Quotes about poetry
page 9

“There is always this criticism that the lyricism and the poetry and the language and the dialogues of the past, the written word, is not so prevailing now. To some extent, yes. For somebody that has lived through those years and come back, I feel that when I go to concerts and when I go to public events, nobody asks me to recite dialogues from Baghban or Paa (laughs), they say ‘can we have Deewar?’ or ‘Can we have Agneepath?’ or whatever. So I’m assuming, therefore, that there was a lot more strength and value in those dialogues than what we have now. But I think that, in defense of today’s generation, maybe they don’t want it. They don’t like too many words. This generation is very cryptic in the way it communicates, they’ll have just one or two words where we used to use four of five sentences in our time. That attention span has become very short. So they use one or two words, ‘it’s cool’ or ‘you’re rocking’, to describe the whole feeling. That is the style of the younger generation and if this is what they want, we must make films that follow it.”

Amitabh Bachchan (1942) Indian actor

Quotable quotes by Amitabh Bachchan.

Way, Feeling, Communication, Thinking

“The link between Betty Mahmoody’s “Not Without My Daughter” and Azar Nafisi’s [Reading Lolita in Tehran] is the link between two phases and modes of labor migration, the moral salvation that “the West” provides, and imperial hubris. What is paramount in all of these is the denigration of local cultures as the site of actual or potential resistance to imperial domination. There cannot be any politics of resistance, aesthetics of emancipation, or prose and poetry of agential autonomy in history for people around the world—nothing except a Starbucks Coffee version of the so-called “Western classics” to go and save them.”

Hamid Dabashi (1951) American academic

http://www.zmag.org/content/showarticle.cfm?ItemID=10707 Interview with Znet

People, World, History, Coffee

“The wheel of Time wrote the first half of the poetry of mass destruction on the black board of the ashes of a funeral ground by dint of a pair of pens of nuclear bombs.”

Manmohan Acharya (1967–2013) Poet, lyricist

Stanza-10, Verse 6
Song of the Bumblebee (2008)

Time

“The crown of literature is poetry.”

W. Somerset Maugham (1874–1965) British playwright, novelist, short story writer

Matthew Arnold, Count Leo Tolstoi
Misattributed

Literature

“Painting is silent poetry, and poetry painting that speaks.”

Simonides of Ceos (-556–-468 BC) Ancient Greek musician and poet

Quoted by Plutarch, De gloria Atheniensium 3.346f http://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A2008.01.0234%3Astephpage%3D346f. Variant translations: Painting is silent poetry, and poetry is painting with the gift of speech. Painting is silent poetry, poetry is eloquent painting. See also: Ut pictura poesis

Painting

“None but a poet can write a tragedy. For tragedy is nothing less than pain transmuted into exaltation by the alchemy of poetry.”

Edith Hamilton (1867–1963) American teacher and writer

Source: The Greek Way (1930), Ch. 11

Pain

“For he owre englishe gilte with his sawes,
Rude and boistous firste be olde dawes,
That was ful fer from al perfeccioun
And but of litel reputacioun
Til that he cam, and thorugh his poetrie,
Gan oure tonge firste to magnifie
And adourne it with his eloquence:
To whom honour, laude and reuerence.”

John Lydgate (1370–1450) monk and poet

The Troy Book, Bk. 3, line 4237.
Of Chaucer.

“Poetry is produced not by the mere caprice of pleasure, but by natural necessity. It is the primary activity of the human mind.”

Benedetto Croce (1866–1952) Italian writer, philosopher, politician

Benedetto Croce, The Philosophy of Giambattista Vico. trans. R. G. Collingwood, London 1923.

Pleasure, Nature

“The actual poetry of this engineering triumph was first brought stunningly upon me in 1915 when I sat in an audience in San Francisco and heard the breaking of the surf upon the far Atlantic shore.”

Lee De Forest (1873–1961) American inventor

"Dawn of the Electronic Age" http://blog.modernmechanix.com/2006/03/20/dawn-of-the-electronic-age/, Popular Mechanics, January 1952

“Say, I don’t wish I was a poet, for if I was, I guess I’d be livin’ in a garret on no dollars a week instead of runnin’ a great contractin’ and transportation business which is doin’ pretty well, thank you; but, honest, now, the notion takes me sometimes to yell poetry of the red-hot-hail-glorious-land kind when I think of New York City as a state by itself. p. 67”

George Washington Plunkitt (1842–1924) New York State Senator

Plunkitt of Tammany Hall, Chapter 16, Plunkitt’s Fondest Dream

Business, Thinking

“The reader does not need a technical vocabulary to read poetry, only a voice in the head or out loud which can deliver the sounds.”

Michael Schmidt (poet) (1947) American poet

The Great Modern Poets, London, 2006

Reading

“Poetry is what looks like poetry, what sounds like poetry. It is metrical composition.”

J. V. Cunningham (1911–1985) American writer

'Poetry, Structure and Tradition' Dec 31 1939
General

“Sandburg is unreadable today only because of the way he wrote. His prose was bad poetry, like his poetry.”

Clive James (1939–2019) Australian author, critic, broadcaster, poet, translator and memoirist

'On American Movie Critics' (New York Times Book Review, June 4, 2006)
Essays and reviews

Way

“Glorious, stirring sight! The poetry of motion! The real way to travel! The only way to travel! Here today — in next week tomorrow! Villages skipped, towns and cities jumped — always somebody else’s horizon! O bliss! O poop-poop! O my! O my!”

Kenneth Grahame book The Wind in the Willows

Toad, Ch. 2
The Wind in the Willows (1908)

Way, Travel

“Historical sense and poetic sense should not, in the end, be contradictory, for if poetry is the little myth we make, history is the big myth we live, and in our living, constantly remake.”

Robert Penn Warren (1905–1989) American poet, novelist, and literary critic

Foreword, Brother to Dragons: A Tale in Verse and Voices — A New Version (1979)

History, Sense

“A defining mark of poetry is that it defies definition.”

