Quotes about recall
page 4

Donald J. Trump photo
Joanna Newsom photo
Letitia Elizabeth Landon photo
Jeremy Corbyn photo

“I have never been a supporter of or an apologist for Saddam Hussein. Indeed, I recall many lonely occasions in the House when I spoke against Saddam Hussein, his genocide against the Kurdish people and the way that the British Government were financing the re-arming of Iraq. Indeed, the chemical weapons being manufactured in Iraq largely comprise chemicals made in western Europe and north America. Some £1 billion was loaned to Saddam Hussein by British banks, with the agreement of the British Government. His power is largely the creation of western Europe and north America. I do not support him and I do not think that he was right to invade Kuwait…The only purpose of sending troops to the region is to defend and guarantee oil supplies. I find it difficult to accept that the United States is merely defending a small country against a larger country. If that were true, why were Grenada and Panama invaded? What was the Vietnam war about, other than a powerful United States wishing to extend its control and influence throughout the world? …If the shooting starts and there is war in the Gulf, the retaking of Kuwait will not be a clean, clinical operation—it will be a filthy and long war with hundreds of thousands of dead, and at the end of that war there will still have to be negotiations on the future order and the future government of that area and those countries.”

Jeremy Corbyn (1949) British Labour Party politician

Speech http://hansard.millbanksystems.com/commons/1990/nov/07/first-day in the House of Commons (7 November 1990).
1990s

Malcolm McDowell photo

“I do recall one particular night shoot… We were called to the set at four o'clock in the afternoon. As usual, nothing was ready. They'd built a set of Tiberius's grotto, on three acres, and were assembling all of the extras and background. The producers worriedly asked if I would go into Peter's trailer (he was playing Tiberius) and go through the lines with him, which we did few times.
And then he told me the most remarkable story – whether it is true or not I have no idea – about his grave-robbing Etruscan tombs. He said the best way to find Etruscan jewellery and artefacts was to find the drains in the tombs, and very gingerly sift through them with your fingers because, as the bodies decompose, all of the artifacts deposit themselves into the channels. The thought of Peter O'Toole on his hands and knees in an Etruscan catacomb makes for a lovely image.
We spent hours and hours in this trailer. He was smoking … it certainly wasn't tobacco. By the time we got onto the set, 12 hours had passed. We couldn't believe our eyes: the set was covered with people engaging in every sexual perversion in the book. We were totally bemused.
Peter would start off his speech, "Rome was but a city…" then pause, look around, and say to me: "Are they doing the Irish jig over there?"”

Malcolm McDowell (1943) English actor

I'd look over and there would be two dwarves and an amputee dancing around some girls splayed out on a giant dildo. This went on quite a few times.
As quoted in "Malcolm McDowell on Peter O'Toole: Caligula, catacombs and chicken gizzards" https://www.theguardian.com/film/filmblog/2013/dec/17/malcolm-mcdowell-peter-otoole-caligula-graves, The Guardian (17 December, 2013)

Bertie Ahern photo

“It is not correct, and if I said so, I was not correct — I cannot recall if I said it, but I did not say, or if I did, I did not mean to say it”

Bertie Ahern (1951) Irish politician, 10th Taoiseach of Ireland

Straight answers needed to taxing Bertie questions http://www.independent.ie/opinion/columnists/fionnan-sheahan/straight-answers-needed-to-taxing-bertie-questions-1277938.html Irish Independent, 2008-01-31.

Kit Carson photo
Johannes Bosboom photo

“.. how with the [Dutch] Romantic movement after 1830 also the love awakened for everything that recalled former times to the mind - including the period of the middle-ages -, and how the sigh grew from it to collect all kind of objects that reassured the taste of those times. Here too, the celebrated [Dutch romantic painter] Nuyen stood in front.”

