Quotes about serial

A collection of quotes on the topic of serial, killer, doing, likeness.

Quotes about serial

Richard Ramirez photo
Eminem photo

“How many people you know who can name every serial killer who ever existed in a row?”

Eminem (1972) American rapper and actor

2000s, Relapse (2009)

Helena Bonham Carter photo

“I'm convinced that whatever state you're in during your pregnancy has a huge influence on the baby's personality - so I hope we haven't produced a little serial killer!”

Helena Bonham Carter (1966) British actress

On making "Sweeney Todd" while pregnant; The Daily Mirror (London); Jan 25, 2008; John Hiscock; p. 15

Ellen DeGeneres photo

“Accept who you are. Unless you're a serial killer.”

Ellen DeGeneres (1958) American stand-up comedian, television host, and actress

Source: Seriously... I'm Kidding

Tarik Gunersel photo

“Is sincerity a virtue by itself? A serial killer has also acted sincerely.”

Tarik Gunersel (1953) Turkish actor

Oluşmak (To Become) Aphorisms (Pan Publishing House, Istanbul, 2011)

V.S. Naipaul photo
David Fincher photo

“I want to make a movie that has enough impact that it's going to do what it needs to do. But I don't want to make a film that serial killers masturbate to.”

David Fincher (1962) American film director

About the film, Zodiac
The Curious Case of David Fincher (2007)

Ted Bundy photo
Antonio Moreno photo
Zinedine Zidane photo

“Nobody knows if Zidane is an angel or demon. He smiles like Saint Teresa and grimaces like a serial killer.”

Zinedine Zidane (1972) French association football player and manager

Jean-Louis Murat, 2004 http://www.theguardian.com/football/2004/apr/04/sport.features

Maureen Johnson photo
John Grisham photo
Meg Cabot photo
Cassandra Clare photo
Ellen DeGeneres photo

“So be who you really are. Embrace who you are. Literally. Hug yourself. Accept who you are. Unless you're a serial killer.”

Ellen DeGeneres (1958) American stand-up comedian, television host, and actress

Source: Seriously... I'm Kidding

Laurell K. Hamilton photo
Milan Kundera photo
Alan Moore photo
Jeannette Walls photo

“He would have been handsome—in a serial-killer kind of way—if not for those tattoos.”

Gena Showalter (1975) American writer

Source: The Darkest Night

“Only two kinds of people drink their coffee black: cops and serial killers.”

Ilona Andrews American husband-and-wife novelist duo

Source: Magic Binds

Vytautas Juozapaitis photo
Rudolph Rummel photo
Hans Rosling photo
Charlie Brooker photo
Adair Turner, Baron Turner of Ecchinswell photo
Richard Taruskin photo
Narendra Modi photo
William S. Burroughs photo
Martin Amis photo
Taslima Nasrin photo
Hema Malini photo

“I made a serial called Nupur in which I danced for one particular shloka of Soundarya Lahari. The show was mostly about dance. It is then that I started learning to chant Soundarya Lahari. …People only know me as an actor and a dancer but recently I thought about doing this album.”

Hema Malini (1948) Indian actress, dancer and politician

On the release of her first singing album “Soundarya Lahairi” Hema Malini goes spiritual with first music album, 2 November 2013, 6 December 2013, The Hindu http://www.thehindu.com/todays-paper/tp-miscellaneous/tp-others/hema-malini-goes-spiritual-with-first-music-album/article5307409.ece,
MOTHER MAIDEN MISTRESS

Sherman Alexie photo
Alexander Marlow photo
David Fincher photo
Will Eisner photo