Dennis O'Driscoll (1954–2012) Irish poet, critic

Introduction - ' The Bloodaxe Book of Poetry Quotations' ed. Dennis O'Driscoll 2006
Other Quotes

“Consistent poetry is made of letters. Letters have no idea. Letters as such have no sound, they offer only tonal possibilities, to be valuated by the performer. The consistent poem weighs the value of both letters and groups.”

Kurt Schwitters (1887–1948) German artist

1920s
Source: 'Consistent Poetry Art', Schwitters' contribution to 'Magazine G', No. 3, 1924, ed. Hans Richter.

Idea

“While still in Calcutta I made my first contact with another mighty scripture, the Granth Saheb of Sri Garibdas. This Jat saint of Haryana has been the patron saint of my family ever since an ancestor of ours, who was the saint's contemporary, became his votary in the first half of the 18th century. We revere him as the Satguru (true teacher) who was an avatara of the Highest Being. He was totally illiterate but composed and sang some 18000 verses of very sublime poetry which scales the highest spiritual heights. The story goes that my ancestor would not have his first morning sip of water unless he had paid homage to the saint who lived at a distance of 4 miles from our village.”

Garib Das (1717–1778) Hindu Yogi

Goel, S. R. (2007). How I became a Hindu.

Family, Teachers, Water

“Write poetry for its own sake — not in a spirit of emulation, and not with a view to celebrity; the less you aim at that the more likely you will be to deserve and finally to obtain it.”

Robert Southey (1774–1843) British poet

Letter to Charlotte Brontë in March 1837; Gaskell The life of Charlotte Brontë, Vol. I (1857), p. 140.

“Before people complain of the obscurity of modern poetry, they should first examine their consciences and ask themselves with how many people and on how many occasions they have genuinely and profoundly shared some experience with another; they might also ask themselves how much poetry of any period they can honestly say that they understand.”

W. H. Auden book The Dyer's Hand

The Dyer's Hand (1955), in the BBC weekly The Listener (30 June 1955)

People, Understanding

“Today's Real Man is probably closest to Spencer Tracy or Gary Cooper in spirit; he realizes that while birds, flowers, poetry, and small children do not add to the quality of life in quite the same manner as a Super Bowl and six-pack of Budweiser, he's learned to appreciate them anyway.”

Bruce Feirstein book Real Men Don't Eat Quiche

Real Men Don't Eat Quiche, ch. 2 http://books.google.com/books?id=VKuGe7aiswcC&q=%22Today's+Real+Man+is+probably+closest+to+Spencer+Tracy+or+Gary+Cooper+in+spirit+he+realizes+that+while+birds+flowers+poetry+and+small+children+do+not+add+to+the+quality+of+life+in+quite+the+same+manner+as+a+Super+Bowl+and+six-pack+of+Budweiser+he's+learned+to+appreciate+them+anyway%22&pg=PA18#v=onepage

Life, Children, Flowers, Bird

“When poetry loses its ability to enchant, it shrinks into what is just an elaborate form of argumentation. When verse casts its particular spell, it becomes the most evocative form of language.”

Dana Gioia (1950) American writer

Essays, Can Poetry Matter? (1991), Poetry as Enchantment (2015)

“I believe the art of the future including poetry will be simple, fresh and strongly coloured and will be understood and loved by the ignorant as well as the most cultivated. A popular art in the finest sense of the word.”

Max Michelson (1880–1953) American poet

Love, Art, Sense, Future

“Sappho is a great poet because she is a lesbian, which gives her erotic access to the Muse. Sappho and the homosexual-tending Emily Dickinson stand alone above women poets, because poetry's mystical energies are ruled by a hierach requiring the sexual subordination of her petitioners. Women have achieved more as novelists than as poets because the social novel operates outside the ancient marriage of myth and eroticism.”

Camille Paglia (1947) American writer

Source: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 672

Women, Marriage

“They wanted to know how I succeeded in getting so much publicity, I said by having a small audience, I said if you have a big audience you have no publicity, this did seem to worry them and naturally it would worry them they wanted the publicity and the big audience, and really to have the biggest publicity you have to have a small one, yes all right the biggest publicity comes from the realest poetry and the realest poetry has a small audience not a big one, but it is really exciting and therefore it has the biggest publicity, all right that is it.”

Gertrude Stein (1874–1946) American art collector and experimental writer of novels, poetry and plays

Source: Everybody’s Autobiography (1937), Ch. 4

Nature

“Benjamin Black is a craftsman and these are crafted works. I'm very proud of them. I think they're well made, but Banville is doing something else – he's trying to make a kind of poetry, I suppose. I'm a perfectionist. It's an illness but a good illness. It's a completely different method of writing. Banville writes with a fountain pen on paper in a manuscript book and Black works straight on to the screen. It could take me a whole morning to write a few sentences as Banville, but as Black I'd be very annoyed if I didn't have at least two or three pages done. This drives crime-writers crackers because they think I'm saying that their craft is not worth it. I'm simply saying it's a different thing. I don't know why they worry when I talk about speed; after all, Georges Simenon wrote his books in about 10 days.”

John Banville (1945) Irish writer

John Banville: Who cares whodunnit? (2013)

Books, Thinking, Speed

“there is a higher truth and a lower truth, and it is the higher truth that is the proper subject of poetry.”

Florence Earle Coates (1850–1927) American writer and poet

On poetry

Truth

“There are benefits to be gained from the ambiguities of scientific discourse. Of the four previously identified functions served by ambiguity, two remain outside the boundaries of scientific work. The function of attaining enlightenment through the intuition of indeterminacy belongs to mysticism, or perhaps to philosophy and poetry, not to the disciplined activity of science. And the protection of one's meanings and intentions through ambiguously opaque utterance, while perhaps useful as a protective ploy in scientific competition, cannot be sanctioned as appropriate conduct for a scientific enquirer. Through its two other functions, however — the evocative representation of complex meanings and the bonding of a community through diffuse symbols — ambiguity has long served and will continue to serve the general objectives of scientific activity. It is useful for scientific formulations to express an abundance of meanings, for these can ignite a cluster of insights that in turn lead to novel explorations.”