Johannes Bosboom (1817–1891) Dutch painter

version in original Dutch (citaat van Johannes Bosboom, in Nederlands): ..hoe met de Romantische beweging na 1830 ook de liefde ontwaakte voor alles wat vroegere tijden — ook het tijdvak der middeneeuwen — voor den geest riepen en hoe daaruit de zucht ontsproot tot het verzamelen van voorwerpen, die van den smaak dier tijden getuigden. Ook hierin stond de gevierde Nuyen vooraan.
Quote of J. Bosboom, c. 1890; as cited in De Hollandsche Schilderkunst in de Negentiende Eeuw, G. H. Marius; https://ia800204.us.archive.org/31/items/dehollandschesch00mariuoft/dehollandschesch00mariuoft.pdf Martinus Nijhoff, s-'Gravenhage / The Hague, tweede druk, 1920, p. 108 translation from the original Dutch: Fons Heijnsbroek)
the studio of Bosboom was more or less a small museum, exposing his collected objects from the middle-ages
1890's

Carl Schmitt photo

“In a community, the constitution of which provides for a legislator and a law, it is the concern of the legislator and of the laws given by him to ascertain the mediation through calculable and attainable rules and to prevent the terror of the direct and automatic enactment of values. That is a very complicated problem, indeed. One may understand why law-givers all along world history, from Lycurgus to Solon and Napoleon have been turned into mythical figures. In the highly industrialized nations of our times, with their provisions for the organization of the lives of the masses, the mediation would give rise to a new problem. Under the circumstances, there is no room for the law-giver, and so there is no substitute for him. At best, there is only a makeshift which sooner or later is turned into a scapegoat, due to the unthankful role it was given to play.
A jurist who interferes, and wants to become the direct executor of values should know what he is doing. He must recall the origins and the structure of values and dare not treat lightly the problem of the tyranny of values and of the unmediated enactment of values. He must attain a clear understanding of the modern philosophy of values before he decides to become valuator, revaluator, upgrader of values. As a value-carrier and value-sensitive person, he must do that before he goes on to proclaim the positings of a subjective, as well as objective, rank-order of values in the form of pronouncements with the force of law.”

Carl Schmitt (1888–1985) German jurist, political theorist and professor of law

"The Tyranny of Values" (1959)

John Banville photo
Clarence Thomas photo
John R. Bolton photo
Mark Rothko photo
Francis Galton photo

“You ask when I'm coming: alas, not just yet……
How the rain filled the pools on that night when we met!
Ah, when shall we ever snuff candles again,
And recall the glad hours of that evening of rain?”

"Souvenirs" (《夜雨寄北》), in Gems of Chinese Literature, trans. Herbert A. Giles
Variant translation:
You ask me when I am coming. I do not know.
I dream of your mountains and autumn pools brimming all night with the rain.
Oh, when shall we be trimming wicks again together in your western window?
When shall I be hearing your voice again all night in the rain?
"A Note on a Rainy Night", in Three Hundred Poems of the Tang Dynasty, trans. Witter Bynner

Derren Brown photo
David Lloyd George photo
Arun Shourie photo
Gustave Courbet photo
Anu Garg photo
Bernard Montgomery, 1st Viscount Montgomery of Alamein photo
Pierre-Simon Laplace photo
Ivan Goncharov photo
Neil Diamond photo
Gary Snyder photo

“I recalled when I worked in the woods
and the bars of Madras, Oregon.
That short-haired joy and roughness—
America—your stupidity.
I could almost love you again.”

Gary Snyder (1930) American poet

I Went into the Maverick Bar, from No Nature; New and Selected Poems (1992)

Fali Sam Nariman photo

“I don’t think, Mr. Palkhiwala, you can add anything more to what Mr. Nariman has so well presented”. These were some of the early memories in the Bombay Bar which Mr Nariman still recalls and cherish.”

Fali Sam Nariman (1929) Indian politician

When he had appeared in case on the brief of Mr. Palkhiwala.
Fali S. Nariman, ‘Before Memory Fades: An Autobiography

Letitia Elizabeth Landon photo
Upton Sinclair photo
Albert Camus photo
William Grey Walter photo
Aurangzeb photo
Tim Powers photo
Nikos Kazantzakis photo
Statius photo

“Atlas' grandson obeys his sire's words and hastily thereupon binds the winged sandals on to his ankles and with his wide hat covers his locks and tempers the stars. Then he thrusts the wand in his right hand; with this he was wont to banish sweet slumber or recall it, with this to enter black Tartarus and give life to bloodless phantoms. Down he leapt and shivered as the thin air received him. No pause; he takes swift and lofty flight through the void and traces a vast arc across the clouds.”
Paret Atlantiades dictis genitoris et inde summa pedum propere plantaribus inligat alis obnubitque comas et temperat astra galero. tum dextrae uirgam inseruit, qua pellere dulces aut suadere iterum somnos, qua nigra subire Tartara et exangues animare adsueuerat umbras. desiluit, tenuique exceptus inhorruit aura. nec mora, sublimes raptim per inane volatus carpit et ingenti designat nubila gyro.