“”Jewish Peril” exposed.
Historic “Fake.”
Details of the forgery.
More parallels.
We published yesterday an article from our Constantinople Correspondent, which showed that the notorious “Protocols of the Elders of Zion” – one of the mysteries of politics since 1905 – were a clumsy forgery, the text being based on a book published in French in 1865. The book, without title page, was obtained by our correspondent from a Russian source, and we were able to identify it with a complete copy in the British Museum.
The disclosure, which naturally aroused the greatest interest among those familiar with Jewish questions, finally disposes of the “Protocols” as credible evidence of a Jewish plot against civilization.
We publish below a second article, which gives further close parallels between the language of the Protocols and that attributed to Machiavelli and Montesquieu in the volume dated from Geneva.
Plagiarism at Work.
(From our Constantinople Correspondent.)
While the Geneva Dialogue open with an exchange of compliments between Monsequieu and Machiavelli, which covers seven pages, the author of the Protocols plunges at once in medias res.
One can imagine him hastily turning over those first seven pages of the book which he has been ordered to paraphrase against time, and angrily ejaculating, “Nothing here.” But on page 8 of the Dialogues he finds what he wants.
Publisher: Good work Graves…we finally paid your émigré £ 300 for it…now if we can find Golovinski and get his confession…
Graves: He joined the Bolsheviks.
Golovinski became a party ‘’’activist’’’ and rose to be an adviser to Trotsky. But he ‘’’died’’’ last year!
Publisher: Well, that’s that!
Publisher: Oh but Graves, “The Times” is influential… after our expose we’ll probably hear no more of this fraud!
Graves: I’m not sure!
Anti-Bolsheviks, White Russians, published thousands of copies! Here’s a page from Nilus’ “The Great in the Small.”
Publisher: Astonishing…mystical symbols…eh?
The “Protocols” quickly began to circulate around the world.
A French edition this year…and in America Henry Ford, the auto magnate, has been serializing it in his paper, the “Dearborn independent”!
Publisher: When did it first appear in Europe?
Graves: The German edition…dated 1919, was the first!
This is an evil book…a fake designed to malign a whole group of people.
Publisher: I know, I know! …Ugly stuff, Graves.
Graves: Well, what are we to do about it?
Publisher: Your report exposed it as a foul fraud!
Publisher: Y’forget the power of the press, graves! “The Times” has tremendous worldwide influence.
This fraud will soon be well known everywhere…so, my boy, ‘’’what harm can the “protocols” possibly do now?”

Will Eisner (1917–2005) American cartoonist

Source: The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005), pp. 91-94

Steve Reich photo

“…in serial music, the series itself is seldom audible… What I'm interested in is a compositional process and a sounding music that are one in the same thing.”

Steve Reich (1936) American composer

Source: Steve Reich, ‎Paul Hillier (2002) Writings on Music, 1965-2000, p. 35

Michael Pollan photo
Taslima Nasrin photo

“Politicians are all on the same platform when it comes down to me. I think it’s because they think that if they can satisfy the Muslim fundamentalists they will get votes. I believe I am a victim of votebank politics. This also shows that how weak the democracy is and politicians ask votes by banning a writer … Even though I am not staying there, she (Banerjee) has not allowed my book ‘Nirbasan’ to be published. Also, she has stopped the broadcast of a TV serial scripted by me after Muslim fundamentalists objected to it. She is not allowing me to enter the state… This is a dangerous opposition … I wrote to Mamata Banerjee. But there was no response to that… No I am not going to write to her again. I do not think she will consider my request. I feel very hopeless because I expected something positive. I think when it comes down to me, she has similar vision like that of the Left leaders…. I do not consider India as a foreign country. The history of this country is my history. It’s the country of my forefathers. I love this country and in Kolkata, I feel at home because I can relate that place to my homeland. … I have sacrificed my freedom and have been sacrificing for a big cause… All these (problems) are because of my writings. I could have stopped writing against fundamentalists and possibly the bans would have been removed and I had got back my freedom and allowed to enter my motherland again. But I will never do that. … I have spoken of humanism and equal rights for women and secularism stating that religion and nation should be treated separately. One should not get confused with nation and religion. Rules should be made based on equality, and not on religion. … I know that only by writing I will not be able to change an entire society. The laws need to be changed. Equal rights cannot be established in a short time, it requires a long time and huge efforts … I have got many awards but the best is when people come forward and tell me that my writings have help them change their vision,… I do not think I would have been treated in the same manner if I was born there (Europe). I am a writer, not an activist… I write with a pen and if you have any problem why do not you pick up a pen to protest…. The surprising thing in this part of the world is that they have picked up arms against me because I have expressed my views. I have never enforced my thoughts on anybody ever, then why they are trying to kill me. I am not a supporter of violence.”

Taslima Nasrin (1962) Poet, columnist, novelist

Taslima Nasrin about Mamata, Indian Express https://indianexpress.com/article/india/mamata-banerjee-turned-out-harsher-than-left-in-my-case-taslima-nasreen-4486028/

Anthony Trollope photo
E. W. Hobson photo
Quentin Crisp photo

“An autobiography is obituary in serial form with the last installment missing.”