Donald N. Levine (1931–2015) sociologist

Donald N. Levine (1988), The Flight from Ambiguity: Essays in Social and Cultural Theory. p. 218; Partly cited in: David L. Sills, ‎Robert King Merton (2000), Social Science Quotations: Who Said What, When, and Where. p. 129-130

Communication, Science

“All of us have had the experience of finding a particularly felicitous phrase in poetry and of feeling: “This is what the world really means; he has hit it closer than anyone has ever hit it before.””

Richard M. Weaver (1910–1963) American scholar

“Relativism and the Use of Language,” p. 123.
Language is Sermonic (1970)

World, Feeling

“Poetry is a langage with a shape”

Michael Schmidt (poet) (1947) American poet

Lives of the Poets, Phoenix, 1988

“It is a test (a positive test, I do not assert that it is always valid negatively), that genuine poetry can communicate before it is understood.”

T.S. Eliot (1888–1965) 20th century English author

Dante (1929), a biographical essay

Communication

“Incompossible, adj. Unable to exist if something else exists. Two things are incompossible when the world of being has scope enough for one of them, but not enough for both — as Walt Whitman's poetry and God's mercy to man.”

Ambrose Bierce book The Devil's Dictionary

The Devil's Dictionary (1911)

God, World

“Among those today who believe that modern poetry must do without rhyme or metre, there is an assumption that the alternative to free verse is a crash course in villanelles, sestinas and other such fixed forms. But most…are rare in English poetry. Few poets have written a villanelle worth reading, or indeed regret not having done so.”

James Fenton (1949) poet

Source: An Introduction to English Poetry (2002), Ch. 3: The Training of the Poet (p. 21)

Reading

“The life of Camillus, the death of Regulus; the expectation of the senators, in their godlike state, of the victorious Gauls; the refusal of the republic to make peace with Hannibal, after the battle of Cannae, were not the consequences of a refined calculation of the probable personal advantage to result from such a rhythm and order in the shows of life, to those who were at once the poets and the actors of these immortal dramas. The imagination beholding the beauty of this order, created it out of itself according to its own idea; the consequence was empire, and the reward everlasting fame. These things are not the less poetry, quia carent vate sacro [because they lack a sacred bard]. They are the episodes of that cyclic poem written by Time upon the memories of men.”

Percy Bysshe Shelley (1792–1822) English Romantic poet

This passage has sometimes been paraphrased as "History is a cyclic poem written by Time upon the memories of man". A Defence of Poetry http://www.bartleby.com/27/23.html (1821)

Life, Death, Men, Peace

“… Her aunt is an agnostic, an ardent advocate of women's rights, an internationalist who rests all her hopes on Esperanto, is devoted to Bernard Shaw, and spends her spare time in campaigns of anti-vivisection. Her elder brother, whom she admires exceedingly, has just spent two years at Oxford. He is an Anglo-Catholic, an enthusiast concerning all things medieval, writes mystical poetry, reads Chesterton, and means to devote his life to seeking for the lost secret of medieval stained glass. Her mother's younger brother is an engineer, a strict materialist, who never recovered from reading Haeckel in his youth; he scorns art, believes that science will save the world, scoffs at everything that was said and thought before the nineteenth century, and ruins his health by experiments in the scientific elimination of sleep. Her mother is of a quietistic frame of mind, very much interested in Indian philosophy, a pacifist, a strict non-participator in life, who in spite of her daughter's devotion to her will not make any move to enlist her enthusiasms. And this may be within the girl's own household. Add to it the groups represented, defended, advocated by her friends, her teachers, and the books which she reads by accident, and the list of possible enthusiasms, of suggested allegiances, incompatible with one another, becomes appalling.”

Margaret Mead (1901–1978) American anthropologist

Source: 1920s, Coming of Age in Samoa (1928), p. 161

Life, Women, Health, Secret

“Poetry? It's a hobby.
I run model trains.
Mr Shaw there breeds pigeons.
It's not work. You don't sweat.
Nobody pays for it.
You could advertise soap.”

Basil Bunting (1900–1985) Poet

What The Chairman Told Tom, from Odes II:6 (1965)

Training

“When superstition is allowed to perform the task of old age in dulling the human temperament, we can say goodbye to all excellence in poetry, in painting, and in music.”

Denis Diderot (1713–1784) French Enlightenment philosopher and encyclopædist

Source: Pensées Philosophiques (1746), Ch. 3, as quoted in Selected Writings (1966) edited by Lester G. Crocker

Age, Music, Painting, Goodbye

“I’ve been carrying the corpus of my grandfather — to change the famous saying—with me all my life. I was given very early two volumes of his sermons; and I never go anywhere without them. … He actually took his parish out of the Unitarian Church. As he put it, “They have defrocked not only me, but my church.” For thirty years he and the church, the New Bedford parish, were in the wilderness. Then the Unitarians, about 1890, caught up with him and embraced him. By this time he was president of the Free Religious Association and was lecturing all over the country on the necessity for a religion without dogma.
And this inheritance has been my guiding light: I regard myself simply as a continuance of my grandfather, and primarily, therefore, as a teacher and preacher, and a distributor, in poetic terms, of the news of the world, by which I mean new knowledge. This is gone into at some length in Ushant. And elsewhere I have said repeatedly that as poetry is the highest speech of man, it can not only accept and contain, but in the end express best everything in the world, or in himself, that he discovers. It will absorb and transmute, as it always has done, and glorify, all that we can know. This has always been, and always will be, poetry’s office.”