Source: Thebaid, Book I, Line 303

Camille Paglia photo

“Love for all means coldness to something or someone. Even Jesus, let us recall, was unnecessarily rude to his mother at Cana.”

Camille Paglia (1947) American writer

Source: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 18

Judea Pearl photo
Richard Cobden photo
H.L. Mencken photo

“I well recall my emotions when I came upon the grave of Beethoven in the Central Friedhof, with its incomparable guard of honor — Mozart, Schubert, Gluck, Brahms, Hugo Wolf and Johann Strauss!”

H.L. Mencken (1880–1956) American journalist and writer

H.L. Mencken : Thirty-five Years of Newspaper Work (1994) , p. 190; this work was written in 1941-1942 but sealed until 1991.
1940s–present

Phil Ochs photo
John Rogers Searle photo
Christopher Hitchens photo

“We are introduced to Iraq, "a sovereign nation"…In this peaceable kingdom, according to Moore's flabbergasting choice of film shots, children are flying little kites, shoppers are smiling in the sunshine, and the gentle rhythms of life are undisturbed. Then—wham! From the night sky come the terror weapons of American imperialism. Watching the clips Moore uses, and recalling them well, I can recognize various Saddam palaces and military and police centers getting the treatment. But these sites are not identified as such. In fact, I don't think Al Jazeera would, on a bad day, have transmitted anything so utterly propagandistic. You would also be led to think that the term "civilian casualty" had not even been in the Iraqi vocabulary until March 2003…the "insurgent" side is presented in this film as justifiably outraged, whereas the 30-year record of Baathist war crimes and repression and aggression is not mentioned once.That this—his pro-American moment—was the worst Moore could possibly say of Saddam's depravity is further suggested by some astonishing falsifications. Moore asserts that Iraq under Saddam had never attacked or killed or even threatened (his words) any American. I never quite know whether Moore is as ignorant as he looks, or even if that would be humanly possible…Baghdad was the safe house for the man whose "operation" murdered Leon Klinghoffer…In 1991, a large number of Western hostages were taken by the hideous Iraqi invasion of Kuwait and held in terrible conditions for a long time. After that same invasion was repelled—Saddam having killed quite a few Americans and Egyptians and Syrians and Brits in the meantime and having threatened to kill many more—the Iraqi secret police were caught trying to murder former President Bush during his visit to Kuwait. Never mind whether his son should take that personally…Iraqi forces fired, every day, for 10 years, on the aircraft that patrolled the no-fly zones and staved off further genocide in the north and south of the country…And it was after, and not before, the 9/11 attacks that Abu Mussab al-Zarqawi moved from Afghanistan to Baghdad and began to plan his now very open and lethal design for a holy and ethnic civil war.”

Christopher Hitchens (1949–2011) British American author and journalist

2004-06-21
Unfairenheit 9/11
Slate
1091-2339
http://www.slate.com/articles/news_and_politics/fighting_words/2004/06/unfairenheit_911.html: On Michael Moore
2000s, 2004

Hal Clement photo
Letitia Elizabeth Landon photo

“... the desolate
Is doubly sorrowful when it recalls
It was not always desolate.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Change from The London Literary Gazette (3rd January 1829)
The Vow of the Peacock (1835)

Michael J. Sandel photo
George S. Patton IV photo
Sri Aurobindo photo
Chinua Achebe photo
Joni Mitchell photo

“I’ve looked at love from both sides now
From give and take, and still somehow,
It’s love’s illusions I recall
I really don’t know love at all.”

Joni Mitchell (1943) Canadian musician

"Both Sides Now"
Songs
Variant: I’ve looked at clouds from both sides now,
From up and down, and still somehow
It’s cloud illusions I recall,
I really don’t know clouds at all.

