

Ex-Prodigy: My Childhood and Youth (1964)

Life , Mathematics , Understanding , Heart

“The creation of the following paintings is to be imagined as follows: A person is sitting beside the sea. She is painting. A tune suddenly enters her mind. As she starts to hum it, she notices that the tune exactly matches what she is trying to commit to paper. A texts forms in her head, and she starts to sing the tune, with her own words, over and over again in a loud voice until the painting seems complete. Frequently, several texts take shape, and the result is a duet, or it..”

Charlotte Salomon (1917–1943) German painter

Charlotte's 5th introduction page, related to image JHM no. 4155-5 https://charlotte.jck.nl/detail/M004155-e: 'The creation of the following..', p. 45
this quote is written in brush over the whole page of the painting, without any figure
Charlotte Salomon - Life? or Theater?

Imagination , Singing , Painting , Personality

“The habit which many have got into must be as far as possible corrected; those, I mean, who while they fight strenuously against the baser pleasures, yet still go on hunting for pleasure in the shape of worldly honour and positions which will gratify their love of power. They act like some domestic who longed for liberty, but instead of exerting himself to get away from slavery proceeded only to change his masters, and thought liberty consisted in that change. But all alike are slaves, even though they should not all go on being ruled by the same masters, as long as a dominion of any sort, with power to enforce it, is set over them.”

Gregory of Nyssa (335–395) bishop of Nyssa

On Virginity, Chapter 16

Love , Pleasure , Change , Fight

“After being the CM for two consecutive terms, I had two desires. One was to unearth my childhood friends with whom I had completely lost touch. One day, I sat up and listed all the names I could remember. I remembered them all but had lost track of their whereabouts. Some 35 names popped up. I wanted to invite them to the Chief Minister's residence and share my childhood with them and also because I wanted to remind myself about the real Modi lest I lose sight of him. So, I spent time with my friends getting down-to-earth. They too felt that if I remembered and spent time with them after having reached where I have then I must be fine. So, that was my test. The other desire was to get together all the teachers in my lifetime and honour them. One of them was 93-years-old. I invited them here and organised a big function to honour them. It gave me immense happiness that I was able to honour and say thanks to those who have contributed their might in shaping me. So, I fulfilled both my desires and I am happy about it.”

Narendra Modi (1950) Prime Minister of India

2011, Interview with C. S. S. Latha, 2011

Teachers , Time , Childhood , Happiness

“This Great God,
Like a mammy bending over her baby,
Kneeled down in the dust
Toiling over a lump of clay
Till He shaped it in His own image.”

James Weldon Johnson (1871–1938) writer and activist

The Creation, st. 11.
God's Trombones: Seven Negro Sermons in Verse (1927)

God , Baby

“He has wasted the day, he tells himself, he has wasted the day as he has wasted so many days of his life … while that huge work with which he has cheated himself, that enormous novel which would lift him at a bound from the impasse in which he stifles, whose dozens of characters would develop a vision of life in bountiful complexity, lies foundering, rotting on a beach of purposeless effort. Notes here, pages there, it sprawls through a formless wreck of incidental ideas and half-episodes; utterly without shape. He is not even a hero for it.”

Norman Mailer (1923–2007) American novelist, journalist, essayist, playwright, film maker, actor and political candidate

Source: The Man Who Studied Yoga (1956), Ch. 5

Life , Idea , Effort , Cheating

“A good way of finding out who won a war, who lost a war, and what the war was about, is to ask who's cheering and who's depressed after it's over - this can give you interesting answers. So, for example, if you ask that question about the Second World War, you find out that the winners were the Nazis, the German industrialists who had supported Hitler, the Italian Fascists and the war criminals that were sent off to South America - they were all cheering at the end of the war. The losers of the war were the anti-fascist resistance, who were crushed all over the world. Either they were massacred like in Greece or South Korea, or just crushed like in Italy and France. That's the winners and losers. That tells you partly what the war was about. Now let's take the Cold War: Who's cheering and who's depressed? Let's take the East first. The people who are cheering are the former Communist Party bureaucracy who are now the capitalist entrepreneurs, rich beyond their wildest dreams, linked to Western capital, as in the traditional Third World model, and the new Mafia. They won the Cold War. The people of East Europe obviously lost the Cold War; they did succeed in overthrowing Soviet tyranny, which is a gain, but beyond that they've lost - they're in miserable shape and declining further. If you move to the West, who won and who lost? Well, the investors in General Motors certainly won. They now have this new Third World open again to exploitation”