Conrad Aiken (1889–1973) American novelist and poet

The Paris Review interview (1963)

Life, World, Religion, Knowledge

“I have invented [c. 1915-1916] a new series of verses, verses without words, or sound poems, in which the balancing of the vowels is gauged and distributed according to the value of the initial line... With these sound poems we should renounce language, devastated and made impossible by journalism. We should withdraw into the innermost alchemy of the word, and even surrender the word, thus conserving for poetry its most sacred domain. We should refuse to make poems second-hand; we should stop taking over words (not to mention sentences) which we did not invent entirely anew for our own use. We should no longer be content to achieve poetic effects which, in the final analysis, are but echoes of inspiration..”

Hugo Ball (1886–1927) German author, poet and one of the leading Dada artists

as quoted by Carol Rumens in her article 'Poem of the week: 'Gadji beri bimba' by Hugo Ball' https://www.theguardian.com/books/booksblog/2009/aug/31/hugo-ball-gadji-beri-bimba in 'The Guardian', Monday 31 August 2009 1916

Gauge

“Then one can't make a living out of poetry?"
"Certainly not. What fool expects to? Out of rhyming, yes.”

Jack London Martin Eden

Source: Martin Eden (1909), Ch. XXXII

Fools

“Poetry is I say essentially a vocabulary just as prose is essentially not. And what is the vocabulary of which poetry absolutely is. It is a vocabulary based on the noun as prose is essentially and determinately and vigorously not based on the noun. Poetry is concerned with using with abusing, with losing with wanting with denying with avoiding with adoring with replacing the noun. It is doing that always doing that, doing that doing nothing but that. Poetry is doing nothing but using losing refusing and pleasing and betraying and caressing nouns. That is what poetry does, that is what poetry has to do no matter what kind of poetry it is. And there are a great many kinds of poetry. So that is poetry really loving the name of anything and that is not prose.”

Gertrude Stein (1874–1946) American art collector and experimental writer of novels, poetry and plays

"Poetry and Grammar"
Lectures in America (1935)

Love

“Why poetry, you ask? Because of life, I answer.”

Dejan Stojanovic (1959) poet, writer, and businessman

Poetry and Life http://www.poemhunter.com/poem/poetry-and-life-2/ From the poems written in English

Life

“To my delight, Federico had seen Dans la ville blanche (1983) by Swiss director Alain Tanner. Enthusiastic about Bruno Ganz’s performance, he also was impressed by the film’s startling visual poetry of Lisbon achieved by transferring inferior film stock onto 35mm. It was exactly this kind of uncomplicated technical innovation that inspired Federico during the writing of Attore. Conceived in 1992, Attore focused on the craft and the psychology of actors. Having completed a film treatment with roles for Mastroianni, Giulietta Masina, and Paolo Villagio, Fellini was now wondering if he should provide Marcello with a home movie camera to be used in a loosely Shakespearian sense that all the world’s a film set. The 8mm footage of intimate memories of the theatre from his Rimini childhood would then be transferred to 35mm – a most intriguing idea that would have been a new departure for the Maestro had he lived to bring it to the screen.”

Damian Pettigrew Canadian filmmaker

On Fellini’s last film project, Attore
Federico Fellini: Sou um Grande Mentiroso (2008)

World, Home, Idea, Departure

“What a thing it is to lie there all day in the fine breeze, with the pine needles dropping on one, only to return to the hotel at night so hungry that the dinner, however homely, is a fete, and the menu finer reading than the best poetry in the world! Yet we are to leave all this for the glare and blaze of Nice and Monte Carlo; which is proof enough that one cannot become really acclimated to happiness. (10 September 1902) in the village of Cavalaire, France.”

Willa Cather (1873–1947) American writer and novelist

Source: Willa Cather in Europe (1956), Ch. 13

Happiness, Lie, World, Home

“Whatever is felt upon the page without being specifically named there — that, one might say, is created. It is the inexplicable presence of the thing not named, of the overtone divined by the ear but not heard by it, the verbal mood, the emotional aura of the fact or the thing or the deed, that gives high quality to the novel or the drama, as well as to poetry itself.”

Willa Cather (1873–1947) American writer and novelist

"The Novel Démeublé"; originally published in The New Republic (1922)
Not Under Forty (1936)

Mood

“Now the power of the imagination is a unifying power, hence the force of metaphor; and the poet is the supreme manipulator of metaphor… the world needs the unifying power of the imagination. The two things that give it best are poetry and religion.”

R.S. Thomas (1913–2000) Welsh poet

Selected Prose (1995), p. 131

World, Religion, Imagination

“Gertrude Stein, in her work, has always been possessed by the intellectual passion for exactitude in the description of the inner and outer reality. She has reproduced simplification by this concentration, and as a result the destruction of associational emotion in poetry and prose. She knows that beauty, music, decoration, the result of emotion should never be the cause, even events should never be the cause of emotion nor should they be the material of poetry or prose. Nor should emotion itself be the cause of poetry and prose. They should consist of an exact reproduction of either an outer or inner reality.”

Gertrude Stein book The Autobiography of Alice B. Toklas

Source: The Autobiography of Alice B. Toklas (1933), p. 259

Beauty, Music, Reality, Passion

“I mean to indicate the reading of poetry not merely for the sensual ear, but for the mind's ear as well; yet the mind's ear can be trained only by the other, and the matter, practically considered, comes inescapably back to the reading of poetry aloud.”