Alexander Woollcott photo
E.L. Doctorow photo
Tom Robbins photo
A. J. Liebling photo
Kofi Annan photo
John Palfrey photo
Alfred Binet photo
Alfred George Gardiner photo
Jesse Helms photo

“It is interesting to note that the Nobel Peace Prize won't be awarded this year. When one recalls that Martin Luther King got the prize last year, it may be just as well that the committee decided not to award one this year. Perhaps it was too difficult to choose between Stokely Carmichael and Ho Chi Minh.”

Jesse Helms (1921–2008) American politician

Television commentary (1966) quoted in The New York Times http://www.nytimes.com/1994/11/27/weekinreview/word-for-word-jesse-helms-north-carolinian-has-enemies-but-no-one-calls-him.html (1994)
1960s

Akio Morita photo

“In all my years in business I can recall very few people I have wanted to fire for making mistakes.”

Akio Morita (1921–1999) Japanese businessman

Source: Made in Japan (1986), p. 151.

Jane Roberts photo

“Energy projected into any kind of construction, psychic or physical, cannot be recalled, but must follow the laws of the particular form into which it has been for the moment molded.”

Jane Roberts (1929–1984) American Writer

Session 92, Page 36
The Early Sessions: Sessions 1-42, 1997, The Early Sessions: Book 3

Alan Grayson photo
Rudolph Rummel photo
Don McLean photo

“Do you recall what was revealed
The day the music died?”

Don McLean (1945) American Singer and songwriter

Song lyrics, American Pie (1971), American Pie

Théodore Rousseau photo
Samuel R. Delany photo

“And then, all of a sudden, it was as though through those dark eyes an electrical circuit had been struck. She sat fascinated. Snake-and-bird fascinated. Afterwards she could not recall the details of what he had said. She remembered only that she had been absorbed, rapt, lost, for over ten minutes by the clock. She had perceived images conjured up from the dead past: a hand trailed in clear river water, deliciously cool, while the sun smiled and a shoal of tiny fishes darted between her fingers; the crisp flesh of a ripe apple straight from the tree, so juicy it ran down her chin; grass between her bare toes, the turf like springs so that she seemed not to bear the whole of her weight on her soles but to be floating, dreamlike, in slow motion, instantly transported to the moon; the western sky painted with vast heart-tearing slapdash streaks of red below the bright steel-blue of clouds, and stars coming snap-snap into view against the eastern dark; wind gentle in her hair and on her cheeks, bearing flower perfumes, dusting her with petals; snow cold to the palm as it was shaped into a ball; laughter echoing from a dark lane where only lovers walked, not thieves and muggers; butter like an ingot of soft gold; ocean spray sharp and clean as the edge of an axe; with the same sense of safe, provided rightly used; round pebbles polychrome beside a pool; rain to which a thirsty mouth could open, distilling the taste of a continent of air... And under, and through, and in, and around all this, a conviction: “Something can be done to get that back!”
She was crying. Small tears like ants had itched their paths down her cheeks. She said, when she realized he had fallen silent, “But I never knew that! None of it! I was born and raised right here in New York!””

”But don’t you think you should have known it?” Austin Train inquired gently.
September “MINE ENEMIES ARE DELIVERED INTO MY HAND”
The Sheep Look Up (1972)

Nicholas Serota photo

“I recall once saying that when I had given the same lecture several times I couldn't help feeling that they really ought to know it by now.”

John Edensor Littlewood (1885–1977) English Mathematician

"Academic Life", p. 135.
Littlewood's Miscellany (1986)

Anton Chekhov photo
Antonio Gramsci photo
Franz Kafka photo
Eugène Delacroix photo
Emma Lazarus photo

“The funeral and the marriage, now, alas!
We know not which is sadder to recall.”

Emma Lazarus (1849–1887) American poet

In the Jewish Synagogue at Newport

Koila Nailatikau photo
Letitia Elizabeth Landon photo
Colum McCann photo
Wilt Chamberlain photo
Francis Jeffrey, Lord Jeffrey photo
K. Barry Sharpless photo
Chris Stedman photo
Brian Leiter photo
John McCain photo
Jack McDevitt photo

“The earliest religious feeling MacAllister could recall was being annoyed at Adam, because it was his fault that girls subsequently had to wear clothes.”