Noam Chomsky (1928) american linguist, philosopher and activist

and they can use it against their own working classes. On the other hand, the workers in GM certainly didn't win, they lost. They lost the Cold War, because now there's another way to exploit them and oppress them and they're suffering from it.
Forum with John Pilger and Harold Pinter in Islington, London, May 1994 https://web.archive.org/web/20000823015510/http://www.redpepper.org.uk/cularch/xalmeida.html.
Quotes 1990s, 1990-1994

War , People , World , Dreams

“We are not authors of our lives; we are not even part-authors of the events that mark us most deeply. Nearly everything that is most important in our lives is unchosen. The time and place we are born, our parents, the first language we speak - these are chance, not choice. It is the casual drift of things that shapes our most fateful relationships. The life of each of us is a chapter of accidents.”

John Gray book Straw Dogs: Thoughts on Humans and Other Animals

The Vices of Morality: The fetish of choice (p. 109-110)
Straw Dogs: Thoughts on Humans and Other Animals (2002)

Life , Fate , Parent , Chance

“Yes, Afghanistan is composed of 18 different communities marked by ethnic, linguistic and religious differences. But ask any Afghan who he is, and he won’t hesitate to reply: an Afghan! The national identity has taken shape over 300 years — after all, as a state, Afghanistan is older than America, Germany and Italy. It is also one of the oldest Muslim nation-states.”

Amir Taheri (1942) Iranian journalist

"Myths of our Afghanistan debate" http://nypost.com/2009/10/15/myths-of-our-afghanistan-debate/, New York Post (October 15, 2009).
New York Post

Communication

“[E]xperiments with a simple little machine, designed to mimic certain elementary features of animal behavior… Consisting only of two vacuum tubes, two motors, a photoelectric cell and a touch contact, all enclosed in a tortoise-shaped 'shell, the model was a species of artiﬁcial creature which could explore its surroundings and seek out favorable conditions. It was named Machine speculatrix.”

William Grey Walter (1910–1977) American-born British neuroscientist and roboticist

Source: A machine that learns (1951), p. 60.

Behavior , Animals

“Gsell: What astonishes me, is that your way is so different from that of other sculptors. They prose the model. Instead of that, you wait till a model has instinctively or accidentally taken an Interesting pose, and thon you reproduce It. Instead of your giving orders to the model, the model gives orders to you.
Rodin: I am not at the model's orders; I am at Nature's. Doubtless my confreres have their reasons for proceeding as they do. But when one constrains Nature in that way and treats human beings as mannikins, one runs a risk of getting nothing but dead, artificial results. A hunter of truth and a trapper of life. I am careful not to follow their example. I seize upon the movements I observe, but I don't dictate them. when a subject requires a predetermined pose, I merely Indicate It. For I want only what reality will afford without being forced. In everything I obey Nature. I never assume to command her. My sole ambition Is a servile fidelity.
Gsell : And yet, you take liberties with nature. You make changes.
Rodin : Not at all. I should be false to myself if I did.
Gsell : But you finished work is never like the plaster sketch
Rodin : That is so, but the sketch is far less true than the finished work. It would Impossible for a model to keep a living attitude during all the time it takes to shape the clay. Still, I retain a general idea of the pose and require the model to conform to it. But this is not all. The sketch reproduces only the exterior. I must next reproduce the spirit, which is every whit as essential a part of Nature. I see the whole truth — not merely the fraction of it that lies upon the surface. I accentuate tho lines that best express the spiritual state I am Interpreting.”

Auguste Rodin (1840–1917) French sculptor

Rodin on realism, 1910

Life , Truth , Way , Idea

“What has particularly interested me about these horses is that, after thousands of years of domestication, they have adapted so successfully to life in the wild. If these horses are really as healthy and as sound as they appear, then there is probably a lot we can learn from them, such as the way their hooves are shaped and the manner in which they shape them.”