Yvor Winters (1900–1968) American poet and literary critic

The Audible Reading of Poetry (1951)

Reading, Training

“Third and finally, poetry originated as a form of vocal music. It began as a performative and auditory medium, linked to music and dance and associated with civic ceremony, religious ritual, and magic. (The earliest poetry almost certainly served a shamanistic function.) Most aboriginal cultures did not distinguish poetry from song because the arts were so interrelated as to be porous. Nor did the classical Greek or Chinese cultures two or three millennia ago differentiate poetry from song”

Dana Gioia (1950) American writer

10
Essays, Can Poetry Matter? (1991), Poetry as Enchantment (2015)

Art, Music, Dance

“The superiority of the woman was not a fancy but a fact. Man's business was to fight, or hunt, or feast or make love. The man was also the travelling partner in commerce, commonly absent from home for months together, while the woman carried on the business. The woman ruled the household and the workshop; cared for the economy; supplied the intelligence and dictated the taste. Her ascendancy was secured by her alliance with the Church, into which she sent her most intelligent children; and a priest or clerk, for the most part, counted socially as a woman. Both physically and mentally the woman was robust, as the men often complained, and she did not greatly resent being treated as a man. Sometimes the husband beat her, dragged her about by the hair, locked her up in the house; but he was quite conscious that she always got even with him in the end. As a matter of fact, probably she got more than even. On this point, history, legend, poetry, romance, and especially the popular Fabliaux,— invented to amuse the gross tastes of the coarser class,— are all agreed, and one could give scores of volumes illustrating it.”

Henry Adams (1838–1918) journalist, historian, academic, novelist

Mont Saint Michel and Chartres (1904)

Love, Men, Children, Making love

“There cannot be a greater error than to suppose that the poet does not feel what he writes. What an extraordinary, I might say, impossible view, is this to take of an art more connected with emotion than any of its sister sciences. What — the depths of the heart are to be sounded, its mysteries unveiled, and its beatings numbered by those whose own heart is made by this strange doctrine — a mere machine wound up by the clock-work of rhythm! No; poetry is even more a passion than a power, and nothing is so strongly impressed on composition as the character of the writer. I should almost define poetry to be the necessity of feeling strongly in the first instance, and the as strong necessity of confiding in the second.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Monthly Magazine

Art, Error, Feeling, Confidence

“Existence has little repose, and the cultivation and love of poetry require a detached spirit and a certain amount of leisure.”

Florence Earle Coates (1850–1927) American writer and poet

On poetry

Love

“Not the poem which we have read, but that to which we return, with the greatest pleasure, possesses the genuine power, and claims the name of essential poetry.”

Samuel Taylor Coleridge book Biographia Literaria

Source: Biographia Literaria (1817), Ch. I

Pleasure, Reading

“Let's begin by affirming that poetry has died.”

Giannina Braschi (1953) Puerto Rican writer

Empire of Dreams (prose poetry, 1988)

“The trouble with us in America isn't that the poetry of life has turned to prose, but that it has turned to advertising copy.”

Louis Kronenberger (1904–1980) American critic and writer

"The Spirit of the Age", p. 18.
Company Manners: A Cultural Inquiry into American Life (1954)

Life

“If your language lacks poetry and paradox, it’s unequal to the task of accounting for actuality. Otherwise anything radically new is literally unspeakable.”

Bob Black (1951) American anarchist

The Libertarian as Conservative (1984)

“I was invited to come here to speak about my idea of art, which is to enlarge the effectivity of art beyond the idea of art as coming out of art history — an art idea which contains the well-known disciplines like sculpture, architecture, painting, music, dancing, poetry and so on. I would like to declare why I feel that it's now necessary to establish a new kind of art, able to show the problems of the whole society, of every living being — and how this new discipline — which I call social sculpture — can realize the future of humankind. It could be a guarantee for the evolution of the earth as a planet, establish conditions for other planetarians too, and you can control it with your own thinking.”

Joseph Beuys (1921–1986) German visual artist

Source: 1970's, Joseph Beuys... Public Dialogue' 1974, p. 5; Lead paragraph of article

Art, Music, Feeling, History

“This vast land which Islam has dismembered in due course into the separate states of Afghanistan, Pakistan, Hindustan, and Bangladesh had been a single indivisible whole since times immemorial. Bharatavarsha had been termed by the ancients as the cradle of varNãšrama-dharma, witness to the wheel of the caturyugas, and the kShetra for chakravãrtya, spiritual as well as political. This historical memory and cultural tradition was alive as late as the imperial Guptas. Kalidasa had clothed it in immortal poetry in his far-famed RaghuvaMša.”

Sita Ram Goel book The Story of Islamic Imperialism in India

The Story of Islamic Imperialism in India (1994)

Memory, Time, Clothes

“Classical poetry counts on people's similarity. It regards idea associations as unequivocal. This is a mistake. In any case, it rests on a fulcrum of idea associations: 'Above the peaks is peace.'... The poet counts on poetic feelings. And what is a poetic feeling? The whole poetry of peace / quiet stands or falls on the reader's ability to feel. Words are not judged here.”

Kurt Schwitters (1887–1948) German artist

1920s
Source: 'Consistent Poetry Art', Schwitters' contribution to 'Magazine G', No. 3, 1924, ed. Hans Richter; as quoted in I is Style, ed. Siegfried Gohr & Gunda Luyken, (commissioned by Rudi Fuchs, director of the Stedelijk Museum Amsterdam), NAI Publishers, Rotterdam 2000, p. 151.

People, Peace, Feeling, Idea

“A culture is no better than its woods,” Auden writes. Fortunately for him, a book of poetry can be better than its poems. Two-thirds of The Shield of Achilles is non-Euclidean needlepoint, a man sitting on a chaise longue juggling four cups, four saucers, four sugar lumps, and the round-square: this is what great and good poets do when they don’t even bother to write great and good poems, now that they’ve learned that—it’s Auden’s leitmotif, these days—art is essentially frivolous. But a little of the time Auden is essentially serious, and the rest of the time he’s so witty, intelligent, and individual, so angelically skillful, that one reads with despairing enthusiasm, and enjoys Auden’s most complacently self-indulgent idiosyncrasy almost as one enjoys Sherlock Holmes’s writing Victoria Rex on the wall in bullet holes.”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

Kipling, Auden & Co: Essays and Reviews 1935-1964 (1980)

Books, Art, Angels, Intelligence

“Poetry is a process, a form of discovery, which if it serves a cause, transcends it.”