Jack McDevitt (1935) American novelist, Short story writer

Source: Academy Series - Priscilla "Hutch" Hutchins, Odyssey (2006), Chapter 7 (p. 66)

Ralph Ellison photo
Raymond Poincaré photo
Polybius photo

“The only method of learning to bear with dignity the vicissitudes of fortune is to recall the catastrophes of others.”

Polybius. The Histories of Polybius, trans. Evelyn S. Shuckburgh. London, New York: Macmillan and Co., 1889. Book I, Chapter 1
The Histories

Peter Kropotkin photo

“The history of human thought recalls the swinging of a pendulum which takes centuries to swing. After a long period of slumber comes a moment of awakening.”

Peter Kropotkin (1842–1921) Russian zoologist, evolutionary theorist, philosopher, scientist, revolutionary, economist, activist, geogr…

Anarchist Morality http://dwardmac.pitzer.edu/anarchist_Archives/kropotkin/AM/anarchist_moralitytc.html (1890)
Context: The history of human thought recalls the swinging of a pendulum which takes centuries to swing. After a long period of slumber comes a moment of awakening. Then thought frees herself from the chains with which those interested — rulers, lawyers, clerics — have carefully enwound her.
She shatters the chains. She subjects to severe criticism all that has been taught her, and lays bare the emptiness of the religious political, legal, and social prejudices amid which she has vegetated. She starts research in new paths, enriches our knowledge with new discoveries, creates new sciences.
But the inveterate enemies of thought — the government, the lawgiver, and the priest — soon recover from their defeat. By degrees they gather together their scattered forces, and remodel their faith and their code of laws to adapt them to the new needs.

Albert Jay Nock photo

“This story is much worth recalling just now when so many wise men and soothsayers appear to be burdened with a message to the masses. … I can not remember a time when so many energumens were so variously proclaiming the Word to the multitude and telling them what they must do to be saved. This being so, it occurred to me, as I say, that the story of Isaiah might have something in it to steady and compose the human spirit until this tyranny of windiness is overpast.”

Albert Jay Nock (1870–1945) American journalist

Source: Isaiah's Job (1936), I
Context: This story is much worth recalling just now when so many wise men and soothsayers appear to be burdened with a message to the masses. … I can not remember a time when so many energumens were so variously proclaiming the Word to the multitude and telling them what they must do to be saved. This being so, it occurred to me, as I say, that the story of Isaiah might have something in it to steady and compose the human spirit until this tyranny of windiness is overpast. I shall paraphrase the story in our common speech, since it has to be pieced out from various sources; and inasmuch as respectable scholars have thought fit to put out a whole new version of the Bible in the American vernacular, I shall take shelter behind them, if need be, against the charge of dealing irreverently with the Sacred Scriptures.

Oliver Wendell Holmes Jr. photo
Denise Levertov photo
Clifford D. Simak photo

“I have tried to imagine … the various ingredients one might wish to compound in such a package. Beside the bare experience itself, the context of it, one might say, he should want to capture and hold all the subsidiary factors which might serve as a background for it — the sound, the feel of wind and sun, the cloud floating in the sky, the color and the scent. For such a packaging, to give the desired results, must be as perfect as one can make it. It must have all those elements which would be valuable in invoking the total recall of some event that had taken place many years before…”

Cemetery World (1973)
Context: I find it a most intriguing and amusing thing that it might be possible to package the experiences, not only of one's self, but of other people. Think of the hoard we might then lay up against our later, lonely years when all old friends are gone and the opportunity for new experiences have withered. All we need to do then is to reach up to a shelf and take down a package that we have bottled or preserved or whatever the phrase might be, say from a hundred years ago, and uncorking it, enjoy the same experience again, as sharp and fresh as the first time it had happened... I have tried to imagine... the various ingredients one might wish to compound in such a package. Beside the bare experience itself, the context of it, one might say, he should want to capture and hold all the subsidiary factors which might serve as a background for it — the sound, the feel of wind and sun, the cloud floating in the sky, the color and the scent. For such a packaging, to give the desired results, must be as perfect as one can make it. It must have all those elements which would be valuable in invoking the total recall of some event that had taken place many years before...