Source: The Naked Civil Servant (1968), Ch. 29

Mukta Barve photo
Andrea Dworkin photo
Al Gore photo
Claude Lévi-Strauss photo
Patrick Buchanan photo
Taslima Nasrin photo

“A big advantage of the serial-number approach to identity is that things stay the same even as they change.”

Brian Hayes (scientist) (1900) American scientist, columnist and author

Source: Group Theory in the Bedroom (2008), Chapter 11, Identity Crisis, p. 213

Pat Robertson photo

“As far as God's concerned, he knows the end from the beginning and He sees a little baby and that little baby could grow up to be Adolf Hitler, he could grow up to be Joseph Stalin, he could grow up to be some serial killer, or he could grow up to die of a hideous disease. God sees all of that, and for that life to be terminated while he's a baby, he's going to be with God forever in Heaven so it isn't a bad thing.”

Pat Robertson (1930) American media mogul, executive chairman, and a former Southern Baptist minister

Answering a viewer asking how to respond to a coworker who asked "Why did God allow my baby to die?" about their dead three-year-old child.
2015-06-09
Pat Robertson
The 700 Club
Television, quoted in * 2015-06-09
Pat Robertson: Tell Bereaved Mother Her Dead Baby Could've Been The Next Hitler
Brian
Tashman
Right Wing Watch
http://www.rightwingwatch.org/content/pat-robertson-tell-bereaved-mother-her-dead-baby-couldve-been-next-hitler

GG Allin photo

“GG Allin: I could have possibly been a serial killer or a mass murderer.”

GG Allin (1956–1993) American singer-songwriter

GG Allin on The Jerry Springer Show, May 5. 1993.
On The Jerry Springer Show

Alex Jones photo

“When I think about all the children Hillary Clinton has personally murdered and chopped up and raped, I have zero fear standing up against her. Yeah, you heard me right. Hillary Clinton has personally murdered children. I just can't hold back the truth anymore. Hillary Clinton is one of the most vicious serial killers the planet's ever seen.”

Alex Jones (1974) American radio host, author, conspiracy theorist and filmmaker

Said in a YouTube video posted on 4 November 2016, as quoted in "Alex Jones: ‘Hillary Clinton Has Personally Murdered And Chopped Up And Raped' Children" http://www.rightwingwatch.org/post/alex-jones-hillary-clinton-has-personally-murdered-and-chopped-up-and-raped-children/ by Brian Tashman, Right Wing Watch (8 December 2016)
2016

“There is only the eternal serial moment of now. It contains the total pattern, the complete history.”

Edmund Cooper (1926–1982) British writer

The Uncertain Midnight (1958)

Clay Shirky photo

“I've rediscovered the part of my brain that can't decode anything, that can't add, that can't work from a verbalized concept, that doesn't care about stylish notation, that makes melodies that have pitch and rhythm, that doesn't know anything about zen eternity and gets bored and changes, that isn't worried about being commercial or avant-garde or serial or any other little category. Beauty is enough.”

Beth Anderson (1950) American neo-romantic composer

Variant quotes:
I've rediscovered the part of my brain that can't decode anything, that can't add, that can't work from a verbalized concept, that doesn't know anything about Zen eternity and gets bored and changes, that isn't worried about being commercial or avant-garde or serial or any other little category. Beauty is enough.
Beauty is Revolution (1980)
Source: Jane Weiner LePage (1983) Women composers, conductors, and musicians of the twentieth century: selected biographies. p. 14