Michael Schmidt (poet) (1947) American poet

Reading Modern Poetry, London, 1989

“Excellent poetry, but not a good working philosophy. Goldsmith would have been right, if, in fact, the accumulation of wealth meant the decay of men. It is rare indeed that the men who are accumulating wealth decay. It is only when they cease production, when accumulation stops, that an irreparable decay begins. Wealth is the product of industry, ambition, character and untiring effort. In all experience, the accumulation of wealth means the multiplication of schools, the increase of knowledge, the dissemination of intelligence, the encouragement of science, the broadening of outlook, the expansion of liberties, the widening of culture. Of course, the accumulation of wealth cannot be justified as the chief end of existence. But we are compelled to recognize it as a means to well-nigh every desirable achievement. So long as wealth is made the means and not the end, we need not greatly fear it. And there never was a time when wealth was so generally regarded as a means, or so little regarded as an end, as today. Just a little time ago we read in your newspapers that two leaders of American business, whose efforts at accumulation had been most astonishingly successful, had given fifty or sixty million dollars as endowments to educational works. That was real news. It was characteristic of our American experience with men of large resources. They use their power to serve, not themselves and their own families, but the public. I feel sure that the coming generations, which will benefit by those endowments, will not be easily convinced that they have suffered greatly because of these particular accumulations of wealth.”

Calvin Coolidge (1872–1933) American politician, 30th president of the United States (in office from 1923 to 1929)

1920s, The Press Under a Free Government (1925)

Men, Education, Fear, School

“Self-expression is impossible in relation with other men; their self-expression interferes with it. The greatest heights of self-expression in poetry, music, painting – are achieved by men who are supremely alone.”

Colin Wilson book The Outsider

Source: The Outsider (1956), Chapter Eight, The Outsider as a Visionary

Men, Music, Painting

“…a man who sold meat but knew nothing of the poetry of the slaughterhouse…. Ted Arden was no ice-cream butcher.”

Anthony Burgess (1917–1993) English writer

Fiction, The Right to an Answer (1960)

“A true account of the actual is the rarest poetry, for common sense always takes a hasty and superficial view.”

Henry David Thoreau (1817–1862) 1817-1862 American poet, essayist, naturalist, and abolitionist

A Week on the Concord and Merrimack Rivers http://www.gutenberg.org/dirs/etext03/7cncd10.txt (1849), Thursday

Sense

“Shall I now ask these palette-slaves what poetry means, and in how many forms it appears to us? They want to chain her [poetry], just as they are tied up themselves to their master's palette, [or] to some part of the sacred history.... to a folktale.... a miraculous landscape.... or other pompous imaginations.”

Barend Cornelis Koekkoek (1803–1862) painter from the Northern Netherlands

(original Dutch, citaat van B.C. Koekkoek:) Zal ik nu deze palet-slaven vragen, wat poezij is, en onder hoe vele vormen zij zich aan ons vertoont of voordoet? Zij willen haar gekluisterd hebben, evenals zij aan het palet van hun meester gebonden zijn, aan het een of andere gedeelte der gewijde geschiedenis.. ..aan ene volkslegende.. ..een wonder vreemd landschap.. ..en meer andere hoogdravende voorstellingen.
Koekkoek refers to the German painters who rejected the Dutch (often more realistic) landscape-painters, as 'non-poetic' artists]
Source: Herinneringen aan en Mededeelingen van…' (1841), p. 28

Imagination, History, Appearance, Parting

“Poetry, as nearly as I can understand it, is a statement in words about a human experience, whether the experience be real or hypothetical, major or minor; but it is a statement of a particular kind. Words are symbols for concepts, and the philosopher or scientist endeavors as far as may be to use them with reference to nothing save their conceptual content. Most words, however, connote feelings and perceptions, and the poet, like the writer of imaginative prose, endeavors to use them with reference not only to their denotations but to their connotations as well. Such writers endeavor to communicate not only concepts, arranged, presumably, either in rational order or in an order of apprehensible by the rational mind, but the feeling or emotion which the rational content ought properly to arouse.”

Yvor Winters (1900–1968) American poet and literary critic

The Audible Reading of Poetry (1951)

Feeling, Imagination, Communication, Understanding

“Poetry merely descriptive of nature, however vivid, no longer seems enough for me, there has to be added to it, the human judgement, the human evaluation.”

John Gould Fletcher (1886–1950) American writer

Life is My Song, John Gould Fletcher, Autobiography, 1937

Nature

“Arguably the best version of Virgil in English poetry.”

Gavin Douglas (1474–1522) Scottish Churchman, Scholar, Poet

Douglas Gray, in W. F. Bolton (ed.) The Middle Ages (London: Sphere, 1970), p. 366.
About

“Rimbaud gave up poetry when it failed to change the world. Orwell at the end must have had his doubts about language, too, or he wouldn't have dreamed up Newspeak. Neither is remembered for his hard work at identity-making. Instead, the poet's name is worn by freaks, geeks and videodrones as if it were a logo on a T-shirt or a jet-propelled sneaker, and the novelist is propped up on a horse like the dead El Cid to frighten the Moorish hordes. They have both been turned into the standard-issue celebrity flacks of this empty, buzzing time, selling something other than themselves, unattached to honor, glory, kingship, sainthood or genius. They join a talk-show parade of the power-mad, the filthy rich and the serial killers, the softboiled fifteen-minute Warhol eggs, the rock musicians addled on cobra venom, the war criminals whose mothers never loved them and the starlets babbling on about their substance abuse, their child molestations, their anorexia and their liposuction. "I have never belonged to this race," said Rimbaud.”