Jaime Jackson (1947) Horse hoof care professional

"Incipit"
The Natural Horse (1997)

Life , Way , Learning , Appearance

“I had no desire to copy Pollock. I didn't want to take a stick and dip it in a can of enamel [paint]. I needed something more liquid, watery, thinner. All my life, I have been drawn to water and translucency. I love the water; I love to swim, to watch changing seascapes. One of my favorite childhood games was to fill a sink with water and punt nail polish into to see what happened when the colors burst up the surface, merging into each other as floating, changing shapes.”

Helen Frankenthaler (1928–2011) American artist

Quote from Abstract Expressionism, Barbara Hess, Taschen, Köln, 2006, p. 80
1990s - 2000s

Love , Life , Color , Game

“Her face is bent out of shape, but still recognizable. There are too many teeth in her mouth, now. It is torn open at the sides. Split along her cheeks, so the weird jagged stones of her teeth can breathe.”

Joey Comeau (1980) writer

One Bloody Thing After Another

“My mother would write letters when I was away at camp and say, 'There's an Ann-shaped space around the house. Nobody fills an Ann-shaped space except an Ann.' I'm convinced we all have a God-shaped space in us, and until we fill that space with God, we'll never know what it is to be whole.”

Ann B. Davis (1926–2014) American actress

People magazine in 1992

God , Housing

“Another influence of that period was the philosophy of Idealistic Positivism of Hans Vaihinger. Von Bertalanffy met Vaihinger in Vienna and for a time, as a student, lived in his house.10 According to the philosophy of Idealistic Positivism absolute truths and ideal norms of human conduct did not exist, rather man created them as fictions important for the individual and social survival. The idea of relativity of truths and norms postulated by Vainhinger bore a similarity to the relativism of different points of view and categories of thinking postulated by Nicholas of Cusa. The philosophies of Cusanus and Vaihinger were undoubtedly instrumental in shaping von Bertalanffy's 'perspectivist' epistemology and his idea of relativity of categories.”

Thaddus E. Weckowicz (1919–2000) Canadian psychologist

Source: Ludwig von Bertalanffy (1901-1972) (1989), p. 5

Truth , Idea , Thinking , Time

“[H]e knew that fear of an enemy can often blind men to other hazards, not least the shape which they themselves make in the world.”

Cormac McCarthy book No Country for Old Men

No Country for Old Men (2005)

Men , World , Fear

“My parents were free about nudity, and we are too. I’d like our children to feel unashamed of whatever shape they are. People should worry about other things.”

Heidi Klum (1973) German model, television host, businesswoman, fashion designer, television producer, and actress

Quoted in InStyle (September 2007)

Children , People , Feeling , Parent

“Many mellow Cydonian suckets
Sweet apples, anthosmial, divine,
From the ruby-rimmed beryline buckets
Star-gemmed, lily-shaped, hyaline;
Like the sweet golden goblet found growing
On the wild emerald cucumber-tree,
Rich, brilliant, like chrysophrase glowing
Was my beautiful Rosalie Lee.”

Thomas Holley Chivers (1809–1858) 19th century American poet

Rosalie Lee.

Beauty , Star , Tree

“The elm and the ash… when put in shape for use in buildings… are tough and having no stiffness… soon bend. But when they become dry with age, or are allowed to lose their sap… they get harder, and from their toughness supply a strong material for dowels to be used in joints and other articulations.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter IX, Sec. 11

Age , Strong

“A chance remark by Ardini, an Italian master carver whom I met there [in Rome], that 'marble changes colour under different people's hands' made me decide immediately that it was not dominance which one had to attain over material, but an understanding, almost a kind of persuasion, and above all greater co-ordination between head and hand. This thought has recurred again and again ever since - and has developed my greatest interests; the reason why people both move differently and stand differently in direct response to changed surroundings; the unconscious grouping of people when they are working together, producing a spatial movement which approximates to the structure of spirals in shells or rhythms in crystal structure; the meaning of the spaces between forms, or the shape of the displacement of forms in space, which in themselves have a most precise significance. All these responses spring from a factual and tactile approach to the object.”