Camille Paglia photo
Chuck Palahniuk photo
David Icke photo
Derryn Hinch photo

“Recently, I was evicted of contempt of court over my online editorial about (bleep). I was sentenced to pay a $100,000 fine, or go to jail for 50 days. I believe this was the highest personal fine ever issued in Australia. Other websites, newspapers, and radio stations were not charged for similar or even more controversial material. Yet the judge attacked me for portraying myself as a scapegoat — a whipping boy — and he punished me accordingly. Now it is true, I have prior convictions. In 1987, I was fined $15,000 and jailed for exposing a paedophile priest Michael Glennon. Glennon had already been to jail for raping a 10-year-old girl, but was still running a camp for kids in country Victoria. And he was still a Catholic priest. He eventually went to jail, and he died behind bars several weeks ago. And to be honest, I feel good about that — he was an evil, evil man. I also spent five months under house arrest in 2011 for breaching court suppression orders, revealing the names of two serial sex offenders at a rally outside Victoria's Parliament House. About 4000 other people also shouted their names. That one cost me my radio job at 3AW. And I was fined and did 250 hours of community service for naming a judge who ruled that a man could not be charged for raping his wife under a 300-year-old British law. In Victoria, that law has since been changed. Now, here we go again. I have made a decision not taken lightly. On principle, I will not pay the $100,000 fine, which was due today. Instead, I'll go to jail. I'll go to jail for 50 days; to draw attention to all the suspended sentences for crimes of violence and child pornography; for the obscenely short sentences given to king hit killers; to draw attention to my campaign for a national register of convicted sex offenders. Already, 30,000 of you have signed up. I'm happy to serve just 50 days of the many years that the convicted paedophile ex-magistrate should be serving. That pervert, Simon Cooper, wasn't even put on the sex offenders register. If my going to jail draws attention to the judges and magistrates, out of touch with community expectations and your safety, then every one of my 50 days behind bars will be worth it. And so I'll go to jail.”

Derryn Hinch (1944) New Zealand–Australian media personality

Today Tonight, 16 January 2014.

Maurice Wilkes photo
David Fincher photo
Roger Ebert photo
Mark Ames photo
Igor Stravinsky photo

“What I cannot follow are the manic-depressive fluctuations from total control to no control, from the serialization of all elements to chance.”

Igor Stravinsky (1882–1971) Russian composer, pianist and conductor

Source: 1970s and later, Themes and Conclusions (1982), p. 33.

Daniel Dennett photo

“In a Thumbnail Sketch here is [the Multiple Drafts theory of consciousness] so far:There is no single, definitive "stream of consciousness," because there is no central Headquarters, no Cartesian Theatre where "it all comes together" for the perusal of a Central Meaner. Instead of such a single stream (however wide), there are multiple channels in which specialist circuits try, in parallel pandemoniums, to do their various things, creating Multiple Drafts as they go. Most of these fragmentary drafts of "narrative" play short-lived roles in the modulation of current activity but some get promoted to further functional roles, in swift succession, by the activity of a virtual machine in the brain. The seriality of this machine (its "von Neumannesque" character) is not a "hard-wired" design feature, but rather the upshot of a succession of coalitions of these specialists.The basic specialists are part of our animal heritage. They were not developed to perform peculiarly human actions, such as reading and writing, but ducking, predator-avoiding, face-recognizing, grasping, throwing, berry-picking, and other essential tasks. They are often opportunistically enlisted in new roles, for which their talents may more or less suit them. The result is not bedlam only because the trends that are imposed on all this activity are themselves part of the design. Some of this design is innate, and is shared with other animals. But it is augmented, and sometimes even overwhelmed in importance, by microhabits of thought that are developed in the individual, partly idiosyncratic results of self-exploration and partly the predesigned gifts of culture. Thousands of memes, mostly borne by language, but also by wordless "images" and other data structures, take up residence in an individual brain, shaping its tendencies and thereby turning it into a mind.”

Source: Consciousness Explained (1991), p. 253–4.

Charles Hamilton (writer) photo
Roger Ebert photo

“This is precisely the same construction used by many serial killers and heads of state, who use language to separate themselves from the consequences of their actions.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/the-doom-generation-1995 of The Doom Generation (10 November 1995)
Reviews, Zero star reviews
Context: The movie opens as the drifter "inadvertently" (Araki's word, in the press kit) blows off the head of a Korean convenience store owner... It continues as the "enigmatic Xavier" (I am again quoting from the wonderfully revealing press kit) "has such rotten karma that every time they stop the car for fries and Diet Cokes, someone ends up dying in one gruesome way or another." Wait, there's more: "As the youthful band of outsiders continues their travels through the wasteland of America, Amy finds herself (having sex with) both Jordan and Xavier, forging a triangle of love, sex and desperation too pure for this world." Now let's deconstruct that. (1) The correct word is "its," not "their." (2) "Band of outsiders" is an insider reference to A Band Apart," the name of Quentin Tarantino's production company, which itself is a pun on the title of a film by Godard. (3) Is it remotely possible that America is a "wasteland" because Amy, Jordan and Xavier kill someone every time they stop for fries and a soda? That wouldn't have occurred to this movie. (4) The clause "someone ends up dying" is a passive way to avoid saying that the three characters kill them. This is precisely the same construction used by many serial killers and heads of state, who use language to separate themselves from the consequences of their actions.