John Leonard (1939–2008) American critic, writer, and commentator

"On Shooting at Elephants" http://www.thenation.com/doc/20001211/leonard, The Nation (27 November 2000)

Love, War, World, Dreams

“The Diary of Vaslav Nijinjsky reaches a limit of sincerity beyond any of the documents that we have referred to on this study. There are other modern works that express the same sense that civilized life is a form of living death; notably the poetry of T. S. Eliot and the novels of Franz Kafka; but there is an element of prophetic denunciation in both, the attitude of healthy men rebuking their sick neighbors. We possess no other record of the Outsider's problems that was written by a man about to be defeated and permanently smashed by those problems.”

Colin Wilson book The Outsider

Source: The Outsider (1956), p. 115

Life, Death, Men, Problem

“And you will ask: why doesn't his poetry
speak of dreams and leaves
and the great volcanoes of his native land?Come and see the blood in the streets.
Come and see
the bloods in the streets.
Come and see the blood
in the streets!”

Pablo Neruda (1904–1973) Chilean poet

Preguntaréis ¿por qué su poesía
no nos habla del sueño, de las hojas,
de los grandes volcanes de su país natal?Venid a ver la sangre por las calles,
venid a ver
la sangre por las calles,
venid a ver la sangre
por las calles!
Explico Algunos Cosas (I'm Explaining a Few Things or I Explain a Few Things), Tercera Residencia (Third Residence), IV, stanza 9.
Alternate translation by Donald D. Walsh:
You will ask: why does your poetry
not speak to us of of sleep, of the leaves,
of the great volcanoes of your native land?Come and se the blood in the streets,
come and see
the blood in the streets,
come and see the blood
in the streets!
Residencia en la Tierra (Residence on Earth) (1933)

Dreams

“Yet Dafydd's humour does not obscure, any more than Chaucer's does, the underlying seriousness of his poetry. Behind his poems of requited and unrequited love, whether idyllic or idealizing, whether streaked by savage jealousy or a profound feeling of betrayal reminiscent of Troilus and Criseyde, there runs a sense of the cruel impermanence of the world.”

Dafydd ap Gwilym (1320–1380) Welsh poet

Patrick Sims-Williams, in Boris Ford (ed.) Medieval Literature: The European Inheritance (Harmondsworth: Penguin, 1983) p. 302.
Criticism

Love, World, Jealousy, Feeling

“Every age has its own poetry; in every age the circumstances of history choose a nation, a race, a class to take up the torch by creating situations that can be expressed or transcended only through poetry.”

Jean Paul Sartre (1905–1980) French existentialist philosopher, playwright, novelist, screenwriter, political activist, biographer, and …

"Orphée Noir (Black Orpheus)"

Age, History

“The Mahomedan or Islamic culture hardly gave anything to the world which may be said to be of fundamental importance and typically its own; Islamic culture was mainly borrowed from others. Their mathematics and astronomy and other subjects were derived from India and Greece. It is true they gave some of these things a new turn, but they have not created much. Their philosophy and their religion are very simple and what they call Sufism is largely the result of gnostics who lived in Persia and it is the logical outcome of that school of thought largely touched by Vedanta…. I have, however, mentioned [in The Foundations of Indian Culture] that Islamic culture contributed the Indo-Saracenic architecture to Indian culture. I do not think it has done anything more in India of cultural value. It gave some new forms to art and poetry. Its political institutions were always semi-barbaric.”

Sri Aurobindo (1872–1950) Indian nationalist, freedom fighter, philosopher, yogi, guru and poet

September 12, 1923
India's Rebirth

World, School, Religion, Art

“My poetry is exacting a confession
from me: I will not keep the truth
from my song and the heartstringed instrument.”

Frank Chipasula (1949) Malawian writer

"Manifeston On Ars Poetica," lines 1-3.
Visions and Reflections (1972)

Truth

“Of all the arts poetry is the most intimate and personal.”

Florence Earle Coates (1850–1927) American writer and poet

On poetry

Art, Personality

“Poetry has ceased to be a public art and has become, as Whitehead said of religion, "What man does with his aloneness."”

Kenneth Rexroth (1905–1982) American poet, writer, anarchist, academic and conscientious objector

Tu Fu: Poems (p. 91)
Classics Revisited (1968)

Religion, Art

“We must not suppose any corporeal conjunction or marriage in the case — all which are merely the sportive fables of Poetry; but must hold the father and the producer of that Being as something most divine and super-eminent. Of such a nature is He who is above all things, around whom, and by reason of whom, all things do subsist. But Homer calls him by his father's name, "Hyperion," in order to show that he is independent, and not subjected to any constraint.”

Julian (emperor) (331–363) Roman Emperor, philosopher and writer

Upon the Sovereign Sun (362)

Marriage, Nature

“The sentiment that brings us here today is one of the noblest that can stir and thrill the human heart. It has crowned and made glorious the high places of all civilized nations with the grandest and most enduring works of art, designed to illustrate the characters and perpetuate the memories of great public men. It is the sentiment which from year to year adorns with fragrant and beautiful flowers the graves of our loyal, brave, and patriotic soldiers who fell in defense of the Union and liberty. It is the sentiment of gratitude and appreciation, which often, in the presence of many who hear me, has filled yonder heights of Arlington with the eloquence of eulogy and the sublime enthusiasm of poetry and song; a sentiment which can never die while the republic lives.”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

1870s, Oratory in Memory of Abraham Lincoln (1876)

Men, Beauty, Art, Flowers

“Shakespeare is the Spinosistic deity — an omnipresent creativeness. Milton is the deity of prescience; he stands ab extra, and drives a fiery chariot and four, making the horses feel the iron curb which holds them in. Shakspeare's poetry is characterless; that is, it does not reflect the individual Shakspeare; but John Milton himself is in every line of the Paradise Lost. Shakspeare's rhymed verses are excessively condensed, — epigrams with the point every where; but in his blank dramatic verse he is diffused, with a linked sweetness long drawn out.”