Barbara Hepworth (1903–1975) English sculptor

Extract from Barbara Hepworth: Carvings and Drawings, (from Chapter 1: The excitement of discovering the nature of carving, 1903-1930), with an introduction by Herbert Read, London, 1952
1947 - 1960

People , Spring , Understanding , Change

“When does a state of culture prevail? When the men of a community are steadily working for the production of single great men. From this highest aim all the others follow. And what state is farthest removed from a state of culture? That in which men energetically and with united forces resist the appearance of great men, partly by preventing the cultivation of the soil required for the growth of genius, partly by obstinately opposing everything in the shape of genius that appears amongst them. Such a state is more remote from culture than that of sheer barbarism.”

Georg Brandes (1842–1927) Danish literature critic and scholar

Source: An Essay on Aristocratic Radicalism (1889), p. 12

Men , Communication , Appearance

“American society today is shaped not nearly as much by vast open spaces as it is by vast, bureaucratic organizations. Over half the working population toils away at enterprises with 500 or more employees--up from zero percent in 1800. Is this institutional immensity the logical outcome of technological forces in an all-efficient market, as some have argued?”

Charles Perrow (1925–2019) American sociologist

Charles Perrow, Organizing America: Wealth, power, and the origins of corporate capitalism. Princeton University Press, 2002/2009. Book abstract.
1980s and later

“The youth are our future, and to change anything in our world going forward we must start with this generation of youth, as they’re the new agents of change…In peacebuilding and promoting human rights, the youth are no longer a silent majority, but now they should be an active stakeholder…Youth are bringing to the table great contributions to the peace and state building and are shaping the future to be more peaceful, equal, and prosperous for all.”

Tawakkol Karman (1979) Yemeni journalist, politician, human rights activist, and Nobel Peace Prize recipient

2000s, Youth Q&A on the U.N. High-Level Panel on the Post-2015 Agenda Report (2009)

Youth , World , Peace , Change

“After having my daughter, I made a conscious effort to regain control of my health and my body. But I didn't want to do a crash diet. I was a mom now. I needed to change my ways and set an example for my child. … A year later (around November 2013), my husband and I decided we wanted to try a completely plant-based diet … And so the journey began that helped me get into the best shape of my life. Little did I know the long-lasting effects it would have. I thought, like with most diets, I would feel deprived and hate food, that I would miss out on restaurants and celebrations, that I would get headaches and be irritable, etc. I was wrong about all of that. It took a few days to adjust, but what I discovered was increased energy, better sleep, weight loss, improved digestion, clarity, and an incredibly positive feeling for my actions and the effects it would have on those around me and the environment.”

Beyoncé (1981) American singer, songwriter and actress

Foreword https://books.google.it/books?id=KfeoBAAAQBAJ&pg=PP10 to Marco Borges's The 22-Day Revolution, New York: Penguin, 2015

Life , Hate , Health , Food

“I frequently leave areas of raw, unprimed canvas unpainted [as in her painting 'Chairman of the Board', 1971].... That 'negative' space has just as active a role as the 'positive' painted space. The negative spaces maintain shapes of their own and are not empty.”

Helen Frankenthaler (1928–2011) American artist

Quote from 'The collection', MOMA, online 1 http://www.moma.org/collection/object.php?object_id=80139
1990s - 2000s

Painting

“Tis in the power of Poetry to insinuate into the inmost Recesses of the Mind, to touch any Spring that moves the Heart, to agitate the Soul with any sort of Affection, and transform it into any Shape or Posture it thinks fit.”

Richard Blackmore (1654–1729) English poet and physician

Preface to Prince Arthur (1695)

Soul , Spring , Thinking , Heart

“The second factor, equally important, is that of good continuation and good shape. The things which we see have a better shape, are bounded by better contours, than the holes which we might see but do not. Therefore, when in exceptional circumstances these conditions are reversed, we see the hole and not the things, as the shape of a gap between two projecting rocks with sharp profiles, which may look like a face, an animal, or some other object, while the shape of the rock disappears.”