Robert Anton Wilson photo

“What better symbol of our age than a serial killer? Hell, can you think of any recent U.S. President who doesn't belong in the Serial Killer Hall of Fame? And their motives make no more sense, and no less sense, than Dr Lecter's Darwinian one-man effort to rid the planet of those he finds outstandingly loutish and uncouth.”

Robert Anton Wilson (1932–2007) American author and polymath

"Previous Thoughts" at rawilson.com
Context: I regard the two major male archetypes in 20th Century literature as Leopold Bloom and Hannibal Lecter. M. D. Bloom, the perpetual victim, the kind and gentle fellow who finishes last, represented an astonishing breakthrough to new levels of realism in the novel, and also symbolized the view of humanity that hardly anybody could deny c. 1900-1950. History, sociology, economics, psychology et al. confirmed Joyce’s view of Everyman as victim. Bloom, exploited and downtrodden by the Brits for being Irish and rejected by many of the Irish for being Jewish, does indeed epiphanize humanity in the first half of the 20th Century. And he remains a nice guy despite everything that happens...
Dr Lecter, my candidate for the male archetype of 1951-2000, will never win any Nice Guy awards, I fear, but he symbolizes our age as totally as Bloom symbolized his. Hannibal's wit, erudition, insight into others, artistic sensitivity, scientific knowledge etc. make him almost a walking one man encyclopedia of Western civilization. As for his "hobbies" as he calls them — well, according to the World Game Institute, since the end of World War II, in which 60,000,000 human beings were murdered by other human beings, 193, 000,000 more humans have been murdered by other humans in brush wars, revolutions, insurrections etc. What better symbol of our age than a serial killer? Hell, can you think of any recent U. S. President who doesn't belong in the Serial Killer Hall of Fame? And their motives make no more sense, and no less sense, than Dr Lecter's Darwinian one-man effort to rid the planet of those he finds outstandingly loutish and uncouth.

William James photo

“Evidently it is a pure outcome of our sense for apprehending serial increase; and, unlike the several propositions themselves which make up the series”

William James (1842–1910) American philosopher, psychologist, and pragmatist

Source: 1890s, The Principles of Psychology (1890), Ch. 28
Context: This world might be a world in which all things differed, and in which what properties there were were ultimate and had no farther predicates. In such a world there would be as many kinds as there were separate things. We could never subsume a new thing under an old kind; or if we could, no consequences would follow. Or, again, this might be a world in which innumerable things were of a kind, but in which no concrete thing remained of the same kind long, but all objects were in a flux. Here again, though we could subsume and infer, our logic would be of no practical use to us, for the subjects of our propositions would have changed whilst we were talking. In such worlds logical relations would obtain, and be known (doubtless) as they are now, but they would form a merely theoretic scheme and be of no use for the conduct of life. But our world is no such world. It is a very peculiar world, and plays right into logic's hands. Some of the things, at least, which it contains are of the same kind as other things; some of them remain always of the kind of which they once were; and some of the properties of them cohere indissolubly and are always found together. Which things these latter things are we learn by experience in the strict sense of the word, and the results of the experience are embodied in 'empirical propositions.' Whenever such a thing is met with by us now, our sagacity notes it to be of a certain kind; our learning immediately recalls that kind's kind, and then that kind's kind, and so on; so that a moment's thinking may make us aware that the thing is of a kind so remote that we could never have directly perceived the connection. The flight to this last kind over the heads of the intermediaries is the essential feature of the intellectual operation here. Evidently it is a pure outcome of our sense for apprehending serial increase; and, unlike the several propositions themselves which make up the series (and which may all be empirical), it has nothing to do with the time- and space-order in which the things have been experienced.

J. Howard Moore photo
Peter Thiel photo

“... the phenomenon of serial entrepreneurship would seem to call into question our tendency to explain success as the product of chance.”

Source: https://books.google.com/books?id=Owc2nQEACAAJ&pg=PA59 p. 59
Zero to One (2014)