Samuel Taylor Coleridge (1772–1834) English poet, literary critic and philosopher

12 May 1830
Table Talk (1821–1834)

Feeling, Horse

“… "folk art" signifies the poetical, musical, and pictorial activities of those strata of the population which are uneducated and not urbanized or industrialized. It is of the essence of this art that those who keep it in being are not only passively receptive, but normally are creative participants in the artistic activities, and yet do not stand out as individuals or claim any personal authorship of the productions. "Popular art" on the other hand is to be understood as artistic or quasi-artistic production for the demand of a half-educated public, generally urban and inclined to mass-behavior. In folk art, producers and consumers are hardly distinguished, and the boundary between them is always fluid; in the case of popular art, we find on the contrary an artistically uncreative, completely passive public, and professional production of artistic goods strictly in response to the demand for them. It is indeed a striking fact that folk art, especially folk-poetry, emerges from the ranks of those who enjoy it, whereas popular songs—the street-ballads and popular "hits"—derive from professionals belonging to and spiritually dependent upon the upper classes.”

Arnold Hauser (1892–1978) Hungarian art historian

Arnold Hauser (1985). The philosophy of art history. p. 279

Education, Art, Music, Behavior

“Tis in the power of Poetry to insinuate into the inmost Recesses of the Mind, to touch any Spring that moves the Heart, to agitate the Soul with any sort of Affection, and transform it into any Shape or Posture it thinks fit.”

Richard Blackmore (1654–1729) English poet and physician

Preface to Prince Arthur (1695)

Soul, Spring, Thinking, Heart

“I often think that Aniela does me a great wrong, not to say that she calls things by wrong names. She considers my love a mere earthly feeling, an infatuation of the senses. I do not deny that it is composed of various threads, but there are among them some as purely ideal as if spun of poetry. Very often my senses are lulled to sleep, and I love her as one loves only in early youth. Then the second self within me mocks, and says derisively: "I had no idea you could love like a schoolboy or a romanticist!"”

Henryk Sienkiewicz book Without Dogma

Yet such is the fact. I may be ridiculous, but I love her thus, and it is not an artificial feeling.
12 July
Without Dogma (1891)

Love, Youth, Feeling, Idea

“The motto of his [Robinson Jeffers’s] work is “More! More!”—but as Tolstoy says, “A wee bit omitted, overemphasized, or exaggerated in poetry, and there is no contagion”; and Frost, bearing him out, says magnificently: “A very little of anything goes a long way in a work of art.””

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

“Fifty Years of American Poetry”, pp. 322–323
The Third Book of Criticism (1969)

Art, Way

“Old-fashioned poetry, but choicely good.”

Izaak Walton book The Compleat Angler

Part I, ch. 4.
The Compleat Angler (1653-1655)

Fashion

“We traveled long and forgot why poetry was invented.”

Dejan Stojanovic (1959) poet, writer, and businessman

Song within a Song http://www.poemhunter.com/poem/song-within-a-song/ From the poems written in English

Travel

“Akhmatova's seeming successor as the best living Russian poet is Voznesensky. His talent is dazzling. He has the gift of fresh, witty perception, works with unusual images and modern rhythms. His poetry is marvelously dynamic.”

Andrey Voznesensky (1933–2010) Soviet poet

Olga Carlisle in The New York Times, September 11, 1966.
Criticism

“Birth is the start of loneliness and loneliness the start of poetry…”

Erica Jong (1942) Novelist, poet, memoirist, critic

Becoming Light: Poems New and Selected (1991)

Birth, Loneliness

“The greatest of the Minnesinger, all of whom he surpasses both in the range and in the humanity of his poetry.”

Walther von der Vogelweide (1170–1230) Middle High German lyric poet

A. T. Hatto, in Gottfried von Strassburg (trans. A. T. Hatto) Tristan (Harmondsworth: Penguin, 1975) p. 368.
Praise

“Most wretched men
Are cradled into poetry by wrong;
They learn in suffering what they teach in song.”

Percy Bysshe Shelley (1792–1822) English Romantic poet

Source: Julian and Maddalo http://www.bartleby.com/139/shel115.html (1819), l. 543

Men, Suffering, Learning

“It might come as a surprise to many, but the truth is that Islam today no longer has a living and evolving theology. In fact, with few exceptions, Islam’s last genuine theologians belong to the early part of the 19th century. Go to any mosque anywhere, whether it is in New York or Mecca, and you are more likely to hear a political sermon rather than a theological reflection. In the highly politicized version of Islam promoted by Da’esh, al Qaeda, the Khomeinists in Iran, the Taliban in Afghanistan and Boko Haram in Nigeria, God plays a cameo role at best. Deprived of its theological moorings, today’s Islam is a wayward vessel under the captaincy of ambitious adventurers leading it into sectarian feuds, wars and terrorism. Many, especially Muslims in Europe and North America, use it as a shibboleth defining identity and even ethnicity. A glance at Islam’s history in the past 200 years highlights the rapid fading of theologians. Today, Western scholars speak of Wahhabism as if that meant a theological school. In truth, Muhammad Abdul-Wahhabi was a political figure. His supposedly theological writings consist of nine pages denouncing worship at shrines of saints. Nineteenth-century “reformers” such as Jamaleddin Assadabadi and Rashid Rada were also more interested in politics than theology. The late Ayatollah Khomeini, sometimes regarded as a theologian, was in fact a politician wearing clerical costume. His grandson has collected more than 100,000 pages of his writings and speeches and poetry. Of these, only 11 pages, commenting on the first and shortest verse of the Koran, could be regarded as dabbling in theology, albeit not with great success.”

Amir Taheri (1942) Iranian journalist

"The mad dream of a dead empire that unites Islamic rebels" http://nypost.com/2014/06/14/the-mad-dream-of-a-dead-empire-that-unites-islamic-rebels/, New York Post (June 14, 2014). New York Post

God, War, Truth, School

“The imagination, which is the source of poetry, has in every country been the beginning as well as the ornament of civilization. It civilizes because it refines.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Monthly Magazine

Imagination, Country