Kurt Koffka (1886–1941) German psychologist

Source: Principles of Gestalt Psychology, 1935, p. 209

Animals

“Our universe cannot even be stated symbolically. And this touches us all more directly than one might suppose. For example, artists, who have been very little influenced by social systems, have always responded instinctively to latent assumptions about the shape of the universe. The incomprehensibility of our new cosmos seems to me, ultimately, to be the reason for the chaos of modern art.”

Kenneth Clark (1903–1983) Art historian, broadcaster and museum director

Source: Civilisation (1969), Ch. 13: Heroic Materialism

Art , Universe

“The rest of the world in which I lived was still stumbling about in search of a weapon with which to exterminate this monster [homosexuality] whose shape and size were not yet known or even guessed at. It was thought to be Greek in origin, smaller than socialism but more deadly, especially to children.”

Quentin Crisp book The Naked Civil Servant

Source: The Naked Civil Servant (1968), Ch. 3

Children , World , Search

“Looking through an aperture [a door or a window] is a way that I have been able to isolate or fragment a single form. My first memory of focusing through an aperture occurred when I was around twelve years old. One evening, passing the lighted window of a house. I was fascinated by red, blue and black shapes inside a room. But when I went up and looked in, I saw a red coach, a blue drape and a black table. The shapes had disappeared. I had to retreat to see them again.”

Ellsworth Kelly (1923–2015) American painter, sculptor, and printmaker

Source: 1969 - 1980, In: "Ellsworth Kelly: Works on Paper," 1987, p. unknown : 'Notes from 1969'

Way , Light , Memory , Housing

“My objects are to be seen as stimulants for the transformation of the idea of sculpture.... or of art in general. They should provoke thoughts about what sculpture can be and how the concept of sculpting can be extended to the invisible materials used by everyone.
THINKING FORMS – how we mold our thoughts or
SPOKEN FORMS – how we shape our thoughts into words or
SOCIAL SCULPTURE – how we mold and shape the world in which we live:
Sculpture as an evolutionary process; everyone an artist.
That is why nature of my sculpture is not fixes and finished. Processes continue in most of them: chemical reactions, fermentations, color changes, delays, drying up. Everything is in a STATE of CHANGE.”

Joseph Beuys (1921–1986) German visual artist

Beuys' quote from Theory of Social Sculpture, 1979, as cited in: Chris Thompson. Felt: Fluxus, Joseph Beuys, and the Dalai Lama. 2011. p. 88-89
1970's

World , Art , Color , Idea

“In the excitement and rigours of the game or battle with words and shapes, self-interest is mislaid and objective truth may often be revealed.”

Vernon Scannell (1922–2007) British boxer and poet

Tiger and the Rose, 1971

Truth , Game

“… as a matter of fact it is nice to paint a happy picture after a sad one. I think there is a kind of loneliness in a lot of them which I don't think about as the fact that I'm lonely and therefore I paint lonely pictures, but I like kind of lonely things anyhow; so if the forms express that to me, there is a certain excitement that I have about that.... What I try to do is to create the painting so that the overall thing has the particular emotion; not just the forms in it.... in other words, there's a particular static or heavy form that can have a look to it, an experience that translated through the form; so then it does have a mood. And when that is there, well then it becomes it becomes a painting whereas all the other pictures that have far more interesting shapes and so on, don't become that to me.”

Franz Kline (1910–1962) American painter

n.p.
1960's, Living Art, 1963

Sadness , Mood , Thinking , Painting

“It turns out that certain picture shapes don't allow you to use different kinds of quantity distributions of color for different expressions. The quantities and configurations of colors are as important as the colors themselves. When I first started painting circles, I went fairly quickly to a 6-foot square module. I think de Kooning said in an interview or artist's discussion that he only wanted to make gestures as big as his arm could reach. It struck me that he was saying this physical size had to do with the expressive size of the pictures he wanted to make. And as far as I know, when I got to the 6-foot square size, it was right in terms of myself and wasn't too much of a field. Or it was a field, yet it was still physical. And that's why I used it for so long.”

Kenneth Noland (1924–2010) American artist

Source: Color, Format and Abstract Art' (1977), pp. 99 – 105